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{{short description|Italian-born Danish dancer, choreographer and ballet master}}
{{Infobox person
{{Infobox person
| name = Vincenzo Galeotti
| name = Vincenzo Galeotti
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| birth_name =
| birth_name =
| birth_date = {{Birth date|1733|3|5|df=yes}}
| birth_date = {{Birth date|1733|3|5|df=yes}}
| birth_place = [[Florence, Italy]]
| birth_place = [[Florence]], Italy
| death_date = {{Death date and age|1816|12|16|1733|3|5|df=yes}}
| death_date = {{Death date and age|1816|12|16|1733|3|5|df=yes}}
| death_place = [[Copenhagen, Denmark]]
| death_place = [[Copenhagen]], Denmark
| resting_place = [[Assistens Cemetery (Copenhagen)|Assistens Cemetery]], Copenhagen
| resting_place = [[Assistens Cemetery (Copenhagen)|Assistens Cemetery]], Copenhagen
| occupation = [[Ballet master]], [[choreographer]]
| occupation = [[Ballet master]], [[choreographer]]
| nationality = [[Italians|Italian]], later [[Danes|Danish]]
| nationality = Italian, later Danish
| spouse =
| spouse =
| children =
| children =
Line 19: Line 20:


== Life ==
== Life ==
Vincenzo Tomasselli was born in [[Florence]]. He studied medicine but then decided to be a dancer. He was trained by [[Gasparo Angiolini]], just two years older than his student. In 1759 with a stage name ''Galeotti'' he entered the company of Giuseppe Forti which has performed in Venice at the [[Teatro San Moisè]]. In 1761 he became a member of a dance company of another Venice theatre, [[Teatro San Benedetto|San Benedetto]]. In 1763 he married the principal dancer Antonia Guidi, who was trained in Stuttgart by [[Jean-Georges Noverre]].
Vincenzo Tomasselli was born in [[Florence]]. He studied medicine but then decided to be a dancer. He was trained by [[Gasparo Angiolini]], just two years older than his student. In 1759 he joined the company of Giuseppe Forti, which performed in Venice at the [[Teatro San Moisè]], with the stage name ''Galeotti''. In 1761, he joined the dance company of another Venice theatre, [[Teatro San Benedetto|San Benedetto]]. In 1763 he married the principal dancer Antonia Guidi, who was trained in Stuttgart by [[Jean-Georges Noverre]].


In 1765 at the Teatro San Benedetto he choreographed his first works. Next season he worked at the [[Teatro Goldoni (Venice)|Teatro San Luca]], in 1766–1767 the couple performed in [[Teatro Regio (Turin)|Torino Opera]] and in 1767–1769 again in Venice, in [[Teatro San Benedetto|San Benedetto]]. In 1769–1770 they were in London at the [[Her Majesty's Theatre|Haymarket Opera]] where Galeotti choreographed dances for [[Christoph Willibald Gluck]]'s ''[[Orfeo ed Euridice]]''. In 1771–1772 they worked in Milan under direction of Jean-Georges Noverre. In 1772–1773 they went back to Venice, to the Teatro San Moisè and in 1773 moved to Genoa.
In 1765, at the Teatro San Benedetto, he choreographed his first works. Next season he worked at the [[Teatro Goldoni (Venice)|Teatro San Luca]]. In 1766–1767, the couple performed in [[Teatro Regio (Turin)|Torino Opera]] and in 1767–1769 again in Venice, in [[Teatro San Benedetto|San Benedetto]]. In 1769–1770 they were in London at the [[Her Majesty's Theatre|Haymarket Opera]] where Galeotti choreographed dances for [[Christoph Willibald Gluck]]'s ''[[Orfeo ed Euridice]]''. In 1771–1772 they worked in Milan under direction of Jean-Georges Noverre. In 1772–1773 they went back to Venice, to the Teatro San Moisè and in 1773 moved to Genoa.


