List of works by Paul Hindemith
This list includes the musical works and writings of the composer Paul Hindemith .
The compilation is based on the directories:
- International Music Score Library Project List of works by Paul Hindemith
- Eberhard Preußner, Andres Briner: Hindemith, Paul , in: The music in history and present , 1st edition, vol. 6, col. 442-450, Kassel u. a .: Bärenreiter 1957
- Giselher Schubert: Hindemith, Paul , in: Music in Past and Present, 2nd Edition, Person Part Vol. 9, Sp. 26–35, Kassel u. a .: Bärenreiter 2003
- Wikipedia
In the following the abbreviations mean:
- GA - Paul Hindemith Complete Works - Edited by Kurt von Fischer (†), Ludwig Finscher and Giselher Schubert on behalf of the Hindemith Foundation. Edition management: Giselher Schubert and Luitgard Schader. Published by B. Schott's Sons Mainz 1975– (still to be published). For the series and volume distribution, see “Complete Edition” below.
- AVR - Paul Hindemith, essays, lectures, speeches , edited by Giselher Schubert, Zurich / Mainz 1994
- Introductions to the works - Introductions to works and forewords by Paul Hindemith , edited by Susanne Schaal-Gotthardt, in: Hindemith-Jahrbuch 29, 2000, pp. 127–208
Vocal music
Masses, oratorios, cantatas
- Das Unaufnahmliche (Gottfried Benn), oratorio for solos, mixed choir, boys' choir and orchestra (1930/31) (GA VII / 1)
- Old Irish Air (anonymous) for mixed choir and piano / harp and strings (1940)
- When Lilacs Last in the Door-yard Bloom'd. A Requiem "For Those We Love" (Walt Whitman) for mezzo-soprano, baritone, mixed choir and orchestra [1946] (GA VII / 2)
- Apparebit repentina dies (anonymous) for mixed choir and brass instruments (1947)
- Ite, angeli veloces (Paul Claudel), cantata, in 3 parts:
- I. Chant de triomphe du roi David for alto, tenor, mixed choir, folk choir and orchestra (1955)
- II. Custos quid de nocte for mezzo-soprano, alto, tenor, mixed choir and orchestra (1955)
- III. Cantique de l'esperance for mezzo-soprano, alto, tenor, mixed choir, folk song and orchestra (1953)
- Mainz Parade (Carl Zuckmayer), Volksvergnügen for 3 voices, mixed choir and orchestra (1962)
- Mass for mixed choir (1963) (GA VII / 5)
- Credo for mixed choir and instruments (1963), fragment (GA VII / 5)
Choirs
mixed choir
- Songs from counterpoint lessons (1912/1914) (GA VII / 5)
- 1. Christ is my life
- 2. Keep us Lord by your word
- 3. Now come the Savior of the Gentiles
- 4. God of Heaven
- 5. Reiter's farewell
- 6. The forest is defoliated
- 7. I have a red gold ring line
- Songs based on old texts op.33 (2 versions, anonymous) (1923) (GA VII / 5), new version of nos. 1, 2, 3 and 6 as well as True Love (Heinrich von Veldeke) as Five Songs on Old Texts (1937 ) (GA VII / 5)
- 1. From the house regiment (2 versions, Martin Luther)
- 2nd Women's Days (Burgrave of Regensburg)
- 3. Kind does not leave of kind (2 versions, Spervogel)
- 4. The Shrine of Love (2 versions, Heinrich von Morungen)
- 5. Secret happiness (Reinmar)
- 6. Landsknecht Drinking Song
- The Guguck (anonymous) (1923) (GA VII / 5)
- Six Chansons (Rainer Maria Rilke) (2 versions, 1939) (GA VII / 5)
- 1. La Biche
- 2. Un cygne
- 3. Puisque tout passe
- 4. Printemps
- 5. En hiver
- 6. Verger
- Madrigals (Josef Weinheber) (1958) (GA VII / 5)
- 1. Environment
- 2. A fool's life, an artist's life
- 3. Immerse your fear
- 4. Drink up!
- 5. To a dead person
- 6th spring
- 7. To a butterfly
- 8. Judas kiss
- 9. Magic recipe
- 10. It remains well
- 11. Strength found form
- 12. You doubt
For equal votes
- Saying of a traveler (anonymous) (1928) (GA VII / 5)
- Choir songs for boys (Karl Schnog) (1930) (GA VII / 5)
- 1. Craft song
- 2. Fear of swimming lessons
- 3. Read trash novels
Male choir
- A clear midnight (Walt Whitman) (1929) (GA VII / 5)
- About Spring (Bertolt Brecht) (1929) (GA VII / 5)
- You have to give yourself everything (Gottfried Benn) (1930) (GA VII / 5)
- Prince Kraft (Gottfried Benn) (1930) (GA VII / 5)
- Vision of the Man (Gottfried Benn) (1930) (GA VII / 5)
- Death (attributed to Friedrich Hölderlin, actually by Friedrich Gottlieb Klopstock) (1931) (GA VII / 5)
- Choirs for 4 male voices (1939) (GA VII / 5)
- 1. The cursed money (anonymous)
- 2. Now that the day (Friedrich Hölderlin)
- 3. The stepmother (anonymous)
- Variations on an old dance song (anonymous) (1939) (GA VII / 5)
- First Snow (Gottfried Keller) (1939) (GA VII / 5)
- The Demon of the Gibbet (Fitz-James O'Brien) (1949) (GA VII / 5)
Songs
Piano songs
- 7 songs (1908/09) (GA VI / 1)
- 1. Night song (Friedrich Hebbel)
- 2. The roses (Friedrich Hebbel)
- 3. Summer picture (Friedrich Hebbel)
- 4. My dying (Robert Julian Hodel)
- 5. Sounds of home (Hans von Matt)
- 6. Spring Dream (Arnold Ott)
- 7. Georgslied (Johann Wolfgang Goethe)
- Nearness of the Beloved (Johann Wolfgang Goethe) (1914) (GA VI / 1)
- Funny songs in Aargau dialect op.5 (1914/16) (GA VI / 1)
- 1. Schössli bschnyde (2 versions, Sofie Hämmerli-Marti)
- 2. At the wrong time (Adolf Frey)
- 3. The witch (Adolf Frey)
- 4. Dä less ig y! (Josef Reinhart)
- 5. Child (Adolf Frey)
- 6. Awakening (Josef Reinhart)
- 7. Tanzliedli (Josef Reinhart)
- 2 songs (1917) (GA VI / 1)
- 1. I am so alone (Else Lasker-Schüler)
- 2. Lullaby (Guido Gezeile)
- Three Hymns by Walt Whitman op.14 (1919) (GA VI / 1)
- 1. Who I return in intervals, in eons and eons
- 2. Oh, now you start, there in your moor
- 3. Hit! Hit! Drums!
