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{{short description|15th-century Roman Catholic bishop}}
'''Pietro Ranzano''' (1428-1492) was a [[Dominican]] friar, historian, humanist and scholar who is most well known for his work, ''De acutore, primordiis et progressu urbis Panormi'', a history of the [[city]] of [[Palermo]] from its beginnings up until the contemporary period in which Ranzano was writing.<ref>Morso, Salvatore. Descrizione di Palermo antico. Ricavata sugli autori sincroni e i monumenti de’ tempi.
{{Infobox Christian leader
| type = Bishop
| honorific-prefix = Most Reverend
| name = Pietro Ranzano
| title = Bishop of Lucera
| native_name =
| image = Epitome rerum Hungaricarum - Petrus Ransanus itáliai humanista Mátyás és Beatrix előtt.jpg
| image_size =
| alt =
| caption = Italian humanist, Pietro Ranzano before King [[Matthias Corvinus]] of Hungary and Queen [[Beatrice of Naples|Beatrice]] ([[Epitome rerum Hungarorum]], 1490)
| church = [[Catholic Church]]
| archdiocese =
| diocese =
| see =
| term = 1476–1492
| predecessor = [[Ladislao Dentice]]
| successor = [[Giambattista Contestabili]]
<!-- Orders -->| ordination =
| ordained_by =
| consecration =
| consecrated_by =
| cardinal =
| created_cardinal_by =
| rank = <!-- Personal details -->
| birth_date =
| birth_place =
| death_date =
| death_place =
| previous_post =
}}

'''Pietro Ranzano''' ([[Palermo]], 1428–[[Lucera]], 1492) was an Italian [[Dominican Order|Dominican]] friar, bishop, historian, [[Renaissance Humanism|humanist]] and scholar who is best known for his work, '' De primordiis et progressu felicis Urbis Panormi'', a history of the [[city]] of [[Palermo]] from its beginnings up until the contemporary period in which Ranzano was writing.<ref>Morso, Salvatore. Descrizione di Palermo antico. Ricavata sugli autori sincroni e i monumenti de’ tempi.
Palermo: Lorenzo Dato, 1827.
Palermo: Lorenzo Dato, 1827.
</ref> The composition is influenced to some extent by humanistic conceptions of historical research, offers glimpses into the world view of a [[Sicilian]] intellectual of the [[Renaissance]] period on [[Jews]] and [[Jewish]] culture, as well as Sicily’s past.
</ref> The composition is influenced to some extent by humanistic conceptions of historical research, offers glimpses into the world view of a [[Sicily|Sicilian]] intellectual of the [[Renaissance]] period on [[Jews]] and [[Jewish]] culture, as well as Sicily’s past.


==Ranzano and his Works==
==Ranzano and his Works==
Ranzano would study [[Latin]] at the school of humanist Antonio Cassarino, who at the time was a teacher of young children (magister scholae parvulorum) in Palermo.<ref>Figliuolo, Bruno. La cultura a Napoli nel secondo Quattrocento. Ritratti di protagonisti. Udine: Forum,
Ranzano would study [[Latin]] at the school of humanist Antonio Cassarino, who at the time was a teacher of young children (magister scholae parvulorum) in Palermo.<ref>Figliuolo, Bruno. La cultura a Napoli nel secondo Quattrocento. Ritratti di protagonisti. Udine: Forum,
1997.
1997.
</ref> Like other scholars of his era, he would study at various institutions which were headed by various masters such as Pietro Arentino in Florence, Tommaso Pontano in Perguia, and Vitaliano Borromeo and Pietro Candido Decembro in Milan and Pavia.<ref>Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.</ref> Ranzano would go on to join the Dominican Order at the age of sixteen and by the time he was twenty-eight, he had become Provincial of the Dominicans in Sicily. Around the year [[1464]], Ranzano would be appointed [[papal nuncio]] in the kingdom of Sicily and he would be entrusted with the organization of the [[crusade]] against the [[Turks]] in conjunction with preaching and collecting funds for the aforementioned crusade.<ref>Simonsohn, Shlomo. The Apostolic See and the Jews. 10 vols. Toronto: Pontifical Institute of Mediaeval Studies,
</ref> Like other scholars of his era, he would study at various institutions which were headed by various masters such as Pietro Aretino in Florence, Tommaso Pontano in Perguia, and Vitaliano Borromeo and Pietro Candido Decembro in Milan and Pavia.<ref>Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." ''[[Mediterranean Historical Review]]''. 21 (2): 159-91., 160.</ref> Ranzano would go on to join the Dominican Order at the age of sixteen and by the time he was twenty-eight, he had become Provincial of the Dominicans in Sicily. Around the year 1464, Ranzano would be appointed [[papal nuncio]] in the kingdom of Sicily and he would be entrusted with the organization of the [[crusade]] against the [[Ottoman Empire|Turks]] in conjunction with preaching and collecting funds for the aforementioned crusade.<ref>Simonsohn, Shlomo. The Apostolic See and the Jews. 10 vols. Toronto: Pontifical Institute of Mediaeval Studies,
1990.
1990.
</ref> While in Palermo, Ranzano taught at the Domincan College. Ranzano’s personality and education influenced his work, creating a particular mixture of secular and religious learning that arguably can be perceived as the hallmark of Sicilian humanism.
</ref> While in Palermo, Ranzano taught at the Dominican College. Ranzano’s personality and education influenced his work, creating a particular mixture of secular and religious learning that arguably can be perceived as the hallmark of Sicilian humanism.

