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[[Image:VespasianPsalterFolio30VDavidWthMusicians.jpg|thumb|right|300px|King [[David]] with his musicians.]]
{{short description|8th century Anglo-Saxon psalm book}}[[File:Vespasian BL 25668 2.jpg|thumb|right|430px|King [[David]] with his musicians; start of Psalm 27]]


The '''Vespasian Psalter''' (London, British Library, Cotton Vespasian A I) is an [[Anglo-Saxon art|Anglo-Saxon]] [[Illuminated manuscript|illuminated]] [[Psalter]] produced in the second or third quarter of the 8th Century. It contains an interlinear gloss in [[Old English language|Old English]] which is the oldest extant [[English language|English]] translation of any portion of the [[Bible]]. It was produced in southern [[England]], perhaps in [[St. Augustine's Abbey, Canterbury|St. Augustine's Abbey]] or [[Canterbury Cathedral|Christ Church]], [[Canterbury]] or [[Minster-in-Thanet]].
The '''Vespasian Psalter''' (London, British Library, [[Cotton Vespasian]] A I) is an [[Anglo-Saxon art|Anglo-Saxon]] [[Illuminated manuscript|illuminated]] [[psalter]] decorated in a partly [[Insular art|Insular style]] produced in the second or third quarter of the 8th century. It contains an [[interlinear gloss]] in [[Old English language|Old English]] which is the oldest extant English translation of any portion of the [[Bible]]. It was produced in southern [[England]], perhaps in [[St. Augustine's Abbey, Canterbury|St. Augustine's Abbey]] or [[Canterbury Cathedral|Christ Church]], [[Canterbury]] or [[Minster-in-Thanet]], and is the earliest illuminated manuscript produced in "Southumbria" to survive.<ref>Brown</ref>

The Psalter belongs to a group of manuscripts from Southern England known as the '''Tiberius group''',<ref>Brown</ref> also including the [[Stockholm Codex Aureus]], [[Barberini Gospels]], the [[Book of Cerne]], the [[Bede, Ecclesiastical History (British Library, MS Cotton Tiberius C. II)|Tiberius Bede]], and the [[Book of Nunnaminster]].


==Description==
==Description==
The psalter contains the [[Book of Psalms]] together with letters of [[St. Jerome]], hymns and canticles. It was written in [[Latin]] on [[vellum]], using a southern English [[Uncial]] script with [[Rustic Capitals|Rustic Capital]] [[rubric]]s. There were additions made by a [[scribe]] named [[Eadui Basan]] in an English [[Carolingian minuscule]]. The English gloss was written in a Southumbrian pointed [[Minuscule cursive|minuscule]].
The psalter contains the [[Book of Psalms]] together with letters of [[St. Jerome]], hymns and canticles. The main scribe was also the artist of the miniatures.<ref>Brown</ref> It was written in [[Latin]] on [[vellum]], using a southern English [[Uncial]] script with [[Rustic Capitals|Rustic Capital]] [[rubric]]s. There were additions made by a [[scribe]] named [[Eadui Basan]] in an English [[Carolingian minuscule]]. The English gloss was written in a [[Southumbrian]] pointed [[Minuscule cursive|minuscule]].


The [[codex]] is 235 by 180 mm. The text is written in an area of about 175 by 135 mm. There are 160 folios.
The [[codex]] is 235 by 180&nbsp;mm.<ref>Brown</ref> The text is written in an area of about 175 by 135&nbsp;mm. There are 160 folios.


There are several major initials which are historiated, zoomorphic, or decorated. Major initials are found at the beginning of Psalms 1, 51 and 101. (This tripartite division of the Psalter is typical of [[Insular art|Insular]] Psalters). In addition, the psalms beginning each of the liturgical divisions of the Psalter are given major initials. The beginning letters of the other Psalms have smaller "minor" initials which are decorated or zoomorphic and are done in what is called the "antenna" style. There is a miniature of [[King David]] with his court musicians on folio 30 verso. It is probable that this miniature was originally the opening miniature of the psalter. [[Robert Bruce Cotton|Sir Robert Cotton]] pasted a cutting from the [[Breviary]] of [[Margaret of York]] on folio 160 verso. He also inserted a miniature from a 13th Century liturgical psalter as folio 1.
There are several major initials which are [[historiated initial|historiated]], [[zoomorphic]], or decorated. Major initials are found at the beginning of [[Psalms 1]], [[Psalm 51|51]] and [[Psalm 101|101]]. This tripartite division is typical of [[Insular art|Insular]] Psalters. In addition, the psalms beginning each of the liturgical divisions of the Psalter are given major initials. The beginning letters of the other Psalms have smaller "minor" initials which are decorated or zoomorphic and are done in what is called the "antenna" style.


