Michaela Ott

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Michaela Ott (born January 2, 1955 in Munich ) is a German philosopher , film and cultural scientist , author and translator . She is professor for aesthetic theories at the Hamburg University of Fine Arts.

Career

Ott studied philosophy, literature and film studies in Munich, Paris and Berlin. She held visiting professorships at the Kunsthochschule Weißensee / Berlin, at the University of California San Diego, USA, at the Technical University of Stuttgart and at the ZHDK Zurich. In 1992 she received the Alfred Döblin writer's grant from the Berlin Academy of the Arts . She worked as a translator of theoretical texts from French and as a film critic. Since 2005 she has been professor for aesthetic theories at the Hamburg University of Fine Arts .

Her research interests are post-structuralist philosophy, the aesthetics of film and the fine arts, theories of space, affection and dividuation, questions of art knowledge, biennial research, (post) colonial questions with a focus on Africa.

Fonts (selection)

Monographs

  • From mimes to nomads. Readings of the literary in the work of Gilles Deleuze , Vienna: Passagen Verlag, 1998;
  • including Hollywood. Phantasm / Symbolic Order in the Age of Blockbuster Films , Munich: edition text und kritik, 2005;
  • Deleuze - Introduction, Hamburg : Junius Verlag, 2005;
  • Affection. On an aesthetic-epistemic figure , Munich: edition text und kritik, 2010;
  • Dividuations. Theories of Participation , Berlin: b_books, 2015;
  • Dividuations. Theories of Participation , London / New York: Palgrave Macmillan, 2018;
  • Which outside of thinking? French theories in postcolonial criticism , Vienna / Berlin: Turia + Kant, 2018;
  • From dualistic to dividual cultural concepts / From dualistic to dividual concepts of culture , Hamburg: Avinus Verlag, 2019.

Editions

  • Aesthetics + Politics, Redistribution of the Sensual in Art , ed. with Harald Strauss, Hamburg: textem Verlag, 2009;
  • Virtuality and Control , ed. with Hans-Joachim Lenger a. a., Hamburg: textem verlag, 2010;
  • Re *: Aesthetics of Repetition , ed. with Hanne Loreck, Hamburg: textem Verlag, 2014;
  • Timing of Affect. Epistemologies of Affection , ed. with Marie-Luise Angerer and Bernd Bösel, Zurich: diaphanes Verlag, 2014;
  • Situated In Translation. Cultural Communities and Media Practices , ed. with Thomas Weber, Bielefeld: transcript Verlag, 2019.

Translations

  • Gilles Deleuze , Porzellan und Vulkan , Berlin: Merve Verlag, 1977;
  • Jean Baudrillard America , Munich: Verlag Matthes and Seitz, 1985;
  • Jean Baudrillard, Cool Memories , Munich: Verlag Matthes and Seitz, 1989,
  • Jean Baudrillard, The Transparency of Evil , Berlin: Merve Verlag, 1992;
  • Emanuel Bove, Dinahs Tod , Berlin: Friedenauer Presse, 1992;
  • Michel Foucault , In Defense of Society , Frankfurt / M .: Suhrkamp Verlag, 1999;
  • Michel Foucault, Die Anormalen , Frankfurt / M .: Suhrkamp Verlag, 2003;

Web links

Individual evidence

  1. ↑ Michaela Ott | after the movie. Retrieved June 14, 2020 .
  2. ↑ cargo film media culture magazine. Retrieved June 14, 2020 .
  3. ↑ LECTURE 03: Michaela Ott - Dark Conditions - KHM. Retrieved June 14, 2020 .
personal data
SURNAME Ott, Michaela
BRIEF DESCRIPTION German philosopher, film and cultural scientist
DATE OF BIRTH 2nd January 1955
PLACE OF BIRTH Munich