Elondust Patrick Johnson
Elondust Patrick Johnson (born March 1, 1967 in Hickory , North Carolina ) (mostly E. Patrick Johnson ) is an American sociologist and author .
Life
Johnson studied sociology at the University of North Carolina , University of North Carolina at Chapel Hill, and Louisiana State University . Since 2000 he has been a professor at Northwestern University for Performance Studies and African American Studies . His focus is on the topics of ethnicity, gender, sexuality and representation.
Works (selection)
Books
- Honeypot: Black Southern Women Who Love Women , University of North Carolina Press, 2019
- Black. Queer. Southern. Women — An Oral History , University of North Carolina Press, 2019
- Sweet Tea: Black Gay Men of the South — An Oral History , University of North Carolina Press, 2008
- Appropriating Blackness: Performance and the Politics of Authenticity , Duke University Press, 2003
Other works
- Blacktino Queer Performance (together with Ramon Rivera-Servera ). Duke University Press, 2016
- No Tea, No Shade: New Writings in Black Queer Studies , Duke University Press, 2016
- Cultural Struggles: Performance, Ethnography, Praxis , Edited collection of essays by Dwight Conquergood. University of Michigan Press, 2013
- solo / black / woman: scripts, interviews, essays. (together with Ramon Rivera-Servera), Northwestern University Press, 2013
- Black Queer Studies: A Critical Anthology . (together with Mae G. Henderson), Duke University Press, 2005
Articles in journals (selection)
- "Put a Little Honey in My Sweet Tea: Oral History as Quare Performance." Women's Studies Quarterly 44.3 / 4 (Fall / Winter 2016): 51-67.
- "In Search of My Queer Fathers (In Response to Bishop Eddie Long)." Cultural Studies <-> Critical Methodologies 14.2 (April 2014): 124 -127.
- "To Be Young, Gifted, and Queer: Race and Sex in the New Black Studies." The Black Scholar 44.2 (Summer 2014): 50 - 58.
- "Pleasure and Pain in Black Queer Oral History and Performance." (with Jason Ruiz) QED: A Journal of GLBTQ Worldmaking 1.2 (Summer 2014): 160 - 170.
- "After You've Done All You Can: On Queer Performance and Censorship." Text and Performance Quarterly 33.3 (July 2013): 212-213.
- "A Revelatory Distillation of Experience." Women's Studies Quarterly 40.3 (2012): 311-314.
- "From Page to Stage: The Making of Sweet Tea." Text and Performance Quarterly 32.3 (2012): 248-253.
- "Queer Epistemologies: Theorizing the Self from a Writerly Placed Called Home." Biography 34.3 (2011): 429-446.
- "Poor 'Black' Theater." Theater History Studies 30 (2010): 1 - 13.
- "Stranger Blues: Otherness, Pedagogy, and a Sense of Home." TriQuarterly 131 (2008): 112-127.
- "The Pot Calling the Kettle 'Black'." Theater Journal, 57.4 (2005): 605-608.
- "Specter of the Black Fag: Parody, Blackness, & Homo / Heterosexual B (r) others." Journal of Homosexuality 45.2 / 3/4 (2003): 217-234.
- "Strange Fruit: A Performance About Identity Politics." The Drama Review, T178 (Summer) 2003: 88-116.
- "Performing Blackness Down Under: The Café of the Gate of Salvation." Text and Performance Quarterly 22 (April 2002): 99-119. Reprinted in 21st Century African American Social Issues: A Reader. Ed. Anita McDaniel and Clyde McDaniel. New York: Thompson Custom Printing, 2003.
- "'Quare' Studies Or (Almost) Everything I Know About Queer Studies I Learned From My Grandmother." Text and Performance Quarterly 21 (January 2001): 1-25. Reprinted in Readings on Rhetoric and Performance. Ed. Stephen Olbrys Gencarella and Phaedra C. Pezzullo. State College, PA: Strata, 2010. 233-257. The Ashgate Research Companion to Queer Theory. Ed. Noreen Giffney and Michael O'Rourke. Farnham, England: Ashgate Publishing Company, 2009. 451-469. Sexualities and Communication in Everyday Life: A Reader. Ed. Karen Lovaas and Mercilee Jenkins. Thousand Oaks, CA: Sage Publications, 2006. 69-86, 297-300. Black Queer Studies: A Critical Anthology. Ed. E. Patrick Johnson and Mae G. Henderson. Durham: Duke University Press, 2005. 124-157.
- "Feeling the Spirit in the Dark: Expanding Notions of the Sacred in the African American Gay Community." Callaloo 21.2 (winter / spring 1998): 399-416. Reprinted in The Greatest Taboo: Homosexuality in Black Communities. Ed. Delroy Constantine-Simms. Los Angeles: Alyson Publications, 2000. 88-109.
- "Getting Past the Gate (s): Inclusion / Exclusion in the African American Theoretical Canon of Henry Louis Gates." Warpland: A Journal of Black Literature and Ideas 2 (October 1996): 131-140.
- "SNAP! Culture: A Different Kind of Reading." Text and Performance Quarterly 15 (April 1995): 21-42.
- "Wild Women Don't Get the Blues: A Blues Analysis of Gayl Jones' Eva's Man." OBSIDIAN II: Black Literature in Review 9 (Spring / Sömmer 1994): 26-46.
Awards and prizes (selection)
- 2004: Errol Hill Award for Outstanding Scholarship in African American Theater Studies
- 2005: Martin Duberman Fellowship
- 2010: Leslie Irene Coger Award
- 2010: Chicago LGBT Hall of Fame
- 2014: Rene Castillo Otto Award for Political Theater
- 2020: Member of the American Academy of Arts and Sciences
Web links
- Official website of E. Patrick Johnson
- Profile on Northwestern University website
- Dukepress.edu: Honeypot, Black Southern Women Who Love Women
- Roanoke.edu: A lecture by Dr. E. Patrick Johnson: Are We Not Family? Sexuality, Citizenship, and Politics in the New Black South
Individual evidence
- ↑ a b c E. Patrick Johnson | Northwestern School of Communication. Retrieved February 4, 2020 .
- ↑ Dukepress.edu: honeypot, Black Southern Women Who Love Women
personal data | |
---|---|
SURNAME | Johnson, Elondust Patrick |
BRIEF DESCRIPTION | American sociologist, author, and university professor |
DATE OF BIRTH | March 1, 1967 |
PLACE OF BIRTH | Hickory , North Carolina |