In 1775 Galeotti was called to [[Copenhagen]] assume the directorship of the [[Royal Danish Ballet]] replacing another Italian, [[Antonio Sacco]]. His wife Antonia entered the company a year later but quite soon left the stage switched for teaching. Galeotti remained in Copenhagen for the rest of his life, obtaining Danish citizenship and a lifetime directorship in 1781. Galeotti continued to perform in mime roles until 1812. In that year, very unusually for a performing artist, he was made a Knight of the [[Order of the Dannebrog]]. In 1814, he was also awarded a titulary professorship.
In 1775 Galeotti was called to [[Copenhagen]] assume the directorship of the [[Royal Danish Ballet]] replacing another Italian, [[Antonio Sacco]]. His wife Antonia entered the company a year later but soon left the stage in order to teach. Galeotti remained in Copenhagen for the rest of his life, obtaining Danish citizenship and a lifetime directorship in 1781. Galeotti continued to perform in mime roles until 1812. In that year, very unusually for a performing artist, he was made a Knight of the [[Order of the Dannebrog]]. In 1814, he was also awarded a titulary professorship.


Galeotti was the teacher of the noted ballerina [[Anine Frølich]], making her the star vehicle of his innovative choreography. They were also romantically involved, but the relationship ended unhappily.
Galeotti was the teacher of the noted ballerina [[Anine Frølich]], making her the star of his innovative choreography. They were also romantically involved, but the relationship ended unhappily.


== Works ==
== Works ==
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Galeotti was a leading innovator of ballet in Scandinavia. He was instrumental in introducing the ''[[Ballet d'action]]'' to Danmark and created the first ballet with a Nordic subject (''[[Lagertha (ballet)|Lagertha]]'', 1801, based on the [[Lagertha|legendary Viking shieldmaiden]]), as well as the first choreographies inspired by [[William Shakespeare]] (''Romeo and Juliet'', 1811, and ''Macbeth'', 1816), with music written by [[Claus Schall]].
Galeotti was a leading innovator of ballet in Scandinavia. He was instrumental in introducing the ''[[Ballet d'action]]'' to Danmark and created the first ballet with a Nordic subject (''[[Lagertha (ballet)|Lagertha]]'', 1801, based on the [[Lagertha|legendary Viking shieldmaiden]]), as well as the first choreographies inspired by [[William Shakespeare]] (''Romeo and Juliet'', 1811, and ''Macbeth'', 1816), with music written by [[Claus Schall]].


He created more than 50 works, often adapting French tragedies or moral dramas for ballet. Galeotti's most lasting success, and the only work by him still commonly performed today, is ''[[Amors og Balletmesterens Luner]]'' (''The Whims of Cupid and the Ballet Master,'' 1786),{{r|"Goldberg Bennahum Hayes 2015 p. 73"}} which is the oldest European ballet still danced to its original choreography and music (by [[Jens Lolle]]); it has been staged more than 500 times.
He created more than 50 works, often adapting French tragedies or moral dramas for ballet. Galeotti's most lasting success, and the only work by him still commonly performed today, is ''[[Amors og Balletmesterens Luner]]'' (''The Whims of Cupid and the Ballet Master,'' 1786),{{r|"Goldberg Bennahum Hayes 2015 p. 73"}} which is the oldest European ballet still danced to its original choreography and music (by {{ill|Jens Lolle|da}});{{r|"oxfordreference2011080312"}} it has been staged more than 500 times.


== References ==
== References ==
{{reflist|refs=
{{reflist|refs=
<ref name="Goldberg Bennahum Hayes 2015 p. 73">{{cite book
<ref name="Goldberg Bennahum Hayes 2015 p. 73">{{cite book
| last = Goldberg
| last1 = Goldberg
| first = K.M.
| first1 = K.M.
| last2 = Bennahum
| last2 = Bennahum
| first2 = N.D.
| first2 = N.D.
Line 49: Line 50:
| access-date = 25 August 2018
| access-date = 25 August 2018
| page = 73
| page = 73
}}</ref>
<ref name="oxfordreference2011080312">{{cite web
| url = http://www.oxfordreference.com/view/10.1093/oi/authority.20110803122042838
| title = Whims of Cupid and the Ballet Master - Oxford Reference
| access-date = 25 August 2018
}}</ref>
}}</ref>
}}
}}
* [[Dansk Biografisk Leksikon]], [http://www.denstoredanske.dk/Dansk_Biografisk_Leksikon/Kunst_og_kultur/Dans/Solodanser/Vincenzo_Galeotti Vincenzo Galeotti]
* [[Dansk Biografisk Leksikon]], [http://www.denstoredanske.dk/Dansk_Biografisk_Leksikon/Kunst_og_kultur/Dans/Solodanser/Vincenzo_Galeotti Vincenzo Galeotti]
* [[Danske Literaturpriser]], [https://web.archive.org/web/20071201002914/http://www.litteraturpriser.dk/1850/bibGVincenzoGaleotti.htm Vincenzo Galleotti]
* Danske Literaturpriser, [https://web.archive.org/web/20071201002914/http://www.litteraturpriser.dk/1850/bibGVincenzoGaleotti.htm Vincenzo Galleotti]