==History of Palermo==
==History of Palermo==
Pietro Ranzano’s works were very popular in the time in which they were written. However, his account of Palermo’s history served as a model for later Sicilian historians. The composition was written in [[first person]] and it includes various personal earmarks such as Ranzano illustrating his own ideas and spending a great deal of time on his search for ancient sources and his efforts to pursue his story by all possible means. The writing utilizes foundation legends which epitomize the way in which narratives on the origins of cities were formulated.<ref>Bietenholz, Peter Gerard. Historia and Fabula. Myths and Legends in Historical Thought from
Pietro Ranzano’s works were very popular in the time in which they were written. However, his account of Palermo’s history served as a model for later Sicilian historians. The composition was written in [[first-person narrative|first person]] and it includes various personal earmarks such as Ranzano illustrating his own ideas and spending a great deal of time on his search for ancient sources and his efforts to pursue his story by all possible means. The writing utilizes foundation legends which epitomize the way in which narratives on the origins of cities were formulated.<ref>Bietenholz, Peter Gerard. Historia and Fabula. Myths and Legends in Historical Thought from
Antiquity to the Modern Age. Leiden: Brill, 1994.
Antiquity to the Modern Age. Leiden: Brill, 1994.
</ref> Ranzano’s investigations with regards to attempting to learn of the origins of Palermo (circa quista origini di la mia patria), place him in the context of the prevailing quest in the Renaissance era for sources (ad fontes) and his quest would lead him to an inscription which he would assume to be [[Chaldean]] characters which were inscribed on a tower which stood above the Porta Patitelli in Palermo.<ref>Fazello, Tommaso. De rebus siculis decades duae. Palermo, 1560.</ref> The inscription would later be discovered to be a forgery therefore rendering Ranzano’s deduction that the city of Palermo originated from the Chaldeans as erroneous. However, the writing he composed is still important as it gives an insight as to the views held by Sicilian intellectual elite’s near the time of the expulsion of the Jews from Sicily.
</ref> Ranzano’s investigations with regards to attempting to learn of the origins of Palermo (circa quista origini di la mia patria), place him in the context of the prevailing quest in the Renaissance era for sources (ad fontes) and his quest would lead him to an inscription which he would assume to be "[[Chaldea]]n" characters which were inscribed on a tower which stood above the Porta Patitelli in Palermo.<ref>[[Tommaso Fazello|Fazello, Tommaso]]. De rebus siculis decades duae. Palermo, 1560.</ref> The inscription would later be discovered to be a forgery therefore rendering Ranzano’s deduction that the city of Palermo originated from the Chaldeans as erroneous. However, the writing he composed is still important as it gives an insight as to the views held by Sicilian intellectual elite’s near the time of the expulsion of the Jews from Sicily.

