Gilles Carpentier

From Wikipedia, the free encyclopedia
The printable version is no longer supported and may have rendering errors. Please update your browser bookmarks and please use the default browser print function instead.

Gilles Carpentier (14 June 1950, Paris – 16 September 2016[1]) was a French writer and editor

Biography

After various menial jobs at the PTT or in the cinema, then a journalist with the cultural section of Rouge [fr] in the 1970s, where he published numerous chronicles on free jazz, Carpentier also became a reader for the Éditions du Seuil.[1] In charge of the manuscript service and member of its reading committee from 1981, he was a full-fledged publisher in 1992 and until 2003.[1] He discovered Agota Kristof with the novel The Notebook [fr][2] which became a great success in France and also the writer Abdelhak Serhane.[1] He also edited numerous African and Francophone authors including Aimé Césaire (whose complete poetry he edited), Ahmadou Kourouma, Sony Labou Tansi, Kateb Yacine, Kossi Efoui, or Tierno Monenembo.[1][2]

Éditions du Seuil greeted him as an "immense reader and discoverer of talent".[1]

He was also the author of six books, which were all in one way or another about one of his favorite subjects, the contemporary city. His latest novel, Les Bienveillantes [not to be mistaken with J. Littell's eponymous work (2006)] is written in an entirely dialogued form.

Les Manuscrits de la marmotte published in 1984, earned him the Prix Fénéon for literature.

Works

  • 1984: Les Manuscrits de la marmotte, Éditions du Seuil, Prix Fénéon
  • 1988: Tous couchés, Seuil
  • 1992: Haussmann m'empêche de dormir, Seuil
  • 1994: Scandale de bronze. Lettre à Aimé Césaire, Seuil
  • 1999: Couper cabèche, Seuil
  • 2002: Les Bienveillantes, Stock

References

  1. ^ a b c d e f Disparition de Gilles Carpentier
  2. ^ a b "Mort de Gilles Carpentier". Archived from the original on 2016-09-24. Retrieved 2017-01-07.