Christiane Kruse (art historian, 1961)

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Christiane Kruse (* 1961 in Walsrode ) is a German art historian and university professor at the Muthesius Art College in Kiel in the fields of art history and visual cultures.

Life

She studied art history, modern German literature and medieval studies at the Georg-August University in Göttingen , the Ludwig Maximilians University in Munich and in Florence. Kruse did her doctorate in 1994 at the LMU Munich with her dissertation "The Dutch in the second generation"

As a freelance art historian, she worked in the exhibition organization at Haus der Kunst in Munich , as a lecturer at Wienand Verlag, Cologne , as a freelancer for the Süddeutsche Zeitung in the section "Exhibition and conference book reviews" and at the Frankfurter Allgemeine Zeitung .

From 1996 to 2002 she was a research assistant at the University of Konstanz in the field of “Literature and Anthropology” and in 2002 she completed her habilitation there in the humanities section.

Since 2011 she has been Professor of Art History and Visual Cultures at the Muthesius Art College, Kiel

Monographs

  • Why paint people. Historical foundations of an image medium, Munich 2003 (habilitation thesis)
  • Hans Belting, Christiane Kruse, The Invention of the Painting. The first century of Dutch painting, Munich 1994. (Dissertation)

Editions

  • Taking Offense. Religion, Art, and Visual Culture in Plural Configurations, ed. by Christiane Kruse / Birgit Meyer / Anne-Marie Korte, Wilhelm Fink Verlag, Munich 2018
  • Facades? Strategies for showing and hiding history in art, ed. by Christiane Kruse / Victoria von Flemming, Wilhelm Fink Verlag, Munich 2017.
  • zhiran / nature. Art, Nature and Ethics, ed. by Christiane Kruse and Antje Majewski, Sternberg Press, Berlin 2015.
  • Christiane Kruse (ed.), Mask, masquerade. From baroque to modern, Wiesbaden 2014.
  • Flora Hitzing. Core areas, with an interview by Christiane Kruse, Dortmund 2014.
  • Christiane Kruse (ed.), Dis / siumulatio and the art of the mask in the Baroque, Wiesbaden 2013.
  • Christiane Kruse, Rainer Stillers (ed.), Image Cultures of the Baroque. Dialogue of the arts in GB Marinos La Galeria, Wiesbaden 2012.
  • Horst Bredekamp, ​​Christiane Kruse, Pablo Schneider (eds.), Imagination and Representation. Two spheres of the early modern era, Munich 2010.
  • “Non / artistic images”, issue 4/2009 of the critical reports.
  • Giovann Battista Marino. La Galeria, Italian-German, ed. and over. by Christiane Kruse and Rainer Stillers, Mainz 2009.
  • Christiane Kruse, Isabel Greschat: “In the time of incomprehensible events”. Adolf Buchleiter: Drawings for Dante's Divine Comedy, Galerie Pforzheim 2009.
  • Christiane Kruse, Felix Thürlemann (ed.), Portrait - Landscape - Interior. Jan van Eyck's Rolin-Madonna in its aesthetic context, Tübingen 1999.

Web links

Individual evidence

  1. ^ A b Hans Belting, Christiane Kruse: The invention of the painting: the first century of Dutch painting . Hirmer, Munich 1994, ISBN 978-3-7774-6450-3 ( dnb.de [accessed June 18, 2020]).
  2. ↑ a b c d Prof. in Dr. habil. Christiane Kruse ›Muthesius Art College. Retrieved June 18, 2020 (German).
personal data
SURNAME Kruse, Christiane
BRIEF DESCRIPTION German art historian
DATE OF BIRTH 1961
PLACE OF BIRTH Walsrode