List of works by Paul Hindemith

from Wikipedia, the free encyclopedia

This list includes the musical works and writings of the composer Paul Hindemith .
The compilation is based on the directories:

In the following the abbreviations mean:

  • GA - Paul Hindemith Complete Works - Edited by Kurt von Fischer (†), Ludwig Finscher and Giselher Schubert on behalf of the Hindemith Foundation. Edition management: Giselher Schubert and Luitgard Schader. Published by B. Schott's Sons Mainz 1975– (still to be published). For the series and volume distribution, see “Complete Edition” below.
  • AVR - Paul Hindemith, essays, lectures, speeches , edited by Giselher Schubert, Zurich / Mainz 1994
  • Introductions to the works - Introductions to works and forewords by Paul Hindemith , edited by Susanne Schaal-Gotthardt, in: Hindemith-Jahrbuch 29, 2000, pp. 127–208

Vocal music

Masses, oratorios, cantatas

  • Das Unaufnahmliche (Gottfried Benn), oratorio for solos, mixed choir, boys' choir and orchestra (1930/31) (GA VII / 1)
  • Old Irish Air (anonymous) for mixed choir and piano / harp and strings (1940)
  • When Lilacs Last in the Door-yard Bloom'd. A Requiem "For Those We Love" (Walt Whitman) for mezzo-soprano, baritone, mixed choir and orchestra [1946] (GA VII / 2)
  • Apparebit repentina dies (anonymous) for mixed choir and brass instruments (1947)
  • Ite, angeli veloces (Paul Claudel), cantata, in 3 parts:
    • I. Chant de triomphe du roi David for alto, tenor, mixed choir, folk choir and orchestra (1955)
    • II. Custos quid de nocte for mezzo-soprano, alto, tenor, mixed choir and orchestra (1955)
    • III. Cantique de l'esperance for mezzo-soprano, alto, tenor, mixed choir, folk song and orchestra (1953)
  • Mainz Parade (Carl Zuckmayer), Volksvergnügen for 3 voices, mixed choir and orchestra (1962)
  • Mass for mixed choir (1963) (GA VII / 5)
  • Credo for mixed choir and instruments (1963), fragment (GA VII / 5)

Choirs

mixed choir

  • Songs from counterpoint lessons (1912/1914) (GA VII / 5)
    • 1. Christ is my life
    • 2. Keep us Lord by your word
    • 3. Now come the Savior of the Gentiles
    • 4. God of Heaven
    • 5. Reiter's farewell
    • 6. The forest is defoliated
    • 7. I have a red gold ring line
  • Songs based on old texts op.33 (2 versions, anonymous) (1923) (GA VII / 5), new version of nos. 1, 2, 3 and 6 as well as True Love (Heinrich von Veldeke) as Five Songs on Old Texts (1937 ) (GA VII / 5)
    • 1. From the house regiment (2 versions, Martin Luther)
    • 2nd Women's Days (Burgrave of Regensburg)
    • 3. Kind does not leave of kind (2 versions, Spervogel)
    • 4. The Shrine of Love (2 versions, Heinrich von Morungen)
    • 5. Secret happiness (Reinmar)
    • 6. Landsknecht Drinking Song
  • The Guguck (anonymous) (1923) (GA VII / 5)
  • Six Chansons (Rainer Maria Rilke) (2 versions, 1939) (GA VII / 5)
    • 1. La Biche
    • 2. Un cygne
    • 3. Puisque tout passe
    • 4. Printemps
    • 5. En hiver
    • 6. Verger
  • Madrigals (Josef Weinheber) (1958) (GA VII / 5)
    • 1. Environment
    • 2. A fool's life, an artist's life
    • 3. Immerse your fear
    • 4. Drink up!
    • 5. To a dead person
    • 6th spring
    • 7. To a butterfly
    • 8. Judas kiss
    • 9. Magic recipe
    • 10. It remains well
    • 11. Strength found form
    • 12. You doubt

For equal votes

  • Saying of a traveler (anonymous) (1928) (GA VII / 5)
  • Choir songs for boys (Karl Schnog) (1930) (GA VII / 5)
    • 1. Craft song
    • 2. Fear of swimming lessons
    • 3. Read trash novels

Male choir

  • A clear midnight (Walt Whitman) (1929) (GA VII / 5)
  • About Spring (Bertolt Brecht) (1929) (GA VII / 5)
  • You have to give yourself everything (Gottfried Benn) (1930) (GA VII / 5)
  • Prince Kraft (Gottfried Benn) (1930) (GA VII / 5)
  • Vision of the Man (Gottfried Benn) (1930) (GA VII / 5)
  • Death (attributed to Friedrich Hölderlin, actually by Friedrich Gottlieb Klopstock) (1931) (GA VII / 5)
  • Choirs for 4 male voices (1939) (GA VII / 5)
    • 1. The cursed money (anonymous)
    • 2. Now that the day (Friedrich Hölderlin)
    • 3. The stepmother (anonymous)
  • Variations on an old dance song (anonymous) (1939) (GA VII / 5)
  • First Snow (Gottfried Keller) (1939) (GA VII / 5)
  • The Demon of the Gibbet (Fitz-James O'Brien) (1949) (GA VII / 5)

