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| caption = by [[Special Branch (Metropolitan Police)|Special Branch]] {{Circa|1912}}
| caption = by [[Special Branch (Metropolitan Police)|Special Branch]] {{Circa|1912}}
| birth_name =
| birth_name =
| birth_date = 1882/3<!-- {{Birth date and age|df=yes|YYYY|MM|DD}} or {{Birth-date and age|df=yes|Month DD, YYYY}} -->
| birth_date = 1882/3<!-- {{Birth date and age|df=yes|YYYY|MM|DD}} or {{Birth-date and age|Month DD, YYYY}} -->
| birth_place =
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| death_date = {{Death date|df=yes|1961|11|07}}
| death_date = {{Death date|df=yes|1961|11|07}}
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| nationality = British
| nationality = British
| other_names =
| other_names =
| occupation = Journalist
| occupation = Independent wealth
| known_for = Slashing the ''[[Rokeby Venus]]''
| known_for = Slashing the ''[[Rokeby Venus]]''
}}
}}
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She was one of the first two women [[force-feeding|force-fed]] for [[Hunger strike|hunger-striking]], then released to recover and be re-arrested under the 1913 [[Cat and Mouse Act]], Prisoners (Temporary Discharge for Ill Health) Act 1913, serving her sentences in [[HM Prison Holloway]]. {{sfn|Kean|2009}} Richardson was given the [[Hunger Strike Medal]] 'for Valour' by WSPU, and was proud of being awarded more [[Medal bar|bars]] for strikes than anyone else.<ref>{{cite web| title=MARY RALEIGH RICHARDSON The suffragette arsonist who slashed the Rokeby Venus, by Helena Wojtczak (book announcement, 2024)| publisher=THE HASTINGS PRESS | url=http://www.hastingspress.co.uk/mrr.html | access-date=Nov 12, 2023}}</ref>
She was one of the first two women [[force-feeding|force-fed]] for [[Hunger strike|hunger-striking]], then released to recover and be re-arrested under the 1913 [[Cat and Mouse Act]], Prisoners (Temporary Discharge for Ill Health) Act 1913, serving her sentences in [[HM Prison Holloway]]. {{sfn|Kean|2009}} Richardson was given the [[Hunger Strike Medal]] 'for Valour' by WSPU, and was proud of being awarded more [[Medal bar|bars]] for strikes than anyone else.<ref>{{cite web| title=MARY RALEIGH RICHARDSON The suffragette arsonist who slashed the Rokeby Venus, by Helena Wojtczak (book announcement, 2024)| publisher=THE HASTINGS PRESS | url=http://www.hastingspress.co.uk/mrr.html | access-date=Nov 12, 2023}}</ref>


Richardson recovered at the cottage of [[Lillian Dove-Willcox]] in the Wye valley. She was devoted to Dove-Willcox and wrote poetry about her love for her.<ref>{{Cite web|url=https://womanandhersphere.com/tag/lillian-dove-willcox/|title=lillian dove-willcox {{!}} Woman and her Sphere|website=womanandhersphere.com|language=en|access-date=2018-04-05}}</ref>
After one of her hunger strikes Richardson recovered at the cottage of [[Lillian Dove-Willcox]] in the Wye valley. She was devoted to Dove-Willcox and wrote the poem ''The Translation of the Love I Bear Lillian Dove''.<ref>{{Cite web|url=https://womanandhersphere.com/tag/lillian-dove-willcox/|title=Suffrage Stories: What Links Charles Dickens, The Rokeby Venus And The Number 38 Bus?|website=womanandhersphere.com|date=2014-06-23}}</ref>


=== Damaging the ''Rokeby Venus'' ===
=== Damaging the ''Rokeby Venus'' ===
[[File:Richardson-Venus.png|thumb|Damage done to the ''Rokeby Venus'' by Mary Richardson's attack. The canvas was later fully restored.{{sfn |Potterton | 1977 | p=15}}]]
[[File:Richardson-Venus.png|thumb|Damage done to the ''Rokeby Venus'' by Mary Richardson's attack. The canvas was later fully restored.{{sfn |Potterton | 1977 | p=15}}]]
[[File:Арешт суфражистки Річардсон (1914).jpg|thumb|Arrest of Mary Richardson after attack]]


On 10 March 1914 Richardson entered the [[National Gallery]] in London to attack a painting by [[Diego Velázquez|Velázquez]], the ''[[Rokeby Venus]]'', using a chopper she smuggled into the gallery.<ref name="Women's History Timeline">{{Cite web|url=https://www.bbc.co.uk/radio4/womanshour/timeline/1910.shtml|title=BBC Radio 4 - Woman's Hour - Women's History Timeline: 1910 - 1919|website=www.bbc.co.uk}}</ref> She wrote a brief statement explaining her actions to the WSPU which was published by the press:{{sfn | Gamboni | 2013 | p=94}}{{quote|
On 10 March 1914 Richardson entered the [[National Gallery]] in London to attack a painting by [[Diego Velázquez|Velázquez]], the ''[[Rokeby Venus]]'', using a chopper she smuggled into the gallery.<ref name="Women's History Timeline">{{Cite web|url=https://www.bbc.co.uk/radio4/womanshour/timeline/1910.shtml|title=BBC Radio 4 - Woman's Hour - Women's History Timeline: 1910 - 1919|website=www.bbc.co.uk}}</ref> She wrote a brief statement explaining her actions to the WSPU which was published by the press:{{sfn|Gamboni|2013|p=94}}{{quote|


"I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs [[Emmeline Pankhurst|Pankhurst]], who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."|source={{cite news The Times|date=11 March 1914|title=Miss Richardson's Statement}}
"I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs [[Emmeline Pankhurst|Pankhurst]], who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."|source={{cite news The Times|date=11 March 1914|title=Miss Richardson's Statement}}
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In 1930, she adopted a young baby boy, named Roger Robert, to whom she gave her surname.
In 1930, she adopted a young baby boy, named Roger Robert, to whom she gave her surname.


