Dieter Fuder

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Dieter Fuder (born June 13, 1947 ; † June 19, 2011 ) was a German philosopher and German philosopher, university professor of design theory and media studies .

biography

Dieter Fuder studied philosophy and German in Marburg, Heidelberg and Düsseldorf; In 1973 he received his Magister Artium ; In 1976 he obtained his doctorate on the subject of » Thinking by analogy and anthropological difference. On the form and function of poetic logic in Robert Musil's novel ›The Man Without Qualities‹ «. Lectures and publications on postmodern architecture, on the media aesthetics of individual media, primarily poster history, on questions of inter- and transdisciplinary media aesthetics and media philosophy, in particular on Jean Baudrillard's media and social theory, followed. Fuder taught as a professor of design theory, design history, design semiotics, media studies and philosophy from 1979 until his death in 2011 at the Düsseldorf University of Applied Sciences, formerly Düsseldorf University of Applied Sciences , in the design department.

After his death, a seminar in the design department of the Düsseldorf University of Applied Sciences, formerly Düsseldorf University of Applied Sciences , under the direction of Irmgard Sonnen dealt with a congenial research and processing of the research and teaching of Dieter Fuder. The publication: Dieter Fuder appeared in 2013 . The spark of semantics. Design theory as a method of knowledge ed. Irmgard Sonnen / Düsseldorf University of Applied Sciences, Department of Design, Bramsche 2013.

