Daniela Bohde

from Wikipedia, the free encyclopedia

Daniela Bohde (* 1964 ) is a German art historian and full professor of art history of pre-modern at the University of Stuttgart .

Life

Daniela Bohde studied art history, modern German literature , philosophy and social and economic history at the University of Hamburg from 1984 to 1993 . In 1999 she received her doctorate there on the subject of skin, flesh and color - physicality and materiality in Titian's paintings . She then completed a post-doctoral fellowship at the Frankfurt Graduate College Psychological Energies in the Fine Arts. From 2001 to 2008 she worked as an assistant at the Art History Institute of the Johann Wolfgang Goethe University in Frankfurt am Main , after which she received a scholarship at the Art History Institute in Florence (an institute of the Max Planck Society). In 2009 she completed her habilitation in Frankfurt on the subject of art history as physiognomic science - a figure of thought in German-language art history literature between 1920 and 1950. From 2010 to 2011 she was a Samuel H. Kress Senior Fellow at the Center for Advanced Study in the Visual Arts (CASVA) worked at the National Gallery of Art in Washington .

Between 2011 and 2015 she worked as a substitute professor at the University of Basel , the Philipps University of Marburg and the Ludwig Maximilians University of Munich .

In 2015 Daniela Bohde received the Heisenberg scholarship , which she did not accept because of the call to the University of Stuttgart, as well as research grants from the DFG . Since then she has headed the Art History Institute at the University of Stuttgart.

Area of ​​Expertise

Her research focuses on the art of the late Middle Ages and the early modern period in Germany and Italy . She has also done research in the field of body and gender history. Another focus is the methodological history of art history, especially during the National Socialist era.

Memberships

Daniela Bohde is a member of the scientific advisory board of the German Study Center in Venice , the scientific advisory board of the Journal of Art History , the Stuttgart Research Center for Text Studies and AcademiaNet .

Publications (selection)

Books

  • with Alessandro Nova (ed.): Beyond the disegno: the emergence of independent drawings in Germany and Italy in the 15th and 16th centuries . Petersberg 2018, ISBN 978-3-7319-0459-5 .
  • Spaces of passion. Visions of space, places of remembrance and topographies of the Passion of Christ in the Middle Ages and early modern times . In: Daniela Bohde and Hans Aurenhammer (eds.): Vestigia Bibliae - Yearbook of the German Bible Archive Hamburg . tape 32/33 . Bern 2015, ISBN 978-3-0343-1535-7 .
  • Art history as a physiognomic science - critique of a figure of thought from the 1920s to 1940s . Berlin 2012, ISBN 978-3-05-005558-9 .
  • with Mechthild Fend (Ed.): Neither skin nor flesh. The incarnate in art history . Berlin 2007, ISBN 978-3-7861-2545-7 .
  • Skin, flesh and color - physicality and materiality in Titian's paintings . Emsdetten / Berlin 2002, ISBN 3-9805644-9-5 .