Songs

Piano songs

  • 7 songs (1908/09) (GA VI / 1)
    • 1. Night song (Friedrich Hebbel)
    • 2. The roses (Friedrich Hebbel)
    • 3. Summer picture (Friedrich Hebbel)
    • 4. My dying (Robert Julian Hodel)
    • 5. Sounds of home (Hans von Matt)
    • 6. Spring Dream (Arnold Ott)
    • 7. Georgslied (Johann Wolfgang Goethe)
  • Nearness of the Beloved (Johann Wolfgang Goethe) (1914) (GA VI / 1)
  • Funny songs in Aargau dialect op.5 (1914/16) (GA VI / 1)
    • 1. Schössli bschnyde (2 versions, Sofie Hämmerli-Marti)
    • 2. At the wrong time (Adolf Frey)
    • 3. The witch (Adolf Frey)
    • 4. Dä less ig y! (Josef Reinhart)
    • 5. Child (Adolf Frey)
    • 6. Awakening (Josef Reinhart)
    • 7. Tanzliedli (Josef Reinhart)
  • 2 songs (1917) (GA VI / 1)
    • 1. I am so alone (Else Lasker-Schüler)
    • 2. Lullaby (Guido Gezeile)
  • Three Hymns by Walt Whitman op.14 (1919) (GA VI / 1)
    • 1. Who I return in intervals, in eons and eons
    • 2. Oh, now you start, there in your moor
    • 3. Hit! Hit! Drums!
  • Frau Sorge (Ludwig Jakobowski), melodrama (1919), missing
  • Songs with piano op.18 (1920) (GA VI / 1)
    • 1. The drunken dancer (Curt Bock)
    • 2. Like Sanct Franciscus I float in the air (Christian Morgenstern)
    • 3rd dream (Lasker student)
    • 4. My ears sit on the stairs (Christian Morgenstern)
    • 5. I seem to have woken up before you (Christian Morgenstern)
    • 6. You make me sad - listen (Lasker student)
    • 7. Through the evening gardens (Heinar Schilling)
    • 8. Trumpets (Georg Trakl)
  • The Child (Friedrich von Hagedorn) (1922) (GA VI / 1)
  • Das Marienleben (Rainer Maria Rilke) op.27 (first version 1922/23 [GA VI / 1], new version 1936–1948)
    • 1st birth of Mary
    • 2. The Presentation of Mary in the Temple
    • 3. Annunciation
    • 4. Visitation of the Virgin Mary
    • 5. Suspicion of Joseph
    • 6. Annunciation about the Shepherds
    • 7. Nativity
    • 8. Rest on the flight to Egypt
    • 9. From the wedding in Cana
    • 10. Before the passion
    • 11. Pieta
    • 12. Satisfaction of Mary with the Risen One
    • 13. Of the death of Mary I
    • 14. From the death of Mary II
    • 15. From the death of Mary III
  • 4 songs based on Matthias Claudius (1933)
    • 1. There is something in man
    • 2. Death is a man of his own
    • 3. A good conscience in people
    • 4. When you hear Paul praise Peter
  • 4 songs based on texts by Novalis (1933)
    • 1. Anthem
    • 2. The song of the dead
    • 3. Singing
    • 4. I don't want to complain anymore
  • 3 songs based on texts by Wilhelm Busch (1933), lost
    • 1. Appearance and being
    • 2. Premature
    • 3. There was a fox
  • 4 songs based on texts by Rückert (1933)
    • 1st midnight (lost)
    • 2. A shelter against storm and rain (lost)
    • 3. The whole, not the individual
    • 4. What you did (lost)
  • 6 songs based on poems by Friedrich Hölderlin (1933/1935)
    • 1. To the Fates
    • 2nd sunset (2 versions)
    • 3. Then and now (2 versions)
    • 4. The morning
    • 5th fragment
    • 6. Evening fantasy
  • 4 songs based on texts by Angelus Silesius (1935)
    • 1. Away, away you seraphim
    • 2. It can go on forever
    • 3. You speak, the great
    • 4. You speak, move yourself
  • The Köhlerweib is drunk (Gottfried Keller) (1936)
  • Songs based on texts by Brentano (1936)
    • 1. Sing softly
    • 2. Bridal song
  • The Hermit (Agostino da Cruz) (1939)
  • Songs based on texts by Friedrich Nietzsche (1939)
    • 1. Among enemies
    • 2. The sun is going down
  • You are mine - I am of Thee (Werinher von Tegernsee) (1941) (GA VI / 3)
  • Evening serenade (Clemens Brentano) (1942) (GA VI / 3)
  • Evening Cloud (Rilke) (1942) (GA VI / 3)
  • C'est de la côte d'Adam (Rilke) (1942) (GA VI / 3)
  • Eau qui se presse (Rilke) (1942) (GA VI / 3)
  • Frauenklage / Lady's Lament (Burgrave of Regensburg) (1942) (GA VI / 3)
  • I want to leave mourning standing (anonymous) (1942) (GA VI / 3)
  • La Belle Dame sans Merci (John Keats) (1942) (GA VI / 3)
  • La Cigale et la fourmi (Lafontaine) (1942) (GA VI / 3)
  • Lampe du soir (Rilke) (1942) (GA VI / 3)
  • Levis exsurgit Zephynis (anonymous) (1942) (GA VI / 3)
  • After an old sketch (Conrad Ferdinand Meyer) (1942) (GA VI / 3)
  • O Grille, sing (Maximilian Dauthendey) (1942) (GA VI / 3)
  • On arrange et on compose (Rilke) (1942) (GA VI / 3)
  • Ranae ad Solem (Phaedrus) (1942) (GA VI / 3)
  • To a Snowflake (Francis Thompson) (1942) (GA VI / 3)
  • Tear pitcher (Rilke) (1942) (GA VI / 3)
  • Cloudy weather (Gottfried Keller) (1942) (GA VI / 3)
  • Who ever knew how to grasp life correctly (August von Platen) (1942) (GA VI / 3)
  • Farewell to my daughter (Joseph von Eichendorff) (1942) (GA VI / 3)
  • Nine English Songs (1942/1944) (GA VI / 3)
    • 1. On Hearing "The Last Rose of Summer" (Charles Wolfe)
    • 2. Echo (Thomas Moore)
    • 3. The Moon (Percy Bysshe Shelley)
    • 4. On a Fly Drinking Out of His Cup (William Oldys)
    • 5. The Whistlin Thief (Samuel Lover)
    • 6. Envoy (Francis Thompson)
    • 7. The Wild Flowers Song (William Blake)
    • 8. Sing on There in the Swamp (Walt Whitman)
    • 9. To Music, to Becalm His Fever (Robert Herrick)
  • Bal des Pendus (Jean-Arthur Rimbaud) (1944) (GA VI / 3)
  • Le Revenant (Charles Baudelaire) (1944) (GA VI / 3)
  • Sainte (Stephane Mallarmé) (1944) (GA VI / 3)
  • Two Songs (Oscar Cox) (GA VI / 3)
    • 1. Image
    • 2. Beauty Touch Me (1955)
  • Motets (Liber usualis) (1940–1960) (GA VI / 3)
    • 1. Cum natus esset
    • 2. In principio erat verb
    • 3. Ascendent of Jesus in naviculam
    • 4. Pastores loquebantur
    • 5. Nuptiae factae sunt
    • 6. Angelus Domini apparuit
    • 7. Defuncto Herod
    • 8. Dicebat Jesus scribis et pharisaeis
    • 9. Dixit Jesus Petro
    • 10. Cumfactus eats Jesus annorum duodecim
    • 11. Erat Joseph et Maria
    • 12. Vidit Joannes Jesum venientem
    • 13. Exiit edictum (2 versions)
    • 14. Cum descendisset Jesus de monte

