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{{Short description|American composer (1946–2022)}}
'''Bo Harwood''' is an award-winning American [[audio mixing (film and television)|sound mixer]], [[sound editor]], [[sound engineer]], [[music supervisor]], [[composer]], and [[songwriter]]. Harwood's sound work gained attention in the 1970s after his work on films directed by [[John Cassavetes]]. In the 1990s and 2000s, Harwood worked primarily as a mixer for several television series, including ''[[Felicity]]'', and ''[[Six Feet Under (TV series)|Six Feet Under]]''.
'''Benjamin Harwood Jr.''' (March 6, 1946 – September 1, 2022), better known as '''Bo Harwood''', was an American [[audio mixing (film and television)|sound mixer]], [[audio engineering|sound editor]], [[sound engineer]], [[music supervisor]], composer, and songwriter. Harwood's sound work gained attention in the 1970s after his work on films directed by [[John Cassavetes]]. In the 1990s and 2000s, Harwood worked primarily as a mixer for several television series, including ''[[Felicity (TV series)|Felicity]]'' and ''[[Six Feet Under (TV series)|Six Feet Under]]''.


==Film work==
==Film work==
In 1966, Bo Harwood was the lead singer and guitarist in a rock band. His first feature film score was for 1969's ''[[The Beach Train]]''.<ref>http://www.last.fm/music/Bo+Harwood</ref>
In 1966, Bo Harwood was the lead singer and guitarist in a rock band. His first feature film score was for 1969's ''[[The Bach Train]]''.<ref>{{Cite web|url=http://www.last.fm/music/Bo+Harwood|title = Bo Harwood music, videos, stats, and photos| date=21 November 2023 }}</ref>


===The Cassavetes films===
===The Cassavetes films===
Harwood began working with Cassavetes doing "a little editing" on ''[[Husbands (film)|Husbands]]'' (1970), and "a little sound editing" on ''[[Minnie and Moskowitz]]'' (1971).<ref>Ray Carney, ''Cassavetes on Cassavetes'', Faber and Faber Ltd., 2001: p. 349.</ref> During the making of 1974's ''[[A Woman Under the Influence]]'', Cassavetes fired the sound engineer, and offered the position to Harwood, who at the time had no experience with sound recording. Harwood accepted, though he is only credited as the composer for the film.<ref>Peter Rinaldi, ''[http://www.theboutrosboutrosfollies.com/2009/04/sin-e-file-bo-harwood.html SIN-E-FILE (Bo Harwood)]'', ''The Boutros Boutros Follies'', 28 April 2009. Accessed on 7 January 2010.</ref>
Harwood began working with Cassavetes doing "a little editing" on ''[[Husbands (film)|Husbands]]'' (1970), and "a little sound editing" on ''[[Minnie and Moskowitz]]'' (1971).<ref>Ray Carney, ''Cassavetes on Cassavetes'', Faber and Faber Ltd., 2001: p. 349.</ref> Before the production of 1974's ''[[A Woman Under the Influence]]'', Cassavetes approached Harwood with the idea that he be the sound mixer as well as composer on the film. Harwood, who at the time had no experience with sound recording was hesitant but Cassavetes prevailed. He is credited as the composer (Music) and as the mixer (Sound) on the film.<ref>Peter Rinaldi, ''[http://www.theboutrosboutrosfollies.com/2009/04/sin-e-file-bo-harwood.html SIN-E-FILE (Bo Harwood)] {{Webarchive|url=https://web.archive.org/web/20110716223132/http://www.theboutrosboutrosfollies.com/2009/04/sin-e-file-bo-harwood.html |date=2011-07-16 }}'', ''The Boutros Boutros Follies'', 28 April 2009. Accessed on 7 January 2010.</ref>


Harwood composed music for three more Cassavetes films, and was credited as "[[Sound design#Film|Sound]]" for two of them. During these projects, Harwood wrote several songs, some which he co-wrote with Cassavetes, only a few of which were eventually used in the films, such as "Morning Fields of Frost and Magic," which can be heard in the audition scene of ''[[The Killing of a Chinese Bookie]]''.
Harwood composed music for three more Cassavetes films, and was credited as "[[Sound design#Film|Sound]]" for two of them. During these projects, Harwood wrote several songs, some which he co-wrote with Cassavetes, only a few of which were eventually used in the films, such as "Morning Fields of Frost and Magic," which can be heard in the audition scene of ''[[The Killing of a Chinese Bookie]]''.


