Caroline Arscott

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Caroline Arscott is a British art historian . She teaches as a professor at the Courtauld Institute .

Life

Arscott studied at Newnham College from 1975 to 1978 . She then attended the University of Leeds , where she received her doctorate with a paper on Modern Life Subjects in British Painting 1840-60 . From 1998 to 2008 Arscott was editor-in-chief of the Oxford Art Journal and from 2009 to 2014 she was editor of the RIHA Journal . She has published extensively on Edward Burne-Jones and William Morris as well as on the Victorian Age .

Selected publications

  • "Edward Burne-Jones (1833-98)" in E. Prettejohn (Ed.), The Cambridge Companion to the Pre-Raphaelites , Cambridge: Cambridge University Press , 2012.
  • "Everyday Variety and Classical Constraint in Victorian Drawings" in Life, legend, landscape: Victorian drawings and watercolors edited by Joanna Selborne, exhibition catalog, London: The Courtauld Gallery, 2011.
  • Edward Burne-Jones and William Morris: Interlacings , Yale University Press , New Haven and London, 2008, ISBN 0-300-14093-2 .
  • "William Powell Frith's The Railway Station: Classification and the Crowd", in William Powell Frith, exhibition catalog , London, Guildhall Art Gallery, November 2006, pp. 79-93.
  • "Representations of the Victorian City" in M. Daunton, (Ed.), Cambridge Urban History of Britain: Volume Three (1840-1950) , Cambridge University Press, Cambridge, 2000, pp. 811-832.
  • "Convict Labor: Masking and Interchangeability in Victorian Prison Scenes", Oxford Art Journal , 23.2, 2000, pp. 119-142 (on Frith).

Individual evidence

  1. Professor Caroline Arscott, Head of Research. The Courtauld Institute, 2013. As of April 21, 2013. Archived here.
  2. Caroline Arscott courtauld.pure.elsevier.com. Retrieved March 7, 2019.
  3. ^ A b Burke Lectures - Current Series . In: Department of Art History, Indiana University . Accessed October 2015.

Web links