Essays

  • Mary Magdalene at the Foot of the Cross: Iconography and the Semantics of Place . In: Communications from the Art History Institute in Florence . tape LXI , no. 1 , 2019, p. 2-43 .
  • The topos of the 'expressive line' and the drawing strategies of Wolf Huber and Albrecht Altdorfer . In: Jiří Fajt and Susanne Jaeger (eds.): The expressive in art 1500–1550. Albrecht Altdorfer and his contemporaries . Berlin 2018, ISBN 978-3-422-07303-6 , pp. 25-41 .
  • with Alessandro Nova: Independent drawings. Terms, functions, perspectives . In: Alessandro Nova and Daniela Bohde (eds.): Jenseits des disegno. The emergence of independent drawings in Germany and Italy in the 15th and 16th centuries . Petersberg 2018, ISBN 978-3-7319-0459-5 , pp. 8-29 .
  • The artistic handwriting as an expression of character? The apparent continuity of a topos: Giorgio Vasaris maniera - Roger de Piles' caractères - Wilhelm Fraengers form psychograms . In: Fabian Jonietz and Alessandro Nova (eds.): Vasari as paradigm. Reception, Criticism, Perspectives / The Paradigm of Vasari. Reception, Criticism, Perspectives . Venice 2016, ISBN 978-88-317-2661-0 , pp. 67-78 .
  • with Hans Aurenhammer: The spaces of passion - an overlooked dimension? In: Daniela Bohde and Hans Aurenhammer (eds.): Rooms of Passion. Visions of space, places of remembrance and topographies of the Passion of Christ in the Middle Ages and early modern times . Bern 2015, ISBN 978-3-0343-1535-7 , pp. 1-9 .
  • Viewing spaces - the viewer's space in depictions of the Passion by Schongauer, Baldung and Altdorfer . In: Daniela Bohde and Hans Aurenhammer (eds.): Rooms of Passion. Visions of space, places of remembrance and topographies of the Passion of Christ in the Middle Ages and early modern times . Bern 2015, ISBN 978-3-0343-1535-7 , pp. 377-411 .
  • Johann Caspar Lavater's physiognomy or the attempt to make the invisible visible . In: Jürgen Kaufmann, Martin Kirves and Dirk Uhlmann (eds.): Visibility and Invisibility around 1800. Visuality in Science, Literature and Art around 1800 . Paderborn 2014, ISBN 978-3-7705-5647-2 , pp. 159-183 .
  • Political Iconology in National Socialism: From Hubert Schrade to Reinhart Koselleck . In: Hubert Locher and Adriana Markantonatos (eds.): Reinhart Koselleck and political iconology . Berlin 2013, ISBN 978-3-422-07161-2 , pp. 210-227 .
  • Drawing as an Expression of the Artist? Reflections on the Status and Function of Sixteenth-Century German Drawings . In: G. Ulrich Großmann and Petra Krutisch (eds.): The challenge of the object: 33rd congress of the International Committee of the History of Art, 2012 Germanisches Nationalmuseum Nürnberg . tape 3 . Nuremberg 2013, p. 1041-1045 .
  • The Physiognomics of Architecture - Heinrich Wölfflin, Hans Sedlmayr and Paul Schultze-Naumburg . In: Daniel Adler and Mitchell Frank (Eds.): German Art History and Scientific Thought - Beyond Formalism . Farnham (Ashgate) 2012, ISBN 978-1-4094-4023-9 , pp. 117-140 .
  • Oblique views - eccentric compositions: Crucifixions and Lamentations in old German painting and graphics . In: Journal for Art History . tape 75 , no. 2 , 2012, p. 193-222 .
  • Physiognomic Figures of Thought in Art History and Visual Sciences - Lavater and the Consequences . In: Journal for Aesthetics and General Art History . tape 56 , no. 1 , 2011, p. 89-121 .
  • Pieter Bruegel's Macchia and Hans Sedlmayr's physiognomic vision - psychological interpretation models by Hans Sedlmayr . In: Wiener Jahrbuch für Kunstgeschichte . tape 57 , 2008, p. 239-262 .
  • Cultural-historical and iconographic approaches in art history during National Socialism . In: Ruth Heftrig, Olaf Peters and Barbara Schellewald (eds.): Art history in the “Third Reich”. Theories, methods, practices . Berlin 2008, ISBN 978-3-05-004448-4 , pp. 189-204 .
  • Light, color and the body in Titian's S. Salvador Annunciation and Naples Danae . In: Joanna Woods Marsden (ed.): Titian: Materiality, istoria, portraits . Turnhout 2007, ISBN 978-2-503-51839-8 , pp. 19-28 .
  • Shape . In: Tristan Weddigen (Hrsg.): Mythen der Kunstwissenschaft - Art Historical Mythologies . Marburg 2007, p. 67-72 .
  • The belated reredos - reflections on the function of frescoes and panel paintings in San Francesco in Assis . In: Nicole Hegener, Claudia Lichte and Bettina Marten (eds.): Curiosa Poliphili - Festgabe for Horst Bredekamp . Leipzig 2007, ISBN 978-3-86502-162-5 , pp. 139-147 .
  • Titian's “Flaying of Marsyas”: the metaphorization of an act of violence . In: Ursula Renner and Manfred Schneider (eds.): Skinning - readings of the Marsyas myth . Munich 2006, ISBN 3-7705-4014-X , p. 134-160 .
  • Pellis Memoriae Peccatorum: The moralization of the skin in frontispieces and anatomy theaters in the Netherlands in the 17th century - a blind spot in medical history after 1945 . In: Albert Schirrmeister (Ed.): Dissections: Anatomy and Perception in the Early Modern Age (time leaps 9.1) . Frankfurt 2005, ISBN 3-465-03383-3 , pp. 327-358 .
  • St. Sebastian - a saint of the sodomites? In: Mechthild Fend and Marianne Koos (eds.): Masculinity in view - visual staging in art since the early modern era . Böhlau, Cologne / Weimar / Vienna 2004, ISBN 3-412-07204-4 , pp. 79-98 .
  • Abraded, tanned and labeled - the human skin as a warning showpiece in the Dutch anatomy tradition . In: Ulrike Zeuch (Ed.): Skin: between 1500 and 1800. Hidden in the book, hidden in the body . Wiesbaden 2003, ISBN 3-447-04829-8 , pp. 130-137 .
  • The shadow of disegno - Benvenuto Cellini's seal designs and Titian's doubts . In: Alessandro Nova and Anna Schreurs-Moret (eds.): Benvenuto Cellini - Art and Art Theory in the 16th Century . Böhlau, Cologne / Weimar / Vienna 2003, ISBN 3-412-11002-7 , pp. 99-122 .
  • Skin and the Search for the Interior: The Representation of Flaying in the Art and Anatomy of the Cinquecento . In: Florike Egmond and Robert Zwijnenberg (eds.): Bodily Extremities. Studies in Early European Cultural History . Aldershot 2003, p. 10-48 .
  • Titian's Three-Altar-Project in the Venetian Church of San Salvador: Strategies of Self-Representation by Members of the Scuola Grande di San Rocco . In: Renaissance Studies . tape 15 , 2001, p. 450-472 .
  • with Katja Gutbrod: Perspective as the language of spatial and object relationships. Reflections on Van Gogh's perspective . In: critical reports . tape 18 , 1990, pp. 37-48 .

Web links

Individual evidence

  1. ↑ a b Ms. Univ.-Prof. Dr. Daniela Bohde | Institute for Art History | University of Stuttgart. Accessed December 31, 2019 .
  2. ↑ Prof. Dr. Daniela Bohde - AcademiaNet. Accessed January 1, 2020 .
  3. ↑ ART FORM: Daniela Bohde: Art history as physiognomic science. Critique of a figure of thought from the 1920s to 1940s, Berlin: Akademie Verlag 2012, ISBN 978-3-05-005558-9 . Accessed January 1, 2020 .
personal data
SURNAME Bohde, Daniela
BRIEF DESCRIPTION German art historian and university professor
DATE OF BIRTH 1964