The only surviving full-page miniature shows [[King David]] with his court musicians, and is now folio 30 verso. It is possible that this miniature was originally the [[Book frontispiece|frontispiece]] or opening miniature of the psalter, and that a decorated ''incipit'' page at the start of the Psalms is missing, as well as a [[carpet page]] at the end.<ref>Brown</ref> [[Robert Bruce Cotton|Sir Robert Cotton]] pasted a cutting from the [[Breviary]] of [[Margaret of York]] on folio 160 verso. He also inserted a miniature from a 13th-century liturgical psalter as folio 1.
==History==
The Psalter belongs to a group of manuscripts from Southern England known as the Tiberius group, also including the [[Stockholm Codex Aureus]], [[Barberini Gospels]], the [[Book of Cerne]], the [[Bede, Ecclesiastical History (British Library, MS Cotton Tiberius C. II)|Tiberius Bede]], and the [[Book of Nunnaminster]]. The manuscript was produced during the second or third quarter of the 8th century, probably the earliest of the group. A date as early as 720 has been proposed by David Wright, but most scholars prefer a later date.<ref>Wilson, 91</ref> The script of the Old English gloss is typical of the script produced in Canterbury scriptoria from about 820 to 850. Eadui Basan, who made additions to the manuscript, was a monk at Christ Church, Canterbury during the early 11th Century. [[Thomas of Elmham]] recorded a Psalter at Canterbury which may have been the Vespasian Psalter.


==History==
The manuscript was at Canterbury in 1553. It was subsequently owned by Sir [[William Cecil]] and [[Matthew Parker]], [[Archbishop of Canterbury]]. By 1599 it was the possession of [[Robert Bruce Cotton|Sir Robert Cotton]], who signed it on folio 12 recto. It became national property, along with the rest of the [[Cotton library]] in 1702 and was incorporated into the [[British Museum]] when it was founded in 1753. The volume was the first in the [[Vespasian]] shelf section in the part of the library indexed by the names from a set of busts of the Roman Emperors on top of the shelves.
The manuscript was produced during the second quarter of the 8th century, and probably the earliest of the Tiberius group.<ref>BL database in 2017 says "2nd quarter". A date as early as 720 has been proposed by David Wright, but most scholars prefer a slightly later date, see Wilson, 91; Brown gives "c. 725"</ref> The script of the Old English gloss is typical of the script produced in Canterbury scriptoria from about 820 to 850. Eadui Basan, who made additions to the manuscript, was a monk at Christ Church, Canterbury during the early 11th century. [[Thomas of Elmham]] recorded a Psalter at Canterbury which may have been the Vespasian Psalter.

The manuscript was at Canterbury in 1553. By 1556 it was owned by Sir [[William Cecil, 1st Baron Burghley|William Cecil]], who lent it to [[Matthew Parker]], [[Archbishop of Canterbury]]. By 1599 it was the possession of Sir Robert Cotton, who signed it on folio 12 recto. It became national property, along with the rest of the [[Cotton library]] in 1702 and was incorporated into the [[British Museum]] when it was founded in 1753.<ref>Brown</ref> The volume was the first in the [[Vespasian]] shelf section in the part of the library indexed by the names from a set of busts of the Roman Emperors on top of the shelves.