bibliography

  • Order is half of life, language is everything , in: werkundzeit , issue 4/1978, pp. 25-27.
  • On the dialectic of aesthetic and technological rationality , in: Hochschule für Gestaltung Offenbach (Hrsg.) Colloquium 4: Aesthetics and Technology , Offenbach am Main 1978, pp. 144–153.
  • Analogy thinking and anthropological difference. On the form and function of poetic logic in Robert Musil's novel "The Man Without Qualities" , Munich 1979.
  • Who's Afraid of Design Theory? in: Oetz No. 0, magazine in the design department of the Düsseldorf University of Applied Sciences 1979, pp. 23-25.
  • advise me my name, in: Oetz Nr. 2, magazine in the design department of the Düsseldorf University of Applied Sciences July 1980, pp. 29–31.
  • OETZ´spätlese, in: Oetz No. 2, magazine in the design department of the Düsseldorf University of Applied Sciences July 1980, p. 31.
  • On the imperfect paradigm history of the concept of nature - nature on the swing , in: ad 7, Düsseldorf 1980, pp. 19–24.
  • The truth of aesthetic reality and the reality of aesthetic truth , in: Fachhochschule Düsseldorf (ed.) Transfer 1: Basic values-reality-truth , Düsseldorf 1981, pp. 125–169.
  • I. An epilogue , in: Helmut Schmidt-Rhen. die ichicket 1963–1982 , Düsseldorf 1982, op
  • Signals with shot , in: Fachhochschule Düsseldorf (Ed.) Michael Engelmann. Posters from 1951 to 1966. A retrospective , Erlangen 1983, pp. 10-18.
  • Signal effects. Michael Engelmann's posters in the retrospective , in: form. Zeitschrift für Gestaltung, Issue 102 II-1983, pp. 35–37.
  • Type it Easy. Take it Typy. On Typo-Kitsch Art and Typo-Art Kitsch , in: point. The European Type Magazine No. 2/84 pp. 13-17.
  • The sign as an ideologue. Aspects of postmodern architecture , in: ad 12, Düsseldorf 1985, pp. 59–69.
  • Art-poster-art or art and its double , in: Fachhochschule Düsseldorf (Hrsg.) Art-poster-art. International exhibition for museums and galleries of artists and artists , Düsseldorf 1986, pp. 5–10.
  • This there. To the punctum. Poster by Uwe Loesch , in: Düsseldorf University of Applied Sciences (Ed.) Uwe Loesch. Character quotes. Posters from 1968 to 1986 , Düsseldorf 1986, pp. 18-25.
  • Places of the safe adventure , in: Daidalos. Architecture Art Culture Issue 21/1986, pp. 96–106.
  • A picture of the whole of experienceability , in: Fachhochschule Düsseldorf (Ed.) Hans Georg Lenzen: Pictures, Sketches and Fragments , Düsseldorf 1987, oP
  • Simulacren of postmodern aesthetics - The back of the laugh , in: Mikis Theodorakis - The phallus of the sun causes the wind Neuss 1987 pp. 20–23.
  • Janus now , in: Der Architekt , Heft 5/1987, pp. 257–261.
  • Labyrinths of happiness. To the laughter of postmodern architecture [together with Martina Dobbe], in: Der Architekt , Heft 9/1988, pp. 494–497.
  • Architecture in constructive dissent. Deconstructive language games , in: ad 17, Düsseldorf 1989, pp. 47–59.
  • Expeditions of Judgment. Philosophical aspects of the 80s , in: Christian W. Thomsen (Ed.) Aufbruch in die Neunziger, Cologne 1991, pp. 382-425.
  • Strange. On the utopia abductive disposition , in: ad 21, Düsseldorf 1993/1994, pp. 59–69.
  • On the standard of language , in: Der Architekt , Heft 4/1994, pp. 193–197.
  • Read Baudrillard. A foreword [together with Ralf Bohn], in: Ralf Bohn / Dieter Fuder (eds.) Baudrillard. Simulation and seduction , Munich 1994, pp. 7-14.
  • Don-Juanism of knowledge or of the power of seduction , in: Ralf Bohn / Dieter Fuder (Ed.) Baudrillard. Simulation und Verführung , Munich 1994, pp. 23–46.
  • The fear of the very latest - or for an architecture of events , in: ad 22, Düsseldorf 1995/1996, pp. 95-102.
  • Paralogical correspondence. Notes on Jean Baudrillard and Rudolf Heinz , in: Contiguities. Text Festival for Rudolf Heinz , Vienna 1997, pp. 107–117.
  • Jean Baudrillard , in: Monika Betzler / Mara-Daria Cojocaru / Julian Nida-Rümelin (eds.) Aesthetics and philosophy of art. From antiquity to the present in individual representations , Stuttgart 1998, pp. 65–72, 2nd updated and supplemented edition Stuttgart 2012, pp. 79–87.
  • Mental pictures. Posters by Fons Matthias Hickmann , in: Novum 5/1998, pp. 60–65.
  • Communicative and aesthetic functions of the poster in their historical development , in: Joachim-Felix Leonhard u. a. (Ed.) Media Studies. A handbook for the development of media and forms of communication , Berlin / New York 1999, pp. 985–1001.
  • Communicative and aesthetic achievements of language in posters in their historical development , in: Joachim-Felix Leonhard u. a. (Ed.) Media Studies. A handbook for the development of media and forms of communication , Berlin / New York 1999, pp. 1001-1011.
  • Interface Beauty , in: Magazine for Aesthetic Surgery , Issue 3/2002, pp. 8–11.
  • Moon events. A reverse side unfolding , in: Niels Schrader, Hinterm Mond , Düsseldorf 2003, oP
  • The art of the line. On the work of Leo Erb , in: Leo Erb. A life in white , Bielefeld 2003, pp. 21–26.
  • Pictures of the face , in: Helfried Hagenberg (Ed.) Face. Views on the unequal from an aesthetic point of view , Cologne 2005, pp. 7–69.
  • Dilettanten, Designtheologie, überfrachten, Brechung , in: Juli Gudehus, Das Lexikon der visuellen Kommunikation , Mainz, 2010, Dilettanten p. 254, Designtheologie p. 458, überfrachten p. 1600, Brechung p. 2030.
  • There are. Here. There. Posters by Heribert Birnbach , in: Alliance Graphique Internationale German Members 1954–2011 , Berlin 2011.

Web links

Individual evidence

  1. ↑ [1] Fuder, The Spark of Semantics
personal data
SURNAME Fuder, Dieter
BRIEF DESCRIPTION German Germanist and philosopher
DATE OF BIRTH June 13, 1947
DATE OF DEATH June 19, 2011