Ludovico Vicentino degli Arrighi: Difference between revisions

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His letterforms were revived in the 20th century by designers such as [[Stanley Morison]], [[Frederic Warde]], [[Robert Slimbach]] (for example [[Adobe Jenson]] italic) and [[Jonathan Hoefler]] (in his [[Requiem Text]] typeface.) The [[italic script]] presented in ''La Operina'' was also revived in the 20th century with [[Alfred Fairbank]]'s book ''A Handwriting Manual'' (1932), [[Getty-Dubay]] italic script, and the work of Gunnlauger SE Briem.
His letterforms were revived in the 20th century by designers such as [[Stanley Morison]], [[Frederic Warde]], [[Robert Slimbach]] (for example [[Adobe Jenson]] italic) and [[Jonathan Hoefler]] (in his [[Requiem Text]] typeface.) The [[italic script]] presented in ''La Operina'' was also revived in the 20th century with [[Alfred Fairbank]]'s book ''A Handwriting Manual'' (1932), [[Getty-Dubay]] italic script, and the work of Gunnlauger SE Briem.
[[File:Houghton TypW 525.24.162 - La operina, 2.jpg|thumb|From ''La Operina'', 1524]]
==Further reading==
*ANTONETTI, Martin (2012). ''New clues to the early life of Arrighi: Ludovico degli Arrighi's 'bellissimo Canzoniere' for Bartolomeo della Valle, 1508. In: The Book collector'' 61(2):181-198
*[[Govert Westerveld|WESTERVELD, Govert]] (2016).'' The life of Ludovico Vicentino degli Arrighi between 1504 and 1534''. Academia de Estudios Humanisticos de Blanca. ISBN 978-1-326-81393-2
*[[Paul Breman|BREMAN, Paul]] (2001). ''Giovan Giorgio Trissino and His Printers: Ludovico Degli Arrighi Vicentino and 'Tolomeo Vicentino'; with a Few Related Rarities.'' [[WorldCat]] database index- 601237737


==See also==
==See also==
[[File:Houghton TypW 525.24.162 - La operina, 2.jpg|thumb|From ''La Operina'', 1524]]
*[[Typeface]]
*[[Typeface]]
*[[History of western typography#Italic type|History of typography]]
*[[History of western typography#Italic type|History of typography]]


==References==
==Notes==
{{reflist}}
{{reflist}}

==External links==
==External links==
*[http://www.operina.com Free downloadable copy of the book with English translation as zipped .pdf]
*[http://www.operina.com Free downloadable copy of the book with English translation as zipped .pdf]

Revision as of 02:23, 15 December 2016

Arrighi's italic typeface design, ca 1527. This elegant type letter is based on the Renaissance Italian handwritten script known as "cursiva humanistica". It inspired later French italic types.

Ludovico Vicentino degli Arrighi (1475–1527) was a papal scribe and type designer in Renaissance Italy.

Very little is known of the circumstances of his life. He may have started his career as a writing master in Venice, although this has been disputed.[1] Around 1510 he was a bookseller in Rome. He was employed as a scribe at the Apostolic Chancery in 1515. His experience in calligraphy led him to create an influential pamphlet on handwriting in 1522 called La Operina, which was the first book devoted to writing the italic script known as chancery cursive.[2] This work, a 32-page woodblock printing, was the first of several such publications.

He turned to printing in 1524 and designed his own italic typefaces for his work, which were widely emulated. His last printing was dated shortly before the sack of Rome (1527), during which he was probably killed.

His letterforms were revived in the 20th century by designers such as Stanley Morison, Frederic Warde, Robert Slimbach (for example Adobe Jenson italic) and Jonathan Hoefler (in his Requiem Text typeface.) The italic script presented in La Operina was also revived in the 20th century with Alfred Fairbank's book A Handwriting Manual (1932), Getty-Dubay italic script, and the work of Gunnlauger SE Briem.

See also

From La Operina, 1524

Notes

  1. ^ Ogg, Oscar (1953). Three Classics of Italian Calligraphy. Dover Publications. p. 253. ISBN 978-0-486-20212-9.
  2. ^ Lawson, Alexander S. (1990). Anatomy of a Typeface. David R. Godine. p. 84. ISBN 978-0-87923-332-7.

External links