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{{Short description|Italian painter (1520–1575)}}
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'''Giuseppe Porta''' (1520–1575), also known as '''Giuseppe Salviati''', was an [[Italy|Italian]] painter of the late-[[Renaissance]] period, active mostly in [[Venice]].
{{other people||Salviati (disambiguation){{!}}Salviati}}
⚫
'''Giuseppe Porta''' (1520–1575), also known as '''Giuseppe Salviati''', was an Italian painter of the late-[[Renaissance]] period, active mostly in [[Venice]].
[[File:0 Murano, Deposizione della Crocce - Guiseppe Porta - église S. Pietro Martire.JPG|thumb|« Deposizione della Crocce », chiesa San Pietro Martire, [[Murano]] ([[Venice]])]]


==Biography==
==Biography==
[[file:Caterina d’Alessandria con i Santi Gerolamo, Giovanni Battista, Giacomo Apostolo di G. Porta Salviati,.jpg|thumb|Caterina d’Alessandria con i Santi Gerolamo, Giovanni Battista, Giacomo Apostolo [[San Francesco della Vigna]]]]
Born in [[Castelnuovo di Garfagnana]], in 1535 he apprenticed with [[Francesco de' Rossi (Il Salviati)|Francesco Salviati]] in [[Rome]]. He adopted his mentor’s last name when signing paintings. In 1539, he accompanied his master to Venice, and stayed there after Salviati left in 1541. From 1541 to 1552 he worked at [[Padua]], painting in particular a series of ' Scenes from the Life of John the Baptist’‘, in the Selvático Palace. In 1565, he returned to Rome to paint frescoes, left incomplete by his master, for the Sala Regia (''Emperor Frederick I. doing homage to Alexander III'') in the [[Apostolic Palace|Vatican]]. He returned to Venice in 1565 to paint both in the [[Doge's Palace, Venice|Doge's Palace]] and [[Biblioteca Marciana]], where he painted ''Sibyls, the Prophets, and the Cardinal Virtues'' ; and for the chapel, the ''Dead Christ with his mother and Mary Magdalen''. He was elected into the [[Accademia di Belle Arti Firenze|Florentine Accademia dell'Arte del Disegno]]. Much of his output was on now-lost external façade decoration. He also published a mathematically-oriented treatises on decorative column design. He painted a ''Descent from the Cross, with the Virgin, Mary Magdalene, and St. John'' for the Church Degli Angeli at [[Murano]].
Born in [[Castelnuovo di Garfagnana]], in 1535 he apprenticed with [[Francesco de' Rossi (Il Salviati)|Francesco Salviati]] in [[Rome]]. He adopted his mentor's last name when signing paintings. In 1539, he accompanied his master to Venice, and stayed there after Salviati left in 1541. From 1541 to 1552 he worked at [[Padua]], painting in particular a series of ' Scenes from the Life of John the Baptist’‘, in the Selvático Palace. In 1565, he returned to Rome to paint frescoes, left incomplete by his master, for the Sala Regia (''Emperor Frederick I. doing homage to Alexander III'') in the [[Apostolic Palace|Vatican]]. He returned to Venice in 1565 to paint both in the [[Doge's Palace, Venice|Doge's Palace]] and [[Biblioteca Marciana]], where he painted ''Sibyls, the Prophets, and the Cardinal Virtues'' ; and for the chapel, the ''Dead Christ with his mother and Mary Magdalen''. He was elected into the [[Accademia di Belle Arti Firenze|Florentine Accademia dell'Arte del Disegno]]. Much of his output was on now-lost external façade decoration. He also published a mathematically oriented treatises on decorative column design. He painted a ''Descent from the Cross, with the Virgin, Mary Magdalene, and St. John'' for the Church Degli Angeli at [[Murano]].


One of his pupils was [[Pietro Malombra]].
Among his pupils were [[Pietro Malombra]] and [[Girolamo Gamberati]].


==References==
==References==
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum| editor-link = Ralph Nicholson Wornum| pages = 132–133 | publisher= Woodfall & Kinder |location=London | url= https://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters }}
<!--===Secondary Sources===-->
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = [[Ralph Nicholson Wornum]] | pages = 132–133 | publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= http://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | authorlink= }}
*{{cite book| first=Michael| last=Bryan| year=1889| title=Dictionary of Painters and Engravers, Biographical and Critical |volume=II L-Z |editor=Walter Armstrong |editor2=Robert Edmund Graves |page=311 | publisher=George Bell and Sons|location=London |url=https://books.google.com/books?id=K2cCAAAAYAAJ&q=Michael+Bryan+Painters+Engravers&pg=PA1}}
*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= page 311| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |id= |url=http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1| authorlink=}}


==External links==
==External links==
{{Commons category|Giuseppe Salviati}}
{{Commons category|Giuseppe Porta}}
*[http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3303 Getty museum entry].
*[http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3303 Getty museum entry].


{{Authority control|VIAF=52560725}}
{{Authority control}}

{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Porta, Giuseppe
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Italian painter
| DATE OF BIRTH = 1520
| PLACE OF BIRTH = Castelnuovo di Garfagnana, Italy
| DATE OF DEATH = 1575
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Porta, Giuseppe}}
{{DEFAULTSORT:Porta, Giuseppe}}
[[Category:1520 births]]
[[Category:1520 births]]
[[Category:1575 deaths]]
[[Category:1575 deaths]]
[[Category:Italian painters of the 16th century]]
[[Category:16th-century Italian painters]]
[[Category:Lucchese painters]]
[[Category:Italian male painters]]
[[Category:Italian Renaissance painters]]
[[Category:Painters from Lucca]]
[[Category:Mannerist painters]]
[[Category:Italian Mannerist painters]]




Latest revision as of 19:54, 27 April 2022

For other people with the same name, see Salviati.

Giuseppe Porta (1520–1575), also known as Giuseppe Salviati, was an Italian painter of the late-Renaissance period, active mostly in Venice.

« Deposizione della Crocce », chiesa San Pietro Martire, Murano (Venice)

Biography[edit]

Caterina d’Alessandria con i Santi Gerolamo, Giovanni Battista, Giacomo Apostolo San Francesco della Vigna

Born in Castelnuovo di Garfagnana, in 1535 he apprenticed with Francesco Salviati in Rome. He adopted his mentor's last name when signing paintings. In 1539, he accompanied his master to Venice, and stayed there after Salviati left in 1541. From 1541 to 1552 he worked at Padua, painting in particular a series of ' Scenes from the Life of John the Baptist’‘, in the Selvático Palace. In 1565, he returned to Rome to paint frescoes, left incomplete by his master, for the Sala Regia (Emperor Frederick I. doing homage to Alexander III) in the Vatican. He returned to Venice in 1565 to paint both in the Doge's Palace and Biblioteca Marciana, where he painted Sibyls, the Prophets, and the Cardinal Virtues ; and for the chapel, the Dead Christ with his mother and Mary Magdalen. He was elected into the Florentine Accademia dell'Arte del Disegno. Much of his output was on now-lost external façade decoration. He also published a mathematically oriented treatises on decorative column design. He painted a Descent from the Cross, with the Virgin, Mary Magdalene, and St. John for the Church Degli Angeli at Murano.

Among his pupils were Pietro Malombra and Girolamo Gamberati.

References[edit]

  • Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. pp. 132–133.
  • Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 311.

External links[edit]

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