Dary John Mizelle: Difference between revisions
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{{short description|American composer}} |
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'''Dary John Mizelle''' (born June 14, 1940 in [[Stillwater, Oklahoma|Stillwater]], [[Oklahoma]]) is an American [[composer]] of [[avant-garde]] classical and [[jazz]] music. |
'''Dary John Mizelle''' (born June 14, 1940 in [[Stillwater, Oklahoma|Stillwater]], [[Oklahoma]]) is an American [[composer]] of [[avant-garde]] classical and [[jazz]] music. |
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==Life and career== |
==Life and career== |
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Mizelle studied [[trombone]] (B.A. [[California State University, Sacramento]]) as well as [[musical composition|composition]] (M.A. [[University of California, Davis]], Ph.D. [[University of California, San Diego]]) and while at U.C. Davis participated in the New Music Ensemble (a pioneering free improvisation group that dispensed with scores). He was an original member of the group that founded [[ |
Mizelle studied [[trombone]] (B.A. [[California State University, Sacramento]]) as well as [[musical composition|composition]] (M.A. [[University of California, Davis]], Ph.D. [[University of California, San Diego]]) and while at U.C. Davis participated in the New Music Ensemble (a pioneering free improvisation group that dispensed with scores). He was an original member of the group that founded [[Source: Music of the Avant Garde]] magazine. His mentors include: [[Larry Austin]], Richard Swift, Jerome Rosen, [[Karlheinz Stockhausen]], [[David Tudor]], [[Roger Reynolds]], [[Robert Erickson]], [[Pauline Oliveros]], and [[Kenneth Gaburo]].<ref>{{cite web|url=http://furiousartisans.com/artists/soundscape-dary-john-mizelle-2| title=Dary John Mizelle: Soundscape | date=29 March 2019 }}</ref> |
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His music involves mastery of instrumental, electronic and vocal resources as well as his own performance on several different instruments and voice. He works in many different genres and media. His SPANDA project consists of thirteen days of music with a coherent macrostructure, which includes music theater, opera, orchestra works, choral works, electronic music, chamber music, solo instrumental and vocal music as well as combinations and integrations of all these. A prolific composer with works in all media, he has over 450 compositions and 40 jazz tunes. He refers to his music as "multidimensional" in scope and practices his musical art in multiple tuning systems ("macrotonality") and simultaneous tonal, modal and atonal systems ("polyatonality") as well as multiple rhythmic systems (systemic polyrhythm). |
His music involves mastery of instrumental, electronic and vocal resources as well as his own performance on several different instruments and voice. He works in many different genres and media. His SPANDA project consists of thirteen days of music with a coherent macrostructure, which includes music theater, opera, orchestra works, choral works, electronic music, chamber music, solo instrumental and vocal music as well as combinations and integrations of all these. A prolific composer with works in all media, he has over 450 compositions and 40 jazz tunes. He refers to his music as "multidimensional" in scope and practices his musical art in multiple tuning systems ("macrotonality") and simultaneous tonal, modal and atonal systems ("polyatonality") as well as multiple rhythmic systems (systemic polyrhythm). |
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His electronic music uses the techniques he refers to as "microsynthesis" (mixing of very short - less than 50 millisecond - elements of different sonic energy components) and "isomorphic synthesis" (the compression of musical macrostructure to the level of waveforms) as well as more conventional techniques such as additive synthesis, granular synthesis and transformation of acoustical sounds. |
His electronic music uses the techniques he refers to as "microsynthesis" (mixing of very short - less than 50 millisecond - elements of different sonic energy components) and "isomorphic synthesis" (the compression of musical macrostructure to the level of waveforms) as well as more conventional techniques such as additive synthesis, granular synthesis and transformation of acoustical sounds. |
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He has held academic appointments at [[University of South Florida]], [[Oberlin Conservatory of Music]] where he was head of the [[Technology In Music And Related Arts|Technology In Music And Related Arts (TIMARA)]] program, and [[State University of New York at Purchase]] where he was Chair of the Composition Program.<ref>{{cite web|url=http://www.mizelle.org/}}</ref> |
He has held academic appointments at [[University of South Florida]], [[Oberlin Conservatory of Music]] where he was head of the [[Technology In Music And Related Arts|Technology In Music And Related Arts (TIMARA)]] program, and [[State University of New York at Purchase]] where he was Chair of the Composition Program.<ref>{{cite web |url=http://www.mizelle.org/ |url-status=dead |archiveurl=https://web.archive.org/web/20070311040145/http://www.mizelle.org/ |archivedate=2007-03-11 }}</ref> |
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He makes his home in Westchester County, New York since 1979. |
He makes his home in [[Westchester County, New York]] since 1979. |
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==List of works== |
