Organ of the Moritzkirche Olomouc

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Organ of the Moritzkirche Olomouc
General
place St. Mauritius Church Olomouc
Organ builder Michael Engler
Rieger-Kloss
Construction year 1740-1745
1959-1971
Last renovation / restoration 1989, 2005 Ivo Roháč
epoch Baroque / 20th century
Organ landscape Moravia
Illustrations
Kostel svateho Morice varhany.jpg
Technical specifications
Number of registers 135
Number of manuals 5
Number of 32 'registers 2

The organ of the Moritzkirche in Olomouc is the largest organ in the Czech Republic . It was started by Michael Engler in 1745 and expanded from 1959 to 1971 by the Rieger-Kloss company . It has 135 stops on five manuals and a pedal .

history

The oldest mention of an organist at the Moritzkirche in Olomouc is from 1496. In 1716 a new positive was built for the Marienkapelle.

In 1730 a large empty organ case was built. In it sat Michael Engler from Breslau a three-manual organ with 44 votes . In 1843 two registers were replaced by Christoph Erler. Otherwise the instrument remained without further major interventions.

Since 1959, the Rieger-Kloss company from Krnov has been building further works around the existing instrument with an additional 94 registers. From 1989 onwards Ivo Roháč carried out some minor changes and repairs. Since that year, there have been annual organ festivals in Olomouc, initiated by Anton Schindler.

Disposition

The organ is the largest in the Czech Republic with 135 stops on five manuals and pedal . Main work, substation (positive), upper work and part of the pedal work are by Michael Engler from 1745, swell work, swell positive, bomb barden work and part of the pedal work by Rieger-Kloss from 1959/1971.

The Engler gaming table has been preserved. It is supplemented by an electric console from Rieger with five manuals. Three pedal registers can be played in concert pitch . The disposition is as follows:

I positive (substation) CDE – c 3
Engler
Principal 8th'
Flauto Amabile 8th'
Unda Maris 8th'
Octava 4 ′
Flaut Minor 4 ′
Trinuna 4 ′
Peak lull 2 23
Great Octava 2 ′
Mixture IV 1 13
harp Rieger
Bells Rieger
II main work CDE – c 3
Engler
Principal 16 ′
Bourdon slack 16 ′
Salicet 16 ′
Principal 8th'
Gemshorn 8th'
Slack major 8th'
Gamba 8th'
Octava 4 ′
Night horn 4 ′
Quinta 2 23
Cimbel II (2 ′)
Mixture VI (2 ′)
Trumpet 8th'
III Oberwerk CDE – c 3
Engler
Principal 8th'
Flaut allemande 8th'
Pipe slack 8th'
Quinta Dena 8th'
Octava 4 ′
Quinta 2 23
Great Octava 2 ′
Mixtura IV ( 1 13 ′)
Vox Humana 8th'
tremolo Rieger-Kloss
harp Rieger-Kloss
Bells Rieger-Kloss
IV Swell CDE – c 3
Rieger-Kloss
Pointed 16 ′
Far principal 8th'
Tube bare 8th'
Harp pipe 8th'
Vox Angelica III (8 ′ + 4 ′ + 4 ′)
Copper octave 4 ′
Capstan flute 4 ′
Cane quintatones 4 ′
Night horn fifth 2 23
Quintadecima 2 ′
Forest flute 2 ′
Coupling flute ore 1 13
Flute 1'
Mixture of colors III – IV
Mixture VI – VII
Quintzimbel III ( 14 ′)
Bassethorn 16 ′
French trumpet 8th'
Rohrschalmei 8th'
Violin shelf 8th'
Clairon 4 ′
tremolo
harp
Bells
V swell positive CDE – c 3
Rieger-Kloss
Dumped 8th'
Funnel principal 4 ′
recorder 4 ′
Minor principal 2 ′
Fifth 1 13
Schwegel 1'
Sesquialtera II ( 2 23 ′)
Sharp V (1')
Krummhorn 8th'
Singing cornet 4 ′
tremolo
V Bombardenwerk CDE – c 3
Rieger-Kloss
Wooden principal 8th'
Solo cornet IV – VI (4 ′)
Principal Mixture VIII (4 ′)
Trumpet 16 ′
Trumpet 8 ′ horizontally
Trumpet 4 ′ horizontal
Pedal CDE – c 1
Engler
Major bass 32 ′
Principal 16 ′
Sub bass 16 ′
Sub bass 16 ′ concert pitch
Quintad bass 16 ′
Quintadena 16 ′ concert pitch
Octave bass 8th'
Octave bass 8 ′ concert pitch
Open bass 8th'
Gemshornquint 5 13
Mixtura VI (4 ′)
Contra trumpet 32 ′ (1743)
Trombone bass 16 ′
Trombabass 8th'
Clarino 4 ′ (Erler 1843)
Pedal CDE – c 1
Rieger-Kloss
Wooden principal 16 ′
Gedacktpommer 16 ′
Large school 10 23
Copper principal 8th'
Lead coupling flute 8th'
Choral bass 4 ′
Pipe whistle 4 ′
Russian horn 2 ′
Rauschbass V ( 5 13 ′)
Mixture VI (2 ′)
Bombard 16 ′
Trumpet 8th'
Head trumpet 4 ′
zinc 2 ′
Bells (Zvony)
  • Pairing :
    • Mechanical (Engler): III / II, I / II, II / P
    • Electrical (Rieger-Kloss): I / III, I / IV, I / V (SP), I / V (BW), II / I, II / III, II / IV, II / V (SP), II / V (BW), III / IV, III / V (SP), III / V (BW), IV / V (SP), IV / V (BW), I / P, II / P, III / P, IV / P, V / P (SP), V / P (BW)
  • Playing aids :
    • Mechanical (Engler): check valve (manual and pedal), calcant
    • Electric (Rieger-Kloss): main work off, hand register off, roller off, Generání Spojka off (general coupling off), manual 16 'and pedal 32' off, mixtures off, Schwellpositiv off, bombbarden work off, pedal (Engler) off, pedal ( Rieger-Kloss), 5 free combinations (A, B, C, D, E).

Technical specifications

  • Mechanical action mechanism
  • Mechanical stop action
  • Swell

literature

  • Rudolf Quoika : The organ of St. Mauritius in Olomouc. Mainz 1949.
  • Antonín Schindler: Varhany Michaela Englera u sv. Mořice v Olomouci [Michael Engler's organ near St. Mauritius in Olomouc]. Olomouc 1966.

Web links

Individual evidence

  1. Dizposice (Czech)
  2. ^ Kostel sv. Mořice Dispositie (Dutch)