Songs with instruments, orchestral songs

  • A chamber music for alto, flute, harp, piano and string quartet (1915/16), fragment (GA VI / 4)
  • Three songs for soprano and large orchestra op.9 (1917) (GA VI / 5)
    • 1. My nights are hoarse shouted (Ernst Wilhelm Lotz)
    • 2. Expanding (Else Lasker-Schüler)
    • 3. Awakening of youth (Ernst Wilhelm Lotz)
  • How it would be if it were different (Franz Bonn) for soprano, flute, oboe, bassoon, 2 violins, viola and 2 cellos (1918) (GA VI / 4)
  • Melancholie (Christian Morgenstern) for female voice and string quartet op.13 (1917/1919) (GA VI / 4)
    • 1. The primroses bloom and greet you
    • 2. Fog weaving
    • 3. Dark drop
    • 4. Dream forest
  • Death's Death (Eduard Reinacher) for female voice, 2 violas and 2 violoncellos op.23a (1922) (GA VI / 4)
    • 1. Face of death and misery
    • 2. God's death
    • 3. Death's death
  • The young maid (Georg Trakl) for alto, flute, clarinet and string quartet op.23 no.2 (1922) (GA VI / 4)
    • 1. Often at the well
    • 2. She creates silence in the chamber
    • 3. At night over the bald meadow
    • 4. The hammer is booming in the forge
    • 5. Slenderly stretched out in bed
    • 6. Bloody linens float in the evening
  • The serenades, small cantata based on romantic texts for soprano, oboe, viola and violoncello op.35 (1924) (GA VI / 4)
    • I. Barcarole (Adolf Licht); To Phyllis (Johann Wilhelm Ludwig Gleim); Toccata for violoncello; Corrente for soprano and violoncello; Courage (Ludwig Tieck)
    • II. Duet for viola and violoncello; The evening (Josef von Eichendorff); Wunn am Meer (Wilhelm Meinhold)
    • III. Trio; Good night (Siegfried August Mahlmann)
  • 6 songs from "Das Marienleben" (Rainer Maria Rilke) for soprano and orchestra (1939/1959) (GA VI / 5)
    • 1st birth of Mary
    • 2. Suspicion of Joseph
    • 3. Nativity
    • 4. Rest on the flight to Egypt
    • 5. Before the passion
    • 6. From the death of Mary III

Stage works

Operas

  • The Visiting Cousin (Wilhelm Busch) (1912/13), fragment, missing
  • Murderer, Hope of Women (Oskar Kokoschka), Opera 1 act op.12 (1919; June 4, 1921 Stuttgart) (GA I / 1)
  • Das Nusch-Nuschi (Franz Blei), a game for Burmese marionettes 1 act op.20 (1920; June 4, 1921 Stuttgart) (GA I / 2)
  • Sancta Susanna (August Stramm), Opera 1 act op.21 (1921; March 26, 1922 Frankfurt / Main) (GA I / 3)
  • Cardillac (Ferdinand Lion), Opera 3 acts op.39 (1925/26; Nov. 9, 1926 Dresden) (GA I / 4.1–3); New version (Paul Hindemith), Opera 4 acts (1952; June 20, 1952 Zurich)
  • There and Back (Marcellus Schiffer), Sketch with Music op.45a (1927; July 17, 1927 Baden-Baden) (GA 1/6)
  • News from the day (Marcellus Schiffer), funny opera 3 acts (1928/29; June 8, 1929 Berlin) (GA I / 7.1–2); New version (Paul Hindemith), funny opera 2 acts (1953/54; April 7, 1954 Naples)
  • Lehrstück (Bertolt Brecht) (1929; July 28, 1929 Baden-Baden) (GA I / 6)
  • Mathis der Maler (Paul Hindemith), Opera in 7 Pictures (1934/35; May 1938 Zurich)
  • The Harmony of the World (Paul Hindemith), Opera 5 Aufzüge (1956/57; Aug. 11, 1957 Munich)
  • The Long Christmas Dinner (Thornton Wilder / Hindemith), Opera 1 act (1960/61; December 17, 1961 Mannheim) (GA I / 11)

Ballets

  • The Demon (Max Krell), dance pantomime 2 pictures op.28 (1922; 1st Dec. 1923 Darmstadt)
  • The Triadic Ballet (Oskar Schlemmer) for mechanical organ (1926; July 25, 1926 Donaueschingen), fragmentary preserved
  • Nobilissima Visione (Hindemith / Leonide Massine), dance legend 6 pictures (1938; July 21, 1938 London), arrangement for large orchestra (1939)
  • Theme with Four Variations (According to the Four Temperaments) (George Balanchine) (1940; Nov 20, 1946 New York)
  • Hérodiade de Stephane Mallarmé (Martha Graham), Recitation orchestral (1944; Oct. 30, 1944 Washington)

Incidental music

  • Happiness is blind (Franz Pocci) for piano (1915?), Lost
  • Kasperls Heldentaten (Franz Pocci) for voice and violoncello (1915?)
  • Kasperl unter den Wilden (Franz Pocci) for children's trumpet, triangle, cymbal, piano trio and violoncello (1915?)
  • Lohengrin-Farodie (Friedrich Huch) (1915), fragment
  • The Magic Violin (Pocci) (1915?), Fragment

Instrumental music

Orchestral works

  • Funny Sinfonietta for small orchestra op.4 (1916) (GA II / 1)
  • Nusch-Nuschi-Dances, dance suite from the play for Burmese marionettes (1921)
  • Rag Time (well-tempered) for large orchestra (1921) (GA II / 1)
  • The Demon, concert suite from the dance pantomime for chamber orchestra (1923)
  • Concerto for orchestra op.38 (1925) (GA II / 1)
  • Concert music for wind orchestra op.41 (1926)
  • News of the day, overture to the opera with a concert ending (1930)
  • Concert music for string orchestra and brass instruments op.50 (1930) (GA II / 1)
  • March for brass music (1932), lost
  • Philharmonic concert. Variations for orchestra (1932) (GA II / 2)
  • Symphony "Mathis the Painter" (1933/34) (GA II / 2)
  • Symphonic Dances for large orchestra (1937) (GA II / 3)
  • Nobilissima Visione, orchestral suite based on the music of the dance legend (1938)
  • Symphony in E-flat (1940) (GA II / 4)
  • Poor Lazarus and the Rich Man, a Virginian Ballad for Orchestra (1941), fragment (GA II / 4)
  • Amor and Psyche (Farnesina), Ballet Overture (1943) (GA II / 4)
  • Symphony Metamorphosis of Themes by CM von Weber (1943)
  • Symphonia Serena (1946)
  • When Lilacs Last in the Door-yard Bloom'd, Prelude for Orchestra (1946) (GA VII / 2)
  • Sinfonietta in E (1949/50)
  • Symphony in B-flat for Concert Band (1951)
  • Symphony "The Harmony of the World" (1951)
  • Pittsburgh Symphony (1958) (GA II / 7)
  • March for orchestra over the old "Swiss tone" (1960) (GA II / 7)

Concerts

  • Concerto for violoncello and orchestra op.3 (1915/16) (GA III / 5)
  • Piano music with orchestra, piano only left hand op.29 (1923)
  • Concert music for solo viola and larger chamber orchestra op.48 (2 versions, 1930) (GA III / 3–4)
  • Concert music for piano, brass and 2 harps op.49 (1930)
  • Der Schwanendreher, concert based on old folk songs for viola and small orchestra (1935/36) (GA III / 4)
  • Funeral music for string orchestra with solo viola (1936) (GA III / 4)
  • Concerto for violin and orchestra (1939) (GA III / 3)
  • Concerto for violoncello and orchestra (1940) (GA III / 5)
  • Concerto for piano and orchestra (1945)
  • Concerto for Clarinet and Orchestra (1947) (GA III / 7)
  • Concerto for horn and orchestra (1949) (GA III / 7)
  • Concerto for woodwinds, harp and orchestra (1949) (GA III / 8)
  • Concerto for Trumpet, Bassoon and String Orchestra (1949/1952) (GA III / 8)
  • Concerto for organ and orchestra (1962/63)

