Art

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The concept of music (including "New conceptualism" ) has since the 2000's years in the field of new music emerged. The most important representatives of this musical style are the composers Peter Ablinger , Antoine Beuger , Patrick Frank, Johannes Kreidler , Trond Reinholdtsen and Anton Wassiljew. Historical forerunners are Concept Art and Fluxus . A singular idea that determines the entire piece of music is decisive for art, ideally without further intervention by the composer. Art can incorporate many different techniques and approaches such as readymades , appropriation, algorithmic composition , multimedia and political music, which is why it is sometimes said that it is not an actual "ism". The emergence of art since the new millennium is primarily associated with the digital revolution .

Important works of art

  • Peter Ablinger, white / whitish
  • Johannes Kreidler, foreign work
  • Johannes Kreidler, Charts Music
  • Patrick Frank, The Law of Quality
  • Anton Wassiljew, piano piece I.
  • Cory Arcangel, Arnold Schoenberg Opus 11 Cute Kittens
  • Jarrod Fawler, Wittgenstein to Fawler

literature

  • Diedrich Diederichsen: "Conceptual music, conceptual pop music", in: Pop. Culture and Criticism Heft 5 (Fall 2014) , pp. 130-137.
  • Friedemann Dupelius: "Telepathy and Theory. Concepts in Pop and Subculture", in: Neue Zeitschrift für Musik 1/2014 , pp. 50–51.
  • Florian Käune: "Study on Johannes Kreidler's 'New Conceptualism'" (Musicological Bachelor Thesis HfM Detmold 2014) PDF
  • Seth Kim-Cohen: In the Blink of an Ear. Toward a non-cochlear Sonic Art , New York 2009, ISBN 978-0826429704 .
  • Johannes Kreidler: "The new thing about new conceptualism", in: Neue Zeitschrift für Musik, 1/2014 , pp. 44–49. PDF
  • Johannes Kreidler: "With a model ?! on the reception of conceptual music", in: Positions 95 (May 2013) , pp. 27–33. PDF
  • Harry Lehmann: "Musikkonzepte", in: The digital revolution of music - a music philosophy , Mainz 2012, pp. 106–115, ISBN 978-3795708252 .
  • Harry Lehmann: "Aesthetic content in the conflict between absolute and relational music. A reply", in: Neue Zeitschrift für Musik 1/2014 , app. S. I-XVII. PDF
  • Harry Lehmann: "Art. Catalyst for the turnaround in salary aesthetics in new music", in: Neue Zeitschrift für Musik, 1/2014 , in three parts pp. 22–25, 30–35, 40–43. PDF
  • Gisela Nauck: "New Conceptualists", in: Positions 96 (2013), pp. 38–43.
  • Tobias Eduard Schick: "Aesthetic content between autonomous music and a new conceptualism", in: Musik & Ästhetik 66 (2013), pp. 47–65.
  • Anton Wassiljew: "Strategies for the New in New Music", in: Neue Zeitschrift für Musik 1/2014 , pp. 27–28.

Web links