South Carolina Inter-State and West Indian Exposition: Difference between revisions
RjwilmsiBot (talk | contribs) m fixing page range dashes using Project:AWB |
m sp: a area→an area |
||
| Line 9: | Line 9: | ||
In 1900, the Charleston Exposition Company was formed and began soliciting funds. There was support from the business community and the [[South Carolina General Assembly]] allocated USD$50,000, but the Charleston aristocracy felt that the fair was unseemly self-promotion. The Federal government, which had normally contributed funds, did not offer early support. There were no official exhibits from abroad.<ref name = SCE/><ref name = Harvey/><ref name = McLaughlin/> |
In 1900, the Charleston Exposition Company was formed and began soliciting funds. There was support from the business community and the [[South Carolina General Assembly]] allocated USD$50,000, but the Charleston aristocracy felt that the fair was unseemly self-promotion. The Federal government, which had normally contributed funds, did not offer early support. There were no official exhibits from abroad.<ref name = SCE/><ref name = Harvey/><ref name = McLaughlin/> |
||
Wagener, who was president of the exposition company, suggested that {{convert|250|acre|ha|abbr=on|-1}} of his property on the [[Ashley River]] be used for the fair. The company hired a New York architect, [[Bradford Gilbert|Bradford L. Gilbert]], who had been supervising architect for the Cotton States Exposition. Gilbert chose [[Architecture of the Spanish Renaissance|Spanish Renaissance style]] with the buildings painted creamy off-white. This led to is being called the "Ivory City." The grounds were divided into |
Wagener, who was president of the exposition company, suggested that {{convert|250|acre|ha|abbr=on|-1}} of his property on the [[Ashley River]] be used for the fair. The company hired a New York architect, [[Bradford Gilbert|Bradford L. Gilbert]], who had been supervising architect for the Cotton States Exposition. Gilbert chose [[Architecture of the Spanish Renaissance|Spanish Renaissance style]] with the buildings painted creamy off-white. This led to is being called the "Ivory City." The grounds were divided into an area for Nature and another for Art.<ref name = McLaughlin/> |
||
The Exposition faced many challenges. The weather was not good, some exhibits were late in opening, and there was a shortage of funds.<ref name = Tony/><ref name = SCE/><ref name = Harvey/> President [[Theodore Roosevelt]] delayed his visit from February to April. The attendance was disappointing. Only 675,000 came to the exposition.<ref name = McLaughlin/> |
The Exposition faced many challenges. The weather was not good, some exhibits were late in opening, and there was a shortage of funds.<ref name = Tony/><ref name = SCE/><ref name = Harvey/> President [[Theodore Roosevelt]] delayed his visit from February to April. The attendance was disappointing. Only 675,000 came to the exposition.<ref name = McLaughlin/> |
||
| Line 19: | Line 19: | ||
The Cotton Palace was a {{convert|320|ft|m|adj=on|0}} long building with a {{convert|75|ft|m|adj=on|0}} tall dome was the focus of the exposition. The other major buildings were the Palace of Commerce and the Palace of Agriculture. There was a Negro Department its own building. The Woman's Building was in Wagener's Lowndes Grove house. Twenty different states participated in the exposition. Pennsylvania featured the [[Liberty Bell]] in its exhibit.<ref name = McLaughlin/> |
The Cotton Palace was a {{convert|320|ft|m|adj=on|0}} long building with a {{convert|75|ft|m|adj=on|0}} tall dome was the focus of the exposition. The other major buildings were the Palace of Commerce and the Palace of Agriculture. There was a Negro Department its own building. The Woman's Building was in Wagener's Lowndes Grove house. Twenty different states participated in the exposition. Pennsylvania featured the [[Liberty Bell]] in its exhibit.<ref name = McLaughlin/> |
||
The midway had a carnival with thrill rides, a {{convert|400|ft|m|adj=on|0}} long painting of the [[Battle of Manassas]], and [[Eskimo]] village. There was a Turkish Parlor with imported cigars and a house of horrors.<ref name = McLaughlin/> As with similar expositions there were [[ |
The midway had a carnival with thrill rides, a {{convert|400|ft|m|adj=on|0}} long painting of the [[Battle of Manassas]], and [[Eskimo]] village. There was a Turkish Parlor with imported cigars and a house of horrors.<ref name = McLaughlin/> As with similar expositions there were [[souvenir]]s for sale, which included commemorative medals, pins, and other trinkets.<ref name = Tony/><ref name = Expomedals>{{cite web | last = | first = | authorlink = | coauthors = | title = 1901-1902 Charleston - South Carolina Interstate and West Indian Exposition Medals | work = | publisher = www.expomedals.com | date = | url = http://www.expomedals.com/1901-1902/ | format = | doi = | accessdate = 23 May 2009}}</ref> |
