Ruth Reese: Difference between revisions

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After her graduation, Reese first worked as a physical training instructor and choir director at Madden Park,{{sfn|''The Chicago Tribune''|1940a|p=40}}{{sfn|''The Chicago Tribune''|1940b|p=6}} before being hired as a substitute teacher{{sfn|''The Chicago Tribune''|1948|p=19}} Throughout the 1940s, Reese performed in the Chicago area, entering musical contests, winning several local awards,{{sfn|''The Chicago Tribune''|1946|p=2}}{{sfn|''The Chicago Tribune''|1948|p=19}}{{sfn|''The Chicago Tribune''|1949|p=185}} and earning promising reviews.{{sfn|Cassidy|1947|p=13}} In 1949, she appeared in the role of ''Mougali'' in the premiere performance of the opera ''Ouanga'' by [[Clarence Cameron White]].{{sfn|''The Black Rose''|1964|p=4}}{{sfn|Cheatham|2004}} Earning acclaim and a scholarship for her performance, Reese moved to New York City, to continue her voice training with [[Léon Rothier]] and [[Lawrence Benjamin Brown|Lawrence Brown]].{{sfn|Larsen|2009}}{{sfn|''The Black Rose''|1964|p=4}}
After her graduation, Reese first worked as a physical training instructor and choir director at Madden Park,{{sfn|''The Chicago Tribune''|1940a|p=40}}{{sfn|''The Chicago Tribune''|1940b|p=6}} before being hired as a substitute teacher{{sfn|''The Chicago Tribune''|1948|p=19}} Throughout the 1940s, Reese performed in the Chicago area, entering musical contests, winning several local awards,{{sfn|''The Chicago Tribune''|1946|p=2}}{{sfn|''The Chicago Tribune''|1948|p=19}}{{sfn|''The Chicago Tribune''|1949|p=185}} and earning promising reviews.{{sfn|Cassidy|1947|p=13}} In 1949, she appeared in the role of ''Mougali'' in the premiere performance of the opera ''Ouanga'' by [[Clarence Cameron White]].{{sfn|''The Black Rose''|1964|p=4}}{{sfn|Cheatham|2004}} Earning acclaim and a scholarship for her performance, Reese moved to New York City, to continue her voice training with [[Léon Rothier]] and [[Lawrence Benjamin Brown|Lawrence Brown]].{{sfn|Larsen|2009}}{{sfn|''The Black Rose''|1964|p=4}}


After her concert debut in 1952, Reese moved to England and studied [[Amanda Aldridge]]. Her European debut was at the [[Gaveau#Salle Gaveau|Salle Gaveau]] in Paris in 1953.{{sfn|''The Black Rose''|1964|p=4}} Though classically-trained, she gained her reputation from performing [[Spiritual (music)|Spirituals]], [[Gospel music]] and the [[Blues]] with their roots in African-American tradition.{{sfn|Larsen|2009}}{{sfn|''The Anniston Star''|1990|p=8}} Touring Europe, she performed both on stage and on the airwaves in Czechoslovakia, England, France, Israel, Italy, Spain, Switzerland and throughout Scandinavia.{{sfn|''The Black Rose''|1964|p=4}} In 1956, she first came in Norway and drew attention for the color of her skin, often billed as a ''negersangerinne'' black singer. At the time in Norway, the society viewed itself as [[homogeneous]]ly white and had not recognized its indigenous or national minority populations. Reese found similar situations to those she had experienced in the United States, when she was denied lodging numerous times. She perservered, making a name for herself and fell in love.{{sfn|Røsjø|2008}} In 1960, she permanently settled in [[Oslo]], Norway and two years later married he bookstore owner Paul Shetelig.{{sfn|Larsen|2009}}
After her concert debut in 1952, Reese moved to England and studied [[Amanda Aldridge]]. Her European debut was at the [[Gaveau#Salle Gaveau|Salle Gaveau]] in Paris in 1953.{{sfn|''The Black Rose''|1964|p=4}} Though classically-trained, she gained her reputation from performing [[Spiritual (music)|Spirituals]], [[Gospel music]] and the [[Blues]] with their roots in African-American tradition.{{sfn|Larsen|2009}}{{sfn|''The Anniston Star''|1990|p=8}} Touring Europe, she performed both on stage and on the airwaves in Czechoslovakia, England, France, Israel, Italy, Spain, Switzerland and throughout Scandinavia.{{sfn|''The Black Rose''|1964|p=4}} In 1956, she first came in Norway and drew attention for the color of her skin, often billed as a ''negersangerinne'' (black singer). At the time in Norway, the society viewed itself as [[homogeneous]]ly white and had not recognized its indigenous or national minority populations. Reese found similar situations to those she had experienced in the United States, when she was denied lodging numerous times. She perservered, making a name for herself and fell in love.{{sfn|Røsjø|2008}} In 1960, she permanently settled in [[Oslo]], Norway and two years later married he bookstore owner Paul Shetelig.{{sfn|Larsen|2009}}