Its current binding, with metal clasps, was provided by Cotton.
Its current binding, with metal clasps, was provided by Cotton.
Line 19: Line 23:
==Notes==
==Notes==
{{reflist}}
{{reflist}}

==References==
==References==
*[[Michelle P. Brown|Brown, Michelle P.]], in [[Leslie Webster (art historian)|Webster, Leslie E.]] and [[Janet Backhouse|Backhouse, Janet M.]] eds., ''The Making of England'', BM/BL exhibition catalogue (London, 1991), no.153 (see also no.171 etc).
*De Hamel, Christopher. ''A History of Illuminated Manuscripts''. Boston: David R. Godine, 1986.
*De Hamel, Christopher. ''A History of Illuminated Manuscripts''. Boston: David R. Godine, 1986.
*[[David M. Wilson|Wilson, David M.]]; ''Anglo-Saxon Art: From The Seventh Century To The Norman Conquest'', Thames and Hudson (US edn. Overlook Press), 1984.
*[[David M. Wilson|Wilson, David M.]]; ''Anglo-Saxon Art: From The Seventh Century To The Norman Conquest'', Thames and Hudson (US edn. Overlook Press), 1984.
== External links ==
* {{la icon}} [http://www.bl.uk/catalogues/manuscripts/HITS0001.ASP?VPath=c!/inetpub/wwwroot/mss/data/msscat/html/65577.htm&Search=Vespasian+A+I+&Highlight=F British Library catalogue entry]
*[http://www.imagesonline.bl.uk/results.asp?image=025668&imagex=9&searchnum=1 British Library Digital Catalogue of Illuminated Manuscripts entry]


