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'''New Music USA''' is a new music organization formed by the merging of the [[#American Music Center|American Music Center]] with [[#Meet The Composer|Meet The Composer]] on November 8, 2011.<ref>http://www.newmusicbox.org/articles/american-music-center-and-meet-the-composer-have-officially-merged-as-new-music-usa/ {{bare-inline|date=May 2014}}</ref> The new organization retains the granting programs of the two former organizations as well as two media programs originally created at the American Music Center: [[NewMusicBox]] and [[Counterstream Radio]].
'''New Music USA''' is a new music organization formed by the merging of the [[#American Music Center|American Music Center]] with [[#Meet The Composer|Meet The Composer]] on November 8, 2011.<ref>"[http://www.newmusicbox.org/articles/american-music-center-and-meet-the-composer-have-officially-merged-as-new-music-usa/ American Music Center and Meet The Composer Have Officially Merged as New Music USA]", ''NewMusicBox.org'' (2011).</ref> The new organization retains the granting programs of the two former organizations as well as two media programs originally created at the American Music Center: [[NewMusicBox]] and [[Counterstream Radio]].


==American Music Center==
==American Music Center==
The '''American Music Center''' was a [[non-profit]] organization which aimed to promote the creating, performing, and enjoying new American music. It was founded in 1939 as a membership organization by composers [[Marion Bauer]], [[Aaron Copland]], [[Howard Hanson]], [[Harrison Kerr]], [[Otto Luening]], and [[Quincy Porter]].
The '''American Music Center''' was a [[non-profit]] organization which aimed to promote the creating, performing, and enjoying new American music. It was founded in 1939 as a membership organization by composers [[Marion Bauer]], [[Aaron Copland]], [[Howard Hanson]], [[Harrison Kerr]], [[Otto Luening]], and [[Quincy Porter]].


For many years the main activity of the Center was the accumulation of a library of American music which accepted score submissions from all composers who joined as members. The Center's library, which eventually contained over 60,000 individual scores, featured published materials as well as unpublished manuscripts, many of which were unavailable elsewhere. (On June 29, 2001, the entire collection was transferred to The New York Public Library for the Performing Arts at Lincoln Center.<ref>http://www.newmusicbox.org/articles/AMC-Library-Moves-to-NYPL-at-Lincoln-Center/ {{bare-inline|date=May 2014}}</ref>)
For many years the main activity of the Center was the accumulation of a library of American music which accepted score submissions from all composers who joined as members. The Center's library, which eventually contained over 60,000 individual scores, featured published materials as well as unpublished manuscripts, many of which were unavailable elsewhere. (On June 29, 2001, the entire collection was transferred to The New York Public Library for the Performing Arts at Lincoln Center.<ref>"[http://www.newmusicbox.org/articles/AMC-Library-Moves-to-NYPL-at-Lincoln-Center/ AMC Library Moves to NYPL at Lincoln Center]", ''NewMusicBox.org'' (2001).</ref>)


In the 1950s, the Center created a program to commission, perform, and record new American orchestral works, which resulted in 18 commissioned orchestral works, 72 performances, 12 recordings, and a [[Pulitzer Prize]] for [[John La Montaine]]'s Concerto for Piano and Orchestra. In the early 1960s, the Center initiated its Copying Assistance Program, later renamed the Composer Assistance Program, which gave grants directly to composers to assist in the preparation of performance materials. In subsequent decades, the Center established additional grant programs including one which funded the live performance of music at dance presentations. In 1999, the American Music Center launched the web magazine ''NewMusicBox'', and, in 2007, [[Counterstream Radio]], a 24-hour online station broadcasting music by United States composers. It has grants for composers and ensembles, and offers professional development resources for new music professionals.
In the 1950s, the Center created a program to commission, perform, and record new American orchestral works, which resulted in 18 commissioned orchestral works, 72 performances, 12 recordings, and a [[Pulitzer Prize]] for [[John La Montaine]]'s Concerto for Piano and Orchestra. In the early 1960s, the Center initiated its Copying Assistance Program, later renamed the Composer Assistance Program, which gave grants directly to composers to assist in the preparation of performance materials. In subsequent decades, the Center established additional grant programs including one which funded the live performance of music at dance presentations. In 1999, the American Music Center launched the web magazine ''NewMusicBox'', and, in 2007, [[Counterstream Radio]], a 24-hour online station broadcasting music by United States composers. It has grants for composers and ensembles, and offers professional development resources for new music professionals.
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<!--According to its website,-->Meet The Composer's mission was, "to increase opportunities for composers by fostering the creation, performance, dissemination, and appreciation of their music."<ref>"[http://www.philanthropynewsdigest.org/npo-spotlight/meet-the-composer NPO Spotlight: Meet The Composer]", ''PhilantrhopyNewsDigest.org''.</ref><ref>"[http://artisttrust.org/index.php/for-artists/opportunity/new_music_usa_grants_call_for_musicians Opportunities: New Music USA / Grants / Call for Musicians]", ''ArtistTrust.org''.</ref><ref>"[http://www.earshotnetwork.org/partners.htm EarShot Partners]", ''EarShotNetwork.org''.</ref>
<!--According to its website,-->Meet The Composer's mission was, "to increase opportunities for composers by fostering the creation, performance, dissemination, and appreciation of their music."<ref>"[http://www.philanthropynewsdigest.org/npo-spotlight/meet-the-composer NPO Spotlight: Meet The Composer]", ''PhilantrhopyNewsDigest.org''.</ref><ref>"[http://artisttrust.org/index.php/for-artists/opportunity/new_music_usa_grants_call_for_musicians Opportunities: New Music USA / Grants / Call for Musicians]", ''ArtistTrust.org''.</ref><ref>"[http://www.earshotnetwork.org/partners.htm EarShot Partners]", ''EarShotNetwork.org''.</ref>


