List of writings by Wolfgang Hildesheimer
Directory of the writings of Wolfgang Hildesheimer , as published in the authorized collection Gesammelte Werke in seven volumes (Frankfurt: Suhrkamp 1991) by Christiaan Lucas Hart Nibbrig and Volker Jehle .
Volume I Narrative Prose
- The exterminator (1950). P. 7
- Loveless Legends (1950–1962). P. 13
- The light gray spring coat. P. 15
- A major purchase. P. 18
- Why I turned into a nightingale P. 20
- The search for the truth. P. 26
- I am not writing a book about Kafka. P. 28
- I find my way around. P. 30
- Portrait of a Poet. P. 37
- Weyerswyl as a symptom. P. 40
- The two souls. P. 45
- Gregor Rutz and existentialism. P. 50
- The death of my traveling salesman. P. 53
- The guest performance of the insurance agent. P.56
- The studio party. P. 59
- From the career of my poodle Cassius. P. 69
- My experiences in the age of exclamations. P. 72
- Encounter on the promenade. P. 76
- The fairy tale of the giant. P. 78
- The attic apartment. P. 80
- The holidays. P. 84
- The end of a world. P. 90
- 1956 - a year of mushrooms. P. 97
- Westcotte's luster and end. P. 107
- From my diary. P. 114
- I am carrying an owl to Athens. P. 113
- The porridge on our stove. P. 129
- Sleep. P. 140
- False Birds Paradise. Novel (1953). P. 155
- Hamlet. A fragment (1961). P. 259
- Futile records. With eight raster collages ("text fragments") by the author (1962). P. 273
- The margarine factory (1965). P. 303
- Exercise with Pope John (1968). P. 313
- Capovilla (1971). P. 331
- Times in Cornwall. With seven drawings by the author (1971). P. 339
- Messages to Max about the state of affairs and other things. With a glossary and six ink drawings by the author (1983). P. 407
- Gleanings (1987). P. 457
- Paralipomena and materials. P. 489
- Non-fiction book (1965). P. 491
- Index cards for “Exercises with Pope John” (around 1968). P. 493
- Conversation about proverbs (around 1980). P. 502
- From the circle of “Mitteilungen an Max” (about 1980). P. 504
- To the Loveless Legends (1983). P. 506
- Notes, index cards, notebooks, Disparata (1980–1989). P. 508
Volume II Monological Prose
- Tynset (1965). P. 7
- Masante (1973). P. 155
- Paralipomena and materials. P. 367
- The Call in the Desert (1963). P. 369
- "Notate" (1965–1966). P. 381
- Answers about Tynset (1965). P. 384
- “About the Roosters' Concert” (1966). P. 388
- Hildegard with a cat (1969). P. 390
- Cal Masante (1969). P. 398
- Down the Channel (1971). P. 411
Volume III Essayistic Prose
- Mozart (1977). P. 7
- Timetable. P. 387
- List of Mozart's works mentioned in the text and concordance of the original Köchel numbers. P. 407
- Register of persons. P. 412
- Paralipomena and materials. P. 427
- Introduction to “Mozart Letters” (1975). P. 429
- My records (1976). P. 435
- Letter to Rainer Riehn (1977). P. 440
- Preface to “Mozart's Bäsle Letters” (1978). P. 449
- Why did Mozart cry? (1981). S.
