International Computer Music Association: Difference between revisions
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The '''International Computer Music Association''' (ICMA) is an international affiliation of individuals and institutions involved in the technical, creative, and performance aspects of computer music. It serves composers, engineers, researchers and musicians who are interested in the integration of music and technology. Areas of interest include artificial intelligence, music informatics, synthesis, analysis, digital signal processing, intermedia, multimedia, composition, human–computer interaction, representation, acoustics, aesthetics, education |
The '''International Computer Music Association''' (ICMA) is an international affiliation of individuals and institutions involved in the technical, creative, and performance aspects of computer music. It serves composers, engineers, researchers and musicians who are interested in the integration of music and technology. Areas of interest include artificial intelligence, music informatics, synthesis, analysis, digital signal processing, intermedia, multimedia, composition, human–computer interaction, representation, acoustics, aesthetics, education and history. |
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Each year the ICMA organises the [[International Computer Music Conference]] for [[computer music]] researchers and composers. The peer-reviewed conference includes concert performances, paper presentations, panel discussions, sound installations, poster presentations |
Each year the ICMA organises the [[International Computer Music Conference]] for [[computer music]] researchers and composers. The peer-reviewed conference includes concert performances, paper presentations, panel discussions, sound installations, poster presentations and other formats for presentation of research and creative activity. Each year, or every other year, its online journal ''ARRAY'' is published for its members, containing reviews, interviews and articles.<ref>{{Cite web |title=About the Journal {{!}} array. |url=https://journals.qucosa.de/array/about |access-date=2023-09-10 |website=journals.qucosa.de}}</ref><ref>{{Cite journal |date=March 1, 1997 |title=ICMA Array On-line |url=https://www.mitpressjournals.org/loi/comj |journal=Computer Music Journal |volume= 21| issue = 1 |pages=13}}</ref> |
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A diversity statement was adopted in June 2019. |
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==References== |
==References== |
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== External links == |
== External links == |
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*[http://www.computermusic.org |
*[http://www.computermusic.org ICMA website] |
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{{Computer music}} |
{{Computer music}} |
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{{Electronic music}} |
{{Electronic music}} |
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{{Authority control}} |
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[[Category:Computer music]] |
[[Category:Computer music]] |
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[[Category:Music-related professional associations]] |
[[Category:Music-related professional associations]] |
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Latest revision as of 18:18, 10 September 2023
 | This article needs additional citations for verification. (May 2022) |
The International Computer Music Association (ICMA) is an international affiliation of individuals and institutions involved in the technical, creative, and performance aspects of computer music. It serves composers, engineers, researchers and musicians who are interested in the integration of music and technology. Areas of interest include artificial intelligence, music informatics, synthesis, analysis, digital signal processing, intermedia, multimedia, composition, human–computer interaction, representation, acoustics, aesthetics, education and history.
Each year the ICMA organises the International Computer Music Conference for computer music researchers and composers. The peer-reviewed conference includes concert performances, paper presentations, panel discussions, sound installations, poster presentations and other formats for presentation of research and creative activity. Each year, or every other year, its online journal ARRAY is published for its members, containing reviews, interviews and articles.[1][2]
A diversity statement was adopted in June 2019.
References[edit]
- ^ "About the Journal | array". journals.qucosa.de. Retrieved 2023-09-10.
- ^ "ICMA Array On-line". Computer Music Journal. 21 (1): 13. March 1, 1997.
External links[edit]
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