Chamber music

Concert chamber music

  • Chamber music No.1 for 12 solo instruments op.24 No.1 (1922)
  • Chamber music No.2 for piano and 12 solo instruments op.36 No.1 (1924)
  • Chamber music No.3 for violoncello and 10 solo instruments op.36 No.2 (1925)
  • Chamber music No. 4 for violin and larger chamber orchestra, Op. 36 No. 3 (1925; 1st movement reworked (1951))
  • Chamber music No. 5 for viola and larger chamber orchestra, op.36 No. 4 (1927)
  • Chamber music No.6 for viola d'amore and chamber orchestra op.46 No.1 (first version 1927; second version 1930)
  • Chamber music No.7 for organ and chamber orchestra op.46 No.2 (1927)

Larger casts

  • Quintet for piano and string quartet op.7 (1917), lost
  • Sonata for 10 instruments (1917), fragment (GA V / 1)
  • Small Chamber Music for 5 Wind Instruments op.24 No. 2 (1922) (GA V / 1)
  • Quintet for clarinet and string quartet op.30 (first version 1923 [GA V / 1], second version 1954)
  • 3 Anecdotes for Radio (Three Pieces for 5 Instruments) (1925) (GA V / 1)
  • Septet for flute, oboe, clarinet, bass clarinet / 2. Bassoon, bassoon, horn and trumpet (1948) (GA V / 1)
  • Octet for clarinet, bassoon, horn, violin, 2 violas, violoncello and double bass (1958) (GA V / 1)

Quartets

  • 1st string quartet op.2 (1915)
  • 2nd string quartet op.10 (1918)
  • 3rd string quartet op.16 (1920)
  • 4th string quartet op.22 (1921)
  • 5th string quartet op.32 (1923)
  • Quartet for clarinet, violin, violoncello and piano (1938)
  • 6th string quartet (1943)
  • 7th string quartet (1945)
  • Sonata for 4 horns (1952)

Trios

  • Trio for clarinet, horn and piano op.1 (1914), lost
  • 1st string trio op.34 (1924) (GA V / 5)
  • 2 small trios for flute, clarinet and double bass (1927), lost
  • Trio for piano, viola and heckelphone / tenor sax. op.47 (1928)
  • Trio set for 3 guitars (1930)
  • 2nd string trio (1933) (GA V / 5)
  • Recorder Trio (1940)

For two instruments

  • Large rondo for clarinet and piano (1912/13), fragment, lost
  • Sonata for violin and piano (1912/13), lost
  • Movement for violin and piano (1914/15), fragment (GA V / 6)
  • 3 pieces for violoncello and piano op.8 (1917) (GA V / 6)
  • Sonata in E flat major for piano and violin op.11 No. 1 (1918) (GA V / 6)
  • Sonata in D major for piano and violin op.11 No. 2 (1918) (GA V / 6)
  • Sonata for viola and piano op.11 No. 4 (1919) (GA V / 6)
  • Sonata for violoncello and piano op.11 No. 3 (first version 1919, lost; second version 1921 [GA V / 6])
  • Sonata for viola and piano op.25 No. 4 (1922) (GA V / 6)
  • Little Sonata for viola d'amore and piano op.25 No.2 (1922) (GA V / 6)
  • Canonical Sonatina for 2 flute op.31 No. 3 (1923)
  • Concert piece for 2 alto saxophones (1933)
  • Duet movement for viola and violoncello (1934) (GA V / 5)
  • Sonata in E major for violin and piano (1935) (GA V / 7)
  • Sonata for flute and piano (1936)
  • Sonata for oboe and piano (1938)
  • Sonata for bassoon and piano (1938)
  • Sonata for viola and piano (1938/39) (GA V / 7)
  • Sonata in C major for violin and piano (1939) (GA V / 7)
  • Sonata for clarinet and piano (1939)
  • Sonata for horn and piano (1939)
  • Sonata for Trumpet and Piano (1939)
  • A Frog He Went A-courting. Variations on an Old-English Nursey Song for violoncello and piano (1941) (GA V / 7)
  • Sonata for cor anglais and piano (1941)
  • Sonata for trombone and piano (1941)
  • Little Sonata for Violoncello and Piano (1942) (GA V / 7)
  • Echo for flute and piano (1942)
  • Sonata for alto horn (or French horn or alto saxophone) and piano (1943)
  • Sonata for violoncello and piano (1948) (GA V / 7)
  • Sonata for double bass and piano (1949) (GA V / 7)
  • Sonata for bass tuba and piano (1955)

For an instrument

  • Sonata for violin solo op.11 No. 6 (1917/18) (only published as a fragment in GA V / 5)
  • 2 pieces for organ (1918)
  • Sonata for viola solo op.11 No. 5 (1919) (GA V / 5)
  • Sonata for viola solo op.25 No. 1 (1922) (GA V / 5)
  • Sonata for viola solo op.31 No. 4 (1923) (GA V / 5)
  • Sonata for solo violoncello op.25 No.3 (1923) (GA V / 5)
  • Sonata for violin solo op.31 No. 1 (1924) (GA V / 5)
  • Sonata for violin solo op.31 No. 2 (1924) (GA V / 5)
  • 2 movements from a sonata (?) For violin solo (1925?), Fragment (GA V / 5)
  • 8 pieces for flute alone (1927)
  • Sonata for viola solo (1937) (GA V / 5)
  • I. Sonata for Organ (1937)
  • II. Sonata for Organ (1937)
  • Sonata for harp (1939)
  • III. Sonata on old folk songs for organ (1940)

Piano music

Piano for two hands

  • Theme with variations (1912/13), lost
  • Polonaise (1917?), Missing
  • In one night ... dreams and experiences op.15 (1917/1919) (GA V / 9)
  • Dance Pieces op.19 (1920) (GA V / 9)
  • Sonata op.17 (1920), lost; reconstructed from the sketches by B. Billeter (GA V / 9)
  • Berceuse (1921?) (GA V / 9)
  • Song (1921?) (GA V / 9)
  • Piano piece (1921), lost
  • 4 piano pieces (1921), lost
  • Suite 1922 op.26 (1922) (GA V / 9)
  • Dance of the wooden dolls from the Christmas fairy tale Tutti Mantle (1922)
  • Piano piece (1927), fragment, lost
  • Piano music op.37 (GA V / 9)
    • Part One: Exercise in Three Pieces (1925)
    • Part Two: Series of Little Pieces (1927)
  • Piano piece (1929) (GA V / 9)
  • Piano pieces (1931), fragment, lost
  • 2 small piano pieces (1934), lost
  • I. Sonata (1936 ') (GA V / 10)
  • Variations, original 2nd movement from Sonata I (1936) (GA V / 10)
  • II. Sonata (1936) (GA V / 10)
  • III. Sonata (1936) (GA V / 10)
  • Ludus tonalis. Studies in Counterpoint, Tonal Organization & Piano Playing (1942) (GA V / 10)