- The Subjectivity of the Biographer (1982). P. 463
- Addenda to Mozart or Answers (1984). P. 476
- Mozart and the postmodern consciousness. Fragmentary preparatory work for a lecture that was not given (1987). P. 477
Volume IV Biographical Prose
- Marbot. A biography (1981). P. 7
- Register of persons. P. 228
- Paralipomena and materials. P. 235
- Andrew Marbot on the 150th anniversary of his death (1980). P. 237
- Planned epilogue of the "raw-raw version" (around 1980). P. 250
- Notes and notebooks (1980–1981). P. 252
- Working protocols of the “Marbot” procedure (1982). P. 255
- For the presentation of the literature prize of the Bavarian Academy of Fine Arts (1982). P. 265
- Schopenhauer and Marbot (1982). P. 269
Volume V radio plays
- The End Never Comes (1952). P. 7
- Encounter on the Balkan Express (1953). P. 33
- The End of a World (1953). P. 63
- On the banks of the Plotinitza (1954). P. 75
- Princess Turandot (1954). P. 105
- The studio party (1955). P. 143
- The Sacrifice Helena (1955). P. 171
- The Bartschedel Idea (1957). P. 209
- Mr. Walser's Ravens (1960). P. 257
- Underground (196z). P. 295
- Monologue (1964). P. 331
- Maxine (1969). P. 365
- Buying a house (1974). P. 401
- Biosphere Sounds (1977). P. 445
- Endfunk (1980). P. 487
- Paralipomena and materials. P. 511
- End of the 1st version of "Princess Turandot" (1954). P. 513
- About "Princess Turandot" (around 1955). P. 522
- About "The Bartschedel Idea" (1957). P. 523
- Scene after the Trojan War (2nd version of “The Sacrifice Helena”) (1961). P. 524
- Abandoned "Faust" radio play (around 1965). P. 526
- From the area around "Endfunk" (around 1978). P. 531
Volume VI plays
- The dragon throne. A comedy in three acts (1955). P. 7
- The masters of the world. A comedy in two parts (1958). P. 73
- Landscape with Figures. A game in two parts (1958). P. 169
- The watches. A game in one act (1958). P. 239
- The leaning tower of Pisa. A game in one act (1959). P. 275
- Karolin by night. A television play (1959). P. 307
- The victim Helena. A comedy in two parts (1959). P. 353
- The Conquest of Princess Turandot. A comedy in two acts (1960). P. 405
- The delay. A piece in two parts (1961). P. 491
- Night piece (1963). P. 561
- Pastoral. Grotesque in one act (recast) (1965). P. 601
- Mary Stuart. A historical scene (1970). P. 653
- Paralipomena and materials. P. 791
- Epilogue to “The Dragon Throne” (1955). P. 793
- Discontinued television game "Das Unwetter" (about 1956). P. 795
- End of the 1st version of “Pastorale” (1958). P. 804
- About "Pastorale or The Time for Cocoa" (1958). P. 814
- The creation of the “Pastorale” (1959). P. 817
- About "Karolin at Night" (1959/1980). P. 818
- Empirical considerations on my theater (1959). P. 820
- Preparatory work for "The Delay" (around 1960). P. 824
- Reality itself is absurd (1962). P. 826
- End of the TV play "Turandot" (1963). P. 829
- Notate (1966). P. 839
- Notes on a historical scene. ("Mary Stuart") (1970). P. 844
- Abandoned one-act play "Emily Bronte" (around 1988). P. 851
Volume VII Mixed Writings
- Talk. P. 7
- Art serves to invent the truth. For the awarding of the radio play prize for the war blind (1955). P. 9
- About the theater of the absurd (1960). P. 13
- For the award of the Bremen Literature Prize (1966). P. 27
- Büchner's breathless melancholy. For the award of the Georg Büchner Prize (1966). P. 31
- Frankfurt Poetics Lectures (1967). P. 43
- The music and the musical (1967). P. 100
- Will Dürer remain Dürer? (1971). P. 109
- The End of Fiction (1975). P. 115
- The End of Fictions (1975). P. 141