- Frau Sorge (Ludwig Jakobowski), melodrama (1919), missing
- Songs with piano op.18 (1920) (GA VI / 1)
- 1. The drunken dancer (Curt Bock)
- 2. Like Sanct Franciscus I float in the air (Christian Morgenstern)
- 3rd dream (Lasker student)
- 4. My ears sit on the stairs (Christian Morgenstern)
- 5. I seem to have woken up before you (Christian Morgenstern)
- 6. You make me sad - listen (Lasker student)
- 7. Through the evening gardens (Heinar Schilling)
- 8. Trumpets (Georg Trakl)
- The Child (Friedrich von Hagedorn) (1922) (GA VI / 1)
- Das Marienleben (Rainer Maria Rilke) op.27 (first version 1922/23 [GA VI / 1], new version 1936–1948)
- 1st birth of Mary
- 2. The Presentation of Mary in the Temple
- 3. Annunciation
- 4. Visitation of the Virgin Mary
- 5. Suspicion of Joseph
- 6. Annunciation about the Shepherds
- 7. Nativity
- 8. Rest on the flight to Egypt
- 9. From the wedding in Cana
- 10. Before the passion
- 11. Pieta
- 12. Satisfaction of Mary with the Risen One
- 13. Of the death of Mary I
- 14. From the death of Mary II
- 15. From the death of Mary III
- 4 songs based on Matthias Claudius (1933)
- 1. There is something in man
- 2. Death is a man of his own
- 3. A good conscience in people
- 4. When you hear Paul praise Peter
- 4 songs based on texts by Novalis (1933)
- 1. Anthem
- 2. The song of the dead
- 3. Singing
- 4. I don't want to complain anymore
- 3 songs based on texts by Wilhelm Busch (1933), lost
- 1. Appearance and being
- 2. Premature
- 3. There was a fox
- 4 songs based on texts by Rückert (1933)
- 1st midnight (lost)
- 2. A shelter against storm and rain (lost)
- 3. The whole, not the individual
- 4. What you did (lost)
- 6 songs based on poems by Friedrich Hölderlin (1933/1935)
- 1. To the Fates
- 2nd sunset (2 versions)
- 3. Then and now (2 versions)
- 4. The morning
- 5th fragment
- 6. Evening fantasy
- 4 songs based on texts by Angelus Silesius (1935)
- 1. Away, away you seraphim
- 2. It can go on forever
- 3. You speak, the great
- 4. You speak, move yourself
- The Köhlerweib is drunk (Gottfried Keller) (1936)
- Songs based on texts by Brentano (1936)
- 1. Sing softly
- 2. Bridal song
- The Hermit (Agostino da Cruz) (1939)
- Songs based on texts by Friedrich Nietzsche (1939)
- 1. Among enemies
- 2. The sun is going down
- You are mine - I am of Thee (Werinher von Tegernsee) (1941) (GA VI / 3)
- Evening serenade (Clemens Brentano) (1942) (GA VI / 3)
- Evening Cloud (Rilke) (1942) (GA VI / 3)
- C'est de la côte d'Adam (Rilke) (1942) (GA VI / 3)
- Eau qui se presse (Rilke) (1942) (GA VI / 3)
- Frauenklage / Lady's Lament (Burgrave of Regensburg) (1942) (GA VI / 3)
- I want to leave mourning standing (anonymous) (1942) (GA VI / 3)
- La Belle Dame sans Merci (John Keats) (1942) (GA VI / 3)
- La Cigale et la fourmi (Lafontaine) (1942) (GA VI / 3)
- Lampe du soir (Rilke) (1942) (GA VI / 3)
- Levis exsurgit Zephynis (anonymous) (1942) (GA VI / 3)
- After an old sketch (Conrad Ferdinand Meyer) (1942) (GA VI / 3)
- O Grille, sing (Maximilian Dauthendey) (1942) (GA VI / 3)
- On arrange et on compose (Rilke) (1942) (GA VI / 3)
- Ranae ad Solem (Phaedrus) (1942) (GA VI / 3)
- To a Snowflake (Francis Thompson) (1942) (GA VI / 3)
- Tear pitcher (Rilke) (1942) (GA VI / 3)
- Cloudy weather (Gottfried Keller) (1942) (GA VI / 3)
- Who ever knew how to grasp life correctly (August von Platen) (1942) (GA VI / 3)
- Farewell to my daughter (Joseph von Eichendorff) (1942) (GA VI / 3)
- Nine English Songs (1942/1944) (GA VI / 3)
- 1. On Hearing "The Last Rose of Summer" (Charles Wolfe)
- 2. Echo (Thomas Moore)
- 3. The Moon (Percy Bysshe Shelley)
- 4. On a Fly Drinking Out of His Cup (William Oldys)
- 5. The Whistlin Thief (Samuel Lover)
- 6. Envoy (Francis Thompson)
- 7. The Wild Flowers Song (William Blake)
- 8. Sing on There in the Swamp (Walt Whitman)
- 9. To Music, to Becalm His Fever (Robert Herrick)
- Bal des Pendus (Jean-Arthur Rimbaud) (1944) (GA VI / 3)
- Le Revenant (Charles Baudelaire) (1944) (GA VI / 3)
- Sainte (Stephane Mallarmé) (1944) (GA VI / 3)
- Two Songs (Oscar Cox) (GA VI / 3)
- 1. Image
- 2. Beauty Touch Me (1955)
- Motets (Liber usualis) (1940–1960) (GA VI / 3)
- 1. Cum natus esset
- 2. In principio erat verb
- 3. Ascendent of Jesus in naviculam
- 4. Pastores loquebantur
- 5. Nuptiae factae sunt
- 6. Angelus Domini apparuit
- 7. Defuncto Herod
- 8. Dicebat Jesus scribis et pharisaeis
- 9. Dixit Jesus Petro
- 10. Cumfactus eats Jesus annorum duodecim
- 11. Erat Joseph et Maria
- 12. Vidit Joannes Jesum venientem
- 13. Exiit edictum (2 versions)
- 14. Cum descendisset Jesus de monte
Songs with instruments, orchestral songs
- A chamber music for alto, flute, harp, piano and string quartet (1915/16), fragment (GA VI / 4)
- Three songs for soprano and large orchestra op.9 (1917) (GA VI / 5)
- 1. My nights are hoarse shouted (Ernst Wilhelm Lotz)
- 2. Expanding (Else Lasker-Schüler)
- 3. Awakening of youth (Ernst Wilhelm Lotz)
- How it would be if it were different (Franz Bonn) for soprano, flute, oboe, bassoon, 2 violins, viola and 2 cellos (1918) (GA VI / 4)
- Melancholie (Christian Morgenstern) for female voice and string quartet op.13 (1917/1919) (GA VI / 4)
- 1. The primroses bloom and greet you
- 2. Fog weaving
- 3. Dark drop
- 4. Dream forest
