Les Vacances de Monsieur Hulot
Monsieur Hulot's Holiday | |
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Directed by | Jacques Tati |
Written by | Jacques Tati Henri Marquet |
Produced by | Fred Orain |
Starring | Jacques Tati Nathalie Pascaud Micheline Rolla |
Release dates | France February 25, 1953 USA June 16, 1954 |
Running time | 114 min. |
Language | French |
Les Vacances de Monsieur Hulot (released as Monsieur Hulot's Holiday in the UK and as Mr. Hulot's Holiday in the USA), is one of Jacques Tati's most famous films, gaining an international reputation for its director upon its release in 1953. Les Vacances introduced the pipe-smoking, well-meaning but clumsy character of M. Hulot, who appears in a number of Tati's subsequent films, including Mon Oncle (1959), Playtime (1967), and Trafic (1971).
Les Vacances follows the adventures of a lovable dimwit, Monsieur Hulot (played by Tati himself) as he spends the mandatory August vacation at a beach resort. The film openly lampoons several hidebound elements of French political and social classes, from chubby capitalists and rabid Marxists to petty business proprietors, most of whom find it nearly impossible, even temporarily, to free themselves from their social roles long enough to relax and enjoy life. Les Vacances, like Jour de fete, also contains hints of what would become a continuing theme for Tati in questioning the reliance of postwar Western society on advanced technology to solve its problems.
In Les Vacances, Tati dispensed with the already sparse speaking roles and incidental character narration of his prior film, Jour de fête. For the most part, spoken dialogue is limited to the role of background sounds. Combined with frequent long shots of scenes with multiple characters, Tati believed that the results would tightly focus audience attention on the comical nature of humanity when interacting as a group, as well as his own carefully planned visual gags. However, the film is by no means a copycat 'silent' comedy, as it uses natural and man-made sounds not only for comic effect, but also for character development.
The film was recorded with both French and English soundtracks. While Tati had experimented with color film in his previous film Jour de fête, Les Vacances is black and white. The jazz score, which includes the theme "Quel Temps Fait-Il A Paris"[1], is by Alain Romans.
Les Vacances earned Tati an Oscar nomination (shared with Henri Marquet) for Best Original Screenplay.
Les Vacances was filmed in the town of Saint-Marc-sur-Mer in the Loire-Atlantique region of France, and a bronze statue of M. Hulot was later erected overlooking the beach where the film was made.
Critical reaction
On its release in the United States, Bosley Crowther's review said that the film contained "much the same visual satire that we used to get in the 'silent' days from the pictures of Charlie Chaplin, Buster Keaton, and such as those." He said the film "exploded with merriment" and that Tati "is a long-legged, slightly pop-eyed gent whose talent for caricaturing the manners of human beings is robust and intense.... There is really no story to the picture.... The dialogue... is at a minimum, and it is used just to satirize the silly and pointless things that summer people say. Sounds of all sorts become firecrackers, tossed in for comical point."[1]
Cast
- Jacques Tati as Monsieur Hulot
- Nathalie Pascaud as Martine
- Micheline Rolla as The Aunt
- Valentine Camax as Englishwoman
- Louis Perrault as Fred
- André Dubois as Commandant
- Lucien Frégis as Hotel Proprietor
- Raymond Carl as Waiter
- René Lacourt as Strolling Man
- Marguerite Gérard as Strolling Woman
References
- ^ Crowther, Bosley (1954), "The Screen in Review: French Satirical Film Opens at Fine Arts," The New York Times, June 17, 1954, p. 36.