Lord Love a Duck: Difference between revisions

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==Production==
==Production==
The film was based on a novel published in 1961. The ''New York Times'' called the book "hilarious at times and often charmingly wicked."<ref>Gooney Bird and Friends: LORD LOVE A DUCK. By Al Hine. 367 pp. New York: Atheneum. $4.55. Gooney Bird and Friends
The film was based on a novel published in 1961. The ''New York Times'' called the book "hilarious at times and often charmingly wicked."<ref>Gooney Bird and Friends: LORD LOVE A DUCK. By Al Hine. 367 pp. New York: Atheneum. $4.55. Gooney Bird and Friends
By PAUL ENGLE. New York Times 16 Apr 1961: BR34. </ref>
By PAUL ENGLE. New York Times 16 Apr 1961: BR34.</ref>


Film rights were bought in December 1964 by Gordon Carroll and George Axelrod under the banner of their company, Charleston Enterprises. Axelrod called the book "a cross between [[Andy Hardy]] and [[Dr Strangelove]]."<ref>CABRIOLA,' VEHICLE FOR FERRER, MARISOL
Film rights were bought in December 1964 by Gordon Carroll and George Axelrod under the banner of their company, Charleston Enterprises. Axelrod called the book "a cross between [[Andy Hardy]] and [[Dr Strangelove]]."<ref>CABRIOLA,' VEHICLE FOR FERRER, MARISOL
By A.H. WEILER. New York Times 6 Dec 1964: X13. </ref> Larry Johnson wrote the script along with Axelrod.<ref>Alfred Hitchcock to Address Editors Hopper, Hedda. Los Angeles Times 17 Feb 1965: D9.</ref>
By A.H. WEILER. New York Times 6 Dec 1964: X13.</ref> Larry Johnson wrote the script along with Axelrod.<ref>Alfred Hitchcock to Address Editors Hopper, Hedda. Los Angeles Times 17 Feb 1965: D9.</ref>


In May 1965 Roddy McDowell signed to play the lead.<ref>Rita's Next Is 'The Oscar'
In May 1965 Roddy McDowell signed to play the lead.<ref>Rita's Next Is 'The Oscar'
Martin, Betty. Los Angeles Times ( 8 May 1965: B7.</ref> United Artists agreed to finance and Axelrod decided to direct.<ref>'Fog' Closing In on England Los Angeles Times 20 May 1965: d7. </ref> Axelrod had directed three plays on Broadway, ''[[Will Success Spoil Rock Hunter?]]'', ''Once More With Feeling'' and ''Goodbye Charlie'' but this was his first film.<ref name="george">{{cite news|title=Hollywood Memo: Let George Do It|newspaper= Los Angeles Times |date=29 November 1965|page= c23}}</ref> Axelrod said he asked [[George S. Kaufman]] how to direct and Kaufman said "you get good actors. He was right. And if it's a comedy you don't get Actors Studio actors".<ref name="george"/>
Martin, Betty. Los Angeles Times ( 8 May 1965: B7.</ref> United Artists agreed to finance and Axelrod decided to direct.<ref>'Fog' Closing In on England Los Angeles Times 20 May 1965: d7.</ref> Axelrod had directed three plays on Broadway, ''[[Will Success Spoil Rock Hunter?]]'', ''Once More With Feeling'' and ''Goodbye Charlie'' but this was his first film.<ref name="george">{{cite news|title=Hollywood Memo: Let George Do It|newspaper= Los Angeles Times |date=29 November 1965|page= c23}}</ref> Axelrod said he asked [[George S. Kaufman]] how to direct and Kaufman said "you get good actors. He was right. And if it's a comedy you don't get Actors Studio actors".<ref name="george"/>


"I'm not really sure why I'm making this picture," said Axelrod. "Maybe I'm just trying to get revenge on my own teenagers. ''Lord Love a Duck'' will not be made specifically for the teenage market but teenagers will probably dig it. It puts everything down - society, vulgarity, adolescents. Teenagers like being put down."<ref name="bart">{{cite news|title=Standing Up To the Teen-Agers|first=Peter|last=Bart|newspaper= New York Times |date=5 August 1965|page= X7}}</ref>
"I'm not really sure why I'm making this picture," said Axelrod. "Maybe I'm just trying to get revenge on my own teenagers. ''Lord Love a Duck'' will not be made specifically for the teenage market but teenagers will probably dig it. It puts everything down - society, vulgarity, adolescents. Teenagers like being put down."<ref name="bart">{{cite news|title=Standing Up To the Teen-Agers|first=Peter|last=Bart|newspaper= New York Times |date=5 August 1965|page= X7}}</ref>