- Death's Death (Eduard Reinacher) for female voice, 2 violas and 2 violoncellos op.23a (1922) (GA VI / 4)
- 1. Face of death and misery
- 2. God's death
- 3. Death's death
- The young maid (Georg Trakl) for alto, flute, clarinet and string quartet op.23 no.2 (1922) (GA VI / 4)
- 1. Often at the well
- 2. She creates silence in the chamber
- 3. At night over the bald meadow
- 4. The hammer is booming in the forge
- 5. Slenderly stretched out in bed
- 6. Bloody linens float in the evening
- The serenades, small cantata based on romantic texts for soprano, oboe, viola and violoncello op.35 (1924) (GA VI / 4)
- I. Barcarole (Adolf Licht); To Phyllis (Johann Wilhelm Ludwig Gleim); Toccata for violoncello; Corrente for soprano and violoncello; Courage (Ludwig Tieck)
- II. Duet for viola and violoncello; The evening (Josef von Eichendorff); Wunn am Meer (Wilhelm Meinhold)
- III. Trio; Good night (Siegfried August Mahlmann)
- 6 songs from "Das Marienleben" (Rainer Maria Rilke) for soprano and orchestra (1939/1959) (GA VI / 5)
- 1st birth of Mary
- 2. Suspicion of Joseph
- 3. Nativity
- 4. Rest on the flight to Egypt
- 5. Before the passion
- 6. From the death of Mary III
Stage works
Operas
- The Visiting Cousin (Wilhelm Busch) (1912/13), fragment, missing
- Murderer, Hope of Women (Oskar Kokoschka), Opera 1 act op.12 (1919; June 4, 1921 Stuttgart) (GA I / 1)
- Das Nusch-Nuschi (Franz Blei), a game for Burmese marionettes 1 act op.20 (1920; June 4, 1921 Stuttgart) (GA I / 2)
- Sancta Susanna (August Stramm), Opera 1 act op.21 (1921; March 26, 1922 Frankfurt / Main) (GA I / 3)
- Cardillac (Ferdinand Lion), Opera 3 acts op.39 (1925/26; Nov. 9, 1926 Dresden) (GA I / 4.1–3); New version (Paul Hindemith), Opera 4 acts (1952; June 20, 1952 Zurich)
- There and Back (Marcellus Schiffer), Sketch with Music op.45a (1927; July 17, 1927 Baden-Baden) (GA 1/6)
- News from the day (Marcellus Schiffer), funny opera 3 acts (1928/29; June 8, 1929 Berlin) (GA I / 7.1–2); New version (Paul Hindemith), funny opera 2 acts (1953/54; April 7, 1954 Naples)
- Lehrstück (Bertolt Brecht) (1929; July 28, 1929 Baden-Baden) (GA I / 6)
- Mathis der Maler (Paul Hindemith), Opera in 7 Pictures (1934/35; May 1938 Zurich)
- The Harmony of the World (Paul Hindemith), Opera 5 Aufzüge (1956/57; Aug. 11, 1957 Munich)
- The Long Christmas Dinner (Thornton Wilder / Hindemith), Opera 1 act (1960/61; December 17, 1961 Mannheim) (GA I / 11)
Ballets
- The Demon (Max Krell), dance pantomime 2 pictures op.28 (1922; 1st Dec. 1923 Darmstadt)
- The Triadic Ballet (Oskar Schlemmer) for mechanical organ (1926; July 25, 1926 Donaueschingen), fragmentary preserved
- Nobilissima Visione (Hindemith / Leonide Massine), dance legend 6 pictures (1938; July 21, 1938 London), arrangement for large orchestra (1939)
- Theme with Four Variations (According to the Four Temperaments) (George Balanchine) (1940; Nov 20, 1946 New York)
- Hérodiade de Stephane Mallarmé (Martha Graham), Recitation orchestral (1944; Oct. 30, 1944 Washington)
Incidental music
- Happiness is blind (Franz Pocci) for piano (1915?), Lost
- Kasperls Heldentaten (Franz Pocci) for voice and violoncello (1915?)
- Kasperl unter den Wilden (Franz Pocci) for children's trumpet, triangle, cymbal, piano trio and violoncello (1915?)
- Lohengrin-Farodie (Friedrich Huch) (1915), fragment
- The Magic Violin (Pocci) (1915?), Fragment
Instrumental music
Orchestral works
- Funny Sinfonietta for small orchestra op.4 (1916) (GA II / 1)
- Nusch-Nuschi-Dances, dance suite from the play for Burmese marionettes (1921)
- Rag Time (well-tempered) for large orchestra (1921) (GA II / 1)
- The Demon, concert suite from the dance pantomime for chamber orchestra (1923)
- Concerto for orchestra op.38 (1925) (GA II / 1)
- Concert music for wind orchestra op.41 (1926)
- News of the day, overture to the opera with a concert ending (1930)
- Concert music for string orchestra and brass instruments op.50 (1930) (GA II / 1)
- March for brass music (1932), lost
- Philharmonic concert. Variations for orchestra (1932) (GA II / 2)
- Symphony "Mathis the Painter" (1933/34) (GA II / 2)
- Symphonic Dances for large orchestra (1937) (GA II / 3)
- Nobilissima Visione, orchestral suite based on the music of the dance legend (1938)
- Symphony in E-flat (1940) (GA II / 4)
- Poor Lazarus and the Rich Man, a Virginian Ballad for Orchestra (1941), fragment (GA II / 4)
- Amor and Psyche (Farnesina), Ballet Overture (1943) (GA II / 4)
- Symphony Metamorphosis of Themes by CM von Weber (1943)
- Symphonia Serena (1946)
- When Lilacs Last in the Door-yard Bloom'd, Prelude for Orchestra (1946) (GA VII / 2)
- Sinfonietta in E (1949/50)
- Symphony in B-flat for Concert Band (1951)
- Symphony "The Harmony of the World" (1951)
- Pittsburgh Symphony (1958) (GA II / 7)
- March for orchestra over the old "Swiss tone" (1960) (GA II / 7)
Concerts
- Concerto for violoncello and orchestra op.3 (1915/16) (GA III / 5)
- Piano music with orchestra, piano only left hand op.29 (1923)
- Concert music for solo viola and larger chamber orchestra op.48 (2 versions, 1930) (GA III / 3–4)
- Concert music for piano, brass and 2 harps op.49 (1930)
- Der Schwanendreher, concert based on old folk songs for viola and small orchestra (1935/36) (GA III / 4)
- Funeral music for string orchestra with solo viola (1936) (GA III / 4)