Piano for four hands

  • Three beautiful girls in the Black Forest, Waltz op.6 (1916) (GA V / 9)
  • March (1916), missing
  • Todtmoos Farewell March with Hymn (1917), lost
  • Rag Time (well-tempered), arr. (1921)
  • Symphony "Mathis the Painter", arr. (1934)
  • Sonata (1938) (GA V / 10)

Two pianos for four hands

  • Quartet for clarinet, violin, violoncello and piano, arrangement (1938)
  • Sonata (1942)

Film music

  • In Sturm und Eis / Im Kampf mit dem Berg (Arnold Fanck) for salon orchestra or violin and piano (1921)
  • Music for the film Felix the Cat in the Circus for mechanical piano (1927), lost
  • Music for the film Morning Spook for mechanical piano (1928), lost
  • Music for an abstract Fischinger film for string trio (1931), lost
  • Music for a Fischinger film for violin solo (1932), lost

Electroacoustic music, music for mechanical instruments

  • Music for mechanical instruments op.40 (1926), fragmentary preserved
    • I. Toccata for mechanical piano
    • II. Suite for mechanical organ based on: The Triadic Ballet
  • Own gramophone records, 2 records: 1. for xylophones, etc., 2. for vocals (1930)
  • The little electronic musician's favorites, 7 pieces for 3 trautonia (1930)
  • Concert piece for trautonium and string orchestra (1931)
  • Slow piece and rondo for Trautonium (1935), lost

Singing and game music, practice pieces, canons, parodies, entertainment music

Works collections

  • Play music for strings, flute and oboe op.43 No. 1 (1926/27) (GA VIII / 1)
  • Songs for Singing Circles op.43 No. 2 (1926) (GA VIII / 1)
    • 1. Each volume (August Graf von Platen)
    • 2. O Lord, give everyone their own death (Rainer Maria Rilke)
    • 3. You often know the most (Matthias Claudius)
    • 4. What do you think, Kunz (Matthias Claudius)
  • School work for instrumental interplay op.44 (1927) (GA VIII / 1)
    • I. Nine pieces for two violins or two-part violin choir
    • II. Eight canons for two violins or two-part violin choir with accompanying violin or viola
    • III. Eight pieces for two violins, viola and cello (individually or with chorus) (also for two violins, viola, cello and double bass, 1961)
    • IV. Five pieces for string orchestra (for more advanced students. Complete use of the first position in all string instruments)
  • 2 songs for 3 voice (1927)
    • 1. Go down, beautiful sun (Friedrich Hölderlin)
    • 2. When bad people quarrel (Gottfried Keller)
  • Singing and playing music for lovers and music lovers op.45 (1928/29) (GA VIII / 1)
    • I. Mrs. Musica. Music for singing and playing on instruments based on a text by Luther (new version as Dame Music [1943])
    • II. Eight canons for two voices with instruments
      • 1. There can be no bad courage here (anonymous)
      • 2. Whoever kicks music (Martin Luther)
      • 3. Who we serve the light in love (Reinhard Goering)
      • 4. Follows b (Christian Morgenstern)
      • 5. Never again (Franz Werfel)
      • 6. I know that and I've experienced it (Jakob Kneip)
      • 7. Mouth and eyes know their duty (Hermann Claudius)
      • 8.Earth that brought us this (morning star)
    • III. A hunter from the Electoral Palatinate who rides through the green forest. Game music for strings and wind instruments
    • IV. Little piano music. Easy five-tone pieces
    • V. Martinslied for single voice (solo or choir) and instruments (Johannes Olorius)
  • 44 pieces for 1 and 2 violins (1931)
  • Plön Music Day (1932) (GA VIII / 1)
    • A. Morning music
    • B. Table music
      • 1st march
      • 2. Intermezzo
      • 3. Trio for string instruments
      • 4th waltz
    • C. A warning to young people to devote themselves to music (Martin Agricola), cantata
      • 1st march
      • 2. 4 choirs
      • 3rd aria
      • 4th canon
      • 5. Melodrama
      • 6th final choir
    • D. Evening concert
      • 1. Introductory piece for orchestra
      • 2nd flute solo with strings
      • 3. 2 duets for violin and clarinet
      • 4. Variations for clarinet and strings
      • 5. Trio for recorders
      • 6. Quodlibet for orchestra
  • 9 little songs for an American school songbook for choir and piano (1938)
    • 1. The Spiders Web
    • 2. Romance
    • 3. Rain
    • 4. Prayer for a Pilot
    • April 5th Rain
    • 6. Thrush song
    • 7. A Rain Song
    • 8. The Sea Gipsy
    • 9. Young and Old

Individual works

  • Studies for Violin Alone (1916?), Fragment
  • Exercises for violinists, attempting systematic exercises on today's violin technique (1926)
  • Oh, how difficult is it to sing a fourth for voice and piano (1927?)
  • 2 duets for bassoon and double bass (1927?)
  • Lügenlied (anonymous) for 2 female voices and 1 male voice, with instruments (1928)
  • Playing and listening school for melody instruments (1931), fragmentary preserved
  • Practice piece for 2 flutes, 2 oboes, 4 clarinets, tenor saxophone and 2 bassoons (1932), lost
  • Excursion cantata for solo, choir and 4 clarinets (1934), lost
  • Three easy pieces for cello and piano (1938)
  • Pieces for bassoon and violoncello (1941)
  • Duet for 2 cellos (1942?)
  • Ludus minor for clarinet and violoncello (1944)

Stage works

  • Tuttifäntchen (Hedwig Michel / Franziska Becker), Christmas fairy tale 3 pictures (1922; December 13, 1922 Darmstadt)
  • We're building a city (Robert Seitz), game for children (1930; June 21, 1930 Berlin)
  • Children's opera for voice and instruments (1932?), Fragment

Radio plays

  • Der Lindberghflug (Bertolt Brecht), radio play with music by Kurt Weill and Paul Hindemith; Weill composed Nos. I, II, III, IV, VIb, IX, XII and XIII, Hindemith Nos. V, VIa, VIII, XI, XIV and XVI; Nos. VII, X, and XV were left blank (1929; July 27, 1929 Baden-Baden); the vocal part, No. XI is lost (GA I / 6)
  • Sabinchen (Robert Seitz) (1930; June 19, 1930 Berlin)

Music from class

  • Music for a cartoon for piano (1931), lost
  • Advertising film Clermont & Fouet for string trio (1931), lost
  • 2 fugues for piano (1940)
  • A Song of Music (George Taylor) for female choir and piano / strings (1940)
  • Agnus Dei and Dona nobis for male choir (1941)
  • Enthusiasm for flute and piano (1941)
  • Introduction and Passacaglia for string trio (1941)
  • Du bist mein / I am of Thee for soprano and piano (1941)
  • Sonata for piano, 1st movement (1941)