Reese began publishing about racial issues in newspapers like the ''[[Dagbladet]]''. In a piece published in 1959, ''Vår hud er sort'' (Our Skin is Black), she addressed the Norwegian indifference to [[Racism|racist policies]] in the United States or South Africa, such as the selling of South African fruits and wines, and began to draw awareness of the problems Africans and black people faced. Public debate on race began for the first time, the University sponsored a series of talks ''Racism and Democracy'', and in 1960, the national trade union proposed a boycott on South African goods. Reese actively took part in the movement to raise awareness, giving a lecture ''De amerikanske negrenes musikkhistorie gjennom 360 år'' (The American Negro's Music History Through 360 Years) throughout the country,{{sfn|Røsjø|2008}} in which she explained the difference between Spirituals and Classical music. She felt that to be properly performed, Sprituals could not be sung by white interpreters because "[t]he tones are created in tears. One must feel this pain in the soul to make it sound right".{{sfn|Larsen|2009}} In 1963, to show solidarity with President [[John F. Kennedy]]'s [[Report to the American People on Civil Rights|Civil Rights Agenda]] and the [[March on Washington for Jobs and Freedom]], Reese collected signatures on a petition and led supporters in a march to the Oslo home of the American ambassador.{{sfn|Kelley|Tuck|2015|p=24}}
Reese began publishing about racial issues in newspapers like the ''[[Dagbladet]]''. In a piece published in 1959, ''Vår hud er sort'' (Our Skin is Black), she addressed the Norwegian indifference to [[Racism|racist policies]] in the United States or South Africa, such as the selling of South African fruits and wines, and began to draw awareness of the problems Africans and black people faced. Public debate on race began for the first time, the University sponsored a series of talks ''Racism and Democracy'', and in 1960, the national trade union proposed a boycott on South African goods. Reese actively took part in the movement to raise awareness, giving a lecture ''De amerikanske negrenes musikkhistorie gjennom 360 år'' (The American Negro's Music History Through 360 Years) throughout the country,{{sfn|Røsjø|2008}} in which she explained the difference between Spirituals and Classical music. She felt that to be properly performed, Sprituals could not be sung by white interpreters because "[t]he tones are created in tears. One must feel this pain in the soul to make it sound right".{{sfn|Larsen|2009}} In 1963, to show solidarity with President [[John F. Kennedy]]'s [[Report to the American People on Civil Rights|Civil Rights Agenda]] and the [[March on Washington for Jobs and Freedom]], Reese collected signatures on a petition and led supporters in a march to the Oslo home of the American ambassador.{{sfn|Kelley|Tuck|2015|p=24}}

Revision as of 23:34, 7 March 2018

Ruth Reese
1959
Born(1921-03-10)10 March 1921
Hayneville, Alabama
Died25 October 1990(1990-10-25) (aged 69)
Oslo, Norway
NationalityAmerican, Norwegian
Occupation(s)singer, writer, civil rights activist

Ruth Reese (10 March 1921–25 October 1990) was an African American-Norwegian singer, writer and civil rights activist. She was one of the first prominent black singers in Norway and was actively involved in the international fight against racism.

