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{{short description|American historian and chairman of the Department of Art and Archaeology}}
{{Infobox person
{{Infobox person
|name = Charles Rufus Morey
| name = Charles Rufus Morey
|image = Charles Rufus Morey.jpg
| image = Charles Rufus Morey.jpg
|caption =
| caption =
|birth_date = 1877
| birth_date = November 20, 1877
|birth_place = [[Hastings, Michigan]], [[United States]]
| birth_place = [[Hastings, Michigan]], U.S.
|death_date =1955
| death_date = {{death date and age|August 28, 1955|November 20, 1877}}
|death_place =[[Princeton, New Jersey]], [[United States]]
| death_place = [[Princeton, New Jersey]], U.S.
|other_names =
| other_names =
|known_for =
| known_for =
| education = [[University of Michigan]]
|occupation = Art historian, lecturer, librarian
| occupation = Art historian, lecturer, librarian
|nationality = American
| nationality = American
}}
}}
'''Charles Rufus Morey''' (1877–1955) was an [[United States|American]] art historian and professor and chairman of the Department of Art and Archaeology at [[Princeton University]] from 1924 to 1945. He is best known for his expertise in medieval art and his Index of Christian Art. He was one of the founders of the [[College Art Association]].
'''Charles Rufus Morey''' (November 20, 1877 – August 28, 1955)<ref name="OxfordReference">{{cite web|url=http://www.oxfordreference.com/view/10.1093/oi/authority.20110803100209417|title=Charles Rufus Morey (1877-1955)|publisher=Oxford University Press|accessdate=2018-06-12|archive-url=https://web.archive.org/web/20180613052115/http://www.oxfordreference.com/view/10.1093/oi/authority.20110803100209417|archive-date=2018-06-13|url-status=live}}</ref> was an American art historian, professor, and chairman of the Department of Art and Archaeology at [[Princeton University]] from 1924 to 1945. He had expertise in medieval art and founded the Index of Christian Art (now the Index of Medieval Art) at Princeton University in 1917. He was one of the founders of the [[College Art Association]].


==Biography==
==Biography==
Born in [[Hastings, Michigan]] in 1877, Morey graduated from the [[University of Michigan]] in 1899. After receiving a Master's Degree there in Classics he went on to study for three years at the American School of Classical Studies in [[Rome]], publishing his first article, "The Christian Sarcophagus in S. Maria Antiqua" in 1905.<ref name="Dictionary">{{cite web|url=http://www.dictionaryofarthistorians.org/moreyc.htm|title=Morey, Charles Rufus|publisher=Dictionary of Art Historians|accessdate=March 11, 2009}}</ref>
Born in [[Hastings, Michigan]], in 1877, Morey graduated from the [[University of Michigan]] in 1899. After receiving a master's degree there in Classics he went on to study for three years at the American School of Classical Studies in [[Rome]], publishing his first article, "The Christian Sarcophagus in S. Maria Antiqua" in 1905.<ref name="Dictionary">{{cite web|url=http://arthistorians.info/moreyc|title=Morey, Charles Rufus|publisher=Dictionary of Art Historians|accessdate=March 11, 2009|archive-url=https://web.archive.org/web/20190117070049/http://arthistorians.info/moreyc|archive-date=January 17, 2019|url-status=live}}</ref>