Canons

(Texts, unless otherwise stated, by Hindemith)

  • Looking for a good accommodation 4-part (1928)
  • Sönnlein, don't go away 2-part (1936)
  • Richard Donovan Has Birthday 5 Part (1941)
  • Sing, Hevin Imperial 4-part (1942)
  • Unusquisque eum cantum (Guido von Arezzo) 3 voices (1943)
  • Dolorum solacium (Petrus Abelard) 4 voices (1943)
  • Oh, Threats of Hell and Hopes of Paradise! (Rábáyat) 4 voices (1945)
  • Sine musica nulla disciplina (Hrabanus Maurus) 3 voices (1946)
  • Musica divina laudes 3-part with strings or brass instruments (1949)
  • We are happy (anyway) 6 voices (1951)
  • You composer are gloomy 5-part (1953)
  • Igitur Daniel 2-part (1953)
  • There are many 3-part brass players (1954)
  • Seventy, yes seventy is a good age 11 voices (1954)
  • Canon of 4 instrumental parts (1955)
  • 40,40,40,40, long live high 3 voices (1956)
  • Othmar Sch, Sch, Schoeck 4-part (1956)
  • Our blackbirds don't get upset 3-part (1957)
  • What would the world be without our Igor 3-part (1957)
  • Though belated, congratulations in 3 voices (1958)
  • We congratulate, wish luck 4 voices (1958)
  • Gladly offers his wish '3 voices (1958)
  • Good luck to the Rias Chamber Choir 7-part (1958)
  • Jubilee canon 9 voices (1958)
  • Festival march 3-part with tuba (1959)
  • Joseph, Joseph, dear Joseph 4 voices (1959)
  • I wanted to thank everyone by letter 3 voices (1960)
  • High he should live three times in 3 voices (1962)
  • Long live the jubilee in 3 voices (1962)
  • Cum sit enim proprium 4 voices (1963)
  • Et obstinati quidam cantare volentes (Johannes de Muris) 5-part (1963)

Parodies

  • Fragment of a string quartet by the botocudic composer H. Timednih (1916)
  • Music for 6 instruments and a turner, march for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
  • Midnight, melodrama for flugelhorn, horn, viola, bassoon, trombone and percussion (1918), lost
  • The hurricane, monodrama lyrique (1919)
  • The atonal cabaret for voice, guitar, piano and wind orchestra (1921), lost
    • 1. Opening march
    • 2. My Lieschen (Frank Wedekind)
    • 3. The organ grinder
    • 4. The tomcat is a beautiful animal
    • 5. The mother-in-law
    • 6. Valse boston
    • 7. 2 songs from Dafnis (Arno Holz)
    • 8. The song of the obedient maiden (Frank Wedekind)
  • Der Sturm im Wasserglas, Berceuse for little flute, piano and string quintet (1922), lost
  • Minimax. Repertory for military orchestra for string quartet (1923)
  • Song with great orchestral accompaniment in the style of Richard Strauss. Text from a beekeeping newspaper for soprano and string quartet (1925?), Lost
  • Overture to the "Flying Dutchman", as it is played by a bad spa band at 7 am at the fountain from the sheet for string quartet (1925?)
  • Pieces for double bass solo (1927)
  • Musical Blumengärtlen and Leyptziger Allerley for clarinet and double bass (1927)
  • The Expiring Frog, Recitativo et aria ranatica. Text based on the Encyclopedia Britannica and Charles Dickens for voice and piano (1944)
  • Melodrama. Text from the “Instructions for form 1040. US. Treasury "for vocals and instruments (1944)

Entertainment music

  • Jubilee music for Fritz Dippel's 25th anniversary of service for string quartet (1917), lost
  • The grave is my joy. Festival march for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
  • Gut Ziel, Valse lente for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
  • The Spleeny Man, ragtime for flute, piano, 2 violins, cello and double bass (1917?), Lost
  • Fox-trot for piano (1919), lost
  • Een krachtig vvedsel, concert waltz for flute, piano and strings (1920), lost
  • Young Lorch Fellow, Rag for little flute, piano and string quintet (1920), lost
  • Lijonel, the farewell foxtrot for small flute, piano and string quintet (1920), lost
  • Heimat-Sehen for voice and piano (1920), lost
  • Colombo, Intermezzo for flute, piano and string quintet (1920), lost
  • Gouda-Emmental, March for small flute, piano and string quintet (1920), lost
  • Music for the cooperative festival “Import Fair in Timbuktu” for violin, oboe and percussion (1922), lost
  • Bobby's Wahn-Step for piano (1922), lost
  • Regimental march of the "Tipopo" for piano (1922), lost, arranged for strings and wind instruments (1924)
  • 2 Shimmies for saxophone, trumpet, trombone, piano and 2 violins (1924), lost
  • Popular music for 3 clarinets (1934), lost

Adaptations of other works

  • David Popper, Serenade for Violoncello and Orchestra, arranged (1919), lost
  • Arrangements and figured bass performances for works by Ariosti, Bach, Biber, Ganswindt, Handel, Perotinus, Petzold, Rust, Stamitz and Vivaldi (1923/1931)
  • Marius Casadesus after Wolfgang Amadeus Mozart, Adelaide concerto for violin and orchestra, score based on a short score (with Franz Willms, 1933)
  • Cadenzas to Mozart's Violin Concerto (1933), lost
  • Cadenzas to Mozart's Piano Concerto KV 41 (1933), lost
  • Arrangement of foreign songs for string quintet and clarinet (1936), lost
  • Robert Schumann, violin concerto, arrangement of the solo violin (1937)
  • Claudio Monteverdi, Orfeo, attempt to reconstruct the first performance (1943)
  • Suite of French dances from the "Livres de Danceries" by Claude Gervaise and Estienne du Tertre, printed by Pierre d'Attaignant, arranged for a small orchestra (1948)
  • Max Reger, The 100th Psalm for mixed choir and orchestra, arrangement (1955)
  • Giovanni Gabrieli, Sacrae Symponiat I, established: 1. Deus, qui beatum Marcum, 2. Iudica me, 3. Magnificat, 4. Nunc dimittis, 5. Omnes gentes plaudite, 6. Virtute magna (1959)

Fonts

Dramas

  • Life enters the cell. Mysteric (1914)
  • In the Dr. HC A Scene (1916)
  • A new dream game: Abdul Rednil's dreams (in front of his own fireplace) thought out and modeled by the author. A tragedy with choirs (1916/17)
  • Todtmoosiana. A naturalistic play in three acts by me (1917)
  • Winter 1919. Tragedy (1919)
  • The tragedy in the cinema. A moral tragedy by someone who was no longer “very clear”! (1919)
  • Viola Heaven (1920)