==The Dominican Friar and the Jews==
==The Dominican Friar and the Jews==
If looking at Ranzano’s writings of the Jews on the surface, one would conclude that it presents an image of positive relations between Jews and [[Christians]] in Palermo. However, looking deeper into his descriptions reveals that he perceives local Jews as holding an ancestral memory of the Chaldean inscription but not having historical evidence to back up their ‘memories’ of the past; they told Ranzano about the existence of an ancient book but they had no copy of it. In constrast, a Pisan Jew, Isaac Guglielmo, who owned the book which the local Jews where referring to and showed it to Ranzano.<ref>Zeldes, 177.</ref> Correlating with [[Augustinian]] tradition, Ranzano would perceive the Jews as custodians of the past who could corroborate the writings in the inscription.
If looking at Ranzano’s writings of the Jews on the surface, one would conclude that it presents an image of positive relations between Jews and [[Christians]] in Palermo. However, looking deeper into his descriptions reveals that he perceives local Jews as holding an ancestral memory of the Chaldean inscription but not having historical evidence to back up their ‘memories’ of the past; they told Ranzano about the existence of an ancient book but they had no copy of it. In contrast, a Pisan Jew, Isaac Guglielmo, who owned the book which the local Jews where referring to and showed it to Ranzano.<ref>Zeldes, 177.</ref> Correlating with [[Augustine of Hippo|Augustinian]] tradition, Ranzano would perceive the Jews as custodians of the past who could corroborate the writings in the inscription.

==Death and Legacy==
==Activity in Hungary==
Ranzano’s History of Palermo remains the only Sicilian historical account which takes a significant look at the Jews as well as Jewish culture. The composition offers a look at Jews and Christians with regard to cultural encounters in fifteenth-century Sicily. The story of Palermo exhibits many of the facets of the Renaissance culture of that period. In addition, the history illustrates the sophistication of an area which was at a cultural crossroads between Italy and the [[Hispanic]] world along with facing adversity with regard to various ethnic groups presence; most notably the [[Muslims]] and the Jews. Ranzano’s death in [[1492]] marks the end of an era, that being of [[multicultural]] Sicily as that year would coincide with [[expulsion of the Jews from Sicily]].
In 1488 he was sent to [[Hungary]], to the court of [[Matthias Corvinus]] as the envoy of the [[Kingdom of Naples]]. The queen, [[Beatrice of Naples]] commissioned him to write a history of Hungary. Pietro Ranzano has finished the work in a year under the title ''[[Epitome rerum Hungarorum]]''. The heroic history treated the Hungarians as the direct descendants of the [[Huns]] and the king as the second [[Attila]].<ref>{{Cite web|url=http://www.galamus.hu/index.php?option=com_content&view=article&id=41444:sovargott-joev-a-mult-tuekreben&catid=68:cssandorklara&Itemid=105|title=Galamus.hu - Galamus.hu}}</ref>

==Death and legacy==
Ranzano’s History of Palermo remains the only Sicilian historical account which takes a significant look at the Jews as well as Jewish culture. The composition offers a look at Jews and Christians with regard to cultural encounters in fifteenth-century Sicily. The story of Palermo exhibits many of the facets of the Renaissance culture of that period. In addition, the history illustrates the sophistication of an area which was at a cultural crossroads between Italy and the [[Hispanic]] world along with facing adversity with regard to various ethnic groups presence; most notably the [[Muslims]] and the Jews. Ranzano’s death in 1492 marks the end of an era, that being of [[multicultural]] Sicily as that year would coincide with [[expulsion of the Jews from Sicily]].

==References==
==References==
{{reflist}}
{{reflist}}
==See Also==
* [[Augustinian]]
* [[Chaldean]]
* [[Humanist]]
* [[Ottoman Empire]]
* [[Palermo]]
* [[Papal nuncio]]
* [[Renaissance]]


==Bibliography==
==Bibliography==
Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.
* Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.
* {{DBI |title= RANZANO, Pietro |url=https://www.treccani.it/enciclopedia/pietro-ranzano_(Dizionario-Biografico)|last= Figliuolo|first= Bruno|volume= 86}}
==Further Reading==
Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.

Birkenmajer, Alexander. Notes and Correspondence. Abbé A. Rome; Gino Loria; George Sarton; Edward Kremers; A. Pogo; Lynn Thorndike; Eduard Färber; F. M. Feldhaus Isis, Vol. 20, No. 2. (Jan., 1934), pp. 440-449.
Stable URL: http://links.jstor.org/sici?sici=0021-1753%28193401%2920%3A2%3C440%3ANAC%3E2.0.CO%3B2-2