During his work with Cassavetes, Harwood claimed that the notoriously unpredictable director preferred to use the "scratch track" version of his compositions, rather than to let Harwood refine and re-record them with an orchestra. Some of these scratch tracks were recorded in Cassavetes office, with piano or guitar, as demos, and then eventually ended up in the final film. Though Harwood was sometimes surprised and embarassed by this, the technique matched the raw, unpolished feel that marks most aspects of Cassavetes' films.<ref>Ray Carney, ''Cassavetes on Cassavetes'', Faber and Faber Ltd., 2001: p. 349-350.</ref>
During his work with Cassavetes, Harwood claimed that the notoriously unpredictable director preferred to use the "scratch track" version of his compositions, rather than to let Harwood refine and re-record them with an orchestra. Some of these scratch tracks were recorded in Cassavetes office, with piano or guitar, as demos, and then eventually ended up in the final film. Though Harwood was sometimes surprised and embarrassed by this, the technique matched the raw, unpolished feel that marks most aspects of Cassavetes' films.<ref>Ray Carney, ''Cassavetes on Cassavetes'', Faber and Faber Ltd., 2001: p. 349-350.</ref>


On the Criterion Collection DVD version of [[A Woman Under the Influence]], Bo Harwood, cameraman Mike Ferris do a commentary to the movie, discussing much of their interpretations of the film and their history with Cassavetes.
The relationship seems to have ended amicably. When asked by documentarian Michael Ventura, during the making of Cassavetes' last film ''[[Love Streams]]'', what he had learned from working with Cassavetes, Harwood wistfully replied:
<blockquote>I learned a lot through John. I've done a lot of editing for him. [[film editing|Picture editing]], sound editing, music editing, [[sound engineering|shot sound]], composed score, and I've learned a lot about integrity...I think you know what I mean. You know, thirty years from now, I can say I rode with [[Billy the Kid]]."<ref>Michael Ventura, ''[http://www.youtube.com/watch?v=55hiwOeF5EM&feature=related I'm Almost Not Crazy:John Cassavetes- the Man and His Work]'', 1984.</ref></blockquote>


Bo's relationship ended only with the death of Cassavetes in 1989. When asked by documentarian Michael Ventura, during the making of Cassavetes' last film ''[[Love Streams (film)|Love Streams]]'', what he had learned from working with Cassavetes, Harwood wistfully replied:
==More recent work==
<blockquote>I learned a lot through John. I've done a lot of editing for him. [[film editing|Picture editing]], sound editing, music editing, [[sound engineering|shot sound]], composed score, and I've learned a lot about integrity...I think you know what I mean. You know, thirty years from now, I can say I rode with [[Billy the Kid]]."<ref>Michael Ventura, ''[https://www.youtube.com/watch?v=55hiwOeF5EM I'm Almost Not Crazy:John Cassavetes- the Man and His Work]'', 1984.</ref></blockquote>
Starting in 1986, with ''[[Pee-wee's Playhouse]]'', Bo Harwood has done work mixing sound for several television series, including ''[[My So-Called Life]]'', ''[[Malcolm in the Middle]]'', and a couple of episodes of ''[[Entourage (TV series)|Entourage]]''.


==Later work==
Harwood, along with two other musicians, was involved in a music group named "TRIO".<ref>http://www.last.fm/music/Bo+Harwood</ref>
Starting in 1986, with ''[[Pee-wee's Playhouse]]'', Bo Harwood has done work mixing sound for several television series, including ''[[My So-Called Life]]'', ''[[Malcolm in the Middle]]'', and a couple of episodes of ''[[Entourage (U.S. TV series)|Entourage]]''.


Harwood, along with two other musicians, was involved in a music group named "TRIO".<ref>{{Cite web|url=http://www.last.fm/music/Bo+Harwood|title = Bo Harwood music, videos, stats, and photos| date=21 November 2023 }}</ref>
==Selected work in Film and Television==


==Personal life and death==
Harwood was born in [[Los Angeles, California]], on March 6, 1946, to Benjamin Harwood Sr., and Jeanne Elaine Yourell Harwood. He died on September 1, 2022, at the age of 76.<ref>{{cite web |title=Bo Harwood obituary |url=https://montrealgazette.remembering.ca/obituary/bo-harwood-1086407229 |website=Montreal Gazette |access-date=8 October 2022}}</ref><ref>{{cite news |last1=Sneider |first1=Jeff |title=Veteran Sound Expert Bo Harwood, Who Won an Emmy for Pee-wee's Playhouse, Dies at 76 |url=https://www.btlnews.com/community/obits/bo-harwood-dead-sound-expert-obituary/ |access-date=8 October 2022 |publisher=Below the Line |date=7 October 2022}}</ref>

