Prelude and Fugue in F major BWV 856 (The Well-Tempered Clavier, Part I)

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Prelude played by Kimiko Douglass-Ishizaka
Fugue played by Kimiko Douglass-Ishizaka

Prelude and Fugue in F major , BWV 856, form a pair of works in Part 1 of the Well-Tempered Clavier , a collection of preludes and fugues for keyboard instruments by Johann Sebastian Bach .

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Prelude

This prelude is a two-part, in the character of a gigue related Invention . It was taken over without change from the piano book for Wilhelm Friedemann Bach , only the trills on the long held notes were given a double beat. The motivic descent from bar 15 from the highest to the lowest register ends in a briefly broken end. This high-spirited setting is particularly found in Bach's youthful works, for example in the fugue to the organ toccata in C major BWV 564, which Bach composed in 1708 as a 23-year-old during his Weimar period.

Gap

The three-part fugue has the rhythm and graceful character of a passepied . It resembles the last fugue ( B minor ) from the second part, but is worked through more strictly than that. As with the fugue themes in C major and E major , the theme transitions imperceptibly into counterpoint . The 72 38 bars are divided into two equally long parts of 36 bars and have exactly the same length as the 18 128 bars of the prelude. The second part of the fugue begins with an organ point on A and, in bars 36–40 and 46–48 , brings about narrow passages that one looks for in vain in the B minor fugue of the second part. The final increase can be heard from measure 56, with ascending eighth-note scales in the bass and in the two upper voices as well as a closing hemiole .

literature

Web links

Individual evidence

  1. Hermann Keller : The Well-Tempered Clavier I and II . Cotta, Stuttgart 1948, p. 75.
  2. Hermann Keller: The Well-Tempered Clavier I and II . Cotta, Stuttgart 1948, p. 77.