Fabio Vittorini: Difference between revisions
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==Bibliography== |
==Bibliography== |
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* ''Raccontare oggi. Metamodernismo tra narratologia, ermeneutica e intermedialità'' (Telling today. Metamodernism between narratology, hermeneutics and intermediality), Bologna, Pàtron, 2017 |
* ''Raccontare oggi. Metamodernismo tra narratologia, ermeneutica e intermedialità'' (Telling today. Metamodernism between narratology, hermeneutics and intermediality), Bologna, Pàtron, 2017 |
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* ''Narrativa USA 1984-201: romanzi, film, graphic novel, serie tv, videogame e altro'' (USA Narrative 1984-2014: Novels, Films, Graphic Novels, TV Series, Video-games etc.), Bologna, Pàtron, 2015 |
* ''Narrativa USA 1984-201: romanzi, film, graphic novel, serie tv, videogame e altro'' (USA Narrative 1984-2014: Novels, Films, Graphic Novels, TV Series, Video-games etc.), Bologna, Pàtron, 2015 |
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Revision as of 09:06, 31 December 2017
Fabio Vittorini | |
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| Born | December 19, 1971 Ancona (Italy) |
| Occupation | literary critic |
Fabio Vittorini (born 19 December 1971) is an Italian literary critic, currently Professor of Comparative Literature at IULM University of Milan (Italy)[1] He is known for his studies on opera and on metamodern narratives. He is the author of many books and articles.
Biography
In 1995 he graduated in Modern Literature at University of Bologna under the supervision of Mario Lavagetto. In 1999 he got a Ph.D. in Literary Theory at University of Bergamo.
Between 1996 and 2001 he gave seminars on Literary Theory and Comparative Literature at University of Bologna. Between 2001 and 2002 he was lecturer of Italian Contemporary Literature at University of Modena and Reggio Emilia. Since 2002 he is professor of Comparative Literature and Music and Image at IULM University of Milan, where he also coordinates a Master (Television, cinema and new media) and a Multimedia Laboratory, and is a member of the board of Visual and Media Studies Ph.D.
He is a member of the Italian National Council of Literary Critic and Comparative Literature.
He is a member of the committees of the several reviews of comparative literature: “Poli-Femo” (scientific committee), "Symbolon” and “Comparatismi” (steering committee).
He is a member of the editorial office of the movies webzine duels.it.
He reviews musical events for the Italian newspaper Il Manifesto.
Research Interests
Opera
In his book Shakespeare and romantic opera (2000) he outlined how Shakespeare's plays entered the European continental literature and culture, mostly through French dramatic rewritings during the XVIII Century and, after the romantic consecration, through Italian operatic adaptations during the XIX Century.[2]
In the book The Threshold of the Invisible. A Journey into Macbeth: Shakespeare, Verdi, Welles (2005), he deepened the points of the intertextual, inter-semiotic, inter-cultural and intermedial translation focusing on the case of Macbeth (Shakespeare's tragedy, Giuseppe Verdi's opera and Orson Welles's movie)
In the book Dream in Opera. Oneiric Tales and Operatic Texts (2010) he used the Freud's psychoanalysis tools to build a theory about the structural relationship between oneiric and operatic languages.
Metamodern Narratives
In his very first book Story and Plot (1998) and in the following The Narrative Text (2005) he explored possibilities of classical narratology to define the recurring structures of narrative texts in modern, modernist and postmodernist traditions.
In 2015, after a decade of academic courses and studies, in his book USA Narrative 1984-2014: Novels, Films, Graphic Novels, TV Series, Video-games etc., he outlined the story of contemporary United States narrative fiction.
In 2017, in his book Telling today. Metamodernism between narratology, hermeneutics e intermediality, starting from the previous exploration and extending it beyond the limits of USA culture, he tried to develop a theory of the metamodern narratives.
Italo Svevo
In 2004 he carried out the philological edition of La coscienza di Zeno and of the unfinished forth novel by Italo Svevo (Il vecchione or Il vegliardo), within The Complete Works of Italo Svevo (3 voll., Milano, Mondadori, ed. by Mario Lavagetto), which imposed itself as the basic edition for any later Svevo's critics.[3]
In 2011 he wrote Italo Svevo, a monographic book on the author.
Bibliography
Books
- Raccontare oggi. Metamodernismo tra narratologia, ermeneutica e intermedialità (Telling today. Metamodernism between narratology, hermeneutics and intermediality), Bologna, Pàtron, 2017
- Narrativa USA 1984-201: romanzi, film, graphic novel, serie tv, videogame e altro (USA Narrative 1984-2014: Novels, Films, Graphic Novels, TV Series, Video-games etc.), Bologna, Pàtron, 2015
- Italo Svevo, Milano, Mondadori, 2011
- Il sogno all'opera. Racconti onirici e testi melodrammatici (Dream in Opera. Oneiric Tales and Operatic Texts), Palermo, Sellerio, 2010
- Il testo narrativo (The Narrative Text), Roma, Carrocci, 2005
- La soglia dell'invisibile. Percorsi del Macbeth: Shakespeare, Verdi, Welles (The Threshold of the Invisible. A Journey into Macbeth: Shakespeare, Verdi, Welles), Roma, Carocci, 2005
- Italo Svevo: Guida alla "Coscienza di Zeno" (Italo Svevo: A Guidebook to "La Coscienza di Zeno"), Roma, Carocci, 2003
- Shakespeare e il melodramma romantico (Shakespeare and Romantic Opera), Firenze, La Nuova Italia, 2000
- Fabula e intreccio (Story and Plot), Firenze, La Nuova Italia, 1998
References
- ^ "Università IULM - Vittorini Fabio". Iulm.it.
{{cite web}}: Cite has empty unknown parameter:|deadurl=(help) - ^ See [1] and [2]
- ^ "Svevo Italo - Tutte le opere". Ibs.it. 2010-12-09. Retrieved 2010-12-18.
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