Brukdown: Difference between revisions

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{{More citations needed|date=February 2022}}
'''Brukdown''' is a [[musical genre|genre]] of [[music of Belize|Belizean music]]. Its most well-known performer and innovator, [[Wilfred Peters]] is regarded as a [[Belize]]an national icon.
{{Infobox music genre
| name = Brukdown
| stylistic_origins = {{hlist|[[Kaiso]]|[[call and response (music)|call and response]]|[[burru]]|[[Belizean Creole people|Kriol]] music|[[West African music]]}}
| cultural_origins = 19th century
}}


'''Brukdown''' is a [[musical genre|genre]] of [[music of Belize|Belizean music]]. Its best-known performer and innovator, [[Wilfred Peters]] is regarded as a [[Belize]]an national icon. The word ''brukdown'' may come from ''broken down calypso'', referring to the similarities between brukdown and [[Trinidad]]ian [[calypso music]]; the presence of large numbers of [[Jamaica]]ns in Belize also led to an influence from [[mento]] music.
Brukdown is a [[creole]] mixture of European [[harmony|harmonies]], African [[syncopation|syncopated]] [[rhythm]]s and [[call and response (music)|call-and-response]] format and lyrical elements from the native peoples of the area. In its modern form, brukdown is rural folk music, associated especially with the logging towns of the Belizean interior. Traditional instruments include the [[banjo]], [[guitar]], [[drums]], dingaling [[bell (musical instrument)|bell]], [[accordion]] and an ass's [[jaw]]bone played by running a stick up and down the teeth. Brukdown remains a rural, rarely recorded genre.


Brukdown's main purpose is to tell the story of the [[Belizean Creole]] people. A typical Brukdown song may reflect the journey of the African slaves to the mahogany slave camps of Belize, but the genre has been sustained by its usefulness in spreading the word of historical and current events to the large illiterate population of Belize. As a result, Brukdown is frequently played at events with large gatherings– specifically around [[Christmas]] time. The Brukdown singer is often the bearer of news, and the words of the composer are widely accepted as fact, despite the gossip-like nature of the genre.<ref>Olsen, D. A., &amp; Sheehy, D. E. (1998). South America, Mexico, Central America, and the Caribbean. Garland Publishing, Inc. p. 678 https://archive.org/details/garlandencyclope0002unse/page/677/mode/1up</ref>
{{music-stub}}


Brukdown is a [[Belizean Kriol people|Kriol]] mixture of European [[harmony|harmonies]] ([[Accordion]]), African [[syncopation|syncopated]] [[rhythm]]s and [[call and response (music)|call-and-response]] format and lyrical elements from the native peoples of the area. In its modern form, brukdown is rural folk music, associated especially with the logging towns of the Belizean interior. Traditional instruments include the [[banjo]], [[guitar]], [[Drum kit|drums]], dingaling [[bell (musical instrument)|bell]], [[accordion]] and a donkey's [[jaw]]bone played by running a stick up and down the teeth, and also a [[grater]]. Brukdown remains a rural, rarely recorded genre. This genre of music has primarily African elements, while the only significant European element, is the [[Accordion]].
[[Category:Belizean music]] [[Category:Musical genres]]

==References==
{{reflist}}

{{Belize topics}}

[[Category:Music of Belize]]


{{Belize-stub}}
{{Music-genre-stub}}

Latest revision as of 20:27, 4 April 2024

Brukdown is a genre of Belizean music. Its best-known performer and innovator, Wilfred Peters is regarded as a Belizean national icon. The word brukdown may come from broken down calypso, referring to the similarities between brukdown and Trinidadian calypso music; the presence of large numbers of Jamaicans in Belize also led to an influence from mento music.

Brukdown's main purpose is to tell the story of the Belizean Creole people. A typical Brukdown song may reflect the journey of the African slaves to the mahogany slave camps of Belize, but the genre has been sustained by its usefulness in spreading the word of historical and current events to the large illiterate population of Belize. As a result, Brukdown is frequently played at events with large gatherings– specifically around Christmas time. The Brukdown singer is often the bearer of news, and the words of the composer are widely accepted as fact, despite the gossip-like nature of the genre.[1]

Brukdown is a Kriol mixture of European harmonies (Accordion), African syncopated rhythms and call-and-response format and lyrical elements from the native peoples of the area. In its modern form, brukdown is rural folk music, associated especially with the logging towns of the Belizean interior. Traditional instruments include the banjo, guitar, drums, dingaling bell, accordion and a donkey's jawbone played by running a stick up and down the teeth, and also a grater. Brukdown remains a rural, rarely recorded genre. This genre of music has primarily African elements, while the only significant European element, is the Accordion.

References[edit]

  1. ^ Olsen, D. A., & Sheehy, D. E. (1998). South America, Mexico, Central America, and the Caribbean. Garland Publishing, Inc. p. 678 https://archive.org/details/garlandencyclope0002unse/page/677/mode/1up