== Further reading ==
== Further reading ==
*Alexander, J.J.G. ''Insular Manuscripts, 6th to the 9th century'' (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller: London, 1978), no.29.
*Alexander, J. J. G. ''Insular Manuscripts, 6th to the 9th century'' (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller, London, 1978), no.29.
*Brown, M.P., ''The Book of Cerne'' (London and Toronto, 1996), pp.20-23, 69-73, 120-129 and passim.
*Brown, M. P., ''The Book of Cerne'' (London and Toronto, 1996), pp.&nbsp;20–23, 69-73, 120-129 and passim.
*Brown, M.P. "Female Book-Ownership and Production in Anglo-Saxon England: the Evidence of the Ninth-Century Prayerbooks." ''Lexis and Texts in Early English: Studies Presented to Jane Roberts'', ed. C.J. Kay and L.M. Sylvester, (Amsterdam/Atlanta, 2001), pp.45-67.
*Brown, M. P. "Female Book-Ownership and Production in Anglo-Saxon England: the Evidence of the Ninth-Century Prayerbooks." ''Lexis and Texts in Early English: Studies Presented to Jane Roberts'', ed. C. J. Kay and L. M. Sylvester, (Amsterdam/Atlanta, 2001), pp.&nbsp;45–67.
*Brown, M.P. ''A Guide to Western Historical Scripts from Antiquity to 1600'' (London, 1990), pl.17.
*Brown, M. P. ''A Guide to Western Historical Scripts from Antiquity to 1600'' (London, 1990), pl.17.
*Bruce-Mitford, R.L.S. “The Reception by the Anglo-Saxons of Mediterranean Art following their conversion from Ireland and Rome.” ''Settimane di studio del Centro italiano di studi sull’alto medioevo Spoleto'' 14 (1967) pp.822-825.
*[[Rupert Bruce-Mitford|Bruce-Mitford, R. L. S.]] “The Reception by the Anglo-Saxons of Mediterranean Art following their conversion from Ireland and Rome.” ''Settimane di studio del Centro italiano di studi sull’alto medioevo Spoleto'' 14 (1967) pp.&nbsp;822–825.
*Gneuss, H. ''Handlist of Anglo-Saxon Manuscripts: A List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100'' (Tempe, Arizona, 2001), no.381.
*Gneuss, H. ''Handlist of Anglo-Saxon Manuscripts: A List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100'' (Tempe, Arizona, 2001), no.381.
*Gneuss, H. "A preliminary list of manuscripts written or owned in England up to 1100." ''Anglo-Saxon England'' 9, ed. P. Clemoes (Cambridge, 1981), no.381.
*Gneuss, H. "A preliminary list of manuscripts written or owned in England up to 1100." ''Anglo-Saxon England'' 9, ed. P. Clemoes (Cambridge, 1981), no.381.
*James, M.R. ''The Ancient Libraries of Canterbury and Dover'' (Cambridge, 1903), pp.lxv-lxvi, 501.
*James, M. R. ''The Ancient Libraries of Canterbury and Dover'' (Cambridge, 1903), pp.lxv-lxvi, 501.
*Kendrick, T.D. ''Anglo-Saxon Art to A.D. 900'' (London, 1938), pp.159 ff., 181.
*Kendrick, T. D. ''Anglo-Saxon Art to A.D. 900'' (London, 1938), pp.&nbsp;159 ff., 181.
*Ker, N.R. ''Catalogue of Manuscripts Containing Anglo-Saxon'' (Oxford, 1957), no.203.
*Ker, N. R. ''Catalogue of Manuscripts Containing Anglo-Saxon'' (Oxford, 1957), no.203.
*Kuhn, S. M. "From Canterbury to Lichfield," ''Speculum'' 23 (1948), pp.&nbsp;591–629.
*Ker, N. ''Medieval Libraries of Great Britain'', 2nd edition, (London, 1964), Canterbury, St Augustine's
*Kuhn, S.M. "From Canterbury to Lichfield," ''Speculum'' 23 (1948), pp.591-629.
*Kuhn, S. M. ''The Vespasian Psalter'' (Ann Arbor, MI, 1965).
*Kuhn, S.M. ''The Vespasian Psalter'' (Ann Arbor, MI, 1965).
*Kuhn, S. M. "The Vespasian Psalter and the Old English Charter Hands" in: ''Speculum''; 18 (1943), pp.&nbsp;458–483.
*Lowe, E. A. ''Codices latini antiquiores'' (1934–1971), vol. 2, no. 193.
*Kuhn, S.M. "The Vespasian Psalter and the Old English Charter Hands," ''Speculum'' 18 (1943), pp.458-483.
*Nordenfalk, C. ''Celtic and Anglo-Saxon painting. Book Illumination in the British Isles 600-800'' (New York, 1976), p.&nbsp;95.
*Lowe, E.A. ''Codices latini antiquiores'' (1934-1971), vol. 2, no. 193.
*[[Kenneth Sisam|Sisam, K.]] "Cynewulf and his Poetry" in: ''Proceedings of the British Academy''; 18 (1932)
*Morgan, N.J. ''Early Gothic Manuscripts (I) 1190-1250'' (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller: London, 1982), no.46 (for f.1).
*Sweet, H., ed. ''The Oldest English Texts. Glossaries, the Vespasian Psalter, and other works written before A.D. 900''. [[Early English Text Society]] (London, 1885).
*Nordenfalk, C. ''Celtic and Anglo-Saxon painting. Book Illumination in the British Isles 600-800'' (New York, 1976), p. 95.
*Sisam, "Cynewulf and his Poetry." ''Proceedings of the British Academy'' 18 (1932), pp.
*Sweet, H., ed. ''The Oldest English Texts. Glossaries, the Vespasian Psalter, and other works written before A.D. 900''. [[Early English Text Society]] (London, 1885).
*Temple, E. ''Anglo-Saxon Manuscripts 900-1066'' (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller: London, 1976), no.55.
*Temple, E. ''Anglo-Saxon Manuscripts 900-1066'' (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller: London, 1976), no.55.
*Turner, D. ''Illuminated Manuscripts Exhibited in the Grenville Library'' (London, 1967), no.13 (for f.1).
*Turner, D. ''Illuminated Manuscripts Exhibited in the Grenville Library'' (London, 1967), no.13 (for f.1).
*Webster, L. and J.M.Backhouse, ed., ''The Making of England'', BM/BL exhibition catalogue (London, 1991), no.153 and no.171.
*Wright, D. H. ''The Vespasian Psalter'' (Early English Manuscripts in Facsimile, XIV), 1967.
*Wright, D. H. ''The Vespasian Psalter'' (Early English Manuscripts in Facsimile, XIV), 1967.
*Zimmermann, E. H. ''Vorkarolingische Miniaturen'' (Berlin, 1916), esp. pp. 120, 131, 133-134, 289-291.
*Zimmermann, E. H. ''Vorkarolingische Miniaturen'' (Berlin, 1916), esp. pp.&nbsp;120, 131, 133-134, 289-291.

