Giuseppe Corsi: Difference between revisions
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'''Giuseppe Corsi Vangelisti''' ([[Celano]], 1631-1632 – [[Ancona]] ([[Modena]]?), after 10 |
'''Giuseppe Corsi Vangelisti''' ([[Celano]], 1631-1632 – [[Ancona]] ([[Modena]]?), after 10 March 1691),<ref name=bio>Galliano Ciliberti e Giovanni Tribuzio (edited by). '' «E nostra guida sia la Stravaganza». Giuseppe Corsi da Celano musicista del Seicento''. Bari, Florestano, 2014.</ref> better known as '''Celani''', was an [[Italian (person)|Italian]] [[composer]] of the [[Baroque music|Baroque]] era. He was mainly active at [[Rome]], where he was ''[[Maestro di cappella]]''. He was the teacher of [[Giacomo Antonio Perti]] and [[Petronio Franceschini]]. |
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== Biography == |
== Biography == |
Revision as of 23:21, 12 September 2014
Giuseppe Corsi Vangelisti (Celano, 1631-1632 – Ancona (Modena?), after 10 March 1691),[1] better known as Celani, was an Italian composer of the Baroque era. He was mainly active at Rome, where he was Maestro di cappella. He was the teacher of Giacomo Antonio Perti and Petronio Franceschini.
Biography
Student in Rome at the Jesuit fathers under the guidance of Giacomo Carissimi he was active as an outstanding Maestro in Gallese, Città di Castello, Naples, Rome, Loreto (where he was ordained priest), Ancona and Parma.[1] Accused by the Inquisition for having "deflowered" a spinster,he was tortured and imprisoned in Rome for a few years on the orders of Pope Innocent XI in the Albornoz fortress of Narni.[1]
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Cattedrale di S. Florido (Città di Castello)
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Chiesa di S. Maria Maddalena (Rome)
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Basilica di S. Maria Maggiore (Rome)
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Archbasilica of St. John Lateran (Rome)
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Chiesa Nuova (Rome)
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Oratorio dei Filippini (Rome)
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Chiesa di S. Maria della Steccata (Parma)
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Santa Casa (Loreto)
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Duomo (Ancona)
Works
Works by Giuseppe Corsi da Celano, cataloged by Giovanni Tribuzio in 2014, are 83:
- TriC 1-3 (Masses);
- TriC 4-12 (Parts of mass);
- TriC 13 (Canticles);
- TriC 14-20 (Psalms);
- TriC 21-23 (Antiphons);
- TriC 24 (Hymns);
- TriC 25-26a-jj (Responsories);
- TriC 27 (Litanies);
- TriC 28-40 (Motets);
- TriC 41-44 (Oratorios);
- TriC 45-46 (Oratorio cantatas);
- TriC 47-68 (Arias and cantatas for a voice and basso continuo);
- TriC 69 (Cantatas for two voices and basso continuo);
- TriC 70 (Cantatas for three voices and basso continuo);
- TriC 71-83 (Appendix).
Bibliography
Biographies
- Raoul Meloncelli, Corsi (Corso), Giuseppe (detto anche Corso da Celano, il Celano, Celani), in Dizionario Biografico degli Italiani, vol. XXIX, 1983 (online).
- Beatrice Barazzoni, Un esempio di cappella di corte. la cappella musicale dei duchi Farnese a Parma e l’opera dimenticata di Giuseppe Corsi, in Barocco Padano 1, edited by Alberto Colzani, Andrea Luppi and Maurizio Padoan, Como, Antiquae Musicae Italicae Studiosi, 2002, pp. 381-406.
- Eleonora Simi Bonini, Alcuni aspetti della vita di Giuseppe Corsi da Celano, in Musica tra storia e filologia. Studi in onore di Lino Bianchi, edited by Federica Nardacci, Rome, Istituto Italiano per la Storia della Musica, 2010, pp. 547-565.
- Galliano Ciliberti, Giovanni Tribuzio (edited by), «E nostra guida sia la Stravaganza». Giuseppe Corsi da Celano musicista del Seicento, with contributions by Paolo Peretti and Mafalda Baccaro, Bari, Florestano Edizioni, 2014, pp. 290.
Critical editions
- Giuseppe Corsi da Celano, La Stravaganza. Cantata per soprano e basso continuo, edited by Davide Gualtieri, Lucca, Libreria Musicale Italiana, 2012. It's an attempt of a critical edition, however, it ignores the sources of Lyon (attributed to Carlo Ambrogio Lonati, identified by Gloria Rose and Stephen R. Miller), Paris (basso continuo, identified by Catherine Massip), Bruxelles (anonymous, identified by Giovanni Tribuzio) and Cambridge (identified by Berthold Over and considered the oldest).
Discography
- Giuseppe Corsi da Celano: Mottetti - Cantate. Ensemble Labirinto Armonico, Christophe Carré (sopranist). Baryton, 2012.