Richardson published her autobiography, ''Laugh a Defiance'', in 1953.
Richardson published her autobiography, ''[[iarchive:bwb_W7-DDF-869/|Laugh a Defiance]]'', in 1953.
She died at her flat in [[Hastings]] on 7 November 1961.{{sfn|Kean|2009}}
She died at her flat in [[Hastings]] on 7 November 1961.{{sfn|Kean|2009}}



Revision as of 11:40, 23 February 2024

Mary Richardson
by Special Branch c. 1912
Born1882/3
Died(1961-11-07)7 November 1961
Hastings, East Sussex, England
NationalityBritish
OccupationIndependent wealth
Known forSlashing the Rokeby Venus

Mary Raleigh Richardson (1882/3 – 7 November 1961) was a Canadian suffragette active in the women's suffrage movement in the United Kingdom, an arsonist, a socialist parliamentary candidate and later head of the women's section of the British Union of Fascists (BUF) led by Sir Oswald Mosley.

Life

She grew up in Belleville, Ontario, Canada. In 1898, she travelled to Paris and Italy. She lived in Bloomsbury, London, England, and witnessed Black Friday in London in 1910.[1]

Richardson published a novel, Matilda and Marcus (1915), and three volumes of poetry, Symbol Songs (1916), Wilderness Love Songs (1917), and Cornish Headlands (1920).[1]

Militant actions

At the beginning of the 20th century,[timeframe?] the suffragette movement, frustrated by a failure to achieve equal voting rights for women,[where? ] began adopting increasingly militant tactics. In particular, the Women's Social and Political Union (WSPU), led by Emmeline Pankhurst, frequently endorsed the use of property destruction to bring attention to the issue of women's suffrage. Richardson was a devoted supporter of Pankhurst and a member of the WSPU. Richardson joined Helen Craggs at the Women's Press shop and told her of the abuse from men (obscene remarks) and customers tearing up materials.[2]

Richardson claimed to be at the Epsom races on Derby Day, 4 June 1913, when Emily Davison jumped in front of the King's horse. Emily Davison died in Epsom Cottage Hospital; Mary Richardson was reportedly chased and beaten by an angry mob but was given refuge in Epsom Downs station by a railway porter.[3][4]

She committed a number of acts of arson, smashed windows at the Home Office and bombed a railway station. She was arrested nine times, receiving prison terms totalling more than three years.[5][4]

She was one of the first two women force-fed for hunger-striking, then released to recover and be re-arrested under the 1913 Cat and Mouse Act, Prisoners (Temporary Discharge for Ill Health) Act 1913, serving her sentences in HM Prison Holloway. [1] Richardson was given the Hunger Strike Medal 'for Valour' by WSPU, and was proud of being awarded more bars for strikes than anyone else.[6]

After one of her hunger strikes Richardson recovered at the cottage of Lillian Dove-Willcox in the Wye valley. She was devoted to Dove-Willcox and wrote the poem The Translation of the Love I Bear Lillian Dove.[7]

Damaging the Rokeby Venus

Damage done to the Rokeby Venus by Mary Richardson's attack. The canvas was later fully restored.[8]

On 10 March 1914 Richardson entered the National Gallery in London to attack a painting by Velázquez, the Rokeby Venus, using a chopper she smuggled into the gallery.[9] She wrote a brief statement explaining her actions to the WSPU which was published by the press:[10]

"I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs Pankhurst, who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."

— "Miss Richardson's Statement". The Times. London. 11 March 1914.
General election 1922: Acton[11]
Party Candidate Votes % ±%
Unionist Harry Brittain 10,208 49.9 −23.4
Labour Mary Richardson 5,342 26.2 −0.5
Liberal Neville Dixey 4,877 23.9 N/A
Majority 4,866 23.7 −22.9
Turnout 20,427 67.1 +13.2
Registered electors 30,425
Unionist hold Swing −11.5

Member of British Union of Fascists

In 1932, after forming the belief that fascism was the "only path to a 'Greater Britain,'" Richardson joined the British Union of Fascists (BUF), led by Sir Oswald Mosley. She claimed that "I was first attracted to the Blackshirts because I saw in them the courage, the action, the loyalty, the gift of service and the ability to serve which I had known in the suffragette movement".[12] Richardson rose quickly through the BUF ranks and by 1934 was Chief Organiser for the Women's Section of the party. She left within two years after becoming disillusioned with the sincerity of its policy on women.[13]

Two other prominent suffragette leaders to attain high office in the BUF were Norah Elam[14] and Commandant Mary Sophia Allen.[15]

Later life

In 1930, she adopted a young baby boy, named Roger Robert, to whom she gave her surname.

Richardson published her autobiography, Laugh a Defiance, in 1953. She died at her flat in Hastings on 7 November 1961.[1]

See also

References

Citations

Sources

Further reading

  • Bostridge, Mark. The Fateful Year. England 1914. Viking, 2014. Chapter on 'The Slashing of the Rokeby Venus'.
  • Nead, Lynda. The Female Nude: Art, Obscenity, and Sexuality. Routledge, 1992. ISBN 0-415-02677-6
  • Prater, Andreas. Venus at Her Mirror: Velázquez and the Art of Nude Painting. Prestel, 2002. ISBN 3-7913-2783-6