== External links ==
*[http://www.bl.uk/manuscripts/FullDisplay.aspx?index=0&ref=Cotton_MS_Vespasian_A_I British Library Digitised Manuscript Page]
*[https://archive.org/details/oldestenglishte00churgoog Transcript of the Vespasian Psalter (Old English with parallel Latin), on pages 188-421]
*[https://elmss.nuigalway.ie/catalogue/508 More information at Earlier Latin Manuscripts]


[[Category:Illuminated psalters]]
[[Category:Illuminated psalters]]
[[Category:Hiberno-Saxon manuscripts]]
[[Category:Hiberno-Saxon manuscripts]]
[[Category:8th-century biblical manuscripts]]
[[Category:8th-century biblical manuscripts]]
[[Category:English Bible translations]]
[[Category:Bible translations into English]]
[[Category:Cotton Library]]
[[Category:Cotton Library]]
[[Category:8th-century illuminated manuscripts]]

Latest revision as of 01:20, 10 January 2023

King David with his musicians; start of Psalm 27

The Vespasian Psalter (London, British Library, Cotton Vespasian A I) is an Anglo-Saxon illuminated psalter decorated in a partly Insular style produced in the second or third quarter of the 8th century. It contains an interlinear gloss in Old English which is the oldest extant English translation of any portion of the Bible. It was produced in southern England, perhaps in St. Augustine's Abbey or Christ Church, Canterbury or Minster-in-Thanet, and is the earliest illuminated manuscript produced in "Southumbria" to survive.[1]

The Psalter belongs to a group of manuscripts from Southern England known as the Tiberius group,[2] also including the Stockholm Codex Aureus, Barberini Gospels, the Book of Cerne, the Tiberius Bede, and the Book of Nunnaminster.

Description[edit]

The psalter contains the Book of Psalms together with letters of St. Jerome, hymns and canticles. The main scribe was also the artist of the miniatures.[3] It was written in Latin on vellum, using a southern English Uncial script with Rustic Capital rubrics. There were additions made by a scribe named Eadui Basan in an English Carolingian minuscule. The English gloss was written in a Southumbrian pointed minuscule.

The codex is 235 by 180 mm.[4] The text is written in an area of about 175 by 135 mm. There are 160 folios.

There are several major initials which are historiated, zoomorphic, or decorated. Major initials are found at the beginning of Psalms 1, 51 and 101. This tripartite division is typical of Insular Psalters. In addition, the psalms beginning each of the liturgical divisions of the Psalter are given major initials. The beginning letters of the other Psalms have smaller "minor" initials which are decorated or zoomorphic and are done in what is called the "antenna" style.

The only surviving full-page miniature shows King David with his court musicians, and is now folio 30 verso. It is possible that this miniature was originally the frontispiece or opening miniature of the psalter, and that a decorated incipit page at the start of the Psalms is missing, as well as a carpet page at the end.[5] Sir Robert Cotton pasted a cutting from the Breviary of Margaret of York on folio 160 verso. He also inserted a miniature from a 13th-century liturgical psalter as folio 1.

History[edit]

The manuscript was produced during the second quarter of the 8th century, and probably the earliest of the Tiberius group.[6] The script of the Old English gloss is typical of the script produced in Canterbury scriptoria from about 820 to 850. Eadui Basan, who made additions to the manuscript, was a monk at Christ Church, Canterbury during the early 11th century. Thomas of Elmham recorded a Psalter at Canterbury which may have been the Vespasian Psalter.

The manuscript was at Canterbury in 1553. By 1556 it was owned by Sir William Cecil, who lent it to Matthew Parker, Archbishop of Canterbury. By 1599 it was the possession of Sir Robert Cotton, who signed it on folio 12 recto. It became national property, along with the rest of the Cotton library in 1702 and was incorporated into the British Museum when it was founded in 1753.[7] The volume was the first in the Vespasian shelf section in the part of the library indexed by the names from a set of busts of the Roman Emperors on top of the shelves.

