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Eric Chasalow is an American composer^[1] of acoustic and electronic music.^[2]^[3] He is Professor of Composition at Brandeis University, and Director of BEAMS, the Brandeis Electro-Acoustic Music Studio. He holds the D.M.A. from Columbia University where his principal teacher was Mario Davidovsky and where he studied flute with Harvey Sollberger. He holds awards from, among others, the John Simon Guggenheim Foundation, National Endowment for the Arts, Fromm Foundation at Harvard University, New York Foundation for the Arts, and the American Academy of Arts and Letters, with particular recognition for his works that combine live soloist with electronic sounds.His music is published by G. Schirmer, McGinnis & Marx (New York) and Edition Bim (Bulle, Switzerland) and appears on CDs from New World Records, ICMC.

Selected works

-Orchestra

Concerning Sunspots (2004)
Dream Songs (2000–01)
Leaping to Conclusions (1987)

-Solo
Winding Up (1990) — horn
Falling Forward (1980) — flute
Anti-Chambers (1979) — flute

-One to Four Instruments with Electronic Sound
The Fundamental Object (2004–05) — viola
Trois Espaces du Son (2004) — piano, percussion
Due (Cinta)mani (2002) — piano
What is Danced…(and what is not) (2002) — harp
In a Manner of Speaking (2000) — bass clarinet
Suspicious Motives (1999) — flute, clarinet, violin, 'cello
'Scuse Me (1998) — electric guitar
Out of Joint (1994) — trumpet
Fast Forward (1988) — percussion
Over The Edge (1986) — flute
The Furies (1984) — soprano
Hanging in the Balance (1983) — 'cello
Reverses (1980) — improvisers (any instruments)
Verses and Fragments (1979) — horn, percussion

-Chamber Ensemble

Fourth of Nature (2004) — marimba duo
Lo Schermo (2002) — flute, violin, piano
Yes, I Really Did (1998) — piano trio
Five Simic Songs (1998) — soprano and string quartet
To The Edge And Back (1997) — flute and piano
In The Works (1993) — flute, clarinet, violin, 'cello, percussion, piano
First Quartet (1989–90) — string quartet
Returning to the Point (1982) — flute, violin, viola, 'cello
Two From Three (1980) — violin, cello, piano

-Vocal

Huffy Henry (2001) — tenor and piano
Five Simic Songs (1998) — soprano and string quartet
Pass it On (1995) — soprano and piano
The Shampoo (1989) — soprano and piano
The Furies (1984) — soprano and electronic sound
Triptych (1984) — soprano and piano
Rain Towards Morning
The Central Cameo
Late Air
Words (1980)— a cappella chorus

-Piano

Due (Cinta)mani (2002)
A Loose Translation (1995–96)
Little Word (1991)
Groundwork (1986)

-Electronic (Tape Pieces)

Into Your Ears (2004)
Museum in D (2004)
Wolpe Variations (2003)
Clapping Game (2002)
Crossing Boundaries (2000)
Seven Variations on Three Spaces (1998)
Portrait of The Artist (1997)
Left to His Own Devices (1996)
And it flew upside-down (1994)
The Fury of Rainstorms (1992)
This Way Out (1991)

Notable Students

References

^ Clifton, Keith E. (2008-10). Recent American art song: a guide. Scarecrow Press. p. 32. ISBN 978-0-8108-6210-4. Retrieved 8 April 2011. {{cite book}}: Check date values in: |date= (help)
^ Kozinn, Allan (2 August 2006). "CRITIC'S NOTEBOOK; The Classical and the Vernacular, a Cohesive Choice of the Contemporary". The New York Times. p. 5. Retrieved 8 April 2011.
^ 21st century music. 21st-Century Music. 2000. p. 13.

Template:Persondata

[Clifton2008-1] Clifton, Keith E. (2008-10). Recent American art song: a guide. Scarecrow Press. p. 32. ISBN 978-0-8108-6210-4. Retrieved 8 April 2011. {{cite book}}: Check date values in: |date= (help)

[2] Kozinn, Allan (2 August 2006). "CRITIC'S NOTEBOOK; The Classical and the Vernacular, a Cohesive Choice of the Contemporary". The New York Times. p. 5. Retrieved 8 April 2011.

[3] 21st century music. 21st-Century Music. 2000. p. 13.

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[2]

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 {{BLP sources|date=April 2011}}
-'''Eric Chasalow''' is an American composer<ref name="Clifton2008">{{cite book|last=Clifton|first=Keith E.|title=Recent American art song: a guide|url=http://books.google.com/books?id=3t21N1akR9IC&pg=PA32|accessdate=8 April 2011|date=2008-10|publisher=Scarecrow Press|isbn=9780810862104|page=32}}</ref> of acoustic and electronic music.<ref>{{cite news|url=http://www.nytimes.com/2006/08/02/arts/music/02cont.html|title=CRITIC'S NOTEBOOK; The Classical and the Vernacular, a Cohesive Choice of the Contemporary|last=Kozinn|first=Allan|date=2 August 2006|work=The New York Times|page=5|accessdate=8 April 2011}}</ref><ref>{{cite book|title=21st century music|url=http://books.google.com/books?id=E5j3AAAAMAAJ|year=2000|publisher=21st-Century Music|page=13}}</ref> He is Professor of Composition at [[Brandeis University]], and Director of BEAMS, the Brandeis Electro-Acoustic Music Studio. He holds the D.M.A. from [[Columbia University]] where his principal teacher was [[Mario Davidovsky]] and where he studied flute with [[Harvey Sollberger]].  He holds awards from, among others, the [[John Simon Guggenheim Foundation]], National Endowment for the Arts, [[Fromm Foundation at Harvard University]], New York Foundation for the Arts, and the [[American Academy of Arts and Letters]], with particular recognition for his works that combine live soloist with electronic sounds.His music is published by G. Schirmer, McGinnis & Marx (New York) and Edition Bim (Bulle, Switzerland) and appears on CDs from New World Records, ICMC.
+'''Eric Chasalow''' is an American composer<ref name="Clifton2008">{{cite book|last=Clifton|first=Keith E.|title=Recent American art song: a guide|url=http://books.google.com/books?id=3t21N1akR9IC&pg=PA32|accessdate=8 April 2011|date=2008-10|publisher=Scarecrow Press|isbn=978-0-8108-6210-4|page=32}}</ref> of acoustic and electronic music.<ref>{{cite news|url=http://www.nytimes.com/2006/08/02/arts/music/02cont.html|title=CRITIC'S NOTEBOOK; The Classical and the Vernacular, a Cohesive Choice of the Contemporary|last=Kozinn|first=Allan|date=2 August 2006|work=The New York Times|page=5|accessdate=8 April 2011}}</ref><ref>{{cite book|title=21st century music|url=http://books.google.com/books?id=E5j3AAAAMAAJ|year=2000|publisher=21st-Century Music|page=13}}</ref> He is Professor of Composition at [[Brandeis University]], and Director of BEAMS, the Brandeis Electro-Acoustic Music Studio. He holds the D.M.A. from [[Columbia University]] where his principal teacher was [[Mario Davidovsky]] and where he studied flute with [[Harvey Sollberger]].  He holds awards from, among others, the [[John Simon Guggenheim Foundation]], National Endowment for the Arts, [[Fromm Foundation at Harvard University]], New York Foundation for the Arts, and the [[American Academy of Arts and Letters]], with particular recognition for his works that combine live soloist with electronic sounds.His music is published by G. Schirmer, McGinnis & Marx (New York) and Edition Bim (Bulle, Switzerland) and appears on CDs from New World Records, ICMC.
 ==Selected works==