Morey became an instructor in classics at [[Princeton University]] in 1903, but on a colleague request, namely [[Allan Marquand]], he switched to the Department of Art and Archaeology, in which he began a career of 39 years in art history.<ref name="Dictionary"/> Upon Marquand's death in 1924, Morey assumed his position as chairman of this department at Princeton University. Medieval iconography was a major topic of interest to Morey, leading him to draw up an image collection in 1917 of late antique, early Christian-era,medieval works of art, a collection which would blossom into a cataloged collection of photographs known as the Index of Christian Art.<ref name="Dictionary"/> Considered to be "indebted to photography", Morey's stance on the process of iconographic analysis and Index of Christian Art has been attributed by scholars as contributing substantially to the formulation of [[Erwin Panofsky]]’s methodology of subject analysis.<ref>{{cite web|url=http://www.chart.ac.uk/chart2004/papers/hourihane.html|title=Sourcing the Index: Iconography and its Debt to Photography|publisher=[[Princeton University]]|accessdate=March 11, 2009}}</ref>
Morey became an instructor in classics at [[Princeton University]] in 1903, but on a colleague's request, namely [[Allan Marquand]], he switched to the Department of Art and Archaeology, in which he began a career of 39 years in art history.<ref name="Dictionary"/> Upon Marquand's death in 1924, Morey assumed his position as chairman of this department at Princeton University. Medieval iconography was a major topic of interest to Morey, leading him to draw up an image collection in 1917 of late antique, early Christian-era, and medieval works of art, a collection which would blossom into a cataloged collection of photographs known as the Index of Christian Art.<ref name="Dictionary"/> Considered to be "indebted to photography", Morey's stance on the process of iconographic analysis has been attributed by scholars as contributing substantially to the formulation of [[Erwin Panofsky]]’s methodology of subject analysis.<ref>Hourihane, C., "Sourcing the Index: Iconography and its Debt to Photography," in Futures Past: Thirty Years of Arts Computing (Intellect Ltd., 2008)</ref>
In 1929 Morey began cataloging the collection of the Museo Cristiano, part of the [[Vatican library]]. During his lifetime he made many trips back and forth to Rome to develop collections in the Vatican and established the [[Antioch]] archaeological excavation of Daphne.<ref name="Dictionary"/> Morey was noted for his work in helping establish various libraries and indexing image systems. In 1932 he published a pamphlet on scholarly library planning, named the "Laboratory-Library,".<ref name="Dictionary"/> In 1938 Morey was named Marquand Chair of Art and Archaeology.
In 1929 Morey began cataloging the collection of the Museo Cristiano, part of the [[Vatican library]]. During his lifetime, Morey made many trips back and forth to Rome to develop collections in the Vatican and established the [[Antioch]] archaeological excavation of Daphne.<ref name="Dictionary"/> Morey was noted for his work in helping establish various libraries and indexing image systems. In 1932, he published a pamphlet on scholarly library planning, named the "Laboratory-Library,".<ref name="Dictionary"/> In 1938, Morey was named Marquand Chair of Art and Archaeology at Princeton University.


Following the end of [[World War II]], Morey resigned at Princeton and became the first Cultural Attaché to the American Embassy in Rome.<ref name="Dictionary"/> Morey was the acting director of the American Academy from 1945-1947. Morey also helped establish the [[College Art Association]] in 1911 and its primary publication, ''The Art Bulletin''.<ref name="Princeston">{{cite web|url=http://etcweb.princeton.edu/CampusWWW/Companion/morey_charles.html |title=Morey, Charles Rufus |publisher=[[Princeton University]]|accessdate=March 11, 2009}}</ref>
Following the end of [[World War II]], Morey resigned at Princeton and held the first appointment of Cultural Attaché to the American Embassy in Rome.<ref name="Dictionary"/> Morey was the acting director of the American Academy from 1945-1947. Morey also helped establish the [[College Art Association]] in 1911 and its primary publication, ''The Art Bulletin''.<ref name="Princeton">{{cite web |url=http://etcweb.princeton.edu/CampusWWW/Companion/morey_charles.html |title=Morey, Charles Rufus |publisher=[[Princeton University]] |accessdate=March 11, 2009 |archive-url=https://web.archive.org/web/20100602110605/http://etcweb.princeton.edu/CampusWWW/Companion/morey_charles.html |archive-date=June 2, 2010 |url-status=live }}</ref>


==Publications==
==Publications==
[[File:Melozzo da Forlì 001.jpg|thumb|right|250px|Morey was noted for his cataloging of medieval Christian art. Display in the [[Vatican library]] shown. ]]
[[File:Melozzo da Forlì 001.jpg|thumb|right|250px|Morey was noted for his cataloging of medieval Christian art. Display in the [[Vatican library]] shown. ]]