- My Judaism (1978). P. 159
- What does music say? For the opening of the Salzburg Festival (1980). P. 170
- The Jewishness of Mr. Bloom. Bloomsday Dinner Speech (1984). P. 183
- The Jewish to Mr. Bloom (1984). P. 196
- The author as translator. The translated author (1985). P. 211
- The distant brook (1985). P. 218
- Acacias are not acacias. For the opening of the exhibition "Günter Eich" (1988). P. 247
- Watteau's "Gilles" and Marbot (1988). P. 252
- Reviews, reviews, interpretations. P. 271
- About James Joyce (1946). P. 273
- You'd have to be a poodle. Wolfdietrich Schnurre: “Star dust and sedan chair. Records of Poodle Ali ”(1954). P. 276
- A childhood home. Marie Luise Kaschnitz: "The House of Childhood" (1957). P. 279
- Furtwängler's “Legacy” (1957). P. 284
- My poem. Günter Eich: "Briefstelle" (1959). P. 291
- Note on my editing of the "rivals". Richard Brinsley Sheridan: "Rivals" (1961). P. 293
- Foreword to Richard Brinsley Sheridan: "The Blasphemy School" (1962). P. 295
- Inferences. Rolf Hochhuth: “The Deputy” (1963). P. 298
- Introduction and collage. Ilse Aichinger: "The Crossbar" (1963). P. 303
- Beckett's "game". P. 308
- Oh, you chaste, you pure. Gerhart Hauptmann: "The Great Stories" (1967). P. 312
- Samuel Beckett: "Selection in One Volume" (1967). P. 317
- Jürgen Becker: "Ränder" (1968). P. 321
- Günter Eich and his shoulder rider. Günter Eich: "Moles" (1968). P. 327
- Heinrich Böll on his fiftieth birthday (1968). P. 331
- Clean is not nice. Christian Enzensberger: "Larger attempt on dirt" (1969). P. 334
- Translation and interpretation of a passage from "Finnegans Wake" by James Joyce (1969). P. 338
- Edgar Varese: "Octandre" - "Hyperprism" - "Integrales" (1970). P. 352
- Epilogue to Djuna Barnes: “Nachtgewächs” (1971). P. 355
- Mario Negri: "The great pillar of Robbia" (197z). P. 359
- On the etchings by Brodwolf (1972). P. 362
- The Art of Edward Gorey (1973). P. 366
- Loriot's perfect world (1973). P. 369
- About Herbert List (1973). P. 372
- The painter Gian Pedretti (1973). P. 380
- Laszlo Glozer's Art Reviews (1974). P. 383
- Horst Janssen's Landscape (1974). P. 387
- About Sendak's illustrations for Grimm's Fairy Tales (1974). P. 390
- Wolfram Siebeck's cooking school for the discerning (1976). P. 393
- Flounder and the world. Birthday letter to Günter Grass (1976). P. 397
- Translator's note. George Bernard Shaw: "Heroes" (1976). P. 406
- The ass as a symbol. Karin Kiwus: “In the first light” (1978). P. 408
- The woes of the aging Herr Frey. Gabriele Wohmann: "Early Autumn in Badenweiler" (1978). P. 411
- Horst Janssen's drawings (1978). P. 416
- James Joyce: "Ulysses" (1979). P. 421
- Artist life 1850–1910. Notes on a magnificent volume (1979). P. 425
- Anti-romantic romantic. Giacomo Leopardi's “Gesänge und Dialoge” (1979). P. 432
- About Paolo Pola (1979). P. 439
- About Enrico Della Torre (1979). P. 441
- About Renata Adler's “Rennboot” (1980). P. 443
- Giuliano Pedretti: “The convalescent” (1980). P. 445
- Pandemonic world theater. Gerold Späth: "Commedia" (1980). P. 447
- Ergo and Ego. Horst Janssen's collection of self-portraits from 1974 to 1979 (1980). P. 452
- A conversation with myself about Goethe (1982). P. 455
- Stefan George: "The Word" (1983). P. 461
- My poems (1983). P. 464
- Klaus Hoffen "Bei den Bieresch" (1983). P. 473
- Sublime carelessness. Oskar Pastior: "Evening Song" (1983). P. 478
- Transformation from find to work. About Not Bott (1984). P. 481
- It's always that way. Hans Magnus Enzensberger: "Finnish Tango" (1984). P. 483
- Notes in view of “Hercules”. About Brigitte and Martin Matschinsky-Denninghoff (1985). P. 486
