The organ in Wanamaker's Department Store in Philadelphia (also known as the Wanamaker Grand Court Organ ) is the largest fully playable organ in the world. It is set up in the seven-story courtyard of a Macy’s department store, the former John Wanamaker Store .
The organ was built in 1904 by the Los Angeles Art Organ Company , the successor to Murray M. Harris Organ Co., for the 1904 Louisiana Purchase Exposition . Since 1902, several organ builders had made suggestions for the construction of the Principal Recital Organ . In 1903, Murray M. Harris was awarded the contract to build an organ for the Kansas City Convention Hall , which would initially be exhibited at the Louisiana Purchase Exposition. The price was $ 67,000. William B. Fleming (1849–1940) became superintendent of the project.
However, Harris had overestimated his financial capabilities, so the project was taken over by the Los Angeles Art Organ Company, under the direction of Fleming. However, financial problems soon arose with this too. The actual cost has now exceeded $ 105,000. In 1905 the Los Angeles Art Organ Company was renamed the Electrolian Company .
Instead of being taken to Kansas City, the instrument was bought by John Wanamaker in 1909 to be placed in the Grand Court of his new Philadelphia store . The installation was done by William B. Fleming and George Till.
Expansion 1914–1930
View of the organ. The gaming table is at the height of the shooting position, a little outside the left edge of the picture.
Shortly after its expansion, the organ was expanded in 1914 (by 4,000 pipes), in 1917 (again by around 4,000 pipes), and in 1923 and 1930.
In its current state, the Wanamaker organ has 28,750 organ pipes in 464 rows. The console has six manuals. The strings plant (String Division) together with 88 ranks of pipes, the largest wind loading of the world. The organ is famous for its orchestral sound, which comes from the many softly voiced pipes, which are available in large numbers.
The organ of the Atlantic City Convention Hall in Atlantic City (New Jersey) has fewer ranks than the Wanamaker organ , but it has 5000 more pipes and a few manuals that extend over seven octaves. Since all currently does not work the organ of the Atlantic City Convention Hall are functional, you can see the Wanamaker Organ news as the biggest playable designate organ in the world.
The organ is played twice a day every week from Monday to Saturday (more often during the Christmas season). The organ can also be heard in many concerts held throughout the year, including with the Philadelphia Orchestra .
The Friends of the Wanamaker Organ is a non-profit organization dedicated to the preservation and restoration of the organ. The association is supported by donations from its members and the sale of CDs and advertising products. The official organ of the association is The Stentor , which appears four times a year. Typical topics include reports on the progress of the restoration work as well as visits to well-known organists and concert announcements.
Disposition since 1930
construction
The pipe works of the organ extend over five floors:
2nd floor
Main Pedal 32 ′, Lower Swell, Great Open
3rd floor
Solo, Main Pedal, Great Chorus, Upper Swell, Choir / Enclosed Great
4th floor
Orchestral, Vox Humana, String division, String Dulcianas, String organ
5th floor
String Dulcianas, String Organ, String 16 ′
7th floor
Chimes, Ethereal, Echo
The Echowerk is located on the opposite side of the courtyard from the prospectus. The 32 ′ registers Wood Open , Diaphone and Metal Diapason extend over several floors starting on the second floor. Several single-manual keyboards for tuning and other work are installed throughout the organ.