==Further reading==
Daniels, John & Daniels, Christian. The Origin of the Sugarcane Roller Mill. Technology and Culture, Vol. 29, No. 3. (Jul., 1988), pp. 493-535. Stable URL: http://links.jstor.org/sici?sici=0040-165X%28198807%2929%3A3%3C493%3ATOOTSR%3E2.0.CO%3B2-W
* Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.
* Birkenmajer, Alexander. Notes and Correspondence. Abbé A. Rome; Gino Loria; George Sarton; Edward Kremers; A. Pogo; Lynn Thorndike; Eduard Färber; F. M. Feldhaus Isis, Vol. 20, No. 2. (Jan., 1934), pp.&nbsp;440–449. {{JSTOR|225260}}
* Daniels, John & Daniels, Christian. The Origin of the Sugarcane Roller Mill. Technology and Culture, Vol. 29, No. 3. (Jul., 1988), pp.&nbsp;493–535. {{JSTOR|3105272}}
* Reynolds, Beatrice R. Latin Historiography: A Survey, 1400-1600.Studies in the Renaissance, Vol. 2. (1955), pp.&nbsp;7–66. {{JSTOR|2856959}}
{{Authority control}}


{{s-start}}
Reynolds, Beatrice R. Latin Historiography: A Survey, 1400-1600.Studies in the Renaissance, Vol. 2. (1955), pp. 7-66.
{{s-rel|ca}}
Stable URL: http://links.jstor.org/sici?sici=0081-8658%281955%292%3C7%3ALHAS1%3E2.0.CO%3B2-1
{{succession box
| title = [[Bishop of Lucera]]
| years = 1476–1492
| before = [[Ladislao Dentice]]
| after = [[Giambattista Contestabili]]}}
{{s-end}}


{{reli-bio-stub}}
{{DEFAULTSORT:Ranzano, Pietro}}
{{DEFAULTSORT:Ranzano, Pietro}}
[[Category:1428 births]]
[[Category:1428 births]]
[[Category:1492 deaths]]
[[Category:1492 deaths]]
[[Category:Dominican friars]]
[[Category:Italian Dominicans]]
[[Category:Clergy from Palermo]]
[[Category:Historians of Sicily]]
[[Category:15th-century Italian historians]]
[[Category:Italian Renaissance humanists]]
[[Category:15th-century Italian Roman Catholic bishops]]
[[Category:Writers from Palermo]]

Latest revision as of 13:42, 4 July 2023

Most Reverend

Pietro Ranzano
Bishop of Lucera
Italian humanist, Pietro Ranzano before King Matthias Corvinus of Hungary and Queen Beatrice (Epitome rerum Hungarorum, 1490)
ChurchCatholic Church
In office1476–1492
PredecessorLadislao Dentice
SuccessorGiambattista Contestabili

Pietro Ranzano (Palermo, 1428–Lucera, 1492) was an Italian Dominican friar, bishop, historian, humanist and scholar who is best known for his work, De primordiis et progressu felicis Urbis Panormi, a history of the city of Palermo from its beginnings up until the contemporary period in which Ranzano was writing.[1] The composition is influenced to some extent by humanistic conceptions of historical research, offers glimpses into the world view of a Sicilian intellectual of the Renaissance period on Jews and Jewish culture, as well as Sicily’s past.

Ranzano and his Works[edit]

Ranzano would study Latin at the school of humanist Antonio Cassarino, who at the time was a teacher of young children (magister scholae parvulorum) in Palermo.[2] Like other scholars of his era, he would study at various institutions which were headed by various masters such as Pietro Aretino in Florence, Tommaso Pontano in Perguia, and Vitaliano Borromeo and Pietro Candido Decembro in Milan and Pavia.[3] Ranzano would go on to join the Dominican Order at the age of sixteen and by the time he was twenty-eight, he had become Provincial of the Dominicans in Sicily. Around the year 1464, Ranzano would be appointed papal nuncio in the kingdom of Sicily and he would be entrusted with the organization of the crusade against the Turks in conjunction with preaching and collecting funds for the aforementioned crusade.[4] While in Palermo, Ranzano taught at the Dominican College. Ranzano’s personality and education influenced his work, creating a particular mixture of secular and religious learning that arguably can be perceived as the hallmark of Sicilian humanism.

