Martin Schüttler

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Martin Schüttler (* 1974 in Kassel ) is a German composer.

biography

Martin Schüttler studied composition with Nicolaus A. Huber and Ludger Brümmer at the Folkwang Hochschule in Essen. Between 2000 and 2004 he was a guest artist at the ZKM in Karlsruhe. From 2001 to 2013 he taught theory and composition at the Frankfurt University of Music and Performing Arts and from 2004 to 2013 music theory at the Philipps University of Marburg . In 2004 he attended a guest seminar on music in an intermedia context at the Berlin-Weißensee School of Art . In 2005 he was co-initiator of the platform for current music stock11 . Together with Mark Lorenz Kysela, Schüttler founded the laptop formation taste in 2006, with which he has since appeared regularly as a performer. In 2007, to accompany Documenta 12 , he organized the stands' n strikes event series for acoustic art in Kassel. In 2009 the CD Pelze und Restposten with music by Martin Schüttler was published in the Contemporary Music edition of the German Music Council. In 2012 and 2014 he was invited to teach composition at the Darmstadt Summer Courses . In spring 2014 Schüttler received a Villa Serpentara scholarship from the Berlin Academy of the Arts. Since the winter semester 2014/15 he has been Professor of Composition at the State University for Music and Performing Arts Stuttgart .

Schüttler's music was performed by interpreters and ensembles, including the Trio Accanto, the Ensemble Modern, Asamisimasa, the MusikFabrik, the SWR Vokalensemble, the Nadar Ensemble and the RSO Frankfurt. In addition, there is a cooperation with younger musicians and performers. His work includes pieces for solo and chamber music ensembles, for choir, orchestra and live electronics, as well as the production of tape music, sound installations, media art, theater, film and dance music.

Schüttler was awarded the Kranichstein Composition Prize of the Darmstadt Summer Course in 2002 for his work. He has received commissions for the Takefu Festival (Japan), the Darmstadt Summer Courses, the Donaueschinger Days for New Music , the Eclat Festival , the Tanztheater International Hannover , the Hessischer Rundfunk and the German Music Council. He realized theater and dance productions at the Kaai Theater in Brussels, at the State Theater in Stuttgart and at the Theater Mohammed V Rabbat / Morocco. Music by Martin Schüttler and interviews were broadcast on HR, SWR, WDR, Radio Suisse Romande and Deutschlandfunk. Martin Schüttler lives in Stuttgart and Berlin.

Works

Music for orchestra

  • Wald for orchestra and tapes - World premiere in Frankfurt 2011; 12 '
  • conglom-o-mat for large orchestra and live electronics - UA Darmstadt 2004; 23 '
  • devastated for large orchestra and tapes - 2001; 26 '

Music for choir

  • MEUTEN (imitation) - for large choir and live electronics [1 player] - WP Stuttgart 2014; 16 '
  • When I cut out the tongue - for 12-part soloist choir and feeds - 1999/2000; 14 '

Music for ensemble

  • Absolut Return + ALPHA for ensemble [tr., Pos., Schl., Vl., Va., Vc., Keyb.] And live electronics - UA Donaueschingen 2015; 20 '
  • Selbstversuch, die Andern for amplified ensemble [Sopr., Kbkl., Git., Vc., Schl., Keyb., Klav.], Feedback and Live Electronics - World Premiere Cologne 2013; 13 '
  • Gier for oboe, percussion, piano, double bass and live electronics [1 player] - also versions with clarinet (Eb) and / or violoncello - premier Berlin 2011; 11 '
  • linked trips for tw. reinforced ensemble [Fl., Kl., E-Git., Schl., Vlc., Sopr.] - WP Aachen 2001; 14 '