Its current binding, with metal clasps, was provided by Cotton.

Notes[edit]

  1. ^ Brown
  2. ^ Brown
  3. ^ Brown
  4. ^ Brown
  5. ^ Brown
  6. ^ BL database in 2017 says "2nd quarter". A date as early as 720 has been proposed by David Wright, but most scholars prefer a slightly later date, see Wilson, 91; Brown gives "c. 725"
  7. ^ Brown

References[edit]

  • Brown, Michelle P., in Webster, Leslie E. and Backhouse, Janet M. eds., The Making of England, BM/BL exhibition catalogue (London, 1991), no.153 (see also no.171 etc).
  • De Hamel, Christopher. A History of Illuminated Manuscripts. Boston: David R. Godine, 1986.
  • Wilson, David M.; Anglo-Saxon Art: From The Seventh Century To The Norman Conquest, Thames and Hudson (US edn. Overlook Press), 1984.

Further reading[edit]

  • Alexander, J. J. G. Insular Manuscripts, 6th to the 9th century (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller, London, 1978), no.29.
  • Brown, M. P., The Book of Cerne (London and Toronto, 1996), pp. 20–23, 69-73, 120-129 and passim.
  • Brown, M. P. "Female Book-Ownership and Production in Anglo-Saxon England: the Evidence of the Ninth-Century Prayerbooks." Lexis and Texts in Early English: Studies Presented to Jane Roberts, ed. C. J. Kay and L. M. Sylvester, (Amsterdam/Atlanta, 2001), pp. 45–67.
  • Brown, M. P. A Guide to Western Historical Scripts from Antiquity to 1600 (London, 1990), pl.17.
  • Bruce-Mitford, R. L. S. “The Reception by the Anglo-Saxons of Mediterranean Art following their conversion from Ireland and Rome.” Settimane di studio del Centro italiano di studi sull’alto medioevo Spoleto 14 (1967) pp. 822–825.
  • Gneuss, H. Handlist of Anglo-Saxon Manuscripts: A List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100 (Tempe, Arizona, 2001), no.381.
  • Gneuss, H. "A preliminary list of manuscripts written or owned in England up to 1100." Anglo-Saxon England 9, ed. P. Clemoes (Cambridge, 1981), no.381.
  • James, M. R. The Ancient Libraries of Canterbury and Dover (Cambridge, 1903), pp.lxv-lxvi, 501.
  • Kendrick, T. D. Anglo-Saxon Art to A.D. 900 (London, 1938), pp. 159 ff., 181.
  • Ker, N. R. Catalogue of Manuscripts Containing Anglo-Saxon (Oxford, 1957), no.203.
  • Kuhn, S. M. "From Canterbury to Lichfield," Speculum 23 (1948), pp. 591–629.
  • Kuhn, S. M. The Vespasian Psalter (Ann Arbor, MI, 1965).
  • Kuhn, S. M. "The Vespasian Psalter and the Old English Charter Hands" in: Speculum; 18 (1943), pp. 458–483.
  • Lowe, E. A. Codices latini antiquiores (1934–1971), vol. 2, no. 193.
  • Nordenfalk, C. Celtic and Anglo-Saxon painting. Book Illumination in the British Isles 600-800 (New York, 1976), p. 95.
  • Sisam, K. "Cynewulf and his Poetry" in: Proceedings of the British Academy; 18 (1932)
  • Sweet, H., ed. The Oldest English Texts. Glossaries, the Vespasian Psalter, and other works written before A.D. 900. Early English Text Society (London, 1885).
  • Temple, E. Anglo-Saxon Manuscripts 900-1066 (Survey of Manuscripts Illuminated in the British Isles), (Harvey Miller: London, 1976), no.55.
  • Turner, D. Illuminated Manuscripts Exhibited in the Grenville Library (London, 1967), no.13 (for f.1).
  • Wright, D. H. The Vespasian Psalter (Early English Manuscripts in Facsimile, XIV), 1967.
  • Zimmermann, E. H. Vorkarolingische Miniaturen (Berlin, 1916), esp. pp. 120, 131, 133-134, 289-291.

External links[edit]