List of writings by Wolfgang Hildesheimer

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Directory of the writings of Wolfgang Hildesheimer , as published in the authorized collection Gesammelte Werke in seven volumes (Frankfurt: Suhrkamp 1991) by Christiaan Lucas Hart Nibbrig and Volker Jehle .

Volume I Narrative Prose

  • The exterminator (1950). P. 7
  • Loveless Legends (1950–1962). P. 13
    • The light gray spring coat. P. 15
    • A major purchase. P. 18
    • Why I turned into a nightingale P. 20
    • The search for the truth. P. 26
    • I am not writing a book about Kafka. P. 28
    • I find my way around. P. 30
    • Portrait of a Poet. P. 37
    • Weyerswyl as a symptom. P. 40
    • The two souls. P. 45
    • Gregor Rutz and existentialism. P. 50
    • The death of my traveling salesman. P. 53
    • The guest performance of the insurance agent. P.56
    • The studio party. P. 59
    • From the career of my poodle Cassius. P. 69
    • My experiences in the age of exclamations. P. 72
    • Encounter on the promenade. P. 76
    • The fairy tale of the giant. P. 78
    • The attic apartment. P. 80
    • The holidays. P. 84
    • The end of a world. P. 90
    • 1956 - a year of mushrooms. P. 97
    • Westcotte's luster and end. P. 107
    • From my diary. P. 114
    • I am carrying an owl to Athens. P. 113
    • The porridge on our stove. P. 129
    • Sleep. P. 140
  • False Birds Paradise. Novel (1953). P. 155
  • Hamlet. A fragment (1961). P. 259
  • Futile records. With eight raster collages ("text fragments") by the author (1962). P. 273
  • The margarine factory (1965). P. 303
  • Exercise with Pope John (1968). P. 313
  • Capovilla (1971). P. 331
  • Times in Cornwall. With seven drawings by the author (1971). P. 339
  • Messages to Max about the state of affairs and other things. With a glossary and six ink drawings by the author (1983). P. 407
  • Gleanings (1987). P. 457
  • Paralipomena and materials. P. 489
    • Non-fiction book (1965). P. 491
    • Index cards for “Exercises with Pope John” (around 1968). P. 493
    • Conversation about proverbs (around 1980). P. 502
    • From the circle of “Mitteilungen an Max” (about 1980). P. 504
    • To the Loveless Legends (1983). P. 506
    • Notes, index cards, notebooks, Disparata (1980–1989). P. 508

Volume II Monological Prose

  • Tynset (1965). P. 7
  • Masante (1973). P. 155
  • Paralipomena and materials. P. 367
    • The Call in the Desert (1963). P. 369
    • "Notate" (1965–1966). P. 381
    • Answers about Tynset (1965). P. 384
    • “About the Roosters' Concert” (1966). P. 388
    • Hildegard with a cat (1969). P. 390
    • Cal Masante (1969). P. 398
    • Down the Channel (1971). P. 411

Volume III Essayistic Prose

  • Mozart (1977). P. 7
    • Timetable. P. 387
    • List of Mozart's works mentioned in the text and concordance of the original Köchel numbers. P. 407
    • Register of persons. P. 412
  • Paralipomena and materials. P. 427
    • Introduction to “Mozart Letters” (1975). P. 429
    • My records (1976). P. 435
    • Letter to Rainer Riehn (1977). P. 440
    • Preface to “Mozart's Bäsle Letters” (1978). P. 449
    • Why did Mozart cry? (1981). S.
    • The Subjectivity of the Biographer (1982). P. 463
    • Addenda to Mozart or Answers (1984). P. 476
    • Mozart and the postmodern consciousness. Fragmentary preparatory work for a lecture that was not given (1987). P. 477

Volume IV Biographical Prose

  • Marbot. A biography (1981). P. 7
    • Register of persons. P. 228
  • Paralipomena and materials. P. 235
    • Andrew Marbot on the 150th anniversary of his death (1980). P. 237
    • Planned epilogue of the "raw-raw version" (around 1980). P. 250
    • Notes and notebooks (1980–1981). P. 252
    • Working protocols of the “Marbot” procedure (1982). P. 255
    • For the presentation of the literature prize of the Bavarian Academy of Fine Arts (1982). P. 265
    • Schopenhauer and Marbot (1982). P. 269