- Concerto for violin and orchestra (1939) (GA III / 3)
- Concerto for violoncello and orchestra (1940) (GA III / 5)
- Concerto for piano and orchestra (1945)
- Concerto for Clarinet and Orchestra (1947) (GA III / 7)
- Concerto for horn and orchestra (1949) (GA III / 7)
- Concerto for woodwinds, harp and orchestra (1949) (GA III / 8)
- Concerto for Trumpet, Bassoon and String Orchestra (1949/1952) (GA III / 8)
- Concerto for organ and orchestra (1962/63)
Chamber music
Concert chamber music
- Chamber music No.1 for 12 solo instruments op.24 No.1 (1922)
- Chamber music No.2 for piano and 12 solo instruments op.36 No.1 (1924)
- Chamber music No.3 for violoncello and 10 solo instruments op.36 No.2 (1925)
- Chamber music No. 4 for violin and larger chamber orchestra, Op. 36 No. 3 (1925; 1st movement reworked (1951))
- Chamber music No. 5 for viola and larger chamber orchestra, op.36 No. 4 (1927)
- Chamber music No.6 for viola d'amore and chamber orchestra op.46 No.1 (first version 1927; second version 1930)
- Chamber music No.7 for organ and chamber orchestra op.46 No.2 (1927)
Larger casts
- Quintet for piano and string quartet op.7 (1917), lost
- Sonata for 10 instruments (1917), fragment (GA V / 1)
- Small Chamber Music for 5 Wind Instruments op.24 No. 2 (1922) (GA V / 1)
- Quintet for clarinet and string quartet op.30 (first version 1923 [GA V / 1], second version 1954)
- 3 Anecdotes for Radio (Three Pieces for 5 Instruments) (1925) (GA V / 1)
- Septet for flute, oboe, clarinet, bass clarinet / 2. Bassoon, bassoon, horn and trumpet (1948) (GA V / 1)
- Octet for clarinet, bassoon, horn, violin, 2 violas, violoncello and double bass (1958) (GA V / 1)
Quartets
- 1st string quartet op.2 (1915)
- 2nd string quartet op.10 (1918)
- 3rd string quartet op.16 (1920)
- 4th string quartet op.22 (1921)
- 5th string quartet op.32 (1923)
- Quartet for clarinet, violin, violoncello and piano (1938)
- 6th string quartet (1943)
- 7th string quartet (1945)
- Sonata for 4 horns (1952)
Trios
- Trio for clarinet, horn and piano op.1 (1914), lost
- 1st string trio op.34 (1924) (GA V / 5)
- 2 small trios for flute, clarinet and double bass (1927), lost
- Trio for piano, viola and heckelphone / tenor sax. op.47 (1928)
- Trio set for 3 guitars (1930)
- 2nd string trio (1933) (GA V / 5)
- Recorder Trio (1940)
For two instruments
- Large rondo for clarinet and piano (1912/13), fragment, lost
- Sonata for violin and piano (1912/13), lost
- Movement for violin and piano (1914/15), fragment (GA V / 6)
- 3 pieces for violoncello and piano op.8 (1917) (GA V / 6)
- Sonata in E flat major for piano and violin op.11 No. 1 (1918) (GA V / 6)
- Sonata in D major for piano and violin op.11 No. 2 (1918) (GA V / 6)
- Sonata for viola and piano op.11 No. 4 (1919) (GA V / 6)
- Sonata for violoncello and piano op.11 No. 3 (first version 1919, lost; second version 1921 [GA V / 6])
- Sonata for viola and piano op.25 No. 4 (1922) (GA V / 6)
- Little Sonata for viola d'amore and piano op.25 No.2 (1922) (GA V / 6)
- Canonical Sonatina for 2 flute op.31 No. 3 (1923)
- Concert piece for 2 alto saxophones (1933)
- Duet movement for viola and violoncello (1934) (GA V / 5)
- Sonata in E major for violin and piano (1935) (GA V / 7)
- Sonata for flute and piano (1936)
- Sonata for oboe and piano (1938)
- Sonata for bassoon and piano (1938)
- Sonata for viola and piano (1938/39) (GA V / 7)
- Sonata in C major for violin and piano (1939) (GA V / 7)
- Sonata for clarinet and piano (1939)
- Sonata for horn and piano (1939)
- Sonata for Trumpet and Piano (1939)
- A Frog He Went A-courting. Variations on an Old-English Nursey Song for violoncello and piano (1941) (GA V / 7)
- Sonata for cor anglais and piano (1941)
- Sonata for trombone and piano (1941)
- Little Sonata for Violoncello and Piano (1942) (GA V / 7)
- Echo for flute and piano (1942)
- Sonata for alto horn (or French horn or alto saxophone) and piano (1943)
- Sonata for violoncello and piano (1948) (GA V / 7)
- Sonata for double bass and piano (1949) (GA V / 7)
- Sonata for bass tuba and piano (1955)
For an instrument
- Sonata for violin solo op.11 No. 6 (1917/18) (only published as a fragment in GA V / 5)
- 2 pieces for organ (1918)
- Sonata for viola solo op.11 No. 5 (1919) (GA V / 5)
- Sonata for viola solo op.25 No. 1 (1922) (GA V / 5)
- Sonata for viola solo op.31 No. 4 (1923) (GA V / 5)
- Sonata for solo violoncello op.25 No.3 (1923) (GA V / 5)
- Sonata for violin solo op.31 No. 1 (1924) (GA V / 5)
- Sonata for violin solo op.31 No. 2 (1924) (GA V / 5)
- 2 movements from a sonata (?) For violin solo (1925?), Fragment (GA V / 5)
- 8 pieces for flute alone (1927)
- Sonata for viola solo (1937) (GA V / 5)
- I. Sonata for Organ (1937)
- II. Sonata for Organ (1937)
- Sonata for harp (1939)
- III. Sonata on old folk songs for organ (1940)
Piano music
Piano for two hands
- Theme with variations (1912/13), lost
- Polonaise (1917?), Missing
- In one night ... dreams and experiences op.15 (1917/1919) (GA V / 9)
- Dance Pieces op.19 (1920) (GA V / 9)
- Sonata op.17 (1920), lost; reconstructed from the sketches by B. Billeter (GA V / 9)
- Berceuse (1921?) (GA V / 9)
- Song (1921?) (GA V / 9)
- Piano piece (1921), lost
- 4 piano pieces (1921), lost
- Suite 1922 op.26 (1922) (GA V / 9)
- Dance of the wooden dolls from the Christmas fairy tale Tutti Mantle (1922)
