List of compositions by Juan María Solare

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The compositional work of Juan María Solare includes electronic, instrumental and vocal music as well as stage pieces and new music theater .

Stage works

  • "Veinticinco de agosto, 1983" [August 25, 1983]. (1992/1993) [37'30 "] Chamber opera in one act and fifteen pictures. Libretto by Javier Adúriz based on the story of the same name by Jorge Luis Borges.
  • "Diez Estudios Escénicos" [Ten Scenic Etudes] (Cologne-Mollina, June – July 1996) [20'00 "], without text. For two actors, one actress, various objects and instrumental sextet: violin, double bass, horn, bass clarinet , Vibraphone and grand piano, dedicated to Mauricio Kagel .
  • "Trio for One". Scenic etude for an actor, with text in three pseudo-languages ​​invented by the interpreter. (Cologne, 23 / JAN / 2000) [4'00 "].
  • "Cómo cruzar el Río Nebuloso" [How to Cross the Misty River]. For two actors and three portable instruments (ad libitum instrumentation). Worpswede, Bremen, Madrid, 26 / OCT / 2007-6 / MAR / 2008. German version: Worpswede, 29 / JUN / 2008 [approx. 15'00 "]
  • "Gesture pieces" for four performers (mimes). On the train from Berlin to Bremen, 13 / APR / 2008. [approx. 13'00 "]
    • I - Canon a 4. [3'00]
    • II - Acumulación-Desacumulación 1. [2'00]
    • III - Tutti in unison. [3'00]
    • IV - Acumulación-Desacumulación 2. [2'00]
    • V - group dialogue. [3'00]

orchestra

  • "Orchestervariationen" 1991, on the "Variationen für Klavier" [12 ']
  • "La memoria de Caronte" [The memory of Charon] (AUG 1994, based on the piece of the same name for piano) [4'30 "]. Dedicated to Ligia.
  • "Tres Episodios" [Three Episodes] for string orchestra (FEB 1995) [3'30 "]:
      1. "in a flash"
      2. "In no time"
      3. "Ipso Facto"
  • "Min az-zulumát" (From the darkness) for large orchestra (Cologne, 1995) [16'00 "] Instrumentation: 3-3-3-3, 4-3-3-1, 2 percussionists, piano, strings ( 12-12-10-8-5 to 7)
  • "... Cuando la cornisa se termina ..." [When the carnies comes to an end] for string orchestra (4-4-2-2-1), in three movements [14'00 "= 4'45" +5 '30 "+ 3'45"]. Cologne, FEB / MAR 1997.
  • "Un ángel de hielo y fuego" ["An angel made of ice and fire"] for large orchestra (Cologne, May - 19 / July / 1997) [11'00 "]
  • "Concertango" for large orchestra. [Total: 18'30 "]
  • "Nómade" (from Sonatango) for (small) string orchestra [3'00 "]

