Badia-a-Isola Masters

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Badia-a-Isola-Meister: Madonna with Child and Two Angels, Italy, around 1280/1300

As Badia-a-Isola Master (or Master of Badia a Isola , Master of Badia a Isola ), the Italian painter of the 13th century referred to a Madonna and Child with Two Angels for the compartment Church of SS. Salvatore e Cirino in Badia a Isola in Monteriggioni , Tuscany. He was probably active in northern Italy between 1290 and 1320. He is considered an early successor to Duccio di Buoninsegna (approx. 1255-1319) from Siena.

style

The Badia-a-Isola master is close to Duccio's new style, and his later works also show that he followed its development. Nevertheless, his work remains based on tradition, which can be shown by the conservative mixture of his working method , which is also based on the main master of Sienese painting Guido da Siena , with innovations by the "innovator" Duccio. In his later works, however, the Badia-a-Isola master seems even more reserved and less impulsive than can be seen in his first works.

plant

  • Madonna with Child and Two Angels, from the Abbey Church of SS.Salvatore e Cirino, Badia a Isola (Abbadia Isola), is now in the Museo Civico e Diocesano d'Arte Sacra, Colle di Val d'Elsa

The number of other works that can be ascribed to the Badia-a-Isola master is not fixed. In general, the following works are recognized collectively by most experts:

  • Madonna and Child, formerly Claudio Argentieri Collection, Spoleto
  • Madonna and Child (fragment), Centraal Museum, Catharijneconvent, Utrecht
  • Madonna and Child, Pinacoteca, Siena N. 593
  • Madonna and Child, Indianapolis Museum of Art , Indianapolis (IN), The Clowes Fund Collection, 2009.52
  • Polyptych of Saints Paul, John the Evangelist and Peter. Mount Holyoke College, South Hadley (MA)
  • John the Baptist, Wallraf-Richartz-Museum, Cologne, inv. No. 608

identity

The identity of the Badia-a-Isola master who is not known by name is being further investigated in specialist circles. So he should z. B. to be equated with Salerno di Coppo . Some of the paintings ascribed to him were or are also regarded as early works by Duccio himself, but this does not seem generally recognized.

Web links

Commons : Master of Badia a Isola  - collection of images, videos and audio files

Individual evidence

  1. ^ Badia a Isola Master. In: The Concise Grove Dictionary of Art. Accessed February 2010.
  2. ^ Gertrude Coor-Achenbach: A Dispersed Polyptych by the Badia a Isola Master. In: The Art Bulletin. Vol. 34, No. 4, 1952, ISSN  0004-3079 , pp. 311-316.
  3. Klaus Zimmermanns: Toscana. The hill country and the historic city centers (= DuMont art travel guide. ). 7th, updated edition. DuMont Reiseverlag, Ostfildern 2009, ISBN 978-3-7701-3556-1 , p. 367, as: "Mother of God with child by an early Duccio successor, .. called Master of Badia a Isola".
  4. cf. z. B. James H. Stubblebine: Duccio di Buoninsegna and His School. 2 volumes (Textbd. Tafelbd.). Princeton University Press, Princeton NJ 1979, ISBN 0-691-03944-5 , which gives the master a much expanded list.
  5. cf. also James H. Stubblebine: The Development of the Throne in Dugento Tuscan Painting. In: Marsyas. Vol. 7, 1957, ISSN  0076-4701 , pp. 25-39.
  6. ^ Gertrude Coor-Achenbach: The early nineteenth-century aspect of a dispersed polyptych by the Badia a Isola Master In: The Art Bulletin. Vol. 42, No. 2, 1960, p. 143 (also special print).
  7. so z. B. in summary Gertrude Coor-Achenbach: A Dispersed Polyptych by the Badia a Isola Master. In: The Art Bulletin. Vol. 34, No. 4, 1952, pp. 311-316.
  8. ^ Gertrude Coor-Achenbach: The "Missing" Panel from a Dispersed Polyptych by the Badia a Isola Master. In: The Art Bulletin. Vol. 38, No. 2, 1956, p. 119.
  9. Dieter Weidmann: On the genesis of Trecento painting in the generation between Cimabue and Giotto. The work of the painters Salerno di Coppo, Lippo di Benivieni and Guido da Siena and the Assisi problem. tuduv-Verlags-Gesellschaft mbh, Munich 1993, ISBN 3-88073-488-7 (At the same time: Munich, University, dissertation, 1988).
  10. Miklós Boskovits, Angelo Tartuferi: Dipinti. Volume 1: Dal Duecento a Giovanni da Milano (= Cataloghi della Galleria dell'Accademia di Firenze ). Giunti Editore, Florence 2003, ISBN 88-09-03447-3 , p. 226.