||
==References== |
==References== |
||
Revision as of 22:51, 20 February 2010
The South Carolina Inter-State and West Indian Exposition, commonly called the Charleston Exposition or the West Indian Exposition, was a regional trade exposition held in Charleston, South Carolina from December 1, 1901 to June 20, 1902.[1][2][3][4]
History
To overcome weakening trade with Latin American and the Caribbean and seeing the benefits of fairs like the Cotton States Exposition held in Atlanta in 1895, a railroad executive, J. H. Averill, advocated holding an exposition in Charleston in the News and Courier. J. C. Hemphill, the editor of the News and Courier, and Frederick C. Wagener, a German immigrant and local businessman, were two early supporters of a World's Fair in Charleston.[1][4]
In 1900, the Charleston Exposition Company was formed and began soliciting funds. There was support from the business community and the South Carolina General Assembly allocated USD$50,000, but the Charleston aristocracy felt that the fair was unseemly self-promotion. The Federal government, which had normally contributed funds, did not offer early support. There were no official exhibits from abroad.[2][3][4]
Wagener, who was president of the exposition company, suggested that 250 acres (100 ha) of his property on the Ashley River be used for the fair. The company hired a New York architect, Bradford L. Gilbert, who had been supervising architect for the Cotton States Exposition. Gilbert chose Spanish Renaissance style with the buildings painted creamy off-white. This led to is being called the "Ivory City." The grounds were divided into an area for Nature and another for Art.[4]
The Exposition faced many challenges. The weather was not good, some exhibits were late in opening, and there was a shortage of funds.[1][2][3] President Theodore Roosevelt delayed his visit from February to April. The attendance was disappointing. Only 675,000 came to the exposition.[4]
After the exposition, the City of Charleston built its Hampton Park on the eastern portion of the grounds that included the Exposition's formal court. Although it was moved and rebuilt, the bandstand in the park remains.[5] In 1919, the State of South Carolina obtained the western portion. This was used for the new campus of The Citadel.[2][3] Lowndes Grove, which was the Woman's Building in the exposition, remains.[6]
Exhibits
The Cotton Palace was a 320-foot (98 m) long building with a 75-foot (23 m) tall dome was the focus of the exposition. The other major buildings were the Palace of Commerce and the Palace of Agriculture. There was a Negro Department its own building. The Woman's Building was in Wagener's Lowndes Grove house. Twenty different states participated in the exposition. Pennsylvania featured the Liberty Bell in its exhibit.[4]
The midway had a carnival with thrill rides, a 400-foot (122 m) long painting of the Battle of Manassas, and Eskimo village. There was a Turkish Parlor with imported cigars and a house of horrors.[4] As with similar expositions there were souvenirs for sale, which included commemorative medals, pins, and other trinkets.[1][7]
References
- ^ a b c d Chibarro, Tony (November 5, 1999). "The Charleston Exhibition". www.angelfire.com. Retrieved 23 May 2009.
{{cite web}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b c d Edgar, Walter (2006). South Carolina Encyclopedia. Columbia, South Carolina: University of South Carolina Press. pp. 898–899. ISBN 1-57003-598-9.
{{cite book}}: Unknown parameter|coauthors=ignored (|author=suggested) (help) - ^ a b c d Harvey, Bruce G. "South Carolina Inter-State and West Indian Exposition". South Carolina Encyclopedia. scencyclopedia.org. Retrieved 23 May 2009.
{{cite web}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b c d e f g McLaughlin, J. Michael (2003). It Happened in South Carolina. Guilford, Connecticut: Globe Pequot Press. pp. 106–107. ISBN 0762724528.
{{cite book}}: Unknown parameter|coauthors=ignored (|author=suggested) (help) - ^ Coker, Michael D. "Charleston's White City - The Creation of Hampton Park". www.charlestoncuriosities.com. Retrieved 24 May 2009.
{{cite web}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Leiding, Harriette Kershaw (1921). Historic houses of South Carolina. Philadelphia, Pennsylvania: J.B. Lippincott Company. pp. 188–192.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ "1901-1902 Charleston - South Carolina Interstate and West Indian Exposition Medals". www.expomedals.com. Retrieved 23 May 2009.
{{cite web}}: Cite has empty unknown parameter:|coauthors=(help)