- About Marcel Berlingen (1986). P. 490
- William Congreve: "The Course of the World" (1986). P. 491
- The piercing scream. Francis Bacon: "Study of the Child Nurse in the Film Battleship Potemkin" (1986). P. 496
- The painter Jo von Kalckreuth. At the opening of an exhibition (1987). P. 499
- Images of silence. About Silvia Hildesheimer (1990). P. 502
- Subjective note on Dea Murk (1990). P. 508
- About Ursina Vinzens (1991). P. 510
- Parentheses. P. 513
- Introduction to “Floras Fauna” (1953). P. 515
- Walter Jens: "Erasmus" (1969). P. 517
- Conversations with Günter Eich about nature, culture and border areas (1973). P. 520
- Remember (1976). P. 522
- Siegfried Unseld on his sixtieth birthday (1984). P. 525
- Letter to Rosenberg. Wolf Rosenberg on his seventieth birthday (1985). P. 529
- Thoughts on a poem by Loriot. Loriot: "Advent" (1985). P. 533
- Loriot as a playwright. At the opening of an exhibition (1988). P. 538
- Poems. P. 545
- Pansuun (around 1939). P. 547
- Perpetual motion machine (1941). P. 547
- In Memoriam (1945). P. 548
- Recipe (1958). P. 548
- Baemu the god of light (1959). P. 549
- Aug. 9, 1962 (1962). P. 549
- Late reply (1973). P. 549
- Epilogue (1973). P. 550
- The Deceased of 1972 (1973). P. 551
- We didn't want to (1973). P. 551
- Rejection (1973). P. 553
- In Lattich (around 1973). P. 553
- Günter Eich on the first anniversary of his death (1973). P. 553
- Speech Defects (1974). P. 554
- Anatomy (1974). P. 554
- Mary Stuart (1974). P. 554
- Parze and Norn (around 1974). P. 555
- About Friederike Mayröcker (1974). P. 555
- Farewell Saturn (around 1978). P. 555
- Sleep Tired (1984). P. 556
- Answer (1984). P. 556
- Glosses, miscells, disparata. P. 557
- From "With the Bausch, the Bow" (1952). P. 559
- Small travel diary about Robert Neumann (1956). P. 570
- From the writer's workshop (1959). P. 573
- Attempt to supplement the literary debate between Alfred Andersch and Robert Neumann (1959). P. 574
- Drinks at Olivia's (1959). P. 577
- At second glance (1959–1960). P. 583
- In this and in another country. Friedrich Sieburg: “In Another Land” (1960). P. 621
- Letter collage for Hans Werner Richter (1973). P. 624
- Anti-Recipes with an Introduction (1974). P. 625
- "Being Hard" (1978). P. 631
- Were my friends Nazis? (1979). P. 633
- Letter collage for Walter Höllerer (1982). P. 635
- Ex libris for Walter Jens (1983). P. 636
- For the award of the Federal Cross of Merit (1983). P. 637
- A Dancing Pessimist (1985). P. 638
- "Greenpeace" (1986). P. 639
- Statement. On the project of a dam in Poschiavo (1987). P. 641
- Questionnaire for a Winner (1987). P. 643
- "Walter Jens for his sixty-fifth birthday" (1987). P. 644
- "Advertisement for exit" (1988). P. 645
- Reports, notes: travels, places, landscapes. P. 647
- Cornwall Interlude (1945). P. 649
- Records from Israel (1955). P. 652
- The Poschiavo (1961). P. 657
- "Notate" (1965–1966). P. 664
- The Valtellina (1966). P. 686
- Report from Ireland (1973). P. 691
- Farewell to Masante (1980). P. 705
- Opinions. P. 713
- Lawsuit and Indictment (1984). P. 715
- Notat a Loser (1986). P. 718
- Lord, do not give them eternal rest. Thoughts on Life and Death — and on Mozart (1986). P. 723
- The Artist and the End Times (1986). P. 736
- Does hope still have a future? (1986). P. 739
- Written in the Wind (1988). P. 741
- To the pictures. P. 745
- I don't succeed in everything by a long way (1973). P. 747
- To my collages. Preface to “Finally Alone” (1984). P. 748
- To my new collages. Preface to “In anticipation of the night” (1986). P. 752