- Piano piece (1927), fragment, lost
- Piano music op.37 (GA V / 9)
- Part One: Exercise in Three Pieces (1925)
- Part Two: Series of Little Pieces (1927)
- Piano piece (1929) (GA V / 9)
- Piano pieces (1931), fragment, lost
- 2 small piano pieces (1934), lost
- I. Sonata (1936 ') (GA V / 10)
- Variations, original 2nd movement from Sonata I (1936) (GA V / 10)
- II. Sonata (1936) (GA V / 10)
- III. Sonata (1936) (GA V / 10)
- Ludus tonalis. Studies in Counterpoint, Tonal Organization & Piano Playing (1942) (GA V / 10)
Piano for four hands
- Three beautiful girls in the Black Forest, Waltz op.6 (1916) (GA V / 9)
- March (1916), missing
- Todtmoos Farewell March with Hymn (1917), lost
- Rag Time (well-tempered), arr. (1921)
- Symphony "Mathis the Painter", arr. (1934)
- Sonata (1938) (GA V / 10)
Two pianos for four hands
- Quartet for clarinet, violin, violoncello and piano, arrangement (1938)
- Sonata (1942)
Film music
- In Sturm und Eis / Im Kampf mit dem Berg (Arnold Fanck) for salon orchestra or violin and piano (1921)
- Music for the film Felix the Cat in the Circus for mechanical piano (1927), lost
- Music for the film Morning Spook for mechanical piano (1928), lost
- Music for an abstract Fischinger film for string trio (1931), lost
- Music for a Fischinger film for violin solo (1932), lost
Electroacoustic music, music for mechanical instruments
- Music for mechanical instruments op.40 (1926), fragmentary preserved
- I. Toccata for mechanical piano
- II. Suite for mechanical organ based on: The Triadic Ballet
- Own gramophone records, 2 records: 1. for xylophones, etc., 2. for vocals (1930)
- The little electronic musician's favorites, 7 pieces for 3 trautonia (1930)
- Concert piece for trautonium and string orchestra (1931)
- Slow piece and rondo for Trautonium (1935), lost
Singing and game music, practice pieces, canons, parodies, entertainment music
Works collections
- Play music for strings, flute and oboe op.43 No. 1 (1926/27) (GA VIII / 1)
- Songs for Singing Circles op.43 No. 2 (1926) (GA VIII / 1)
- 1. Each volume (August Graf von Platen)
- 2. O Lord, give everyone their own death (Rainer Maria Rilke)
- 3. You often know the most (Matthias Claudius)
- 4. What do you think, Kunz (Matthias Claudius)
- School work for instrumental interplay op.44 (1927) (GA VIII / 1)
- I. Nine pieces for two violins or two-part violin choir
- II. Eight canons for two violins or two-part violin choir with accompanying violin or viola
- III. Eight pieces for two violins, viola and cello (individually or with chorus) (also for two violins, viola, cello and double bass, 1961)
- IV. Five pieces for string orchestra (for more advanced students. Complete use of the first position in all string instruments)
- 2 songs for 3 voice (1927)
- 1. Go down, beautiful sun (Friedrich Hölderlin)
- 2. When bad people quarrel (Gottfried Keller)
- Singing and playing music for lovers and music lovers op.45 (1928/29) (GA VIII / 1)
- I. Mrs. Musica. Music for singing and playing on instruments based on a text by Luther (new version as Dame Music [1943])
- II. Eight canons for two voices with instruments
- 1. There can be no bad courage here (anonymous)
- 2. Whoever kicks music (Martin Luther)
- 3. Who we serve the light in love (Reinhard Goering)
- 4. Follows b (Christian Morgenstern)
- 5. Never again (Franz Werfel)
- 6. I know that and I've experienced it (Jakob Kneip)
- 7. Mouth and eyes know their duty (Hermann Claudius)
- 8.Earth that brought us this (morning star)
- III. A hunter from the Electoral Palatinate who rides through the green forest. Game music for strings and wind instruments
- IV. Little piano music. Easy five-tone pieces
- V. Martinslied for single voice (solo or choir) and instruments (Johannes Olorius)
- 44 pieces for 1 and 2 violins (1931)
- Plön Music Day (1932) (GA VIII / 1)
- A. Morning music
- B. Table music
- 1st march
- 2. Intermezzo
- 3. Trio for string instruments
- 4th waltz
- C. A warning to young people to devote themselves to music (Martin Agricola), cantata
- 1st march
- 2. 4 choirs
- 3rd aria
- 4th canon
- 5. Melodrama
- 6th final choir
- D. Evening concert
- 1. Introductory piece for orchestra
- 2nd flute solo with strings
- 3. 2 duets for violin and clarinet
- 4. Variations for clarinet and strings
- 5. Trio for recorders
- 6. Quodlibet for orchestra
- 9 little songs for an American school songbook for choir and piano (1938)
- 1. The Spiders Web
- 2. Romance
- 3. Rain
- 4. Prayer for a Pilot
- April 5th Rain
- 6. Thrush song
- 7. A Rain Song
- 8. The Sea Gipsy
- 9. Young and Old
Individual works
- Studies for Violin Alone (1916?), Fragment
- Exercises for violinists, attempting systematic exercises on today's violin technique (1926)
- Oh, how difficult is it to sing a fourth for voice and piano (1927?)
- 2 duets for bassoon and double bass (1927?)
- Lügenlied (anonymous) for 2 female voices and 1 male voice, with instruments (1928)
- Playing and listening school for melody instruments (1931), fragmentary preserved
- Practice piece for 2 flutes, 2 oboes, 4 clarinets, tenor saxophone and 2 bassoons (1932), lost
- Excursion cantata for solo, choir and 4 clarinets (1934), lost
- Three easy pieces for cello and piano (1938)
- Pieces for bassoon and violoncello (1941)
- Duet for 2 cellos (1942?)