Axelrod called the film "pop porn or Dirty Disney. It may yet give bad taste a bad name."<ref name="george"/>
Axelrod called the film "pop porn or Dirty Disney. It may yet give bad taste a bad name."<ref name="george"/>

===Shooting===
===Shooting===
Axelrod used as a music score the sound of teenagers with transistors.<ref name="bart"/>
Axelrod used as a music score the sound of teenagers with transistors.<ref name="bart"/>
Line 70: Line 71:
==Release==
==Release==
"We were worried about ''[[The Loved One (film)|The Loved One]]''," said Axelrod before the film came out. "We were afraid it might give bad taste a bad name. But I think we're alright. If the picture comes off well I may get an Oscar. If it comes off very well I may get deported."<ref name="george"/>
"We were worried about ''[[The Loved One (film)|The Loved One]]''," said Axelrod before the film came out. "We were afraid it might give bad taste a bad name. But I think we're alright. If the picture comes off well I may get an Oscar. If it comes off very well I may get deported."<ref name="george"/>

==Awards==
==Awards==
[[Lola Albright]] won the [[Silver Bear for Best Actress]] award at the [[16th Berlin International Film Festival]] in 1966.<ref name="berlinale 1966">{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1966/03_preistr_ger_1966/03_Preistraeger_1966.html |title=Berlinale 1966: Prize Winners |accessdate=2010-02-17 |work=berlinale.de}}</ref>
[[Lola Albright]] won the [[Silver Bear for Best Actress]] award at the [[16th Berlin International Film Festival]] in 1966.<ref name="berlinale 1966">{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1966/03_preistr_ger_1966/03_Preistraeger_1966.html |title=Berlinale 1966: Prize Winners |accessdate=2010-02-17 |work=berlinale.de}}</ref>
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[[Category:American satirical films]]
[[Category:American satirical films]]
[[Category:American teen comedy films]]
[[Category:American teen comedy films]]
⚫
[[Category:Directorial debut films]]
[[Category:English-language films]]
[[Category:English-language films]]
[[Category:Films based on American novels]]
[[Category:Films based on American novels]]
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[[Category:United Artists films]]
[[Category:United Artists films]]
[[Category:Films with screenplays by George Axelrod]]
[[Category:Films with screenplays by George Axelrod]]
⚫
[[Category:1966 directorial debut films]]

Revision as of 06:50, 3 April 2020

Lord Love a Duck
Theatrical poster
Directed byGeorge Axelrod
Screenplay byLarry H. Johnson
George Axelrod
Produced byGeorge Axelrod
StarringRoddy McDowall
Tuesday Weld
Lola Albright
Martin West
Ruth Gordon
CinematographyDaniel L. Fapp
Edited byWilliam A. Lyon
Music byNeal Hefti
Distributed byUnited Artists
Release date
  • February 21, 1966 (1966-02-21) (New York City)
Running time
105 minutes
CountryUnited States
LanguageEnglish
Budget$850,000[1]

Lord Love a Duck is a 1966 teen comedy produced, directed and co-written by George Axelrod and starring Roddy McDowall and Tuesday Weld. The film was a satire of popular culture at the time, its targets ranging from progressive education to beach party films. It is based on Al Hine's 1961 novel of the same name.

Plot

From his prison cell, Alan Musgrave dictates his experiences of the previous year, which he dedicated to fulfilling the unending wishes and ambitions of high school senior Barbara Ann Greene. The daughter of Marie, a cocktail waitress sinking unhappily into her forties, Barbara Ann wants every kind of success and for everyone to love her.

