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The 'Japanese trilogy' - ''Faces of Hachiko'', ''Sunflower'' and ''Reiko'' - describes a personal and complex portrayal of post-war Japan. ''Pet Shop'', a novel on his early upbringing in small-town New Zealand, wartime Auckland and his experiences on a Norwegian tanker, was described by New Zealand writer [[Kevin Ireland]] as "an absorbing picture of the repressions that passed for a moral code"<ref>The Oxford Companion to New Zealand Literature, edited by Roger Robinson and Nelson Wattie (Melbourne: Oxford University Press, 1998)</ref>.
The 'Japanese trilogy' - ''Faces of Hachiko'', ''Sunflower'' and ''Reiko'' - describes a personal and complex portrayal of post-war Japan. ''Pet Shop'', a novel on his early upbringing in small-town New Zealand, wartime Auckland and his experiences on a Norwegian tanker, was described by New Zealand writer [[Kevin Ireland]] as "an absorbing picture of the repressions that passed for a moral code"<ref>The Oxford Companion to New Zealand Literature, edited by Roger Robinson and Nelson Wattie (Melbourne: Oxford University Press, 1998)</ref>.
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Revision as of 22:30, 28 October 2007

Ian Middleton (1928 - October 24 2007) was a New Zealand novelist who made a made a particular mark [1] with his books set in post-Second World War Japan. Born in New Plymouth, he was the brother of noted New Zealand short story writer O. E. Middleton.

Blind, he said this gave him a "special perspective but 'without limitation'", and has been attributed to the "strong metaphoric colour, sensual - often erotic - quality and lush verbal richness of his writing".[2]

A full list of his publications can be seen at the University of Auckland's NZ Literature file [3]and more biographical information is at the New Zealand Book Council's website.[4]

Main works:


The 'Japanese trilogy' - Faces of Hachiko, Sunflower and Reiko - describes a personal and complex portrayal of post-war Japan. Pet Shop, a novel on his early upbringing in small-town New Zealand, wartime Auckland and his experiences on a Norwegian tanker, was described by New Zealand writer Kevin Ireland as "an absorbing picture of the repressions that passed for a moral code"[5].

References

  1. ^ http://www.bookcouncil.org.nz/writers/middletonian.html%7CBook Council entry, Middletonian
  2. ^ The Oxford Companion to New Zealand Literature, edited by Roger Robinson and Nelson Wattie (Melbourne: Oxford University Press, 1998)| Oxford Companion to New Zealand Literature
  3. ^ University of Auckland file
  4. ^ | Book Council entry, Middletonian
  5. ^ The Oxford Companion to New Zealand Literature, edited by Roger Robinson and Nelson Wattie (Melbourne: Oxford University Press, 1998)

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