==List of works== |
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*''Transforms: Collected Works of Dary John Mizelle Vol. 2''. performed by Laurie Hudicek. Furious Artisans. Featuring: |
*''Transforms: Collected Works of Dary John Mizelle Vol. 2''. performed by Laurie Hudicek. Furious Artisans. Featuring: |
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#''Transforms for Piano (14 of 34)'' |
#''Transforms for Piano (14 of 34)'' |
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* ''The Music of Dary John Mizelle'' (2021). [[Other Minds (organization)|Other Minds]] Records OM 2031. |
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==Further reading== |
==Further reading== |
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==External links== |
==External links== |
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* [http://www.mizelle.org/ Dary John Mizelle homepage] |
* [https://web.archive.org/web/20070311040145/http://www.mizelle.org/ Dary John Mizelle homepage] |
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{{Authority control}} |
{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Mizelle |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = American composer |
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| DATE OF BIRTH = June 14, 1940 |
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| PLACE OF BIRTH = |
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| DATE OF DEATH = |
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| PLACE OF DEATH = |
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}} |
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{{DEFAULTSORT:Mizelle, Dary John}} |
{{DEFAULTSORT:Mizelle, Dary John}} |
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[[Category:1940 births]] |
[[Category:1940 births]] |
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[[Category:Pupils of Karlheinz Stockhausen]] |
[[Category:Pupils of Karlheinz Stockhausen]] |
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[[Category:American jazz composers]] |
[[Category:American jazz composers]] |
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[[Category:American male jazz composers]] |
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[[Category:California State University, Sacramento alumni]] |
[[Category:California State University, Sacramento alumni]] |
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[[Category:University of California, Davis alumni]] |
[[Category:University of California, Davis alumni]] |
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[[Category:Musicians from Oklahoma]] |
[[Category:Musicians from Oklahoma]] |
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[[Category:21st-century classical composers]] |
[[Category:21st-century classical composers]] |
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[[Category: |
[[Category:21st-century American composers]] |
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[[Category: |
[[Category:20th-century American composers]] |
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[[Category:Jazz musicians from New York (state)]] |
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[[Category:Jazz musicians from Oklahoma]] |
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[[Category:Classical musicians from New York (state)]] |
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[[Category:20th-century American male musicians]] |
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[[Category:21st-century American male musicians]] |
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[[Category:20th-century jazz composers]] |
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[[Category:21st-century jazz composers]] |
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{{US-composer-20thC-stub}} |
{{US-composer-20thC-stub}} |
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{{Oklahoma-stub}} |
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Revision as of 22:59, 22 February 2024
Dary John Mizelle (born June 14, 1940 in Stillwater, Oklahoma) is an American composer of avant-garde classical and jazz music.
Life and career
Mizelle studied trombone (B.A. California State University, Sacramento) as well as composition (M.A. University of California, Davis, Ph.D. University of California, San Diego) and while at U.C. Davis participated in the New Music Ensemble (a pioneering free improvisation group that dispensed with scores). He was an original member of the group that founded Source: Music of the Avant Garde magazine. His mentors include: Larry Austin, Richard Swift, Jerome Rosen, Karlheinz Stockhausen, David Tudor, Roger Reynolds, Robert Erickson, Pauline Oliveros, and Kenneth Gaburo.[1]
His music involves mastery of instrumental, electronic and vocal resources as well as his own performance on several different instruments and voice. He works in many different genres and media. His SPANDA project consists of thirteen days of music with a coherent macrostructure, which includes music theater, opera, orchestra works, choral works, electronic music, chamber music, solo instrumental and vocal music as well as combinations and integrations of all these. A prolific composer with works in all media, he has over 450 compositions and 40 jazz tunes. He refers to his music as "multidimensional" in scope and practices his musical art in multiple tuning systems ("macrotonality") and simultaneous tonal, modal and atonal systems ("polyatonality") as well as multiple rhythmic systems (systemic polyrhythm).