In 2005, Meet The Composer was among 406 [[New York City]] arts and social service institutions to receive part of a $20 million grant from the [[Carnegie Corporation]], which was made possible through a donation by New York City mayor [[Michael Bloomberg]].<ref>http://www.nytimes.com/2005/07/06/nyregion/06donate.html?ex=1278302400&en=93a1beabd4ede5b8&ei=5090&partner=rssuserland&emc=rss {{bare-inline|date=May 2014}}</ref><ref>http://carnegie.org/sub/news/anon2005.html {{bare-inline|date=May 2014}}</ref>
In 2005, Meet The Composer was among 406 [[New York City]] arts and social service institutions to receive part of a $20 million grant from the [[Carnegie Corporation]], which was made possible through a donation by New York City mayor [[Michael Bloomberg]].<ref>Roberts, Sam (2005). "[http://www.nytimes.com/2005/07/06/nyregion/06donate.html?ex=1278302400&en=93a1beabd4ede5b8&ei=5090&partner=rssuserland&emc=rss City Groups Get Bloomberg Gift of $20 Million]", ''NYTimes.com''. Accessed May 31 2014.</ref><ref>{{Wayback|url=http://carnegie.org/sub/news/anon2005.html|title=Carnegie Corporation News: Carnegie Corporation Of New York Announces Twenty Million Dollars In New York City Grants|date=20090116053942}} Accessed May 31 2014.</ref>


==References==
==References==

Revision as of 21:35, 31 May 2014

New Music USA is a new music organization formed by the merging of the American Music Center with Meet The Composer on November 8, 2011.[1] The new organization retains the granting programs of the two former organizations as well as two media programs originally created at the American Music Center: NewMusicBox and Counterstream Radio.

American Music Center

The American Music Center was a non-profit organization which aimed to promote the creating, performing, and enjoying new American music. It was founded in 1939 as a membership organization by composers Marion Bauer, Aaron Copland, Howard Hanson, Harrison Kerr, Otto Luening, and Quincy Porter.

For many years the main activity of the Center was the accumulation of a library of American music which accepted score submissions from all composers who joined as members. The Center's library, which eventually contained over 60,000 individual scores, featured published materials as well as unpublished manuscripts, many of which were unavailable elsewhere. (On June 29, 2001, the entire collection was transferred to The New York Public Library for the Performing Arts at Lincoln Center.[2])

In the 1950s, the Center created a program to commission, perform, and record new American orchestral works, which resulted in 18 commissioned orchestral works, 72 performances, 12 recordings, and a Pulitzer Prize for John La Montaine's Concerto for Piano and Orchestra. In the early 1960s, the Center initiated its Copying Assistance Program, later renamed the Composer Assistance Program, which gave grants directly to composers to assist in the preparation of performance materials. In subsequent decades, the Center established additional grant programs including one which funded the live performance of music at dance presentations. In 1999, the American Music Center launched the web magazine NewMusicBox, and, in 2007, Counterstream Radio, a 24-hour online station broadcasting music by United States composers. It has grants for composers and ensembles, and offers professional development resources for new music professionals.

Meet The Composer

Meet The Composer was a United States organization founded in 1974 by the composer John Duffy as a project of the New York State Council on the Arts and the American Music Center. It seeks to assist composers in making a living through writing music by sponsoring commissioning, residency, education, and audience interaction programs.

Meet The Composer's mission was, "to increase opportunities for composers by fostering the creation, performance, dissemination, and appreciation of their music."[3][4][5]

In 2005, Meet The Composer was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg.[6][7]

References

  1. ^ "American Music Center and Meet The Composer Have Officially Merged as New Music USA", NewMusicBox.org (2011).
  2. ^ "AMC Library Moves to NYPL at Lincoln Center", NewMusicBox.org (2001).
  3. ^ "NPO Spotlight: Meet The Composer", PhilantrhopyNewsDigest.org.
  4. ^ "Opportunities: New Music USA / Grants / Call for Musicians", ArtistTrust.org.
  5. ^ "EarShot Partners", EarShotNetwork.org.
  6. ^ Roberts, Sam (2005). "City Groups Get Bloomberg Gift of $20 Million", NYTimes.com. Accessed May 31 2014.
  7. ^ Template:Wayback Accessed May 31 2014.

External links