Chamber music

  • "Tema y variaciones" [theme and variations] for cello & piano (Buenos Aires, APR 1985). [approx. 8'00 "]
  • "Suite Modal" for flute and clarinet (1985) [5 ']. Verlag Dohr (Cologne) ISMN M-2020-286-5.
  • "Three pieces for clarinet and piano" (1986) [9'35 "(3'20" + 2'55 "+ 3'20")].
  • "Cuatro Croquis" ["Four Sketches"] for flute and piano (1988) [2 ']
    • 1 - Allegro con spirito [0'20 "]
    • 2 - Adagio cantabile [0'45 "]
    • 3 - Allegretto [0'15 "]
    • 4 - Allegro con brio [0'40 "]
  • Sonata for flute and piano (1988) Three movements. [12 ']
  • "Seis bagatelas" [Six Bagatelles] for flute trio (1987) [8'15 "] Verlag Dohr (Cologne) ED 96307.
  • "Demeter" for string quartet (1990) [15 ']. In memoriam of the clarinetist Ariel Martínez. First composition prize 1990 "Promociones Musicales de la Argentina".
  • "Siete monedas" [seven coins] for flute, viola and violoncello. (1991) [12'45 "]
  • "Extraños preludios y doble canon" [Strange preludes and double canons] for wind quintet. (1992) [6'30 "] dedicated to Cristina Galarza.
  • "Pacífico" [Pacific], for recorder trio (or piano). Buenos Aires, 4 / JUN / 1992. [0'45 "]
  • "Ben Oni", for flute, clarinet and violoncello. (1992) [4'30 "]
  • "Diálogos últimos" [Last Dialogues] for two drummers who are alienated enough. (NOV 1992) [3'25 "]
  • "Tres veces Dos Dúos" [Three times two duos] for violin and viola. [Total duration: 6'50 "]
    • I) "Inicial" (Berlin, MAR 1994) [0'40 "]
    • II) (Berlin, MAR 1994) [1'10 "]
    • III) "Isomórfico" (Cologne, 16 / NOV / 1995) [1'30 "]
    • IV) "Canónico" (Cologne, 31 / OCT / 1995) [1'00 "]
    • V) "Trasnochado" (Cologne, 10-15 / SEP / 1996) [1'15 "]
    • VI) "Isorrítmico" (Cologne, 15-19 / SEP / 1996) [1'15 "]
  • "Arrorró", concert lullaby for violin and clarinet (Cologne, 15 / MAY / 1995) [2'20 "]. Dedicated to Anahí and Nicolás Montes.
  • "Passacaglia über HEIDELBERG" for clarinet, violin and violoncello (Cologne, 30 / JAN - 11 / FEB / 1996) [7'00 "]." For Heidelberg, the first city where I saw snow, on its 800th birthday ".
  • "Tetramorfos", four quartets for guitars (could be played individually) [16'15 "]:
    • 1) "Canon de la tortuga negra" (Cologne, 3-10 / AGO / 1996) [3'30 "]
    • 2) "A-Be-A del tigre blanco" (Cologne, 4-21 / AGO / 1996) [5'00 "].
    • 3) "Tema y Variaciones del dragón azul" (Cologne, 18 / AGO-30 / SEP / 1996) [5'15 "]
    • 4) "Melodías autorreferentes del pájaro rojo" (Cologne, 6-13 / OCT / 1996) [2'30 "]
  • "Nana", lullaby for viola and violoncello. (Cologne, 2-7 / FEB / 1997). [5'15 "] Dedicated to Felix Walter-Bauckholt.
  • "Neverness", second string quartet. (Cologne, 8 / APR-2 / MAY 1997). [20'00 "]
  • "Nenia in memoriam Juan Pedro Franze", for trombone, double bass and piano. (Cologne, 22 / APR-6 / MAY 1997) [6'00 "]
  • "Palmas" [palm of the hand], for a choir of eight voices or for a large number of musicians divided into eight groups or for eight percussionists. (Cologne and Stuttgart, 19 / 10-29 / 12/1997) [11'00 "]
  • "Two Still Lives in Free Fall" for flute and cello. (Cologne, 8-18 / JUN / 1998) [5'30 "] Dedicated to Tasneem Hanfi and Caroline Stinson.
  • "Spaghettisssimo" for variable instrumentation (1 to 6 instrumentalists). For Tom Johnson, on his 60th birthday. [2'00 "]. Stuttgart, July 1998.
  • "Ars Moriendi" [The Art of Dying / The Art of Die] for recorder quartet (two basses and two tenors). Bremen, Buenos Aires and Cologne, October 1997, September 1998 and May 1999. [8'00 "]
  • "Arriba los de abajo" [Up with those from below; Up with the lower ones, high with the lower ones], seven pieces for Trio Basso (viola, violoncello and double bass). (Cologne and Stuttgart, 18/5 to 20/11/1998). [11'35 "]. Dedicated to Heidrun Kiegel. Third prize in the composition competition of the" Viola Foundation Walter Witte "(Frankfurt) in May 2001.
  • "Zugzwang (fifteen real miniatures about chess strategy)" for quartet: violin (or flute), alto saxophone (or clarinet), double bass (or cello) and piano (or synthesizer). Cologne, 29 / JAN-6 / FEB / 1999. [3'15 "]. Dedicated to GM Lothar Schmid .
  • "Oasis" [Oase], five pieces for violoncello and guitar. Madrid, January / February 1992 (two first pieces) & Cologne, February / March 1999. [8'00 "].
  • "Variaciones sin tema (pensamiento paramétrico)" [variations without a theme (parametric thinking)] for string trio (violin, viola, cello). Cologne, 24 / MAY-29 / JUN / 1999. [6'15 "]
  • "Nenia per Zorzi" for clarinet, violoncello and a percussionist (marimba, krotalen and tom-tom). Buenos Aires, 22-30 / AUG / 1999. Juan Carlos Zorzi in memoriam. [6'00 "]
  • "Viejo Fueye Deconstruido" [old, deconstructed bellows] postmodern tango for tenor saxophone, bandoneon, double bass and piano. Cologne, 2 / FEB - 2 / MAR / 2000. [9'15 "]
  • "de capa caída" [downed], tango for two pianos. Cologne, 24 / FEB - 19 / MAR / 2000. [8'00 "]. Dedicated to Dorothee Haddenbruch .
  • "Utopía caminante" [Walking utopia], for trombone and violoncello. Darmstadt and Cologne, 17. – 23. April 2000. [3'15 "] Ten years after the death of Luigi Nono
  • "Blockartig", for recorder trio (T, T, Bb). Diez, Cologne and trains to and from Amsterdam, May 21 to June 19, 2000. [9'00 "]. Dedicated to the trio" les trois en bloc "(Barbara Engelmann, Anja Wetzki and Susanne Riemann).
  • "Constelación (Nueva Suite Modal)" [Constellation (New Modal Suite)], five pieces for flute and clarinet (Preámbulo, Diálogo, Fragmentación, Rítmico and Coral). Cologne, November 14th to December 4th, 2000. [7'00 "] Dedicated to Mabel García Martínez.
  • "Blind Date" for two bass clarinets (with theatrical elements). April 2000 - January 2001. Dedicated to Paulo Álvares .
  • "Icarus" for quintet: flute, clarinet, violin, cello and piano. Stuttgart and Cologne, 1998–99 & 2001. [6'00 "]