Volume V radio plays

  • The End Never Comes (1952). P. 7
  • Encounter on the Balkan Express (1953). P. 33
  • The End of a World (1953). P. 63
  • On the banks of the Plotinitza (1954). P. 75
  • Princess Turandot (1954). P. 105
  • The studio party (1955). P. 143
  • The Sacrifice Helena (1955). P. 171
  • The Bartschedel Idea (1957). P. 209
  • Mr. Walser's Ravens (1960). P. 257
  • Underground (196z). P. 295
  • Monologue (1964). P. 331
  • Maxine (1969). P. 365
  • Buying a house (1974). P. 401
  • Biosphere Sounds (1977). P. 445
  • Endfunk (1980). P. 487
  • Paralipomena and materials. P. 511
    • End of the 1st version of "Princess Turandot" (1954). P. 513
    • About "Princess Turandot" (around 1955). P. 522
    • About "The Bartschedel Idea" (1957). P. 523
    • Scene after the Trojan War (2nd version of “The Sacrifice Helena”) (1961). P. 524
    • Abandoned "Faust" radio play (around 1965). P. 526
    • From the area around "Endfunk" (around 1978). P. 531

Volume VI plays

  • The dragon throne. A comedy in three acts (1955). P. 7
  • The masters of the world. A comedy in two parts (1958). P. 73
  • Landscape with Figures. A game in two parts (1958). P. 169
  • The watches. A game in one act (1958). P. 239
  • The leaning tower of Pisa. A game in one act (1959). P. 275
  • Karolin by night. A television play (1959). P. 307
  • The victim Helena. A comedy in two parts (1959). P. 353
  • The Conquest of Princess Turandot. A comedy in two acts (1960). P. 405
  • The delay. A piece in two parts (1961). P. 491
  • Night piece (1963). P. 561
  • Pastoral. Grotesque in one act (recast) (1965). P. 601
  • Mary Stuart. A historical scene (1970). P. 653
  • Paralipomena and materials. P. 791
    • Epilogue to “The Dragon Throne” (1955). P. 793
    • Discontinued television game "Das Unwetter" (about 1956). P. 795
    • End of the 1st version of “Pastorale” (1958). P. 804
    • About "Pastorale or The Time for Cocoa" (1958). P. 814
    • The creation of the “Pastorale” (1959). P. 817
    • About "Karolin at Night" (1959/1980). P. 818
    • Empirical considerations on my theater (1959). P. 820
    • Preparatory work for "The Delay" (around 1960). P. 824
    • Reality itself is absurd (1962). P. 826
    • End of the TV play "Turandot" (1963). P. 829
    • Notate (1966). P. 839
    • Notes on a historical scene. ("Mary Stuart") (1970). P. 844
    • Abandoned one-act play "Emily Bronte" (around 1988). P. 851