Main organ
I Choir C – c 4
Double Dulciana
16 ′
Dulciana
8th'
Open diapason
8th'
Violin diapason
8th'
Stopped diapason
8th'
Concert flute
8th'
Salicional
8th'
Quintadena
8th'
Vox Angelica
8th'
Vox Celeste
8th'
Keraulophone
8th'
Forest Flute
4 ′
Salicet
4 ′
Piccolo
2 ′
Soft Cornet VI
Saxophones
16 ′
Saxophones
8th'
English horn
8th'
Clarinet
8th'
II Great C – c 4
Sub principal
32 ′
Contra gamba
16 ′
Double diapason
16 ′
Sub quint
10 2 ⁄ 3 ′
Diapason phonon
8th'
Diapason Major
8th'
First diapason
8th'
Second diapason
8th'
Third diapason
8th'
Fourth diapason
8th'
Gamba
8th'
Major tibia
8th'
Mezzo tibia
8th'
Minor tibia
8th'
Covered tibia
8th'
Flood
8th'
Double flute
8th'
Nazard Flute
8th'
Harmonic flute
8th'
Quint
5 1 ⁄ 3 ′
Harmonic flute
4 ′
Principal
4 ′
Octave
4 ′
Tierce
3 1 ⁄ 5 ′
Octave Quint
2 ′
Great Octave
2 ′
Mixture VII
Double trumpet
16 ′
Trumpet
8th'
Harmonic Trumpet
8th'
tuba
8th'
Harmonic Clarion
4 ′
Chorus Diapason Magna
8th'
Chorus stentorphone
8th'
Chorus First Diapason
8th'
Chorus Second Diapason
8th'
Chorus Major Flute
8th'
Chorus double flute
8th'
Chorus Gamba
8th'
Chorus Flute
4 ′
Chorus Octave
4 ′
Chorus Nazard
VI
III Swell C-c 4
Unclosed
Double diapason
16 ′
Soft bourdon
16 ′
Stentorphone
8th'
Horn diapason
8th'
Violin diapason
8th'
Bell flute
8th'
Orchestral Flute
8th'
Harmonic flute
8th'
Grand Flute
8th'
Double flute
8th'
Enclosed
Tibia dura
8th'
Clarabella
8th'
Melody
8th'
Soft dulciana
8th'
Gamba Celeste
8th'
Gamba
8th'
Quint Bourdon
5 1 ⁄ 3 ′
Harmonic flute
4 ′
First Octave
4 ′
Second octave
4 ′
Nazard
2 2 ⁄ 3 ′
Piccolo
2 ′
Viol Cornet
IV
Mixture VI
Bassoon
16 ′
Contra fagotto
16 ′
Double oboe horn
16 ′
Bassoon
8th'
Trombones
8th'
First oboe
8th'
Fagotto
8th'
oboe
8th'
Trumpet
8th'
horn
8th'
Bassett Horn
8th'
Clarinet
8th'
Clarinet
8th'
Vox Humana
8th'
Harmonic Clarion
4 ′
musette
4 ′
Original string division
Contra bass
16 ′
violoncello
8th'
Viol
8th'
Viol
8th'
viola
8th'
Quint Viol
5 1 ⁄ 3 ′
Octave Viol
4 ′
Violina
4 ′
Tierce
3 1 ⁄ 5 ′
Corroborating Mixture V.
String Mixture V
IV Solo C – c 4
Double Open Diapason
16 ′
Grand Viol
16 ′
First diapason
8th'
Second diapason
8th'
Third diapason
8th'
Violin diapason
8th'
Viol
8th'
Viol
8th'
Harmonic flute
8th'
Tierce Flute
8th'
Chimney Flute
8th'
Clarabella
8th'
Gemshorn
8th'
Nazard Gamba
8th'
Grand Gamba
8th'
Grand Gamba
8th'
Quintaphones
8th'
Quint Diapason
5 1 ⁄ 3 ′
Octave
4 ′
Harmonic Tierce
3 1 ⁄ 5 ′
Twelfth Harmonic
2 2 ⁄ 3 ′
Piccolo
2 ′
Double trumpet
16 ′
tuba
16 ′
Trumpet
8th'
Soft tuba
8th'
Cornopean
8th'
Ophicleide
8th'
musette
8th'
Ophicleide
4 ′
tuba
4 ′
Grand Mixture VI
Mixture V
Mixture VI
Pedal C – g 1
Gravissima (acoustic)
64 ′
Contra diaphones
32 ′
Diaphones
16 ′
First Contra Open Diapason (wood)
32 ′
Second Contra Open Diapason (metal)
32 ′
First Open Diapason
16 ′
Second Open Diapason
16 ′
Third Open Diapason
16 ′
Open diapason
8th'
Contra Bourdon
32 ′
Bourdon
16 ′
Soft bourdon
16 ′
Octave Soft Bourdon
8th'
Open flute
16 ′
Soft flute
8th'
Soft flute
4 ′
Violone
16 ′
Gamba
16 ′
Dulciana
16 ′
Soft dulciana
8th'
Open Quint
10 2 ⁄ 3 ′
Stopped Quint
10 2 ⁄ 3 ′
Stentorphone
8th'
Octave
8th'
First tibia
8th'
Second tibia
8th'
First tibia
4 ′
Second tibia
4 ′
First 'cello
8th'
Second 'cello
8th'
Principal
4 ′
Octave
4 ′
Mixture VII
Mixture VIII
Mixture VIII
Grand Mutation X
Contra bombs
32 ′
Bombard
16 ′