== External links ==
== External links ==

Latest revision as of 10:11, 15 February 2023

Vincenzo Galeotti
Born(1733-03-05)5 March 1733
Florence, Italy
Died16 December 1816(1816-12-16) (aged 83)
Copenhagen, Denmark
Resting placeAssistens Cemetery, Copenhagen
NationalityItalian, later Danish
Occupation(s)Ballet master, choreographer

Vincenzo Galeotti (5 March 1733 – 16 December 1816) was an Italian-born Danish dancer, choreographer and ballet master, who was influential as the director of the Royal Danish Ballet from 1775 until his death.

Life[edit]

Vincenzo Tomasselli was born in Florence. He studied medicine but then decided to be a dancer. He was trained by Gasparo Angiolini, just two years older than his student. In 1759 he joined the company of Giuseppe Forti, which performed in Venice at the Teatro San Moisè, with the stage name Galeotti. In 1761, he joined the dance company of another Venice theatre, San Benedetto. In 1763 he married the principal dancer Antonia Guidi, who was trained in Stuttgart by Jean-Georges Noverre.

In 1765, at the Teatro San Benedetto, he choreographed his first works. Next season he worked at the Teatro San Luca. In 1766–1767, the couple performed in Torino Opera and in 1767–1769 again in Venice, in San Benedetto. In 1769–1770 they were in London at the Haymarket Opera where Galeotti choreographed dances for Christoph Willibald Gluck's Orfeo ed Euridice. In 1771–1772 they worked in Milan under direction of Jean-Georges Noverre. In 1772–1773 they went back to Venice, to the Teatro San Moisè and in 1773 moved to Genoa.

In 1775 Galeotti was called to Copenhagen assume the directorship of the Royal Danish Ballet replacing another Italian, Antonio Sacco. His wife Antonia entered the company a year later but soon left the stage in order to teach. Galeotti remained in Copenhagen for the rest of his life, obtaining Danish citizenship and a lifetime directorship in 1781. Galeotti continued to perform in mime roles until 1812. In that year, very unusually for a performing artist, he was made a Knight of the Order of the Dannebrog. In 1814, he was also awarded a titulary professorship.

Galeotti was the teacher of the noted ballerina Anine Frølich, making her the star of his innovative choreography. They were also romantically involved, but the relationship ended unhappily.

Works[edit]

Main article: List of ballets by Vincenzo Galeotti

Galeotti was a leading innovator of ballet in Scandinavia. He was instrumental in introducing the Ballet d'action to Danmark and created the first ballet with a Nordic subject (Lagertha, 1801, based on the legendary Viking shieldmaiden), as well as the first choreographies inspired by William Shakespeare (Romeo and Juliet, 1811, and Macbeth, 1816), with music written by Claus Schall.

He created more than 50 works, often adapting French tragedies or moral dramas for ballet. Galeotti's most lasting success, and the only work by him still commonly performed today, is Amors og Balletmesterens Luner (The Whims of Cupid and the Ballet Master, 1786),[1] which is the oldest European ballet still danced to its original choreography and music (by Jens Lolle [da]);[2] it has been staged more than 500 times.

References[edit]

  1. ^ Goldberg, K.M.; Bennahum, N.D.; Hayes, M.H. (2015). Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives. McFarland, Incorporated, Publishers. p. 73. ISBN 978-1-4766-2102-9. Retrieved 25 August 2018.
  2. ^ "Whims of Cupid and the Ballet Master - Oxford Reference". Retrieved 25 August 2018.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Vincenzo_Galeotti&oldid=1139478601"