Signing a pact with Alan in wet cement, Barbara Ann soon has the 12 cashmere sweaters needed to join an exclusive girls' club. She drops out of school to become the principal's new secretary and gets involved in church activities run by strait-laced but hyper-hormonal Bob Bernard. When Barbara Ann decides she wants Bob for her husband, Alan facilitates this by keeping Bob's eccentric mother Stella, who disapproves of Barbara Ann, perpetually drunk. Then Barbara meets producer T. Harrison Belmont, the King of Beach Party movies, and decides to become the biggest star that ever was. Bob refuses, however, to allow his wife to have a Hollywood screen test, so Barbara Ann decides she wants a divorce. Since Bob's mother frowns upon divorce, Alan takes matters into his own hands to kill Bob. Although Bob proves to be almost indestructible, by graduation time Alan has him in a wheelchair. At the graduation ceremony, Alan pursues Bob with a tractor, apparently killing him and several people on the speakers' platform. Barbara Ann goes on to Hollywood fame in her debut film Bikini Widow, while Alan is sent to prison.

Cast

  • David Draper as Billy Gibbons

Production

The film was based on a novel published in 1961. The New York Times called the book "hilarious at times and often charmingly wicked."[2]

Film rights were bought in December 1964 by Gordon Carroll and George Axelrod under the banner of their company, Charleston Enterprises. Axelrod called the book "a cross between Andy Hardy and Dr Strangelove."[3] Larry Johnson wrote the script along with Axelrod.[4]

In May 1965 Roddy McDowell signed to play the lead.[5] United Artists agreed to finance and Axelrod decided to direct.[6] Axelrod had directed three plays on Broadway, Will Success Spoil Rock Hunter?, Once More With Feeling and Goodbye Charlie but this was his first film.[7] Axelrod said he asked George S. Kaufman how to direct and Kaufman said "you get good actors. He was right. And if it's a comedy you don't get Actors Studio actors".[7]

"I'm not really sure why I'm making this picture," said Axelrod. "Maybe I'm just trying to get revenge on my own teenagers. Lord Love a Duck will not be made specifically for the teenage market but teenagers will probably dig it. It puts everything down - society, vulgarity, adolescents. Teenagers like being put down."[1]

Axelrod called the film "pop porn or Dirty Disney. It may yet give bad taste a bad name."[7]

Shooting

Axelrod used as a music score the sound of teenagers with transistors.[1]

He based his visual style on the films of Richard Lester such as A Hard Day's Night and The Knack. "Lester has shown us a freer form," said Axelrod. "I want to get away from the Hollywood syndrome of trying to make every shot look pretty and orderly."[1]

The film was shot over 30 days for $850,000. "There's this gruesome prejudice in Hollywood that a picture made between $750,000 and $1 million cannot make a profit," said Axelrod. "I want to prove that this is nonsense. If I could do that and find new ways of saying things the film at least will serve the useful purpose of puncturing a hole in Hollywood's adolescent mystique."[1]

Release

"We were worried about The Loved One," said Axelrod before the film came out. "We were afraid it might give bad taste a bad name. But I think we're alright. If the picture comes off well I may get an Oscar. If it comes off very well I may get deported."[7]

Awards

Lola Albright won the Silver Bear for Best Actress award at the 16th Berlin International Film Festival in 1966.[8]

See also

References

  1. ^ a b c d e Bart, Peter (5 August 1965). "Standing Up To the Teen-Agers". New York Times. p. X7.
  2. ^ Gooney Bird and Friends: LORD LOVE A DUCK. By Al Hine. 367 pp. New York: Atheneum. $4.55. Gooney Bird and Friends By PAUL ENGLE. New York Times 16 Apr 1961: BR34.
  3. ^ CABRIOLA,' VEHICLE FOR FERRER, MARISOL By A.H. WEILER. New York Times 6 Dec 1964: X13.
  4. ^ Alfred Hitchcock to Address Editors Hopper, Hedda. Los Angeles Times 17 Feb 1965: D9.
  5. ^ Rita's Next Is 'The Oscar' Martin, Betty. Los Angeles Times ( 8 May 1965: B7.
  6. ^ 'Fog' Closing In on England Los Angeles Times 20 May 1965: d7.
  7. ^ a b c d "Hollywood Memo: Let George Do It". Los Angeles Times. 29 November 1965. p. c23.
  8. ^ "Berlinale 1966: Prize Winners". berlinale.de. Retrieved 2010-02-17.
  • Hine, Al. Lord Love a Duck (Atheneum, 1961)

External links

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