Early life

Ruth Reese was born on 10 March 1921 in Hayneville, Alabama to Sarah (née Hunter) and William Reese.[1][2] In her childhood, the family moved to Chicago, where Reese attended school and sang in the church choir. Without adequate funds to pursue music studies, she worked as a domestic after school to pay for music lessons. After completing her secondary studies,[3] Reese attended Northwestern University in Evanston, Illinois earning a bachelor's degree in music.[1]

Career

After her graduation, Reese first worked as a physical training instructor and choir director at Madden Park,[4][5] before being hired as a substitute teacher[6] Throughout the 1940s, Reese performed in the Chicago area, entering musical contests, winning several local awards,[7][6][8] and earning promising reviews.[9] In 1949, she appeared in the role of Mougali in the premiere performance of the opera Ouanga by Clarence Cameron White.[3][10] Earning acclaim and a scholarship for her performance, Reese moved to New York City, to continue her voice training with Léon Rothier and Lawrence Brown.[1][3]

After her concert debut in 1952, Reese moved to England and studied Amanda Aldridge. Her European debut was at the Salle Gaveau in Paris in 1953.[3] Though classically-trained, she gained her reputation from performing Spirituals, Gospel music and the Blues with their roots in African-American tradition.[1][2] Touring Europe, she performed both on stage and on the airwaves in Czechoslovakia, England, France, Israel, Italy, Spain, Switzerland and throughout Scandinavia.[3] In 1956, she first came in Norway and drew attention for the color of her skin, often billed as a negersangerinne (black singer). At the time in Norway, the society viewed itself as homogeneously white and had not recognized its indigenous or national minority populations. Reese found similar situations to those she had experienced in the United States, when she was denied lodging numerous times. She perservered, making a name for herself and fell in love.[11] In 1960, she permanently settled in Oslo, Norway and two years later married he bookstore owner Paul Shetelig.[1]

Reese began publishing about racial issues in newspapers like the Dagbladet. In a piece published in 1959, Vår hud er sort (Our Skin is Black), she addressed the Norwegian indifference to racist policies in the United States or South Africa, such as the selling of South African fruits and wines, and began to draw awareness of the problems Africans and black people faced. Public debate on race began for the first time, the University sponsored a series of talks Racism and Democracy, and in 1960, the national trade union proposed a boycott on South African goods. Reese actively took part in the movement to raise awareness, giving a lecture De amerikanske negrenes musikkhistorie gjennom 360 år (The American Negro's Music History Through 360 Years) throughout the country,[11] in which she explained the difference between Spirituals and Classical music. She felt that to be properly performed, Sprituals could not be sung by white interpreters because "[t]he tones are created in tears. One must feel this pain in the soul to make it sound right".[1] In 1963, to show solidarity with President John F. Kennedy's Civil Rights Agenda and the March on Washington for Jobs and Freedom, Reese collected signatures on a petition and led supporters in a march to the Oslo home of the American ambassador.[12]

In addition to her activism, Reese continued to perform throughout Norway and had wide popularity. She was one of the first black artists to become established in Norway and was a major contributor to the spread of African music in the country. In 1972, a collection of her writings was published in Norwegian, Lang svart vei (Long Black Road) and in 1979, she released an album Motherless Child in 1979.[1][11] In 1985, she published her autobiography, Min vei (My Way), in which she acknowledged that her activism had impacted her career, but was unapologetic for speaking for those who could not "express their despair".[11] In 1990, she produced the short film Pride of Black Dreams which presented a brief history of African American through song and dance. It was shown widely in schools and on NRK Television.[1][13]

Death and legacy

Reese died on 25 October 1990 while giving an address against racism to the organization SOS Rasisme at a gathering being held in Oslo in her honor.[2] Reese's archives were left to her student Kristin Asbjørnsen, who has made recordings in honor of her teacher.[11]

References

Citations

  1. ^ a b c d e f g h Larsen 2009.
  2. ^ a b c The Anniston Star 1990, p. 8.
  3. ^ a b c d e The Black Rose 1964, p. 4.
  4. ^ The Chicago Tribune 1940a, p. 40.
  5. ^ The Chicago Tribune 1940b, p. 6.
  6. ^ a b The Chicago Tribune 1948, p. 19.
  7. ^ The Chicago Tribune 1946, p. 2.
  8. ^ The Chicago Tribune 1949, p. 185.
  9. ^ Cassidy 1947, p. 13.
  10. ^ Cheatham 2004.
  11. ^ a b c d e Røsjø 2008.
  12. ^ Kelley & Tuck 2015, p. 24.
  13. ^ Norwegian Broadcasting Corporation 1990.

Bibliography

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