During his career as an art historian, Morey published many notable papers and manuscripts related to Early and medieval Christian art. These include ''East Christian paintings in the Freer collection'' (1914),
During his career as an art historian, Morey published many notable papers and manuscripts related to early and medieval Christian art. These include ''East Christian paintings in the Freer collection'' (1914),
''Lost mosaics and frescoes of Rome of the mediaeval period'' (1915), ''The American society for the excavation of Sardis'' (1924), ''Roman and Christian sculpture '' (1924), ''Studies in the late antique undertaken in the School of Classical Studies of the American Academy of Rome, 1925-1926.'' (1927), ''The Gospel book of Landevennec (the Harkness Gospels) in the New York Public Library '' (1931), ''Christian art '' (1935), ''The mosaics of Antioch '' (1938), ''Early Christian art '' (1942), ''Mediaeval art'' (1942), ''Christian art '' (1958), ''The gold-glass collection of the Vatican Library'' (1959).<ref>{{cite web|url=http://openlibrary.org/a/OL2269041A|title=Charles Rufus Morey|publisher=Open Library|accessdate=March 11, 2009}}</ref>
''Lost mosaics and frescoes of Rome of the mediaeval period'' (1915), ''The American society for the excavation of Sardis'' (1924), ''Roman and Christian sculpture '' (1924), ''Studies in the late antique undertaken in the School of Classical Studies of the American Academy of Rome, 1925-1926.'' (1927), ''The Gospel book of Landevennec (the Harkness Gospels) in the New York Public Library '' (1931), ''Christian art '' (1935), ''The mosaics of Antioch '' (1938), ''Early Christian art '' (1942), ''Mediaeval art'' (1942), ''Christian art '' (1958), ''The gold-glass collection of the Vatican Library'' (1959).<ref>{{cite web|url=https://openlibrary.org/a/OL2269041A|title=Charles Rufus Morey|publisher=Open Library|accessdate=March 11, 2009}}</ref>


==Death and legacy==
==Death and legacy==
He died in 1955 in [[Princeton, New Jersey]]. German-Jewish art historian Erwin Panofsky said of Morey; "No one can number those who . . . owed to him their place in the world, their scale of values, their sense of direction in life. No one who knew him can forget the brief, warm smile that could suddenly illumine his strong, often stern-looking face and give confidence to the timid and courage to the troubled."<ref name="Princeston"/>
He died in 1955 in [[Princeton, New Jersey]]. German-Jewish art historian Erwin Panofsky said of Morey; "No one can number those who . . . owed to him their place in the world, their scale of values, their sense of direction in life. No one who knew him can forget the brief, warm smile that could suddenly illumine his strong, often stern-looking face and give confidence to the timid and courage to the troubled."(M. Stohlman, A Princeton Companion, 1978, s.v. [http://etcweb.princeton.edu/CampusWWW/Companion/morey_charles.html Morey, Charles Rufus])
The Charles Rufus Morey Book Award was established in honor of Morey's name by the College Art Association. This award honors distinguished literature in the history of art annually September 1 to August 31.<ref>{{cite web|url=http://www.collegeart.org/awards/info-morey.html|title=Charles Rufus Morey Book Award|publisher=[[College Art Association]]|accessdate=March 11, 2009}}</ref>
The Charles Rufus Morey Book Award was established in honor of Morey's name by the College Art Association. This award honors distinguished literature in the history of art annually September 1 to August 31.<ref>{{cite web|url=http://www.collegeart.org/programs/awards/morey|title=Charles Rufus Morey Book Award|access-date=2020-04-11|archive-url=https://web.archive.org/web/20190813140922/https://www.collegeart.org/programs/awards/morey|archive-date=2019-08-13|url-status=live}}</ref>


==References==
==References==
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==External links==
==External links==
*[http://ica.princeton.edu/ Index of Christian Art at Princeton University]
*[http://ima.princeton.edu/ Index of Medieval Art at Princeton University]
*[http://etcweb.princeton.edu/CampusWWW/Companion/morey_charles.html Biography at Princeton University]
*[https://library.princeton.edu/special-collections/collections/charles-rufus-morey-papers Charles Rufus Morey Papers, 1900-1954, Princeton University Library]
*[http://www.chart.ac.uk/chart2004/papers/hourihane.html Article on Morey's Index of Christian Art]
*[http://diglib.princeton.edu/ead/getEad?eadid=C0511&kw= Papers]


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[[Category:American art historians]]
[[Category:American art historians]]
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[[Category:Princeton University faculty]]
[[Category:Princeton University faculty]]
[[Category:University of Michigan alumni]]
[[Category:University of Michigan alumni]]
[[Category:Rome Prize winners]]
[[Category:American historians]]
[[Category:People from Hastings, Michigan]]
[[Category:People from Hastings, Michigan]]
[[Category:Fellows of the Medieval Academy of America]]
[[Category:Historians from Michigan]]

Latest revision as of 19:57, 26 September 2023

Charles Rufus Morey
BornNovember 20, 1877
DiedAugust 28, 1955(1955-08-28) (aged 77)
NationalityAmerican
EducationUniversity of Michigan
Occupation(s)Art historian, lecturer, librarian

Charles Rufus Morey (November 20, 1877 – August 28, 1955)[1] was an American art historian, professor, and chairman of the Department of Art and Archaeology at Princeton University from 1924 to 1945. He had expertise in medieval art and founded the Index of Christian Art (now the Index of Medieval Art) at Princeton University in 1917. He was one of the founders of the College Art Association.

