Hermann Gottschewski

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Hermann Gottschewski (born March 22, 1963 in Freiburg im Breisgau ) is a German musicologist. He is a member of the Freiburg composers interest group.

He studied piano with Jürgen Klodt and Edith Picht-Axenfeld at the Hochschule für Musik Freiburg , where he graduated in 1986. At the same time he studied musicology, Japanese studies and mathematics at the Albert-Ludwigs-Universität Freiburg , where he received his PhD in 1993. phil. received his doctorate . In 2000 he completed his habilitation in musicology at the Humboldt University in Berlin. After assistant positions at the musicology seminars in Freiburg and Berlin and a Heisenberg scholarship , Gottschewski has been an associate professor for musicology in the comparative literature and cultural studies course at the University of Tokyo since 2004 . In 2015 he was appointed full professor at the same institution.

In addition to his dissertation on the early recordings for the Welte-Mignon reproduction piano, Gottschewski published essays and book chapters in German, English and Japanese on the theory, history and analysis of musical interpretation, the history of music theory, musical analysis and the more recent Japanese music history (focus 1880–1930).

In 2007, Chi no enkinhō ( 知 の 遠近 法 , dt. "The perspective of knowledge") was published in Japanese , and in 2015 the book "Aogeba tōtoshi. Maboroshino genkyoku hakkento Shōgakkō shōkashū no zenkiseげkiば " ( 尊 し 幻 の 原 曲 発 見 と 『小学 唱歌 集』 全 軌跡 , dt. "Aogeba tōtoshi. The discovery of the mysterious origin of this song and the complete traces of the songs for elementary school .").

Literature (selection)

  • The interpretation as a work of art: musical organization of time and its analysis using the example of Welte Mignon piano recordings from 1905 . Laaber: Laaber-Verlag, 1993. ISBN 3-89007-309-3 .
  • Hermann Danuser ; Hermann Gottschewski (Ed.): Americanism : Americanism Weill, the search for cultural identity in the modern age . Schliengen: Ed. Argus, 2003.
  • The draft of a sound speech: Cicero's orator and the emergence of musical classics from the spirit of rhetoric . In: drafting and drafting. Berlin: Reimer, 2003, pp. 87-105.

Individual evidence

  1. (See Enders, Bernd (Ed.): KlangArt-Kongress 1993: Neue Musiktechnologie II [1] , p. 373)
  2. Homepage of the institute at Tokyo University (in Japanese): http://fusehime.cu-tokyo.ac.jp/profs/index.html

Web links