Angeli Janhsen

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Angeli Janhsen (* 1957 ) is a German art historian . She teaches at the Art History Institute of the Albert Ludwig University of Freiburg i. Breisgau.

Life

Angeli Janhsen studied art history and German at the Ruhr University in Bochum . In 1981 she completed her studies (Master's thesis: Sarah Schumann. Art and women's movement .). After study visits and a. in Pisa and Florence Janhsen in 1987 with a dissertation perspective rules and composition in the case Piero della Francesca (price of the Ruhr-University Bochum) at Max Imdahl in Bochum doctorate . From 1987 to 1992 she was an assistant there. In 1992 the habilitation followed with the thesis with the title Dies. Here. Now. Reality experiences with contemporary art . Angeli Janhsen was then a university lecturer at the Bochum Institute. In 1999 she accepted a position at the Albert-Ludwigs-Universität Freiburg , where she has since taught as a professor for art history with a special focus on modern and contemporary art at the Institute of Art History.

Scientific activity

Her research interests concern modern and contemporary art - especially art, which can be confused with non-art, questions about dealing with new art, but also the history of art theory (perspective, conceptions of space, conceptions of time, genre history, color theory) and Renaissance painting. Angeli Janhsen is chair of the art commission of the city of Freiburg and is involved in church art commissions. In addition, she has been chairwoman of the Art History Society since 2001.

Book publications

  • Perspective rules and image design with Piero della Francesca (dissertation), Munich 1990, ISBN 978-3-7705-2630-7 .
  • This. Here. Now. Reality experiences with contemporary art, Munich 2000, ISBN 978-3-7705-3458-6 .
  • Seeing art is seeing yourself. Christian Boltanski. Bill Viola, Berlin 2005, ISBN 978-3-496-01336-5 .
  • New art as a catalyst (Sophie Calle, Bas Jan Ader, Philippe Petit, Marina Abramovic, Flatz, Christian Boltanski, Yoko Ono, Tino Sehgal, Christoph Büchel, Santiago Sierra, Jochen Gerz, Raumlabor, Pina Bausch, Rimini Protokoll, Erwin Wurm, Roman Signer, Richard Long), Berlin 2012, ISBN 978-3-496-01459-1 .
  • See art for yourself. A question book, Freiburg 2013 (Seeing Art? A Question Book, Freiburg 2017), ISBN 978-3-86833-122-6 .
  • What to do? Artists make suggestions. Freiburg 2018, ISBN 978-3-86833-233-9 .
  • Good writing about new art, Berlin 2019, ISBN 978-3-496-01625-0 .
Release
  • Max Imdahl: Collected writings. Vol. 1 On Modern Art; edited and introduced by Angeli Janhsen-Vukićević, Frankfurt / Main 1996, ISBN 978-3-518-28835-1 .
Articles (selection)
  • Minutes of the conversation with Donald Judd (February 1, 1990), in: Donald Judd catalog; Kunstmuseum St. Gallen 1990. Reprinted in: “Discussion with Donald Judd” with Angeli Janhsen (moderator) and students from the Ruhr-Universität Bochum from the exhibition catalaogue Donald Judd February 1, 1990; in: Donald Judd Unterviews, edited by Flavin Judd, Caitlin Murray, New York / London 2019, pp. 694–717.
  • Gottfried Böhm's pilgrimage church in Neviges, in: Wolkenkuckucksheim 2, June 1998. ( online )
  • Thomas Bernhard's 'Walking'. Outgoing post-minimal artists. Walking viewer; in: Politics and Media with Thomas Bernhard, edited by Ingeborg Villinger and Franziska Schößler, Würzburg 2002, pp. 51–77.
  • Suspicion of art; in: nodes; published by Matthias Weiß, catalog Kunstmuseum Ahlen u. a. 2007, pp. 12-31. ( online )
  • To see cities and pictures; in: world views. Landscape in Art since the 17th Century; edited by Silke von Berswordt-Wallrabe / Volker Rattemeyer; Catalog Situation Kunst Bochum (including locations) 2010, pp. 131–187.
  • Only encounters really change, in: futuring. Eva & Adele, ed. by Meinrad Maria Grewenig, Edition Völklinger Hütte, Heidelberg 2012, pp. 28–31 and 84–87.
  • Paul Klee. Look past the war; in: The First World War in the mirror of the arts; ed. by Werner Frick, Günter Schnitzler, Freiburg i.Br. / Berlin / Vienna 2017, pp. 221–264.
  • Imdahl and the "new art" / Max Imdahl et l 'art contemporain "; in: Max Imdahl Regards croisés, No. 7, 2017, pp. 14–23 and 24–34. ( online )
  • Everything is a breath of wind. Artistic instructions for books: Clegg and Gutman, On Kawara, Sol LeWitt, Marcel Duchamp, in: Maria Effinger et al. (Ed.): From analogue and digital access to art - Festschrift for Hubertus coal on his 60th birthday, Heidelberg: arthistoricum.net, Advance online publication, June 7, 2019 online

Web links

Individual evidence

  1. ^ Art History Society . uni-freiburg.de. Retrieved February 11, 2020.
personal data
SURNAME Janhsen, Angeli
ALTERNATIVE NAMES Janhsen-Vukićević, Angeli; Vukićević, Angeli Janhsen-
BRIEF DESCRIPTION German art historian
DATE OF BIRTH 1957