History of Palermo[edit]

Pietro Ranzano’s works were very popular in the time in which they were written. However, his account of Palermo’s history served as a model for later Sicilian historians. The composition was written in first person and it includes various personal earmarks such as Ranzano illustrating his own ideas and spending a great deal of time on his search for ancient sources and his efforts to pursue his story by all possible means. The writing utilizes foundation legends which epitomize the way in which narratives on the origins of cities were formulated.[5] Ranzano’s investigations with regards to attempting to learn of the origins of Palermo (circa quista origini di la mia patria), place him in the context of the prevailing quest in the Renaissance era for sources (ad fontes) and his quest would lead him to an inscription which he would assume to be "Chaldean" characters which were inscribed on a tower which stood above the Porta Patitelli in Palermo.[6] The inscription would later be discovered to be a forgery therefore rendering Ranzano’s deduction that the city of Palermo originated from the Chaldeans as erroneous. However, the writing he composed is still important as it gives an insight as to the views held by Sicilian intellectual elite’s near the time of the expulsion of the Jews from Sicily.

The Dominican Friar and the Jews[edit]

If looking at Ranzano’s writings of the Jews on the surface, one would conclude that it presents an image of positive relations between Jews and Christians in Palermo. However, looking deeper into his descriptions reveals that he perceives local Jews as holding an ancestral memory of the Chaldean inscription but not having historical evidence to back up their ‘memories’ of the past; they told Ranzano about the existence of an ancient book but they had no copy of it. In contrast, a Pisan Jew, Isaac Guglielmo, who owned the book which the local Jews where referring to and showed it to Ranzano.[7] Correlating with Augustinian tradition, Ranzano would perceive the Jews as custodians of the past who could corroborate the writings in the inscription.

Activity in Hungary[edit]

In 1488 he was sent to Hungary, to the court of Matthias Corvinus as the envoy of the Kingdom of Naples. The queen, Beatrice of Naples commissioned him to write a history of Hungary. Pietro Ranzano has finished the work in a year under the title Epitome rerum Hungarorum. The heroic history treated the Hungarians as the direct descendants of the Huns and the king as the second Attila.[8]

Death and legacy[edit]

Ranzano’s History of Palermo remains the only Sicilian historical account which takes a significant look at the Jews as well as Jewish culture. The composition offers a look at Jews and Christians with regard to cultural encounters in fifteenth-century Sicily. The story of Palermo exhibits many of the facets of the Renaissance culture of that period. In addition, the history illustrates the sophistication of an area which was at a cultural crossroads between Italy and the Hispanic world along with facing adversity with regard to various ethnic groups presence; most notably the Muslims and the Jews. Ranzano’s death in 1492 marks the end of an era, that being of multicultural Sicily as that year would coincide with expulsion of the Jews from Sicily.

References[edit]

  1. ^ Morso, Salvatore. Descrizione di Palermo antico. Ricavata sugli autori sincroni e i monumenti de’ tempi. Palermo: Lorenzo Dato, 1827.
  2. ^ Figliuolo, Bruno. La cultura a Napoli nel secondo Quattrocento. Ritratti di protagonisti. Udine: Forum, 1997.
  3. ^ Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review. 21 (2): 159-91., 160.
  4. ^ Simonsohn, Shlomo. The Apostolic See and the Jews. 10 vols. Toronto: Pontifical Institute of Mediaeval Studies, 1990.
  5. ^ Bietenholz, Peter Gerard. Historia and Fabula. Myths and Legends in Historical Thought from Antiquity to the Modern Age. Leiden: Brill, 1994.
  6. ^ Fazello, Tommaso. De rebus siculis decades duae. Palermo, 1560.
  7. ^ Zeldes, 177.
  8. ^ "Galamus.hu - Galamus.hu".

Bibliography[edit]

Further reading[edit]

  • Zeldes, Nadia. 2006. "The Last Multi-Cultural Encounter in Medieval Sicily: A Dominican Scholar, an Arabic Inscription, and a Jewish Legend." Mediterranean Historical Review 21 (2): 159-91., 160.
  • Birkenmajer, Alexander. Notes and Correspondence. Abbé A. Rome; Gino Loria; George Sarton; Edward Kremers; A. Pogo; Lynn Thorndike; Eduard Färber; F. M. Feldhaus Isis, Vol. 20, No. 2. (Jan., 1934), pp. 440–449. JSTOR 225260
  • Daniels, John & Daniels, Christian. The Origin of the Sugarcane Roller Mill. Technology and Culture, Vol. 29, No. 3. (Jul., 1988), pp. 493–535. JSTOR 3105272
  • Reynolds, Beatrice R. Latin Historiography: A Survey, 1400-1600.Studies in the Renaissance, Vol. 2. (1955), pp. 7–66. JSTOR 2856959
Catholic Church titles
Preceded by Bishop of Lucera
1476–1492
Succeeded by