Writing to Vermeer: Difference between revisions

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'''''Writing to Vermeer''''' is an opera in six scenes composed by [[Louis Andriessen]] with incidental electronic music by [[Michel van der Aa]]. The English-language libretto was written by [[Peter Greenaway]] who also directed the premiere production at the [[Dutch National Opera]] on 1 December 1999. The opera had its US premiere in July 2000 at the [[New York State Theater]] as part of the Lincoln Center Festival.<ref>Holland, Bernard (13 July 2000). [http://www.nytimes.com/2000/07/13/arts/lincoln-center-festival-reviews-opera-the-chaos-outside-vermeer-s-quiet-rooms.html "The Chaos Outside Vermeer's Quiet Rooms"]. ''[[New York Times]]''. Retrieved 23 January 2017.</ref>
'''''Writing to Vermeer''''' is an opera in six scenes composed by [[Louis Andriessen]] with incidental electronic music by [[Michel van der Aa]]. The English-language libretto was written by [[Peter Greenaway]] who also directed the premiere production at the [[Dutch National Opera]] on 1 December 1999. The opera had its US premiere in July 2000 at the [[New York State Theater]] as part of the Lincoln Center Festival.<ref>Holland, Bernard (13 July 2000). [http://www.nytimes.com/2000/07/13/arts/lincoln-center-festival-reviews-opera-the-chaos-outside-vermeer-s-quiet-rooms.html "The Chaos Outside Vermeer's Quiet Rooms"]. ''[[New York Times]]''. Retrieved 23 January 2017.</ref>


Set in the Delft household of the Dutch painter [[Johannes Vermeer]] in May 1672, the opera is written for three women singers (two sopranos and a mezzo-soprano) each of whom writes six letters to Vermeer in his absence. Several of Vermeer's paintings portray women writing or reading letters, including ''[[Lady Writing a Letter with her Maid]]'', ''[[The Love Letter (Vermeer)|The Love Letter]]'', and ''[[A Lady Writing a Letter]]''. Andriessen said of his decision to accept Greenaway's proposal for the libretto: "I feel very close to the attitude of the painter [Vermeer] who fixes on his canvas brief 'stolen' moments that are eternally beautiful."<ref>Trochimczyk, Maja (2002). [https://books.google.co.uk/books?id=RJNss1lyO_EC&pg=PA259#v=onepage&q&f=false "''Writing to Vermeer'': A View of a 'Filmic' Opera"] in Maja Trochimczyk (ed.). ''Music of Louis Andriessen'', pp. 259–276. Routledge. ISBN 113676965X</ref><ref>Toop, David (2010). [https://books.google.co.uk/books?id=PwDPCwAAQBAJ&pg=PA138 ''Sinister Resonance: The Mediumship of the Listener''], p. 138. The Continuum. ISBN 1441149724</ref>
Set in the Delft household of the Dutch painter [[Johannes Vermeer]] in May 1672, the opera is written for three women singers (two sopranos and a mezzo-soprano) each of whom writes six letters to Vermeer in his absence. Several of Vermeer's paintings portray women writing or reading letters, including ''[[Lady Writing a Letter with her Maid]]'', ''[[The Love Letter (Vermeer)|The Love Letter]]'', and ''[[A Lady Writing a Letter]]''. Andriessen said of his decision to accept Greenaway's proposal for the libretto: "I feel very close to the attitude of the painter [Vermeer] who fixes on his canvas brief 'stolen' moments that are eternally beautiful."<ref>Trochimczyk, Maja (2002). [https://books.google.co.uk/books?id=RJNss1lyO_EC&pg=PA259#v=onepage&q&f=false "''Writing to Vermeer'': A View of a 'Filmic' Opera"] in Maja Trochimczyk (ed.). ''Music of Louis Andriessen'', pp. 259–276. Routledge. ISBN 113676965X</ref><ref>Toop, David (2010). [https://books.google.co.uk/books?id=kRDYaurOJkUC&pg=PA100 ''Sinister Resonance: The Mediumship of the Listener''], p. 100. The Continuum. ISBN 1441149724</ref>


==Roles==
==Roles==
{| class="wikitable"
{| class="wikitable"
!Role
!Role
![[Voice type]]<ref>Potter, Keith and Gann, Kyle (eds.) (2016). [https://books.google.co.uk/books?id=PwDPCwAAQBAJ&pg=PA138 ''The Ashgate Research Companion to Minimalist and Postminimalist Music''], p. 138. Routledge. ISBN 1317042557</ref>
![[Voice type]]
!Premiere cast, 1 December 1999<br />(Conductor: [[Reinbert de Leeuw]])
!Premiere cast, 1 December 1999<br />(Conductor: [[Reinbert de Leeuw]])
|-
|-

Revision as of 11:22, 23 January 2017

Writing to Vermeer
Opera by Louis Andriessen
Lady Writing a Letter with her Maid, one several paintings by Vermeer which inspired the opera's libretto
LibrettistPeter Greenaway
LanguageEnglish
Premiere
1 December 1999 (1999-12-01)


Writing to Vermeer is an opera in six scenes composed by Louis Andriessen with incidental electronic music by Michel van der Aa. The English-language libretto was written by Peter Greenaway who also directed the premiere production at the Dutch National Opera on 1 December 1999. The opera had its US premiere in July 2000 at the New York State Theater as part of the Lincoln Center Festival.[1]

Set in the Delft household of the Dutch painter Johannes Vermeer in May 1672, the opera is written for three women singers (two sopranos and a mezzo-soprano) each of whom writes six letters to Vermeer in his absence. Several of Vermeer's paintings portray women writing or reading letters, including Lady Writing a Letter with her Maid, The Love Letter, and A Lady Writing a Letter. Andriessen said of his decision to accept Greenaway's proposal for the libretto: "I feel very close to the attitude of the painter [Vermeer] who fixes on his canvas brief 'stolen' moments that are eternally beautiful."[2][3]

Roles

Role Voice type[4] Premiere cast, 1 December 1999
(Conductor: Reinbert de Leeuw)
Catherine Bolnes, Vermeer's wife soprano Susan Narucki
Maria Thins, Vermeer's mother-in-law mezzo-soprano Susan Bickley
Saskia de Vries, Vermeer's model soprano Barbara Hannigan
Two of Vermeer's children, chorus of women

Recordings

  • Andriessen: Writing to Vermeer – Susan Narucki, Susan Bickley, Barbara Hannigan; Dutch National Opera and the ASKO and Schoenberg Ensemble conducted by Reinbert de Leeuw. Label: Nonesuch Records[5]

References

  1. ^ Holland, Bernard (13 July 2000). "The Chaos Outside Vermeer's Quiet Rooms". New York Times. Retrieved 23 January 2017.
  2. ^ Trochimczyk, Maja (2002). "Writing to Vermeer: A View of a 'Filmic' Opera" in Maja Trochimczyk (ed.). Music of Louis Andriessen, pp. 259–276. Routledge. ISBN 113676965X
  3. ^ Toop, David (2010). Sinister Resonance: The Mediumship of the Listener, p. 100. The Continuum. ISBN 1441149724
  4. ^ Potter, Keith and Gann, Kyle (eds.) (2016). The Ashgate Research Companion to Minimalist and Postminimalist Music, p. 138. Routledge. ISBN 1317042557
  5. ^ Clements, Andrew (12 May 2006). "CD Review: Andriessen: Writing to Vermeer". The Guardian. Retrieved 23 January 2017.

External links