His electronic music uses the techniques he refers to as "microsynthesis" (mixing of very short - less than 50 millisecond - elements of different sonic energy components) and "isomorphic synthesis" (the compression of musical macrostructure to the level of waveforms) as well as more conventional techniques such as additive synthesis, granular synthesis and transformation of acoustical sounds.
He has held academic appointments at University of South Florida, Oberlin Conservatory of Music where he was head of the Technology In Music And Related Arts (TIMARA) program, and State University of New York at Purchase where he was Chair of the Composition Program.[2]
He makes his home in Westchester County, New York since 1979.
List of works
Piano Music
- Variations on a Tone Row (1963)
- Piano Opus (1966)
- In Memoriam Igor Stravinsky (1971)
- TRANSFORMS for piano (1975–79)
- Three Easy Pieces (1980–93)
- I Was Standing Quite Close to Process (1991-2)
- Autumnal Equinox (1998)
- ZNV (1998)
- Kitamidorigaoka (1999)
- Zach’s New Blues (2001)
- Fingers on Keys-New Music for Piano Students (2003)
- On Gaku (2005)
- Piano Concerto Number One—Winterscape
- Piano Concerto Number Two—Consciousness
- Fantasy I (2011)
- Fantasy II (2012)
- Sonatas I-IX (1964-2012)
Discography
- Soundscape: Collected Works of Dary John Mizelle Vol. 1 (2000). Furious Artisans FACD6801. Featuring:
- Metalsong II
- Soundscape
- Pi/Grace
- Samadhi
- Transmutations and metamorphosis (2004). Equilibrium EQ67. Featuring:
- Transmutations and metamorphoses
- Nataraja Records (2006). Featuring:
- SPANDA Symphonies of Sound IV : I Was Standing Quite Close to Process
- Transforms: Collected Works of Dary John Mizelle Vol. 2. performed by Laurie Hudicek. Furious Artisans. Featuring:
- Transforms for Piano (14 of 34)
- The Music of Dary John Mizelle (2021). Other Minds Records OM 2031.
Further reading
Kyle Gann. “Calm Within Chaos” (Dary John Mizelle, Robert Ashley). Village Voice. November 22, 1988 (Vol. XXXIII No. 47, p. 86).
References
- ^ "Dary John Mizelle: Soundscape". 29 March 2019.
- ^ https://web.archive.org/web/20070311040145/http://www.mizelle.org/. Archived from the original on 2007-03-11.
{{cite web}}: Missing or empty|title=(help)
External links
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 | This article about an American composer born in the 20th century is a stub. You can help Wikipedia by expanding it. |
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- 1940 births
- 20th-century classical composers
- American male classical composers
- American classical composers
- Living people
- Pupils of Robert Erickson
- Pupils of Karlheinz Stockhausen
- American jazz composers
- American male jazz composers
- California State University, Sacramento alumni
- University of California, Davis alumni
- University of California, San Diego alumni
- University of South Florida faculty
- Oberlin Conservatory of Music faculty
- State University of New York at Purchase faculty
- People from Stillwater, Oklahoma
- Musicians from Oklahoma
- 21st-century classical composers
- 21st-century American composers
- 20th-century American composers
- Jazz musicians from New York (state)
- Jazz musicians from Oklahoma
- Classical musicians from New York (state)
- 20th-century American male musicians
- 21st-century American male musicians
- 20th-century jazz composers
- 21st-century jazz composers
- American composer, 20th-century birth stubs
- Oklahoma stubs