==Selected work in film and television==
{{Col-begin}}
{{Col-begin}}
{{Col-break|width=50%}}
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*Composer for ''[[I'm Calling Frank]]'' (2007)
*Composer for ''[[I'm Calling Frank]]'' (2007)
*Sound Mixer for ''[[Entourage (TV series)|Entourage]]'' (2 episodes) (2006)
*Sound Mixer for ''[[Entourage (U.S. TV series)|Entourage]]'' (2 episodes) (2006)
*Sound for ''[[In Order of Appearance]]'' (2005)
*Sound for ''[[In Order of Appearance]]'' (2005)
*Sound Mixer for ''[[Six Feet Under (TV series)|Six Feet Under]]'' (26 episodes) (2003-2005)
*Sound Mixer for ''[[Six Feet Under (TV series)|Six Feet Under]]'' (26 episodes) (2003–2005)
*Production Sound Mixer for ''[[Felicity]]'' (61 episodes) (1998-2002)
*Production Sound Mixer for ''[[Felicity (TV series)|Felicity]]'' (61 episodes) (1998–2002)
*Production Sound Mixer for ''[[Malcom in the Middle]]'' (pilot) (2000)
*Production Sound Mixer for ''[[Malcolm in the Middle]]'' (pilot) (2000)
*Sound for ''[['Til There Was You]]'' (1997)
*Sound for ''[['Til There Was You]]'' (1997)
*Production Sound Mixer for ''[[My So-Called Life]]'' (19 episodes) (1994-1995)
*Production Sound Mixer for ''[[My So-Called Life]]'' (19 episodes) (1994–1995)
*Sound for ''[[Night of the Demons 2]]'' (1994)
*Sound for ''[[Night of the Demons 2]]'' (1994)


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*Composer for ''[[Love Streams]]'' (1984)
*Composer for ''[[Love Streams (film)|Love Streams]]'' (1984)
*Composer for ''[[Happy Birthday to Me]]'' (1981)
*Composer for ''[[Happy Birthday to Me (film)|Happy Birthday to Me]]'' (1981)
*Composer for ''Ups & Downs'' (1981) (aka Prep School) (USA: video title)
*Composer for ''[[Ups and Downs (1983 film)|Ups and Downs]]'' (1983)
*Sound for ''[[My Bloody Valentine (film)|My Bloody Valentine]]'' (1981)
*Sound for ''[[My Bloody Valentine (film)|My Bloody Valentine]]'' (1981)
*Sound Mixer for ''[[Terror Train]]'' (1980)
*Sound Mixer for ''[[Terror Train]]'' (1980)
*Composer and Sound for ''[[Opening Night]]'' (1977)
*Composer and Sound for ''[[Opening Night (1977 film)|Opening Night]]'' (1977)
*Composer and Sound for ''[[The Killing of a Chinese Bookie]]'' (1976)
*Composer and Sound for ''[[The Killing of a Chinese Bookie]]'' (1976)
*Composer (and uncredited Sound) for ''[[A Woman Under the Influence]]'' (1974)
*Composer (and uncredited Sound) for ''[[A Woman Under the Influence]]'' (1974)
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*[[Daytime Emmy Award]] for "Outstanding Achievement in Film Sound Mixing", ''[[Pee-wee's Playhouse]]'' (1991) – WON
*[[Daytime Emmy Award]] for "Outstanding Achievement in Film Sound Mixing", ''[[Pee-wee's Playhouse]]'' (1991) – WON
*[[Genie Award]] for "Best Original Song", ''Ups & Downs'' (1984) - WON
*[[Genie Award]] for "Best Original Song", ''Ups & Downs'' (1984) - WON
*[[Genie Award]] for "Best Achievement in Music Score",''[[Happy Birthday to Me]]'' (1982) - NOMINATED
*[[Genie Award]] for "Best Achievement in Music Score",''[[Happy Birthday to Me (film)|Happy Birthday to Me]]'' (1982) - NOMINATED
*[[Genie Award]] for "Best Achivement in Overall Sound", ''[[Terror Train]]'' (1981) - NOMINATED
*[[Genie Award]] for "Best Achievement in Overall Sound", ''[[Terror Train]]'' (1981) - NOMINATED


==References==
==References==
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== External links ==
== External links ==
*{{imdb|0367802}}
*{{IMDb name|0367802}}
*[http://my.barackobama.com/page/community/blog/boharwood Bo Harwood discusses microphones at Obama rallies (14 October 2008)]
*[https://web.archive.org/web/20120918184932/https://my.barackobama.com/page/community/blog/boharwood Bo Harwood discusses microphones at Obama rallies (14 October 2008)]