Chamber music

  • xerox for saxophone, piano and percussion - premier Zurich 2017 ( Trio Accanto ); 9 '
  • Dieter Sanchez for guitar, cello, feedback systems and live electronics - WP Wiesbaden 2013; 6 '
  • Your penis , study for cello, drums and feedback systems - also version for cello solo or guitar solo - premiered in Chemnitz 2012; 6 '
  • Immediate proceeds for oboe, cello, piano, plexiglass, pistols & three TV sets - premier Berlin 2010; 15 '
  • taped & low-bit for countertenor and synthesizer - UA Stuttgart 2003; 9 '
  • clinique for piccolo and accordion - WP Biel 2002; 17 '

Music for soloists

  • nicer living 8 (“Bravo, Untam!” - DS) for accordion and electronics - in progress - premiere 2016
  • nicer living 9 (Turing machine) - for conductors with a microphone, click-tracks, monitors and feeds - premiere 2016; 13 '
  • Index [St. Peter] - for organ, imitations, feeds, room markings and handouts - WP Cologne 2014; 17 '
  • nicer living 7 - “Outwardly on the dam, but screwed up inside.” - DFW for saxophone with foot keyboard, headphones, amplification and feeds - UA Hamburg 2011; Duration 12 '
  • nicer living 6 (Armstrong circuit) for feedback cello with transducer, amplification and feed - UA Hamburg 2011; 13 '
  • Learning to switch , very easy piece for piano with keyboard - World premiere in Hanover 2010; 3 '
  • Not pretty, but clean , easy piece for piano with keyboard - premiered in Hannover 2010; 5 '
  • On the occasion - intended for use for solo piano - Premiere Frankfurt 2009; 5 '(joint composition with Hannes Seidl )
  • nicer living 3 ("Girl You Know It's True" - MV) for flute with neon tube, reinforcements and feed - WP Berlin 2009; 12 '
  • nicer living 4 (sumo DD) for harp with reinforcements, feeds and TV set - premier Amsterdam 2008; 9 '
  • nicer living 1 (music for KC) for countertenor with e-piano, megaphone, reinforcements, feeds, mask and pistol - UA La Chaux-de-Fonds 2008; 11 '
  • nicer living 5 (“Understanding nothing is better than nothing.” - MK) for prepared viola with reinforcements and playback. - Premiere Berlin 2008; 9 '
  • beautiful living 2 (Monument for TH) (2006) for piano and live electronics - premiere Frankfurt 2007; 10 '
  • venus_5 for piano and live electronics - UA Karlsruhe 2002; 17 '
  • Augenbildermusik for accordion with drums, tape and light - UA Essen 1999; 11 '

Fixed media

  • erased composer for 2-channel electronics - WP 2015, CD 2015
  • Vacancy. A radiophonic audio piece. - original broadcast hr2-kultur 2010; 34 '
  • Compassion is the scourge of mankind, Sheriff. for 4-channel electronics and ghetto blaster - UA Limburg 2008; 7 '
  • Cocaine for 1-channel electronics - UA Donaueschingen 2007; 2 '
  • Marion for 3-channel electronics with acoustic room markings - UA Frankfurt 2007; 11 '
  • samba transit for 2-channel electronics - (only for CD production); 1'
  • Pink Fantasy Island for 4-channel electronics - UA Essen 2000; 16 '

Stage work

  • We are free - modular music theater for any number of performers - UA Berlin 2013; variable duration [approx. 15 - 75 ']
  • play * - an acousmatic reading for 14 loudspeakers, neon tubes and radios. Text: Mara Genschel - WP Hildesheim 2011; 60 '
  • Incidental music for Ulysses by James Joyce for 4-channel live electronics. - WP Stuttgart 2007; 30 '
  • Music to souvenir - dance performance by Christina Ciupke for 4-channel live electronics. - UA Hanover 2004; 45 '
  • Theater music for The Night Shortly Before the Woods by BM Koltés (2003) - Premiere Berlin 2003; 60 '

Web links

Individual evidence

  1. ^ Ensemble Modern Medien
personal data
SURNAME Schüttler, Martin
BRIEF DESCRIPTION German composer
DATE OF BIRTH 1974
PLACE OF BIRTH kassel