The main organ of Engelberg Monastery is the largest organ in Switzerland .
The organ goes back to an instrument by Friedrich Goll from the years 1876/77 and is located in the collegiate church of the Benedictine monastery Engelberg in Engelberg . After extensions, the instrument now has 137 stops on four manuals and pedal . It should not be confused with the smaller choir organ from 1902 with 26 registers in the same church .
Friedrich Goll created a new organ for the monastery church as opus 12 with 50 stops on three manuals and pedal. It featured cone shops with bar handles and a swell .
The instrument has undergone several modifications. Organ builders Goll & Cie expanded the instrument to 134 registers between 1924 and 1926, installed a new console and installed a pneumatic tube system . The contract originally provided for 121 registers . A principal 8 'was added later.
From 1992 to 1993 a restoration was carried out by Orgelbau Graf AG. The instrument received a new console with a composer system and two new pedal registers. Today the organ has 137 registers with a total of 9097 organ pipes . The largest pipe measures 9.06 meters, the smallest has a length of 5 mm.
The instrument has numerous swell boxes that are staggered and enable orchestral, stepless dynamics. With the exception of the main work and the large pedal, all works are swellable, part of the upper work even two-fold and two stops three-fold. Six swell steps control the pneumatic coupling. The registers 50, 51 and 52 are built as penetrating tongues . The keyboards and stops are electric.
Disposition since 1993
I main work C – c 4
1.
Major principal
16 ′
2.
Gross Bourdon
16 ′
3.
Principal
8th'
4th
Solo principal
8th'
5.
Flute Principal
8th'
6th
Tibia
8th'
7th
flute
8th'
8th.
Flauto dolce
8th'
9.
Gemshorn
8th'
10.
Bourdon
8th'
11.
Gamba
8th'
12.
Dolce
8th'
13.
Cornett V
8th'
14th
Major fifth
5 1 ⁄ 3 ′
15th
Prestant
4 ′
16.
Gemsoctave
4 ′
17th
Hollow flute
4 ′
18th
Dolciato
4 ′
19th
Major third
3 1 ⁄ 5 ′
20th
Fifth
2 2 ⁄ 3 ′
21st
Mixture IV-V
2 2 ⁄ 3 ′
22nd
Major seventh
2 2 ⁄ 7 ′
23.
Super octave
2 ′
24.
Flautino
2 ′
Sharp V (from 23, 26, 27, 28)
2 ′
Cymbel III (from 24, 27, 28)
2 ′
25th
Major ninth
1 7 ⁄ 9 ′
26th
third
1 3 ⁄ 5 ′
27.
Super-fifth
1 1 ⁄ 3 ′
28.
Sif flute
1'
29
Bombard
16 ′
30th
Trumpet
8th'
31.
Clairon
4 ′
II Echowerk C – c 4
32.
Gross Salicional
16 ′
33.
Large-covered
16 ′
34.
Lovely principal
8th'
35.
Suavial
8th'
36.
Flauto amoroso
8th'
37.
Pointed flute
8th'
38.
Dumped
8th'
39.
viola
8th'
40.
Dulciana
8th'
41.
Unda maris
8th'
Dolce Cornett V (from 38, 44, 46, 48, 49)
8th'
42.
Small principal
4 ′
43.
Transverse flute
4 ′
44.
Reed flute
4 ′
45.
Salicet
4 ′
46.
Dolcequinte
2 2 ⁄ 3 ′
47.
Dolce mixture IV
2 2 ⁄ 3 ′
48.
Octavine
2 ′
49.
Dolce third
1 3 ⁄ 5 ′
50.
Dulcian
16 ′
51.
Physharmonica
8th'
52.
Clarinet
8th'
53.
Cromorne
8th'
54.
shawm
4 ′
Tremolo lento
Tremolo vivo
III Solo work C – c 4
55.
Lovely Gedackt
16 ′
56.
Violin principal
8th'
57.
