Zoltán Jeney: Difference between revisions

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Jeney's earliest compositions show the influence of [[Béla Bartók]], [[Luigi Dallapiccola]], [[Anton Webern]], [[Alban Berg]], the new Polish school, [[György Kurtág]], and [[Zsolt Durkó]]. In the late 1960s, he began to take an interest in [[Pierre Boulez]]'s theories, [[Karlheinz Stockhausen]]'s compositions, and oriental philosophy—a direction intensified as a result of his contact with Cage's thought.<ref>Kroó and Willson 2001.</ref> In the 1970s Jeney began composing music in the [[minimalist music|minimal]] style,{{Citation needed|date=February 2010}}<!--Though this may be true, Kroó and Willson do not indicate anything of the sort.--> and his works are often characterized by an extremely spare and static quality.
Jeney's earliest compositions show the influence of [[Béla Bartók]], [[Luigi Dallapiccola]], [[Anton Webern]], [[Alban Berg]], the new Polish school, [[György Kurtág]], and [[Zsolt Durkó]]. In the late 1960s, he began to take an interest in [[Pierre Boulez]]'s theories, [[Karlheinz Stockhausen]]'s compositions, and oriental philosophy—a direction intensified as a result of his contact with Cage's thought.<ref>Kroó and Willson 2001.</ref> In the 1970s Jeney began composing music in the [[minimalist music|minimal]] style,{{Citation needed|date=February 2010}}<!--Though this may be true, Kroó and Willson do not indicate anything of the sort.--> and his works are often characterized by an extremely spare and static quality.


Since 1986 Jeney has been a professor at the [[Liszt Ferenc Academy of Music]] in Budapest, Hungary where, since 1995, he has served as Head of the Department of Composition.<ref>Kroó and Willson 2001.</ref> Several of his compositions have been released on the [[Hungaroton]] label.<ref>[http://www.classicsonline.com/composerbio/Zoltan_Jeney_27981/ Classics Online website] {{wayback|url=http://www.classicsonline.com/composerbio/Zoltan_Jeney_27981/ |date=20111125173137 }}</ref>
Since 1986 Jeney has been a professor at the [[Liszt Ferenc Academy of Music]] in Budapest, Hungary where, since 1995, he has served as Head of the Department of Composition.<ref>Kroó and Willson 2001.</ref> Several of his compositions have been released on the [[Hungaroton]] label.<ref>[http://www.classicsonline.com/composerbio/Zoltan_Jeney_27981/ Classics Online website] {{webarchive |url=https://web.archive.org/web/20111125173137/http://www.classicsonline.com/composerbio/Zoltan_Jeney_27981/ |date=November 25, 2011 }}</ref>


==Notes==
==Notes==

Revision as of 23:48, 14 November 2016

Zoltán Jeney (b. Szolnok, Hungary, March 4, 1943) is a Hungarian composer.

Jeney first studied piano and attended Pongrácz's composition classes at the Debrecen Secondary Music School, later continuing composition studies with Ferenc Farkas at the Liszt Ferenc Academy of Music in Budapest (1961–66), and the pursuing postgraduate studies with Goffredo Petrassi at the Accademia Nazionale di Santa Cecilia in Rome (1967–68).[1]

Jeney's earliest compositions show the influence of Béla Bartók, Luigi Dallapiccola, Anton Webern, Alban Berg, the new Polish school, György Kurtág, and Zsolt Durkó. In the late 1960s, he began to take an interest in Pierre Boulez's theories, Karlheinz Stockhausen's compositions, and oriental philosophy—a direction intensified as a result of his contact with Cage's thought.[2] In the 1970s Jeney began composing music in the minimal style,[citation needed] and his works are often characterized by an extremely spare and static quality.

Since 1986 Jeney has been a professor at the Liszt Ferenc Academy of Music in Budapest, Hungary where, since 1995, he has served as Head of the Department of Composition.[3] Several of his compositions have been released on the Hungaroton label.[4]

Notes

  1. ^ Kroó and Willson 2001.
  2. ^ Kroó and Willson 2001.
  3. ^ Kroó and Willson 2001.
  4. ^ Classics Online website Archived November 25, 2011, at the Wayback Machine

References

  • Discography at Classics Online.
  • Kroó, György, and Rachel Beckles Willson. 2001. "Jeney, Zoltán". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

External links