Bombard
8th'
Trombones
16 ′
tuba
16 ′
Euphonium
16 ′
Contra fagotto
16 ′
Octave Fagotto
8th'
Tromba
8th'
Clarion
4 ′
Ethereal organ
V Ethereal C-c 4
Bourdon
16 ′
First Open Diapason
8th'
Second Open Diapason
8th'
Clear flute
8th'
Harmonic flute
8th'
Double flute
8th'
Quint Flute
8th'
Grand Gamba
8th'
Gamba
8th'
Octave
4 ′
Harmonic flute
4 ′
Twelfth Harmonic
2 2 ⁄ 3 ′
Harmonic piccolo
2 ′
Mixture IV
Tuba profunda
16 ′
Tuba mirabilis
8th'
French Trumpet
8th'
Grand Clarinet
8th'
Post horn
8th'
Tuba Clarion
4 ′
Ethereal Pedal C – g 1
Acoustic bass
32 ′
diapason
16 ′
Bombard
16 ′
Bombard
8th'
Stentor organ
VI stentor C-c 4
Tuba Magna (from 8 ')
16 '
Tuba Magna
8th'
Echo organ
(floating)
Echo C-c 4
Bourdon
16 ′
Open diapason
8th'
Violin diapason
8th'
Stopped diapason
8th'
Night horn
8th'
Clarabella
8th'
Octave
4 ′
Harmonic flute
4 ′
Mellow flute
4 ′
Cornet Mixture V
Mixture VI
Melody
8th'
Orchestral Viol
8th'
Soft viol
8th'
Soft viol
8th'
Unda Maris
8th'
Open Quint
5 1 ⁄ 3 ′
Double trumpet
16 ′
Trumpet
8th'
Capped oboe
8th'
Euphone
8th'
Vox Humana
8th'
Echo Pedal C – g 1
Open diapason
16 ′
Stopped diapason
16 ′
Orchestral organ
(floating)
Orchestral C – c 4
Contra Quintadena
16 ′
Duophone
8th'
Tibia
8th'
Covered tibia
8th'
Concert flute
8th'
Harmonic flute
8th'
Mellow flute
8th'
String flute
8th'
Double flute
8th'
Hollow flute
8th'
Harmonic flute
4 ′
Orchestral Flute
4 ′
Covered flute
4 ′
Octave
4 ′
Harmonic piccolo
2 ′
English horn
16 ′
Bass clarinet
16 ′
Bass saxophones
16 ′
Bassoon
16 ′
English horn
8th'
Orchestral Clarinet
8th'
Saxophones
8th'
Orchestral Bassoon
8th'
Bassett Horn
8th'
oboe
8th'
Orchestral oboe
8th'
First French Horn
8th'
Second french horn
8th'
Third French Horn
8th'
Kinura
8th'
Muted cornet
8th'
Vox Humana Chorus C – c 4
Vox Humana
16 ′
First Vox Humana
8th'
Second Vox Humana
8th'
Third Vox Humana
8th'
Fourth Vox Humana
8th'
Fifth Vox Humana
8th'
Sixth Vox Humana
8th'
Vox Humana Chorus Pedal C – g 1
First Vox Humana
16 ′
Second Vox Humana
16 ′
String organ
String (swellable) C – c 4
Violone
16 ′
First contra gamba
16 ′
Second contra gamba
16 ′
First Contra Viol
16 ′
Second Contra Viol
16 ′
First viol
16 ′
Second viol
16 ′
Violin diapason
8th'
Gamba
8th'
Nazard Gamba II
8th'
Nazard Gamba II
8th'
First cello
8th'
First cello
8th'
First cello
8th'
Second cello
8th'
Second cello
8th'
Second cello
8th'
First orchestral violin
8th'
First orchestral violin
8th'
First orchestral violin
8th'
Second orchestral violin
8th'
Second orchestral violin
8th'
Second orchestral violin
8th'
Third orchestral violin
8th'
Third orchestral violin
8th'
Third orchestral violin
8th'
Fourth orchestral violin
8th'
Fourth orchestral violin
8th'
Fourth orchestral violin
8th'
Fifth orchestral violin
8th'
Fifth orchestral violin
8th'
Fifth orchestral violin
8th'
Sixth orchestral violin
8th'
Sixth orchestral violin
8th'
Sixth orchestral violin
8th'
First muted violin
8th'
First muted violin
8th'
First muted violin
8th'
Second muted violin
8th'
Second muted violin
8th'
Second muted violin
8th'
String (cont.) C – c 4
Third muted violin
8th'
Third muted violin
8th'
Third muted violin
8th'
Fourth muted violin
8th'
Fourth muted violin
8th'
Fourth muted violin
8th'
Fifth muted violin
8th'
Fifth muted violin
8th'
Fifth muted violin
8th'
Sixth muted violin
8th'
Sixth muted violin
8th'
Sixth muted violin
8th'