Solo flute
8th'
58.
Viennese flute
8th'
59.
Lovely bourdon
8th'
60.
Double flute
8th'
61.
Quintatön
8th'
62.
Salicional
8th'
63.
Aeoline
8th'
64.
Vox coelestis
8th'
Solo cornet V (from 59, 65, 69, 71, 73)
8th'
String Cornet V (from 62, 68, 70, 72, 73)
8th'
65.
Smalled up
4 ′
66.
Small pointed flute
4 ′
67.
Flûte d'amour
4 ′
68.
Viole d'amour
4 ′
Harmonia aetherea III (from 68, 70, 72)
4 ′
69.
Cane fifth
2 2 ⁄ 3 ′
70.
String fifth
2 2 ⁄ 3 ′
71.
Flageolet
2 ′
72.
Soft violin
2 ′
73.
Third flute
1 3 ⁄ 5 ′
74.
Basset horn
16 ′
75.
Oboe
8th'
76.
French horn
8th'
77.
English horn
4 ′
Tremolo lento
Tremolo vivo
IV Upper structure C – c 4
78.
Cane-covered
16 ′
79.
Horn principal
8th'
80.
Fugara
8th'
81.
Night horn
8th'
82.
Flûte harmonique
8th'
83.
Flute covered
8th'
84.
Echo Bourdon
8th'
85.
cello
8th'
86.
violin
8th'
87.
Vox angelica
8th'
88
Harmonica
8th'
Echo-Cornett V (from 83, 89, 93, 95, 96)
8th'
89.
Octave
4 ′
90.
Little Fugara
4 ′
91.
Distance flute
4 ′
92.
Flûte pastoral
4 ′
93.
Nasard
2 2 ⁄ 3 ′
94.
Echo Mixture IV-V
2 2 ⁄ 3 ′
95.
Piccolo
2 ′
Larigot II (from 95, 97)
2 ′
Acuta V (from 95, 96, 97, 98, 99)
2 ′
96.
Echo third
1 3 ⁄ 5 ′
97.
Echo super-fifth
1 1 ⁄ 3 ′
98
Seventh
1 1 ⁄ 7 ′
99
None
8 ⁄ 9 ′
100.
Basson
16 ′
101.
Vox humana
8th'
102.
saxophone
8th'
103.
tuba
8th'
104.
Trompette harmonique
8th'
105.
Dulcian fifth
5 1 ⁄ 3 ′
106.
Clarino
4 ′
107.
Euphon ore
3 1 ⁄ 3 ′
Tremolo lento
Tremolo vivo
Pedal C – g 1
108.
Contraprincipal bass
32 ′
109.
Principal bass
16 ′
110.
Violon bass
16 ′
111.
Gemshorn bass
16 ′
112.
Sub bass
16 ′
Large-Covered (from 33)
16 ′
Thatched (from 78)
16 ′
113.
Covered
16 ′
Gross-Salicional (from 32)
16 ′
114.
Harmonic bass (beat)
16 ′
Cornettbass VI (from 118, 120, 121, 124, 129, 130)
Normal coupling : II / I, III / I, IV / I, I / II, III / II, IV / II, IV / III, I / P, II / P, III / P, IV / P
Super octave couplers (II, III and IV expanded to c 5 ): II / I, III / I, IV / I, II / II, III / II, IV / II, III / III, IV / III, IV / IV , II / P, III / P, IV / P
Sub-octave couplings : II / I, III / I, IV / I, III / II, IV / II, IV / III
Swell mechanism complete, swell mechanism inside, swell mechanism especially for Echo-Bourdon (84) and Vox humana (101), swell mechanism for the small pedal
literature
Norbert Hegner: The big organ in the Engelberg monastery church. Stiftsdruckerei, Engelberg 1976.
Christian Schweizer: Organs in the Nidwalden and Engelberg Region: From the 13th Century to the Present. Keller, Lucerne 1983.