Eugenio Caxés: Difference between revisions
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'''Eugenio Caxés''' (1577–1642) was a [[Spain|Spanish]] painter of the [[Baroque]] period. |
'''Eugenio Caxés''' (1577–1642) was a [[Spain|Spanish]] painter of the [[Baroque]] period. |
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He was born into a [[Florence|Florentine]] family in [[Madrid]], and wrote his name in a variety of ways (Cajés, Cazés, Caxesi, and Caxete). His father, Patricio, was a disciple of [[Alessandro Allori]] and was recruited to Spain by the ambassador [[Luis de Requesens]]. Caxés painted in the royal palaces of King [[Philip II of Spain]]. He married the daughter of the disgraced Juan Manzano, master carpenter for the [[Escorial]], who died in a fall from a scaffold. |
He was born into a [[Florence|Florentine]] family in [[Madrid]], and wrote his name in a variety of ways (Cajés, Cazés, Caxesi, and Caxete). His father, [[Patricio Caxés|Patricio]], was a disciple of [[Alessandro Allori]] and was recruited to Spain by the ambassador [[Luis de Requesens]]. Caxés painted in the royal palaces of King [[Philip II of Spain]]. He married the daughter of the disgraced Juan Manzano, master carpenter for the [[Escorial]], who died in a fall from a scaffold. |
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Caxés was commissioned by the administration of [[Philip III of Spain|King Philip III]] to decorate the room for royal audiences in Madrid, where he painted a ''[[Judgement of Solomon]]'' in the vault. He was appointed Painter to the King in August 1612. Most of his works were completed in Madrid. Along with [[Vincenzo Carducci]] he painted the chapel of Our Lady del Sagrario in [[Toledo, Spain|Toledo]], and the canvases of the Retablo Mayor del Monasterio de [[Guadalupe, Spain|Guadalupe]]. He was awarded 11,000 ''reales'' for a large historical canvas on the ''History of [[Agamemnon]]'' (now lost). Among his pupils are [[Luis Fernandez]] and the barrister Valpuesta. |
Caxés was commissioned by the administration of [[Philip III of Spain|King Philip III]] to decorate the room for royal audiences in Madrid, where he painted a ''[[Judgement of Solomon]]'' in the vault. He was appointed Painter to the King in August 1612. Most of his works were completed in Madrid. Along with [[Vincenzo Carducci]] he painted the chapel of Our Lady del Sagrario in [[Toledo, Spain|Toledo]], and the canvases of the Retablo Mayor del Monasterio de [[Guadalupe, Spain|Guadalupe]]. He was awarded 11,000 ''reales'' for a large historical canvas on the ''History of [[Agamemnon]]'' (now lost). Among his pupils are [[Luis Fernandez]] and the barrister Valpuesta. |
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Revision as of 11:33, 3 December 2010
Eugenio Caxés (1577–1642) was a Spanish painter of the Baroque period.
He was born into a Florentine family in Madrid, and wrote his name in a variety of ways (Cajés, Cazés, Caxesi, and Caxete). His father, Patricio, was a disciple of Alessandro Allori and was recruited to Spain by the ambassador Luis de Requesens. Caxés painted in the royal palaces of King Philip II of Spain. He married the daughter of the disgraced Juan Manzano, master carpenter for the Escorial, who died in a fall from a scaffold.
Caxés was commissioned by the administration of King Philip III to decorate the room for royal audiences in Madrid, where he painted a Judgement of Solomon in the vault. He was appointed Painter to the King in August 1612. Most of his works were completed in Madrid. Along with Vincenzo Carducci he painted the chapel of Our Lady del Sagrario in Toledo, and the canvases of the Retablo Mayor del Monasterio de Guadalupe. He was awarded 11,000 reales for a large historical canvas on the History of Agamemnon (now lost). Among his pupils are Luis Fernandez and the barrister Valpuesta.
He was the editor of a biography of Spanish painters, called the Abecedario Pittorico. He opposed a fee proposed to extend the alcabala to painters.
References
- Madrazo, Pedro de (1872). Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas). Calle del Duque de Osuna #3; Original from Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp. pages 381–382.
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