Francesco Vecellio: Difference between revisions
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==References== |
==References== |
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*{{cite book| first=Michael| last=Bryan| year=1889| title=Dictionary of Painters and Engravers, Biographical and Critical |volume = II L-Z| editor = Walter Armstrong & Robert Edmund Graves| page= 639| publisher=George Bell and Sons|location=London |
*{{cite book| first=Michael| last=Bryan| year=1889| title=Dictionary of Painters and Engravers, Biographical and Critical |volume = II L-Z| editor = Walter Armstrong & Robert Edmund Graves| page= 639| publisher=George Bell and Sons|location=London|id= |url=http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1| authorlink=}} |
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*{{cite book | first= Sydney J.| last= Freedberg| year=1993| title= Painting in Italy, 1500-1600| chapter= | editor= Pelican History of Art| others= | pages= 345–346 |publisher=Penguin Books| id= | url= | authorlink= }} |
*{{cite book | first= Sydney J.| last= Freedberg| year=1993| title= Painting in Italy, 1500-1600| chapter= | editor= Pelican History of Art| others= | pages= 345–346 |publisher=Penguin Books| id= | url= | authorlink= }} |
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[[Category:Renaissance painters]] |
[[Category:Renaissance painters]] |
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[[Category:16th-century Italian people]] |
[[Category:16th-century Italian people]] |
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{{Italy-painter-15thC-stub}} |
{{Italy-painter-15thC-stub}} |
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Revision as of 15:45, 1 May 2010
Wikimedia Commons has media related to Francesco Vecellio.
Francesco Vecellio (c. 1485 - 1560) was an Italian painter of the early Renaissance, best known as the elder brother of the painter Titian. In his youth, he was a soldier. As a painter, he was mainly active in 1520-1530s in Cadore. In 1524, he signed an altarpiece for San Vito in Cadore. In 1540s, he painted a polyptych at Candide. In late 1540s he painted the organ shutters of San Salvatore in Venice. He painted an Annunciation for San Nicola di Bari, now in the Accademia.
References
- Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 639.
- Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. Penguin Books. pp. 345–346.