First orchestral violina
4 ′
First orchestral violina
4 ′
Second orchestral violina
4 ′
Second orchestral violina
4 ′
Quint Viol
5 1 ⁄ 3 ′
Quint Viol
5 1 ⁄ 3 ′
Tierce Viol
3 1 ⁄ 5 ′
Tierce Viol
3 1 ⁄ 5 ′
Nazard Violina
2 2 ⁄ 3 ′
Nazard Violina
2 2 ⁄ 3 ′
Great violina
2 ′
Great violina
2 ′
First Dulciana
8th'
First Dulciana
8th'
Second Dulciana
8th'
Second Dulciana
8th'
Third Dulciana
8th'
Third Dulciana
8th'
Fourth Dulciana
8th'
Fourth Dulciana
8th'
Fifth Dulciana
8th'
Fifth Dulciana
8th'
Sixth Dulciana
8th'
Sixth Dulciana
8th'
First Octave Dulciana
4 ′
First Octave Dulciana
4 ′
Second Octave Dulciana
4 ′
Second Octave Dulciana
4 ′
Dulciana mutation V
String Pedal C – g 1
Contra diaphones
32 ′
Diaphones
16 ′
Diaphones
8th'
Contra gamba
32 ′
Gamba
16 ′
Gamba
8th'
First violone
16 ′
Second violone
16 ′
First violone
8th'
Second violone
8th'
Violone
4 ′
Viol
16 ′
Viol
16 ′
Viol
8th'
Viol
8th'
Grand String Pedal Mixture XII
Mutation Diaphone
16 ′
Mutation Viol
16 ′
Mutation Viol
10 2 ⁄ 3 ′
Mutation Viol
8th'
Mutation Viol
5 1 ⁄ 3 ′
Mutation Viol
4 ′
Mutation Viol
2 2 ⁄ 3 ′
Mutation Viol
2 ′
Mutation Viol
1 3 ⁄ 5 ′
Mutation Viol
1 1 ⁄ 3 ′
Mutation Viol
4 ⁄ 5 ′
Percussion Division
Percussion
Major Chimes
C-c 1
Minor chimes
G-G
Metalophones
C-c 2
Celeste
C-c 2
Piano I
Piano II
Harp I tenor
C-c 2
Harp II
Gong stenor
C-c 2
Crescendo cymbal
Cymbal star
Technical specifications
376 registers (+17 extensions, +16 transmissions), 464 rows of pipes, 28,750 pipes. 3 stops with 3 ranks and 243 pipes cannot be played in the stentor mechanism.
Six blower motors with a total of 158 HP for wind pressures between 5 and 34 inches, a motor with 3 HP to generate negative pressure with 20 inches and two motor generators (converters) with a total of 7 HP to provide the low voltage for the action mechanism and the registration system
Organists
1911-1917: Irvin J. Morgan
1917–1966: Mary E. Vogt
1966–1989: Keith R. Chapman , Assistant Organist: Richard L. Elliott
Since 1989: Peter Richard Conte
literature
Ray Biswanger: Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ — from John Wanamaker to Lord & Taylor . Friends of Wanamaker Organ, 1999, ISBN 978-0-9665552-0-2 .
Orpha Caroline Ochse: The history of the organ in the United States . Indiana University Press, Bloomington & London 1975, ISBN 0-253-32830-6 , pp.356-358 .
Recordings / sound carriers
The Wanamaker Store Organ 2000/1971, Psallite CD 60351, CD (recordings digitally restored by Keith Chapman)
The Wanamaker legacy. 2004, Gothic G 49240, CD (Peter Conte plays Bach, Dupré and Vierne).
Magic! 2001, Gothic G 49248, CD (Peter Conte plays Mussorgsky, Wagner, Dukas, Nicolai, Elgar).
Peter Richard Conte - Midnight in the Grand Court 2005, Gothic G.
^ Orpha Caroline Ochse: The history of the organ in the United States . Indiana University Press, Bloomington & London 1975, ISBN 0-253-32830-6 , pp.356-358 .
^ Orpha Caroline Ochse: The history of the organ in the United States . Indiana University Press, Bloomington & London 1975, ISBN 0-253-32830-6 , pp.358-360 .
^ Ray Biswanger: Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ — from John Wanamaker to Lord & Taylor . Friends of Wanamaker Organ, 1999, ISBN 978-0-9665552-0-2 .
↑ Text booklet for the CD: " The Wanamaker legacy", 2004, Gothic G 49240, CD (Peter Conte plays Bach, Dupré and Vierne), p. 22 (English)