Marianne Helms

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Marianne Helms (2018)

Marianne Helms (* 3. July 1936 in Berlin as Marianne Henze ) is a German musicologist .

Life

From 1955 Helms studied musicology (historical musicology and ethnomusicology) as well as medieval and modern history at the Free University of Berlin , where she received her doctorate in 1964 with a dissertation on the masses by Johannes Ockeghem .

From 1965 to 1967 she was a research assistant at the musicological institute there. From autumn 1967 to 1978 she worked as a research assistant at the Johann Sebastian Bach Institute in Göttingen and in 1979 at the Beethoven archive in Bonn.

Since 1980 she has been a member of the Joseph Haydn Institute in Cologne. She worked there as a research assistant and archivist, most recently (from July 1997 to the end of 1998) as research director. In retirement (since 1999) she continued to work as editor on volumes of Haydn's complete edition.

She has been married to the musicologist and music teacher Siegmund Helms (most recently professor at the Cologne University of Music) since 1966 . Her dissertation was published under her maiden name (Henze).

Publications

Editions

Total scientific expenditure

  • Johann Hermann Schein: Venus wreath 1609, student feast 1626 (together with Siegmund Helms) , Kassel et al. 1970 (new edition of all works, vol. 6)
  • Johann Sebastian Bach: Cantatas for the Michaelis Festival , Kassel a.o. 1973 (New Edition of the Complete Works, Series I, Vol. 30, sheet music)
  • Johann Sebastian Bach: Cantatas for the Michaelis Festival , Kassel a.o. 1974 (New Edition of the Complete Works, Series I, Vol. 30, Critical Report)
  • Johann Sebastian Bach: Cantatas for the Feast of Epiphany , up to the 2nd Sunday after Epiphany, Kassel and others 1975 (new edition of all works, series I, vol. 5, music)
  • Johann Sebastian Bach: Cantatas for the Feast of Epiphany , until the 2nd Sunday after Epiphany, Kassel and others 1976 (New edition of all works, series I, vol. 5, critical report)
  • Johann Sebastian Bach: Lutheran masses and individual mass sets (together with Emil Platen) , Kassel et al. 1978 (new edition of all works, series II, vol. 2, musical notes)
  • Johann Sebastian Bach: Lutheran masses and individual mass sets (together with Emil Platen) , Kassel et al. 1982 (new edition of all works, series II, volume 2, critical report)
  • Joseph Haydn: Songs for a Voice with Accompaniment of the Piano , Munich 1983 (Joseph Haydn Works, Series XXIX, Vol. 1, Critical Report)
  • Joseph Haydn: Various Chants with Accompaniment of the Piano , Munich 1988 (Joseph Haydn Works, Series XXIX, Vol. 2, sheet music with a critical report and transfer of the sketches for the songs in Series XXIX, Vol. 1)
  • Joseph Haydn: Stabat Mater 1767 (together with Fred Stoltzfus) , Munich 1993 (Joseph Haydn Works, Series XXII, Vol. 1, sheet music with critical report)
  • Joseph Haydn: Masses No. 3–4 ("Große Orgelsolomesse", "Nikolaimesse") and fragment of the Missa 'Sunt bona mixta malis' (together with James Dack), Munich 1999 (Joseph Haydn Works, Series XXIII, Vol. 2, Sheet music with critical report)
  • Joseph Haydn: Various Church Music Works, 1st episode , Munich 2017 (Joseph Haydn Works, Series XXII, Vol. 2, sheet music with critical report, foreword with contribution by Haydn as head of Esterházy church music)
  • Joseph Haydn: Various church music works, 2nd episode (together with Andreas Friesenhagen), Munich 2018 (Joseph Haydn works, series XXII, vol. 3; sheet music with critical report);


Practical sheet music editions

  • Joseph Haydn: Songs for voice and piano , Urtext, G. Henle Verlag, Munich 1982
  • Joseph Haydn: Arianna a Naxos, Cantata a voce sola , voice and piano, Urtext, G. Henle Verlag, Munich 1990
  • Joseph Haydn: Two Duets, Soprano, Tenor and Piano , Urtext, G. Henle Verlag, Munich 1991

Fonts

  • Studies on the compositions by Johannes Ockeghem (Berlin Studies in Musicology, Vol. 12), Berlin 1968 (also dissertation, Free University Berlin 1964)
  • On the chronology of the handwriting of Anonymus 5 , Appendix 1 in: Johann Sebastian Bach: New Edition of the Complete Works, Series V, Vol. 7: English Suites, Critical Report by Alfred Dürr, Kassel et al. 1981
  • On the origin of the second part of the 24 German Songs , in: Internationaler Joseph Haydn Congress Vienna 1982. Report, ed. by Eva Badura Skoda, Munich 1986, pp. 126-123
  • A sister company of the “Nelsonmesse”? On the edition of Haydn's Te Deum Hob. XXIIIc.2 , in: Haydn Studies (publications of the Joseph Haydn Institute, Cologne), IX, 1–4 (2006), pp. 157–175
  • The Te Deum Hob.XXIIIc.1 / Klafsky V, 3. One of the works ascribed to both Joseph and Michael Haydn , in: Johann Michael Haydn, work and effect. Lectures at the Michael Haydn Congress Salzburg from October 20-22, 2006, ed. by Petrus Eder OSB and Manfred Hermann Schmid, Munich 2010, pp. 57–75
  • Numerous contributions, including the basic articles church music and songs. In: The Haydn Lexicon. Edited by Armin Raab, Christine Siegert and Wolfram Steinbeck , Laaber 2010.

Individual evidence

  1. ^ Joseph Haydn Institute, list of employees

Web links

personal data
SURNAME Helms, Marianne
ALTERNATIVE NAMES Henze, Marianne (maiden name)
BRIEF DESCRIPTION German musicologist
DATE OF BIRTH July 3, 1936
PLACE OF BIRTH Berlin