{{Authority control}}


{{DEFAULTSORT:Harwood, Bo}}
{{DEFAULTSORT:Harwood, Bo}}
[[Category:American composers]]
[[Category:1946 births]]
[[Category:Living people]]
[[Category:2022 deaths]]
[[Category:21st-century American composers]]
[[Category:21st-century American male musicians]]
[[Category:American audio engineers]]
[[Category:American audio engineers]]
[[Category:American male composers]]

[[Category:Best Original Song Genie and Canadian Screen Award winners]]

{{US-composer-stub}}

Latest revision as of 03:37, 21 May 2024

Benjamin Harwood Jr. (March 6, 1946 – September 1, 2022), better known as Bo Harwood, was an American sound mixer, sound editor, sound engineer, music supervisor, composer, and songwriter. Harwood's sound work gained attention in the 1970s after his work on films directed by John Cassavetes. In the 1990s and 2000s, Harwood worked primarily as a mixer for several television series, including Felicity and Six Feet Under.

Film work[edit]

In 1966, Bo Harwood was the lead singer and guitarist in a rock band. His first feature film score was for 1969's The Bach Train.[1]

The Cassavetes films[edit]

Harwood began working with Cassavetes doing "a little editing" on Husbands (1970), and "a little sound editing" on Minnie and Moskowitz (1971).[2] Before the production of 1974's A Woman Under the Influence, Cassavetes approached Harwood with the idea that he be the sound mixer as well as composer on the film. Harwood, who at the time had no experience with sound recording was hesitant but Cassavetes prevailed. He is credited as the composer (Music) and as the mixer (Sound) on the film.[3]

Harwood composed music for three more Cassavetes films, and was credited as "Sound" for two of them. During these projects, Harwood wrote several songs, some which he co-wrote with Cassavetes, only a few of which were eventually used in the films, such as "Morning Fields of Frost and Magic," which can be heard in the audition scene of The Killing of a Chinese Bookie.

During his work with Cassavetes, Harwood claimed that the notoriously unpredictable director preferred to use the "scratch track" version of his compositions, rather than to let Harwood refine and re-record them with an orchestra. Some of these scratch tracks were recorded in Cassavetes office, with piano or guitar, as demos, and then eventually ended up in the final film. Though Harwood was sometimes surprised and embarrassed by this, the technique matched the raw, unpolished feel that marks most aspects of Cassavetes' films.[4]

On the Criterion Collection DVD version of A Woman Under the Influence, Bo Harwood, cameraman Mike Ferris do a commentary to the movie, discussing much of their interpretations of the film and their history with Cassavetes.

Bo's relationship ended only with the death of Cassavetes in 1989. When asked by documentarian Michael Ventura, during the making of Cassavetes' last film Love Streams, what he had learned from working with Cassavetes, Harwood wistfully replied:

I learned a lot through John. I've done a lot of editing for him. Picture editing, sound editing, music editing, shot sound, composed score, and I've learned a lot about integrity...I think you know what I mean. You know, thirty years from now, I can say I rode with Billy the Kid."[5]

Later work[edit]

Starting in 1986, with Pee-wee's Playhouse, Bo Harwood has done work mixing sound for several television series, including My So-Called Life, Malcolm in the Middle, and a couple of episodes of Entourage.

Harwood, along with two other musicians, was involved in a music group named "TRIO".[6]

Personal life and death[edit]

Harwood was born in Los Angeles, California, on March 6, 1946, to Benjamin Harwood Sr., and Jeanne Elaine Yourell Harwood. He died on September 1, 2022, at the age of 76.[7][8]

Selected work in film and television[edit]

Awards[edit]

References[edit]

  1. ^ "Bo Harwood music, videos, stats, and photos". 21 November 2023.
  2. ^ Ray Carney, Cassavetes on Cassavetes, Faber and Faber Ltd., 2001: p. 349.
  3. ^ Peter Rinaldi, SIN-E-FILE (Bo Harwood) Archived 2011-07-16 at the Wayback Machine, The Boutros Boutros Follies, 28 April 2009. Accessed on 7 January 2010.
  4. ^ Ray Carney, Cassavetes on Cassavetes, Faber and Faber Ltd., 2001: p. 349-350.
  5. ^ Michael Ventura, I'm Almost Not Crazy:John Cassavetes- the Man and His Work, 1984.
  6. ^ "Bo Harwood music, videos, stats, and photos". 21 November 2023.
  7. ^ "Bo Harwood obituary". Montreal Gazette. Retrieved 8 October 2022.
  8. ^ Sneider, Jeff (7 October 2022). "Veteran Sound Expert Bo Harwood, Who Won an Emmy for Pee-wee's Playhouse, Dies at 76". Below the Line. Retrieved 8 October 2022.

External links[edit]