Biography[edit]

Born in Hastings, Michigan, in 1877, Morey graduated from the University of Michigan in 1899. After receiving a master's degree there in Classics he went on to study for three years at the American School of Classical Studies in Rome, publishing his first article, "The Christian Sarcophagus in S. Maria Antiqua" in 1905.[2]

Morey became an instructor in classics at Princeton University in 1903, but on a colleague's request, namely Allan Marquand, he switched to the Department of Art and Archaeology, in which he began a career of 39 years in art history.[2] Upon Marquand's death in 1924, Morey assumed his position as chairman of this department at Princeton University. Medieval iconography was a major topic of interest to Morey, leading him to draw up an image collection in 1917 of late antique, early Christian-era, and medieval works of art, a collection which would blossom into a cataloged collection of photographs known as the Index of Christian Art.[2] Considered to be "indebted to photography", Morey's stance on the process of iconographic analysis has been attributed by scholars as contributing substantially to the formulation of Erwin Panofsky’s methodology of subject analysis.[3] In 1929 Morey began cataloging the collection of the Museo Cristiano, part of the Vatican library. During his lifetime, Morey made many trips back and forth to Rome to develop collections in the Vatican and established the Antioch archaeological excavation of Daphne.[2] Morey was noted for his work in helping establish various libraries and indexing image systems. In 1932, he published a pamphlet on scholarly library planning, named the "Laboratory-Library,".[2] In 1938, Morey was named Marquand Chair of Art and Archaeology at Princeton University.

Following the end of World War II, Morey resigned at Princeton and held the first appointment of Cultural Attaché to the American Embassy in Rome.[2] Morey was the acting director of the American Academy from 1945-1947. Morey also helped establish the College Art Association in 1911 and its primary publication, The Art Bulletin.[4]

Publications[edit]

Morey was noted for his cataloging of medieval Christian art. Display in the Vatican library shown.

During his career as an art historian, Morey published many notable papers and manuscripts related to early and medieval Christian art. These include East Christian paintings in the Freer collection (1914), Lost mosaics and frescoes of Rome of the mediaeval period (1915), The American society for the excavation of Sardis (1924), Roman and Christian sculpture (1924), Studies in the late antique undertaken in the School of Classical Studies of the American Academy of Rome, 1925-1926. (1927), The Gospel book of Landevennec (the Harkness Gospels) in the New York Public Library (1931), Christian art (1935), The mosaics of Antioch (1938), Early Christian art (1942), Mediaeval art (1942), Christian art (1958), The gold-glass collection of the Vatican Library (1959).[5]

Death and legacy[edit]

He died in 1955 in Princeton, New Jersey. German-Jewish art historian Erwin Panofsky said of Morey; "No one can number those who . . . owed to him their place in the world, their scale of values, their sense of direction in life. No one who knew him can forget the brief, warm smile that could suddenly illumine his strong, often stern-looking face and give confidence to the timid and courage to the troubled."(M. Stohlman, A Princeton Companion, 1978, s.v. Morey, Charles Rufus)

The Charles Rufus Morey Book Award was established in honor of Morey's name by the College Art Association. This award honors distinguished literature in the history of art annually September 1 to August 31.[6]

References[edit]

  1. ^ "Charles Rufus Morey (1877-1955)". Oxford University Press. Archived from the original on 2018-06-13. Retrieved 2018-06-12.
  2. ^ a b c d e f "Morey, Charles Rufus". Dictionary of Art Historians. Archived from the original on January 17, 2019. Retrieved March 11, 2009.
  3. ^ Hourihane, C., "Sourcing the Index: Iconography and its Debt to Photography," in Futures Past: Thirty Years of Arts Computing (Intellect Ltd., 2008)
  4. ^ "Morey, Charles Rufus". Princeton University. Archived from the original on June 2, 2010. Retrieved March 11, 2009.
  5. ^ "Charles Rufus Morey". Open Library. Retrieved March 11, 2009.
  6. ^ "Charles Rufus Morey Book Award". Archived from the original on 2019-08-13. Retrieved 2020-04-11.

External links[edit]