Luigi Sabatelli: Difference between revisions
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'''Luigi Sabatelli''' (21 February 1772 – 29 January 1850) was an [[Italy|Italian]] painter of the [[Neoclassicism|Neoclassic]] period, active in [[Milan]], [[Rome]], and his native city of [[Florence]]. |
'''Luigi Sabatelli''' (21 February 1772 – 29 January 1850) was an [[Italy|Italian]] painter of the [[Neoclassicism|Neoclassic]] period, active in [[Milan]], [[Rome]], and his native city of [[Florence]]. |
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He studied in his native city and in Rome. In 1803, with the reorganization of the Academy of Fine Arts of Milan, Sabatelli was named professor of painting, replacing [[Giuseppe Traballesi|il Traballesi]], |
He studied in his native city and in Rome. In 1803, with the reorganization of the Academy of Fine Arts of Milan, Sabatelli was named professor of painting, replacing [[Giuseppe Traballesi|il Traballesi]],<ref>*{{cite book| first=Antonio| last=Caimi| year=1862| title=''Delle arti del designo e degli artisti nelle provincie di Lombardia dal 1777-1862''| editor = | pages=62 | publisher=Presso Luigi di Giacomo Pirola|location=Milan, Italy|id= |url=http://books.google.com/books?id=W_FYAAAAYAAJ&printsec=frontcover&dq=Antonio+Caimi&hl=en&sa=X&ei=6OayUOr_M4zUyQGtx4GgCA&ved=0CEIQ6AEwBw| authorlink=}}</ref> and held the post until his death, except for a brief furlough between 1822 and 1825. His first important work in oils was the large picture representing the ''Meeting of David and Abigail'', which now hangs opposite Benvenuti's ''Judith'' in the Lady Chapel of the [[Arezzo Cathedral|cathedral at Arezzo]]. Sabatelli's reputation rests on frescos (1822–1825) in the Hall of the [[Iliad]] at the [[Pitti Palace]] (the first room of the Picture Gallery), consisting of eight lunettes and a large circular medallion illustrating scenes from the Homeric poems. |
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His sons, [[Giuseppe Sabatelli|Giuseppe]] (1813–1843) and [[Francesco Sabatelli]] (1801–1829), were painters and professors of art in Florence; both died young. Among his pupils were [[Carlo Arienti]], [[Giuseppe Sogni]], [[Luigi Pedrazzi]], [[Giuseppe Penuti]], [[Michelangelo Fumagalli]], [[Giacomo Marinez]], [[Girolamo Daverio Luzzi]], and [[Giulio Arrivabene]].<ref>Caimi, page 54.</ref> |
His sons, [[Giuseppe Sabatelli|Giuseppe]] (1813–1843) and [[Francesco Sabatelli]] (1801–1829), were painters and professors of art in Florence; both died young. Among his pupils were [[Carlo Arienti]], [[Giuseppe Sogni]], [[Luigi Pedrazzi]], [[Giuseppe Penuti]], [[Michelangelo Fumagalli]], [[Giacomo Marinez]], [[Girolamo Daverio Luzzi]], and [[Giulio Arrivabene]].<ref>Caimi, page 54.</ref> |
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| NAME = Sabatelli, Luigi |
| NAME = Sabatelli, Luigi |
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Revision as of 10:14, 3 April 2013
Luigi Sabatelli (21 February 1772 – 29 January 1850) was an Italian painter of the Neoclassic period, active in Milan, Rome, and his native city of Florence.
He studied in his native city and in Rome. In 1803, with the reorganization of the Academy of Fine Arts of Milan, Sabatelli was named professor of painting, replacing il Traballesi,[1] and held the post until his death, except for a brief furlough between 1822 and 1825. His first important work in oils was the large picture representing the Meeting of David and Abigail, which now hangs opposite Benvenuti's Judith in the Lady Chapel of the cathedral at Arezzo. Sabatelli's reputation rests on frescos (1822–1825) in the Hall of the Iliad at the Pitti Palace (the first room of the Picture Gallery), consisting of eight lunettes and a large circular medallion illustrating scenes from the Homeric poems.
His sons, Giuseppe (1813–1843) and Francesco Sabatelli (1801–1829), were painters and professors of art in Florence; both died young. Among his pupils were Carlo Arienti, Giuseppe Sogni, Luigi Pedrazzi, Giuseppe Penuti, Michelangelo Fumagalli, Giacomo Marinez, Girolamo Daverio Luzzi, and Giulio Arrivabene.[2]
References
- Rollins Willard, Ashton (1900). History of Modern Italian Art. London: Longmans, Green & co. p. 282.
- ^ *Caimi, Antonio (1862). Delle arti del designo e degli artisti nelle provincie di Lombardia dal 1777-1862. Milan, Italy: Presso Luigi di Giacomo Pirola. p. 62.
- ^ Caimi, page 54.
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