Volume VII Mixed Writings

  • Talk. P. 7
    • Art serves to invent the truth. For the awarding of the radio play prize for the war blind (1955). P. 9
    • About the theater of the absurd (1960). P. 13
    • For the award of the Bremen Literature Prize (1966). P. 27
    • Büchner's breathless melancholy. For the award of the Georg Büchner Prize (1966). P. 31
    • Frankfurt Poetics Lectures (1967). P. 43
    • The music and the musical (1967). P. 100
    • Will Dürer remain Dürer? (1971). P. 109
    • The End of Fiction (1975). P. 115
    • The End of Fictions (1975). P. 141
    • My Judaism (1978). P. 159
    • What does music say? For the opening of the Salzburg Festival (1980). P. 170
    • The Jewishness of Mr. Bloom. Bloomsday Dinner Speech (1984). P. 183
    • The Jewish to Mr. Bloom (1984). P. 196
    • The author as translator. The translated author (1985). P. 211
    • The distant brook (1985). P. 218
    • Acacias are not acacias. For the opening of the exhibition "Günter Eich" (1988). P. 247
    • Watteau's "Gilles" and Marbot (1988). P. 252
  • Reviews, reviews, interpretations. P. 271
    • About James Joyce (1946). P. 273
    • You'd have to be a poodle. Wolfdietrich Schnurre: “Star dust and sedan chair. Records of Poodle Ali ”(1954). P. 276
    • A childhood home. Marie Luise Kaschnitz: "The House of Childhood" (1957). P. 279
    • Furtwängler's “Legacy” (1957). P. 284
    • My poem. Günter Eich: "Briefstelle" (1959). P. 291
    • Note on my editing of the "rivals". Richard Brinsley Sheridan: "Rivals" (1961). P. 293
    • Foreword to Richard Brinsley Sheridan: "The Blasphemy School" (1962). P. 295
    • Inferences. Rolf Hochhuth: “The Deputy” (1963). P. 298
    • Introduction and collage. Ilse Aichinger: "The Crossbar" (1963). P. 303
    • Beckett's "game". P. 308
    • Oh, you chaste, you pure. Gerhart Hauptmann: "The Great Stories" (1967). P. 312
    • Samuel Beckett: "Selection in One Volume" (1967). P. 317
    • Jürgen Becker: "Ränder" (1968). P. 321
    • Günter Eich and his shoulder rider. Günter Eich: "Moles" (1968). P. 327
    • Heinrich Böll on his fiftieth birthday (1968). P. 331
    • Clean is not nice. Christian Enzensberger: "Larger attempt on dirt" (1969). P. 334
    • Translation and interpretation of a passage from "Finnegans Wake" by James Joyce (1969). P. 338
    • Edgar Varese: "Octandre" - "Hyperprism" - "Integrales" (1970). P. 352
    • Epilogue to Djuna Barnes: “Nachtgewächs” (1971). P. 355
    • Mario Negri: "The great pillar of Robbia" (197z). P. 359
    • On the etchings by Brodwolf (1972). P. 362
    • The Art of Edward Gorey (1973). P. 366
    • Loriot's perfect world (1973). P. 369
    • About Herbert List (1973). P. 372
    • The painter Gian Pedretti (1973). P. 380
    • Laszlo Glozer's Art Reviews (1974). P. 383
    • Horst Janssen's Landscape (1974). P. 387
    • About Sendak's illustrations for Grimm's Fairy Tales (1974). P. 390
    • Wolfram Siebeck's cooking school for the discerning (1976). P. 393
    • Flounder and the world. Birthday letter to Günter Grass (1976). P. 397
    • Translator's note. George Bernard Shaw: "Heroes" (1976). P. 406
    • The ass as a symbol. Karin Kiwus: “In the first light” (1978). P. 408
    • The woes of the aging Herr Frey. Gabriele Wohmann: "Early Autumn in Badenweiler" (1978). P. 411
    • Horst Janssen's drawings (1978). P. 416
    • James Joyce: "Ulysses" (1979). P. 421
    • Artist life 1850–1910. Notes on a magnificent volume (1979). P. 425
    • Anti-romantic romantic. Giacomo Leopardi's “Gesänge und Dialoge” (1979). P. 432
    • About Paolo Pola (1979). P. 439
    • About Enrico Della Torre (1979). P. 441
    • About Renata Adler's “Rennboot” (1980). P. 443
    • Giuliano Pedretti: “The convalescent” (1980). P. 445
    • Pandemonic world theater. Gerold Späth: "Commedia" (1980). P. 447
    • Ergo and Ego. Horst Janssen's collection of self-portraits from 1974 to 1979 (1980). P. 452
    • A conversation with myself about Goethe (1982). P. 455
    • Stefan George: "The Word" (1983). P. 461
    • My poems (1983). P. 464
    • Klaus Hoffen "Bei den Bieresch" (1983). P. 473