Books

  • Suggestions for the development of Turkish musical life (1936), Izmir 1983
  • Instruction in composition
    • Vol. 1: Theoretical Part, Mainz 1937, expanded in 1940, in English as The Craft Of Musical Composition, Vol. 1: Theory, New York 1942
    • Vol. 2: Exercise book for two-part writing, Mainz 1939, in English as Vol. 2: Exercises in Two-part Writing, New York 1941
    • Vol. 3: Exercise book for the three-part setting, ed. by A. Rubeli / A. Briner / D. Meier, Mainz 1970
  • A Concentrated Course in Traditional Harmony, New York 1943, 2nd corrected and expanded edition 1944, German as exercises for students of harmony, Mainz 1949
  • Elementary Training for Musicians, New York 1946, revised 1949, German as an exercise book for elementary music theory, Mainz 1975
  • Traditional Harmony II. Exercises for Advanced Students, New York 1949, German as harmony exercises for advanced students, Mainz 1949
  • A Composers World. Horizons and Limitations, Cambridge 1952, expanded German edition as a composer in his world. Expanses and Limits, Zurich 1959

Introductions, essays, lectures

Introductions to your own and other people's works, autobiography

  • Paul Hindemith, in: NMZ 43, 1922, 329; AVR 7
  • Community for Music (together with Reinhold Merten, 1922), AVR 8
  • Histörchen, in: Auftakt 4, 1924> 78-82; AVR 9-15
  • About our program (together with Heinrich Burkard and Josef Haas), in: Program booklet Donaueschingen 1926, without pagination; AVR 16-18
  • Eight canons op 45,2, preface (1928), in: Schott Ed. 1462; Factory introductions., 129
  • Frau Musica op.45,1 foreword (1928), in: Schott Ed. 1460; Factory introductions 128f
  • To our screening “Film and Music”; in: Program booklet Baden-Baden 1928, 26–28; AVR 29-32
  • New tasks (together with Heinrich Burkard and Josef Haas), in: Program booklet Baden-Baden 1929.5h; AVR 34-36
  • Chamber music No. 5 op.36,4 (1929), introductions to the works 129f
  • Lehrstück, foreword (1929), in: Schott Ed. 1500; Introductions 130–133
  • Berlin 1930, in: program booklet New Music Berlin 1930, without pagination; AVR 45f
  • Original works for record (1930), in: program booklet Neue Musik Berlin 1930, without pagination; Factory introductions 134f
  • Sabinchen (1930), in: program booklet Neue Musik Berlin 1930, without pagination; Factory introductions 134
  • We're building a city, foreword (1930), in: Schott Ed. 5424; Factory introductions 133
  • Martinslied op.45,5, preface (1931), in: Schott Ed. 1570; Factory introductions 135f
  • Plöner Musiktag, foreword (1932), in: Schott Ed. 1626; Factory introductions 136f.
  • Symphony “Mathis the Painter” (1934), introductions 137–139
  • Mathis der Maler, in: Neue Zürcher Zeitung, May 29, 1938, supplement The Weekend; Introductions 139–141
  • Mathis der Maler (1938), Introductions 141–143
  • Mathis der Maler, in: Program for the premiere of the opera Mathis der Maler, May 28, 1938 Zurich; Introductions 144–146
  • Orchestral suite Nobilissima Visione (1939), introductions to the work 146f
  • Herodiade, foreword (1944), in: Schott Ed. 4115; Introductions 147–150
  • Das Marienleben, introduction to the new version, in: Schott Ed. 2026; Factory introductions 150–175
  • Where Lilacs Last in the Door-yard Bloom'd (1948), Factory Introductions 175
  • Foreword to W. Apel, French Secular Music of the Late Four-teenth Century, Cambridge 1950; Factory introductions 176f
  • Preface to H. Hock, A Life with the Violin. Memories of the heyday of musical life in Frankfurt am Main, Ffm. 1950; Factory introductions 177f.
  • Concerto for Clarinet and Orchestra (1950), Introductions 178
  • Symphony "The Harmony of the World" (1952), introductions 179
  • Symphonic music for wind instruments (1952), introductions 179–181
  • Cantique de l'Esperance (1953), Introductions 182
  • Ite, angeli veloces (1955), introductions to the works 183f
  • About Debussy (1955?), AVR 290
  • Exercises for violinists, foreword (1957), in: Schott Ed. 4687; Factory introductions 184f
  • P. d'Attaignant, Suite of French Dances, foreword (1958), in: Schott Ed. 4983; Introductions 185–187
  • Madrigals, foreword (1958), in: Schott Ed. 5410; Introductions 187–189
  • Pittsburgh Symphony (1959), Introductions 189–192
  • [About Gesualdo] (1959), Introductions 192–194
  • G. Gabrieli, Symphoniae Sacrae (1959/60), Introductions 194–207
  • The Long Christmas Supper (1961), Introductions 207f.

Essays

  • On mechanical music, in: program booklet Baden-Baden 1927, 51–55; AVR 19-24
  • About music criticism, in: Melos 8, 1929, 106-108; AVR 37-41
  • Demands on the layperson, in: Musik und Gesellschaft 1, 1930, 8-10; AVR 42-44
  • Composition and composition lessons (1933/1935), AVR 47–115
  • [New Music and Audience] (1935?), AVR 116–119
  • Methods of Music Theory (1943), AVR 177-186; engl, as Methods of Music Theory, in: Musical Quarterly 1944, 20–28
  • Report on my trip through Germany (April 1949), AVR 210–221
  • Composition in Today's Germany (June 1949), AVR 222–236

Lectures

  • What should the ideal choral setting of the present or, better, of the near future be? (Oct. 18, 1927, Berlin), AVR 25-28
  • Admonition to Young People to Engage in Music (April 26, 1937, New York), AVR 120–124
  • About the Viola d'amore (May 20, 1937, Cremona), AVR 125–130
  • Reflections on Today's Music I / II (April 8/15, 1940, New Haven), AVR 131–176
  • [Lecture Chicago Univ.] (Dec. 1941)
  • [About Biber Sonatas] (February 15, 1942)
  • Music and Musicians in Old and New Times (Feb. 14, 1944, Chicago), AVR 187–202
  • Old and New Problems of Music Theory (March 3, 1947, Cleveland)
  • Contemporary Techniques in the Conjctural Opinion of a Musician of the Future (March 3, 1947, Cleveland)
  • Problems of a Today's Composer (Oct. 29, 1948, Vienna), AVR 203–206
  • About musical instruction (October 30, 1948, Vienna), AVR 207–209
  • Musical Life in the USA (Jan. 23, 1949, Zurich)
  • Ethos (Jan. 28, 1949, Munich)
  • Living music history (February 2, 1949, Munich)
  • Lecture on the "Craft Of Musical Composition" (1940s)
  • Music Theory (Feb. 8, 1950, Boston), AVR 237-252
  • Johann Sebastian Bach. An obligatory legacy (September 12, 1950, Hamburg), Ffm. 1953; AVR 253-270
  • Introduction to "Performers" as a Lecture (March 1, 1951, Urbana)
  • Music education, why, how and for what purpose (Aug. 21, 1952, Salzburg), AVR 271–282
  • [Address at the opening of the Niederrheinische Musikfest in Wuppertal] (June 4, 1955, Wuppertal), AVR 283–285
  • Commemorative remarks for Wilhelm Furtwängler (June 18, 1955, Bonn), AVR 286–285
  • [Address on the receipt of the Sibelius Prize] (October 9, 1955, Helsinki), AVR 291f.
  • Listening to and Understanding Unknown Music (December 15, 1955, Zurich), AVR 293–309
  • [Address to receive the Balzan Prize] (May 11, 1963, Rome), AVR 310-313
  • Dying Waters (June 28, 1963, Bonn), AVR 314–336