- Ludus minor for clarinet and violoncello (1944)
Stage works
- Tuttifäntchen (Hedwig Michel / Franziska Becker), Christmas fairy tale 3 pictures (1922; December 13, 1922 Darmstadt)
- We're building a city (Robert Seitz), game for children (1930; June 21, 1930 Berlin)
- Children's opera for voice and instruments (1932?), Fragment
Radio plays
- Der Lindberghflug (Bertolt Brecht), radio play with music by Kurt Weill and Paul Hindemith; Weill composed Nos. I, II, III, IV, VIb, IX, XII and XIII, Hindemith Nos. V, VIa, VIII, XI, XIV and XVI; Nos. VII, X, and XV were left blank (1929; July 27, 1929 Baden-Baden); the vocal part, No. XI is lost (GA I / 6)
- Sabinchen (Robert Seitz) (1930; June 19, 1930 Berlin)
Music from class
- Music for a cartoon for piano (1931), lost
- Advertising film Clermont & Fouet for string trio (1931), lost
- 2 fugues for piano (1940)
- A Song of Music (George Taylor) for female choir and piano / strings (1940)
- Agnus Dei and Dona nobis for male choir (1941)
- Enthusiasm for flute and piano (1941)
- Introduction and Passacaglia for string trio (1941)
- Du bist mein / I am of Thee for soprano and piano (1941)
- Sonata for piano, 1st movement (1941)
Canons
(Texts, unless otherwise stated, by Hindemith)
- Looking for a good accommodation 4-part (1928)
- Sönnlein, don't go away 2-part (1936)
- Richard Donovan Has Birthday 5 Part (1941)
- Sing, Hevin Imperial 4-part (1942)
- Unusquisque eum cantum (Guido von Arezzo) 3 voices (1943)
- Dolorum solacium (Petrus Abelard) 4 voices (1943)
- Oh, Threats of Hell and Hopes of Paradise! (Rábáyat) 4 voices (1945)
- Sine musica nulla disciplina (Hrabanus Maurus) 3 voices (1946)
- Musica divina laudes 3-part with strings or brass instruments (1949)
- We are happy (anyway) 6 voices (1951)
- You composer are gloomy 5-part (1953)
- Igitur Daniel 2-part (1953)
- There are many 3-part brass players (1954)
- Seventy, yes seventy is a good age 11 voices (1954)
- Canon of 4 instrumental parts (1955)
- 40,40,40,40, long live high 3 voices (1956)
- Othmar Sch, Sch, Schoeck 4-part (1956)
- Our blackbirds don't get upset 3-part (1957)
- What would the world be without our Igor 3-part (1957)
- Though belated, congratulations in 3 voices (1958)
- We congratulate, wish luck 4 voices (1958)
- Gladly offers his wish '3 voices (1958)
- Good luck to the Rias Chamber Choir 7-part (1958)
- Jubilee canon 9 voices (1958)
- Festival march 3-part with tuba (1959)
- Joseph, Joseph, dear Joseph 4 voices (1959)
- I wanted to thank everyone by letter 3 voices (1960)
- High he should live three times in 3 voices (1962)
- Long live the jubilee in 3 voices (1962)
- Cum sit enim proprium 4 voices (1963)
- Et obstinati quidam cantare volentes (Johannes de Muris) 5-part (1963)
Parodies
- Fragment of a string quartet by the botocudic composer H. Timednih (1916)
- Music for 6 instruments and a turner, march for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
- Midnight, melodrama for flugelhorn, horn, viola, bassoon, trombone and percussion (1918), lost
- The hurricane, monodrama lyrique (1919)
- The atonal cabaret for voice, guitar, piano and wind orchestra (1921), lost
- 1. Opening march
- 2. My Lieschen (Frank Wedekind)
- 3. The organ grinder
- 4. The tomcat is a beautiful animal
- 5. The mother-in-law
- 6. Valse boston
- 7. 2 songs from Dafnis (Arno Holz)
- 8. The song of the obedient maiden (Frank Wedekind)
- Der Sturm im Wasserglas, Berceuse for little flute, piano and string quintet (1922), lost
- Minimax. Repertory for military orchestra for string quartet (1923)
- Song with great orchestral accompaniment in the style of Richard Strauss. Text from a beekeeping newspaper for soprano and string quartet (1925?), Lost
- Overture to the "Flying Dutchman", as it is played by a bad spa band at 7 am at the fountain from the sheet for string quartet (1925?)
- Pieces for double bass solo (1927)
- Musical Blumengärtlen and Leyptziger Allerley for clarinet and double bass (1927)
- The Expiring Frog, Recitativo et aria ranatica. Text based on the Encyclopedia Britannica and Charles Dickens for voice and piano (1944)
- Melodrama. Text from the “Instructions for form 1040. US. Treasury "for vocals and instruments (1944)
Entertainment music
- Jubilee music for Fritz Dippel's 25th anniversary of service for string quartet (1917), lost
- The grave is my joy. Festival march for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
- Gut Ziel, Valse lente for flute, piano, 2 violins, violoncello and double bass (1917?), Lost
- The Spleeny Man, ragtime for flute, piano, 2 violins, cello and double bass (1917?), Lost
- Fox-trot for piano (1919), lost
- Een krachtig vvedsel, concert waltz for flute, piano and strings (1920), lost
- Young Lorch Fellow, Rag for little flute, piano and string quintet (1920), lost
- Lijonel, the farewell foxtrot for small flute, piano and string quintet (1920), lost
- Heimat-Sehen for voice and piano (1920), lost
- Colombo, Intermezzo for flute, piano and string quintet (1920), lost
- Gouda-Emmental, March for small flute, piano and string quintet (1920), lost
- Music for the cooperative festival “Import Fair in Timbuktu” for violin, oboe and percussion (1922), lost
- Bobby's Wahn-Step for piano (1922), lost
- Regimental march of the "Tipopo" for piano (1922), lost, arranged for strings and wind instruments (1924)
- 2 Shimmies for saxophone, trumpet, trombone, piano and 2 violins (1924), lost
- Popular music for 3 clarinets (1934), lost
Adaptations of other works
- David Popper, Serenade for Violoncello and Orchestra, arranged (1919), lost
- Arrangements and figured bass performances for works by Ariosti, Bach, Biber, Ganswindt, Handel, Perotinus, Petzold, Rust, Stamitz and Vivaldi (1923/1931)
- Marius Casadesus after Wolfgang Amadeus Mozart, Adelaide concerto for violin and orchestra, score based on a short score (with Franz Willms, 1933)
- Cadenzas to Mozart's Violin Concerto (1933), lost
- Cadenzas to Mozart's Piano Concerto KV 41 (1933), lost
- Arrangement of foreign songs for string quintet and clarinet (1936), lost
- Robert Schumann, violin concerto, arrangement of the solo violin (1937)
- Claudio Monteverdi, Orfeo, attempt to reconstruct the first performance (1943)
- Suite of French dances from the "Livres de Danceries" by Claude Gervaise and Estienne du Tertre, printed by Pierre d'Attaignant, arranged for a small orchestra (1948)
- Max Reger, The 100th Psalm for mixed choir and orchestra, arrangement (1955)
- Giovanni Gabrieli, Sacrae Symponiat I, established: 1. Deus, qui beatum Marcum, 2. Iudica me, 3. Magnificat, 4. Nunc dimittis, 5. Omnes gentes plaudite, 6. Virtute magna (1959)
Fonts
Dramas
- Life enters the cell. Mysteric (1914)
- In the Dr. HC A Scene (1916)
- A new dream game: Abdul Rednil's dreams (in front of his own fireplace) thought out and modeled by the author. A tragedy with choirs (1916/17)