    • Sublime carelessness. Oskar Pastior: "Evening Song" (1983). P. 478
    • Transformation from find to work. About Not Bott (1984). P. 481
    • It's always that way. Hans Magnus Enzensberger: "Finnish Tango" (1984). P. 483
    • Notes in view of “Hercules”. About Brigitte and Martin Matschinsky-Denninghoff (1985). P. 486
    • About Marcel Berlingen (1986). P. 490
    • William Congreve: "The Course of the World" (1986). P. 491
    • The piercing scream. Francis Bacon: "Study of the Child Nurse in the Film Battleship Potemkin" (1986). P. 496
    • The painter Jo von Kalckreuth. At the opening of an exhibition (1987). P. 499
    • Images of silence. About Silvia Hildesheimer (1990). P. 502
    • Subjective note on Dea Murk (1990). P. 508
    • About Ursina Vinzens (1991). P. 510
  • Parentheses. P. 513
    • Introduction to “Floras Fauna” (1953). P. 515
    • Walter Jens: "Erasmus" (1969). P. 517
    • Conversations with Günter Eich about nature, culture and border areas (1973). P. 520
    • Remember (1976). P. 522
    • Siegfried Unseld on his sixtieth birthday (1984). P. 525
    • Letter to Rosenberg. Wolf Rosenberg on his seventieth birthday (1985). P. 529
    • Thoughts on a poem by Loriot. Loriot: "Advent" (1985). P. 533
    • Loriot as a playwright. At the opening of an exhibition (1988). P. 538
  • Poems. P. 545
    • Pansuun (around 1939). P. 547
    • Perpetual motion machine (1941). P. 547
    • In Memoriam (1945). P. 548
    • Recipe (1958). P. 548
    • Baemu the god of light (1959). P. 549
    • Aug. 9, 1962 (1962). P. 549
    • Late reply (1973). P. 549
    • Epilogue (1973). P. 550
    • The Deceased of 1972 (1973). P. 551
    • We didn't want to (1973). P. 551
    • Rejection (1973). P. 553
    • In Lattich (around 1973). P. 553
    • Günter Eich on the first anniversary of his death (1973). P. 553
    • Speech Defects (1974). P. 554
    • Anatomy (1974). P. 554
    • Mary Stuart (1974). P. 554
    • Parze and Norn (around 1974). P. 555
    • About Friederike Mayröcker (1974). P. 555
    • Farewell Saturn (around 1978). P. 555
    • Sleep Tired (1984). P. 556
    • Answer (1984). P. 556
  • Glosses, miscells, disparata. P. 557
    • From "With the Bausch, the Bow" (1952). P. 559
    • Small travel diary about Robert Neumann (1956). P. 570
    • From the writer's workshop (1959). P. 573
    • Attempt to supplement the literary debate between Alfred Andersch and Robert Neumann (1959). P. 574
    • Drinks at Olivia's (1959). P. 577
    • At second glance (1959–1960). P. 583
    • In this and in another country. Friedrich Sieburg: “In Another Land” (1960). P. 621
    • Letter collage for Hans Werner Richter (1973). P. 624
    • Anti-Recipes with an Introduction (1974). P. 625
    • "Being Hard" (1978). P. 631
    • Were my friends Nazis? (1979). P. 633
    • Letter collage for Walter Höllerer (1982). P. 635
    • Ex libris for Walter Jens (1983). P. 636
    • For the award of the Federal Cross of Merit (1983). P. 637
    • A Dancing Pessimist (1985). P. 638
    • "Greenpeace" (1986). P. 639
    • Statement. On the project of a dam in Poschiavo (1987). P. 641
    • Questionnaire for a Winner (1987). P. 643
    • "Walter Jens for his sixty-fifth birthday" (1987). P. 644
    • "Advertisement for exit" (1988). P. 645
  • Reports, notes: travels, places, landscapes. P. 647
    • Cornwall Interlude (1945). P. 649
    • Records from Israel (1955). P. 652
    • The Poschiavo (1961). P. 657
    • "Notate" (1965–1966). P. 664
    • The Valtellina (1966). P. 686
    • Report from Ireland (1973). P. 691
    • Farewell to Masante (1980). P. 705
  • Opinions. P. 713
    • Lawsuit and Indictment (1984). P. 715
    • Notat a Loser (1986). P. 718
    • Lord, do not give them eternal rest. Thoughts on Life and Death — and on Mozart (1986). P. 723
    • The Artist and the End Times (1986). P. 736
    • Does hope still have a future? (1986). P. 739
    • Written in the Wind (1988). P. 741
  • To the pictures. P. 745
    • I don't succeed in everything by a long way (1973). P. 747
    • To my collages. Preface to “Finally Alone” (1984). P. 748
    • To my new collages. Preface to “In anticipation of the night” (1986). P. 752