Complete edition

  • Series I. Stage works
    • Volume I, 1: Women's Killer Hope, PHA 101 (1979)
    • Volume I, 2: Das Nusch-Nuschi, PHA 102 (2002)
    • Volume I, 3: Sancta Susanna, PHA 103 (1975)
    • Volume I, 4: Cardillac (original), PHA 104 (1979-80)
    • Volume I, 5: Cardillac (Revised), PHA 105
    • Volume I, 6: Scenic attempts, PHA 106 (1982)
    • Volume I, 7: News from the day (original), PHA 107 (2003)
    • Volume I, 8: News from the day, new version (Revised), PHA 108
    • Volume I, 9: Mathis der Maler, PHA 109 (2017–18)
    • Volume I, 10: The Harmony of the World, PHA 110
    • Volume I, 11: The Long Christmas Dinner / The Long Christmas Dinner, PHA 111 (1986)
    • Volume I, 12: Ballets I, PHA 112 (2016)
    • Volume I, 13: Ballets II, PHA 113 (2015)
    • Volume I, 14: Ballets III, PHA 114
  • Series II. Orchestral Works
    • Volume II, 1: Orchestral works: 1916–30, PHA 201 (1987)
    • Volume II, 2: Orchestral works: 1932–34, PHA 202 (1991)
    • Volume II, 3: Symphonic Dances (1937), PHA 203 (1980)
    • Volume II, 4: Orchestral works: 1940–43, PHA 204 (1988)
    • Volume II, 5: Orchestral works: 1943–46, PHA 205 (2012)
    • Volume II, 6: Orchestral works: 1949–51, PHA 206 (2015)
    • Volume II, 7: Orchestral works: 1958–60, PHA 207 (1984)
    • Volume II, 8: Works for wind orchestra, PHA 208
    • Volume II, 9: Arrangements, PHA 209 (2017)
  • Series III. Solo concerts
    • Volume III, 1: Piano Concertos, PHA 301
    • Volume III, 2: Concerto for Organ and Orchestra (1962-63), PHA 302
    • Volume III, 3: Violin Concerto / Concert Music, Op.48, PHA 303 (1994)
    • Volume III, 4: Viola Concerts, PHA 304 (1997)
    • Volume III, 5: Concerto in E flat major for violoncello and orchestra op.3 (1915/16), PHA 305 (1977)
    • Volume III, 6: Concerto for violoncello and orchestra (1940), PHA 306 (1984)
    • Volume III, 7: Wind Concertos I, PHA 307 (1983)
    • Volume III, 8: Wind Concertos II, PHA 308 (1977)
  • Series IV. Chamber music in concert
    • Volume IV, 1: Concertante Chamber Music I, PHA 401 (2007)
    • Volume IV, 2: Concertante Chamber Music II, PHA 402 (2007)
    • Volume IV, 3: Concertante Chamber Music III, PHA 403 (2009)
  • Series V. Chamber Music
    • Volume V, 1: Wind Chamber Music I, PHA 501 (2001)
    • Volume V, 2: Wind Chamber Music II, PHA 502
    • Volume V, 3: Wind Chamber Music III, PHA 503 (2013)
    • Volume V, 3: Wind Chamber Music III, (solo parts), PHA 503–1 (2013)
    • Volume V, 4-I: Chamber String Music I, PHA 504-10 (2011)
    • Volume V, 4-II: Chamber String Music I, PHA 504–20 (2013)
    • Volume V, 5: String Chamber Music II, PHA 505 (1993)
    • Volume V, 5–1: String Chamber Music II, (Supplement), PHA 505–1 (2014)
    • Volume V, 6: Chamber String Music III, PHA 506 (1976)
    • Volume V, 6: String Chamber Music III, (solo parts), PHA 506–1 (1976)
    • Volume V, 7: Chamber String Music IV, PHA 507 (1992)
    • Volume V, 7: String Chamber Music IV, (solo parts), PHA 507–1 (1992)
    • Volume V, 8: Organ and Harp Works, PHA 508
    • Volume V, 9: Piano Music I, PHA 509 (1990)
    • Volume V, 9: Piano Music I, (Piano Sonata, Op.17, reconstructed version), PHA 509–1 (1990)
    • Volume V, 10: Piano Music II, PHA 510 (1981)
  • Series VI. Songs
    • Volume VI, 1: Piano Songs I, PHA 601 (1983)
    • Volume VI, 2: Piano Songs II, PHA 602
    • Volume VI, 3: Piano Songs III, PHA 603 (1999)
    • Volume VI, 4: Solo chants with instruments, PHA 604 (1994)
    • Volume VI, 5: Solo chants with orchestra, PHA 605 (1983)
  • Series VII. Choral Works
    • Volume VII, 1: Oratorio "The Incessant" (1931), PHA 701 (1996)
    • Volume VII, 2: When Lilacs Last in the Door-Yard Bloom'd (1946), PHA 702 (1986)
    • Volume VII, 3: Cantata “Ite Angelo Veloces” (1953–55), PHA 703
    • Volume VII, 4: (Various choral works), PHA 704
    • Volume VII, 5: Choral works a cappella, PHA 705 (1989)
  • Series VIII. Singing and playing music, practice pieces, etudes
    • Volume VIII, 1: Singing and playing music I, PHA 801 (2000)
    • Volume VIII, 2: Singing and playing music II, PHA 802 (2008)
    • Volume VIII, 3: Singing and playing music III, PHA 803 (2009)
  • Series IX. Varia
    • Volume IX, 1: Occasional Compositions (Vowel), PHA 901
    • Volume IX, 2: Occasional Canons, PHA 902
    • Volume IX, 3: Film Music, PHA 903
    • Volume IX, 4: Trautonium Compositions, PHA 904
    • Volume IX, 5: Parodies, Joke Pieces, PHA 905
    • Volume IX, 6: Working in composition lessons with classes, PHA 906
    • Volume IX, 7: Arrangements, Cadenzas, PHA 907
  • Series X. Mechanical music / music on phonograms
    • Volume X, 1: Edition as CD, PHA 1000

Individual evidence

  1. ↑ Hindemith Complete Edition of the Hindemith Foundation
  2. ^ Publishing house Hindemith Schott
  3. ^ The complete edition at the International Music Score Library Project