- Todtmoosiana. A naturalistic play in three acts by me (1917)
- Winter 1919. Tragedy (1919)
- The tragedy in the cinema. A moral tragedy by someone who was no longer “very clear”! (1919)
- Viola Heaven (1920)
Books
- Suggestions for the development of Turkish musical life (1936), Izmir 1983
- Instruction in composition
- Vol. 1: Theoretical Part, Mainz 1937, expanded in 1940, in English as The Craft Of Musical Composition, Vol. 1: Theory, New York 1942
- Vol. 2: Exercise book for two-part writing, Mainz 1939, in English as Vol. 2: Exercises in Two-part Writing, New York 1941
- Vol. 3: Exercise book for the three-part setting, ed. by A. Rubeli / A. Briner / D. Meier, Mainz 1970
- A Concentrated Course in Traditional Harmony, New York 1943, 2nd corrected and expanded edition 1944, German as exercises for students of harmony, Mainz 1949
- Elementary Training for Musicians, New York 1946, revised 1949, German as an exercise book for elementary music theory, Mainz 1975
- Traditional Harmony II. Exercises for Advanced Students, New York 1949, German as harmony exercises for advanced students, Mainz 1949
- A Composers World. Horizons and Limitations, Cambridge 1952, expanded German edition as a composer in his world. Expanses and Limits, Zurich 1959
Introductions, essays, lectures
Introductions to your own and other people's works, autobiography
- Paul Hindemith, in: NMZ 43, 1922, 329; AVR 7
- Community for Music (together with Reinhold Merten, 1922), AVR 8
- Histörchen, in: Auftakt 4, 1924> 78-82; AVR 9-15
- About our program (together with Heinrich Burkard and Josef Haas), in: Program booklet Donaueschingen 1926, without pagination; AVR 16-18
- Eight canons op 45,2, preface (1928), in: Schott Ed. 1462; Factory introductions., 129
- Frau Musica op.45,1 foreword (1928), in: Schott Ed. 1460; Factory introductions 128f
- To our screening “Film and Music”; in: Program booklet Baden-Baden 1928, 26–28; AVR 29-32
- New tasks (together with Heinrich Burkard and Josef Haas), in: Program booklet Baden-Baden 1929.5h; AVR 34-36
- Chamber music No. 5 op.36,4 (1929), introductions to the works 129f
- Lehrstück, foreword (1929), in: Schott Ed. 1500; Introductions 130–133
- Berlin 1930, in: program booklet New Music Berlin 1930, without pagination; AVR 45f
- Original works for record (1930), in: program booklet Neue Musik Berlin 1930, without pagination; Factory introductions 134f
- Sabinchen (1930), in: program booklet Neue Musik Berlin 1930, without pagination; Factory introductions 134
- We're building a city, foreword (1930), in: Schott Ed. 5424; Factory introductions 133
- Martinslied op.45,5, preface (1931), in: Schott Ed. 1570; Factory introductions 135f
- Plöner Musiktag, foreword (1932), in: Schott Ed. 1626; Factory introductions 136f.
- Symphony “Mathis the Painter” (1934), introductions 137–139
- Mathis der Maler, in: Neue Zürcher Zeitung, May 29, 1938, supplement The Weekend; Introductions 139–141
- Mathis der Maler (1938), Introductions 141–143
- Mathis der Maler, in: Program for the premiere of the opera Mathis der Maler, May 28, 1938 Zurich; Introductions 144–146
- Orchestral suite Nobilissima Visione (1939), introductions to the work 146f
- Herodiade, foreword (1944), in: Schott Ed. 4115; Introductions 147–150
- Das Marienleben, introduction to the new version, in: Schott Ed. 2026; Factory introductions 150–175
- Where Lilacs Last in the Door-yard Bloom'd (1948), Factory Introductions 175
- Foreword to W. Apel, French Secular Music of the Late Four-teenth Century, Cambridge 1950; Factory introductions 176f
- Preface to H. Hock, A Life with the Violin. Memories of the heyday of musical life in Frankfurt am Main, Ffm. 1950; Factory introductions 177f.
- Concerto for Clarinet and Orchestra (1950), Introductions 178
- Symphony "The Harmony of the World" (1952), introductions 179
- Symphonic music for wind instruments (1952), introductions 179–181
- Cantique de l'Esperance (1953), Introductions 182
- Ite, angeli veloces (1955), introductions to the works 183f
- About Debussy (1955?), AVR 290
- Exercises for violinists, foreword (1957), in: Schott Ed. 4687; Factory introductions 184f
- P. d'Attaignant, Suite of French Dances, foreword (1958), in: Schott Ed. 4983; Introductions 185–187
- Madrigals, foreword (1958), in: Schott Ed. 5410; Introductions 187–189
- Pittsburgh Symphony (1959), Introductions 189–192
- [About Gesualdo] (1959), Introductions 192–194
- G. Gabrieli, Symphoniae Sacrae (1959/60), Introductions 194–207
- The Long Christmas Supper (1961), Introductions 207f.
Essays
- On mechanical music, in: program booklet Baden-Baden 1927, 51–55; AVR 19-24
- About music criticism, in: Melos 8, 1929, 106-108; AVR 37-41
- Demands on the layperson, in: Musik und Gesellschaft 1, 1930, 8-10; AVR 42-44
- Composition and composition lessons (1933/1935), AVR 47–115
- [New Music and Audience] (1935?), AVR 116–119
- Methods of Music Theory (1943), AVR 177-186; engl, as Methods of Music Theory, in: Musical Quarterly 1944, 20–28
- Report on my trip through Germany (April 1949), AVR 210–221
- Composition in Today's Germany (June 1949), AVR 222–236
Lectures
- What should the ideal choral setting of the present or, better, of the near future be? (Oct. 18, 1927, Berlin), AVR 25-28
- Admonition to Young People to Engage in Music (April 26, 1937, New York), AVR 120–124
- About the Viola d'amore (May 20, 1937, Cremona), AVR 125–130
- Reflections on Today's Music I / II (April 8/15, 1940, New Haven), AVR 131–176
- [Lecture Chicago Univ.] (Dec. 1941)
- [About Biber Sonatas] (February 15, 1942)
- Music and Musicians in Old and New Times (Feb. 14, 1944, Chicago), AVR 187–202
- Old and New Problems of Music Theory (March 3, 1947, Cleveland)
- Contemporary Techniques in the Conjctural Opinion of a Musician of the Future (March 3, 1947, Cleveland)
- Problems of a Today's Composer (Oct. 29, 1948, Vienna), AVR 203–206
- About musical instruction (October 30, 1948, Vienna), AVR 207–209
- Musical Life in the USA (Jan. 23, 1949, Zurich)
- Ethos (Jan. 28, 1949, Munich)
- Living music history (February 2, 1949, Munich)
- Lecture on the "Craft Of Musical Composition" (1940s)
- Music Theory (Feb. 8, 1950, Boston), AVR 237-252
- Johann Sebastian Bach. An obligatory legacy (September 12, 1950, Hamburg), Ffm. 1953; AVR 253-270
- Introduction to "Performers" as a Lecture (March 1, 1951, Urbana)
- Music education, why, how and for what purpose (Aug. 21, 1952, Salzburg), AVR 271–282
- [Address at the opening of the Niederrheinische Musikfest in Wuppertal] (June 4, 1955, Wuppertal), AVR 283–285
- Commemorative remarks for Wilhelm Furtwängler (June 18, 1955, Bonn), AVR 286–285
- [Address on the receipt of the Sibelius Prize] (October 9, 1955, Helsinki), AVR 291f.
