Emilie Mundt

from Wikipedia, the free encyclopedia
Emilie Mundt 1915

Caroline Emilie Mundt (born August 22, 1842 in Sorø ; † October 25, 1922 in Frederiksberg ) was a Danish painter and art teacher.

Life

Emilie Mundt: Efter hjemkomsten , 1892/93

Emilie Mundt was the daughter of the lecturer and later titular professor of mathematics at the Sorø Akademi on the Danish island of Zealand, Carl Emil Mundt (1802–1873), in turn the son of a goldsmith. The mother, Caroline (Amalie) Jørgensen (1808–1845), died when Emilie was only three years old. As a result, Carl Mundt moved with Emilie and her sister Jacobine (1840–1914) from Sorø to Copenhagen, where the two attended Nathalie Zahle's private school (N. Zahles Skole). Emilie passed an exam as a private teacher in 1861 and - supported by her drawing teacher Frederik Ferdinand Helsted - was finally employed as a writing and drawing teacher at the school. Her colleagues included the flower painter Christine Løvmand (1803–1872) and Henriette Skram (1841–1929). Only at the age of 30 did Emilie Mundt completely switch to painting by enrolling at Vilhelm Kyhn's private drawing and painting school for women (Tegneskolen for Kvinder) and with the portrait and genre painter Jørgen Roed (1808–1888). Took lessons. Her fellow student, who later became women's rights activist Marie Luplau (1848–1925), became her lifelong partner. After they were denied admission to the Copenhagen Art Academy in 1875, the two women went to Munich for eight months in 1875/76 and, among other things, educated themselves through studies based on the living model among the Scandinavian artists, including the Norwegian painter Eilif Peterssen (1852–1928) continued. With Marie Luplau, Emilie Mundt opened a drawing and painting school for women in 1878, which she led until 1912. Her students included Emilie Demant Hatt (1873-1958), Astrid Valborg Holm (1876-1937) and Olivia Holm-Møller (1875-1970). From 1882 to 1884 she stayed in Paris, worked with Raphael Collin and Gustave Courtois (1852-1923) at the Académie Colarossi and was mainly influenced by the naturalistic works of the painters Jules Breton and Jules Bastien-Lepage . From Paris she visited Brittany; In 1891 she traveled again to Paris, in 1912 to Italy and Switzerland. She was vehemently committed to giving women access to the art academy, which she was able to achieve in 1888. When the Danish Association of Women Artists (Kvindelige Kunstneres Samfund) was founded in 1916, it was one of its first members.

In 1891 Emilie Mundt and Marie Luplau adopted a daughter, whom they named Carla Mundt-Luplau (* 1890). Guests in her house in Frederiksberg included the actress Andrea Lamberth (* 1853) and the photographer Mary Steen (1856–1939).

Exhibitions

  • Charlottenborg, spring 1878 to 1923
  • Nordic Exhibition (Nordisk Udstilling), 1888
  • Paris 1889
  • Exhibition of women artists (Kvindestes Udstilling), Copenhagen 1895
  • City Hall Exhibition (Raadhusudstilling), Copenhagen 1901
  • Foraars Udstillingen, Copenhagen 1903
  • National Exhibition (Landsudstilling), Århus 1909
  • Retrospective female artist exhibition (Kvindelige Kunstneres retrosp. Udstilling), Copenhagen 1920

Work (selection)

The stay in Paris inspired Mundt to create a series of depictions of children that were created after visits to an orphanage. Children remained her preferred motives afterwards. In addition, figurative scenes, rural interiors and landscapes from Denmark, Brittany and Italy were created.

  • To Børn , 1878
  • På Kyhns tegneskole , drawing 1879
  • Hus i Pont-Aven, Brittany , 1882
  • Trappeparti, Brittany , 1883: Varde Museum
  • Mandlig model , 1883
  • Det gamle teglværk ved Esbjerg , 1885
  • Parti af Smedegade, Varde , 1886: Varde Museum
  • Fra asylet i Istedgade (From the orphanage in Istegade), 1886: Copenhagen, City Museum
  • Children at school , 1891
  • Efter hjemkomsten , 1892/93: Randers Art Museum
  • Landbomotiv med arbejdende ældre kvinde and børn ved staldmur , 1893 (art trade)
  • Malerinde og barn i atelieret (painter with child in the studio), 1893: Varde Museum
  • Marie Luplau med plejebarnet Carla Mundt-Luplau (Marie Luplau with the adopted daughter Carla Mundt-Luplau in the studio), 1895
  • Portræt af overprokurator IH Mundt ; issued in 1895
  • Portræt af Daniel Luplau , 1896: Varde Museum
  • Udenfor Skovfogedboligen , 1903
  • En femkantet l'hombre i atelieret , 1904/12
  • To søstre (Two Sisters), 1908
  • Nej. Fra et italiensk asyl , 1913
  • Now the soves should be. Motif from asylet i Istedgade , 1914
  • Wænda Sørensen and other asylbørn , 1916

Literature (selection)

  • Kvindelig Fremskridtsforening (Ed.): Hvad vi vil, August 27, 1893.
  • Foraars Udstillingen 1903 catalog (spring exhibition 1903: catalog (online): No. 324. Barneportræt (child portrait ); No. 325. Portrait study ; No. 326. Udenfor Skovfogedboligen ; No. 327. Portræt (property of Mrs. Winther).
  • Kvindelige Kunstneres retrosp. Udstilling), Copenhagen 1920: Catalog (online): No. 412. Fra Asylet i Istedgade (In the orphanage of Istedgade), 1886; No. 413. Hvile paa Vejen (Rest on the Path), 1881; (Owner: Restauratør Mortensen); No. 414. Skræpper bag en Bondegaard ; No. 415. Tamek køber Æbler , 1883 ( owner : Mrs. Harald Hansen); No. 416. Tegning , 1883 (private collection).
  • Gerda Mundt, Troels Pedersen: Bromme Mølle (Pedersen, Mundt, Jørgensen families), 1932, p. 105.
  • Franz von Jessen (Red.): Danske i Paris gennem tiderne, II, 1938.
  • Else Kai Sass, in: Kvinden i Danmark, 1942.
  • Sven Nielsen, in: Bymuseums Årsskrifter, Copenhagen 1982.
  • Laura Jacobsen: Søllerød, set med Malerøje , 1983.
  • Louise Robbert (Ed.): De Drogo Till Paris. Nordiska Konstnarinnor Pa 1880-Talet . 1988.
  • Mette Thelle: Efter hjemkomsten: et Maleri af Emilie Mundt , Randers Kunstmuseum 1990, ISBN 87-88075-42-7 .
  • Weilbach's Kunstnerleksikon. Udgivet af en komite støtte af Carlsbergfondet. Editor: Merete Bodelsen og Povl Engelstoft. Tredje udgave, Aschehoug, København, Vol. II (1949). 4th edition: 1994-2000.

Web links

Commons : Emilie Mundt  - Collection of images, videos and audio files

Individual evidence

  1. his brother Just Henrik Mundt (1782-1859) was temporarily mayor of Copenhagen; the maternal grandmother had been governess of the future Queen Caroline Amalie of Schleswig-Holstein-Sonderburg-Augustenburg (1796-1881)