- Listening to and Understanding Unknown Music (December 15, 1955, Zurich), AVR 293–309
- [Address to receive the Balzan Prize] (May 11, 1963, Rome), AVR 310-313
- Dying Waters (June 28, 1963, Bonn), AVR 314–336
Complete edition
- Series I. Stage works
- Volume I, 1: Women's Killer Hope, PHA 101 (1979)
- Volume I, 2: Das Nusch-Nuschi, PHA 102 (2002)
- Volume I, 3: Sancta Susanna, PHA 103 (1975)
- Volume I, 4: Cardillac (original), PHA 104 (1979-80)
- Volume I, 5: Cardillac (Revised), PHA 105
- Volume I, 6: Scenic attempts, PHA 106 (1982)
- Volume I, 7: News from the day (original), PHA 107 (2003)
- Volume I, 8: News from the day, new version (Revised), PHA 108
- Volume I, 9: Mathis der Maler, PHA 109 (2017–18)
- Volume I, 10: The Harmony of the World, PHA 110
- Volume I, 11: The Long Christmas Dinner / The Long Christmas Dinner, PHA 111 (1986)
- Volume I, 12: Ballets I, PHA 112 (2016)
- Volume I, 13: Ballets II, PHA 113 (2015)
- Volume I, 14: Ballets III, PHA 114
- Series II. Orchestral Works
- Volume II, 1: Orchestral works: 1916–30, PHA 201 (1987)
- Volume II, 2: Orchestral works: 1932–34, PHA 202 (1991)
- Volume II, 3: Symphonic Dances (1937), PHA 203 (1980)
- Volume II, 4: Orchestral works: 1940–43, PHA 204 (1988)
- Volume II, 5: Orchestral works: 1943–46, PHA 205 (2012)
- Volume II, 6: Orchestral works: 1949–51, PHA 206 (2015)
- Volume II, 7: Orchestral works: 1958–60, PHA 207 (1984)
- Volume II, 8: Works for wind orchestra, PHA 208
- Volume II, 9: Arrangements, PHA 209 (2017)
- Series III. Solo concerts
- Volume III, 1: Piano Concertos, PHA 301
- Volume III, 2: Concerto for Organ and Orchestra (1962-63), PHA 302
- Volume III, 3: Violin Concerto / Concert Music, Op.48, PHA 303 (1994)
- Volume III, 4: Viola Concerts, PHA 304 (1997)
- Volume III, 5: Concerto in E flat major for violoncello and orchestra op.3 (1915/16), PHA 305 (1977)
- Volume III, 6: Concerto for violoncello and orchestra (1940), PHA 306 (1984)
- Volume III, 7: Wind Concertos I, PHA 307 (1983)
- Volume III, 8: Wind Concertos II, PHA 308 (1977)
- Series IV. Chamber music in concert
- Volume IV, 1: Concertante Chamber Music I, PHA 401 (2007)
- Volume IV, 2: Concertante Chamber Music II, PHA 402 (2007)
- Volume IV, 3: Concertante Chamber Music III, PHA 403 (2009)
- Series V. Chamber Music
- Volume V, 1: Wind Chamber Music I, PHA 501 (2001)
- Volume V, 2: Wind Chamber Music II, PHA 502
- Volume V, 3: Wind Chamber Music III, PHA 503 (2013)
- Volume V, 3: Wind Chamber Music III, (solo parts), PHA 503–1 (2013)
- Volume V, 4-I: Chamber String Music I, PHA 504-10 (2011)
- Volume V, 4-II: Chamber String Music I, PHA 504–20 (2013)
- Volume V, 5: String Chamber Music II, PHA 505 (1993)
- Volume V, 5–1: String Chamber Music II, (Supplement), PHA 505–1 (2014)
- Volume V, 6: Chamber String Music III, PHA 506 (1976)
- Volume V, 6: String Chamber Music III, (solo parts), PHA 506–1 (1976)
- Volume V, 7: Chamber String Music IV, PHA 507 (1992)
- Volume V, 7: String Chamber Music IV, (solo parts), PHA 507–1 (1992)
- Volume V, 8: Organ and Harp Works, PHA 508
- Volume V, 9: Piano Music I, PHA 509 (1990)
- Volume V, 9: Piano Music I, (Piano Sonata, Op.17, reconstructed version), PHA 509–1 (1990)
- Volume V, 10: Piano Music II, PHA 510 (1981)
- Series VI. Songs
- Volume VI, 1: Piano Songs I, PHA 601 (1983)
- Volume VI, 2: Piano Songs II, PHA 602
- Volume VI, 3: Piano Songs III, PHA 603 (1999)
- Volume VI, 4: Solo chants with instruments, PHA 604 (1994)
- Volume VI, 5: Solo chants with orchestra, PHA 605 (1983)
- Series VII. Choral Works
- Volume VII, 1: Oratorio "The Incessant" (1931), PHA 701 (1996)
- Volume VII, 2: When Lilacs Last in the Door-Yard Bloom'd (1946), PHA 702 (1986)
- Volume VII, 3: Cantata “Ite Angelo Veloces” (1953–55), PHA 703
- Volume VII, 4: (Various choral works), PHA 704
- Volume VII, 5: Choral works a cappella, PHA 705 (1989)
- Series VIII. Singing and playing music, practice pieces, etudes
- Volume VIII, 1: Singing and playing music I, PHA 801 (2000)
- Volume VIII, 2: Singing and playing music II, PHA 802 (2008)
- Volume VIII, 3: Singing and playing music III, PHA 803 (2009)
- Series IX. Varia
- Volume IX, 1: Occasional Compositions (Vowel), PHA 901
- Volume IX, 2: Occasional Canons, PHA 902
- Volume IX, 3: Film Music, PHA 903
- Volume IX, 4: Trautonium Compositions, PHA 904
- Volume IX, 5: Parodies, Joke Pieces, PHA 905
- Volume IX, 6: Working in composition lessons with classes, PHA 906
- Volume IX, 7: Arrangements, Cadenzas, PHA 907
- Series X. Mechanical music / music on phonograms
- Volume X, 1: Edition as CD, PHA 1000