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{{short description|Italian painter}}
{{short description|Italian painter}}
{{Expand Italian|date=September 2015}}
{{Expand Italian|date=September 2015}}
[[File:Enrico Pollastrini - Autoritratto.jpg|right|thumb|Self-portrait of Pollastrini]]
[[File:Enrico Pollastrini - Autoritratto.jpg|thumb|185px|Self-portrait (1833)]]
'''Enrico Pollastrini''' (15 June 1817, [[Livorno]] – 19 January 1876, [[Florence]]) was an [[Italy|Italian]] history painter and art school director.
'''Enrico Pollastrini''' (1817–1876) was an [[Italy|Italian]] painter. He was born at [[Livorno]]. He was a pupil of [[Giuseppe Bezzuoli]] and [[Pietro Benvenuti]]. He was first professor and afterwards president of the [[Accademia di Belle Arti Firenze|Academy of Fine Arts]] in the city of [[Florence]], where he died.


==Life and work==
He was professor of figure design at the Academy.<ref>[https://books.google.com/books?id=7K0C0gIdv_4C Notizie storiche intorno alla R. Accademia delle arti del disegno in Firenze], by Camillo Jacopo Cavallucci, page 89.</ref> Among his pupils was [[Albano Lugli]] and [[Pietro Saltini]].
He began his training as an assistant in the workshop of a local artist named Vincenzo De Bonis. In 1829, aged only twelve, he enrolled at the [[Accademia di Belle Arti di Firenze]], where he studied under the guidance of [[Pietro Benvenuti]], [[Giuseppe Bezzuoli]], [[Giovanni Fattori]] and [[Silvestro Lega]]. From 1835 to 1841, he created thirty-two scenes from ''[[The Betrothed]]''; a project commissioned by the French entrepreneur, {{ill|François Jacques de Larderel|fr}}, to decorate his mansion in Livorno.


In 1837, he held his first exhibition at the Accademia. Four years later, he presented a depiction of [[Columbus]] at [[La Rabida Friary]] and, in 1843, one depicting the death of [[Francesco Ferruccio]]. In 1845, [[Leopold II, Grand Duke of Tuscany]], commissioned him to create a scene showing a family being saved from flooding along the [[Serchio|Serchio]].
==References==

{{Reflist}}
In 1851, he applied for the position of Director at the {{ill|Accademia di belle arti di Siena|it}}, left vacant by the recent death of [[Francesco Nenci]], but [[Luigi Mussini]] was chosen instead. Two years later, he was named a Professor at his alma mater, the Accademia. He became a regular participant at the cultural salons in the home of the architect, {{ill|Francesco Bartolini|it}}, and his wife, the Irish-born poet, [[Louisa Grace Bartolini]].

He was elected a member of the [[Accademia ligustica di belle arti]] in 1859. The following year, he became a member of the advisory commission for fine arts for the provinces of [[Arezzo Province|Arezzo]] and Florence. Hia greatest success came in 1861, at the {{ill|Esposizione nazionale italiana|it}}, with "The Exiles of Siena", a painting he worked on from 1842 to 1856. It depicts the fall of the fall of the [[Republic of Siena]] in 1555, when many of its inhabitants fled after its occupation by Emperor [[Charles V, Holy Roman Emperor|Charles V]]. It was lost during [[World War II]].

He became Director of the Accademia in 1867, succeeding [[Tommaso Gazzarrini]], and served until 1875. He died the following year, after a long illness.

==Sources==
*{{cite book| first=Michael| last=Bryan| year=1889| title= Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= 305| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |url=https://books.google.com/books?id=K2cCAAAAYAAJ }}
*{{cite book| first=Michael| last=Bryan| year=1889| title= Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= 305| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |url=https://books.google.com/books?id=K2cCAAAAYAAJ }}



Revision as of 08:47, 20 April 2021

Self-portrait (1833)

Enrico Pollastrini (15 June 1817, Livorno – 19 January 1876, Florence) was an Italian history painter and art school director.

Life and work

He began his training as an assistant in the workshop of a local artist named Vincenzo De Bonis. In 1829, aged only twelve, he enrolled at the Accademia di Belle Arti di Firenze, where he studied under the guidance of Pietro Benvenuti, Giuseppe Bezzuoli, Giovanni Fattori and Silvestro Lega. From 1835 to 1841, he created thirty-two scenes from The Betrothed; a project commissioned by the French entrepreneur, François Jacques de Larderel [fr], to decorate his mansion in Livorno.

In 1837, he held his first exhibition at the Accademia. Four years later, he presented a depiction of Columbus at La Rabida Friary and, in 1843, one depicting the death of Francesco Ferruccio. In 1845, Leopold II, Grand Duke of Tuscany, commissioned him to create a scene showing a family being saved from flooding along the Serchio.

In 1851, he applied for the position of Director at the Accademia di belle arti di Siena [it], left vacant by the recent death of Francesco Nenci, but Luigi Mussini was chosen instead. Two years later, he was named a Professor at his alma mater, the Accademia. He became a regular participant at the cultural salons in the home of the architect, Francesco Bartolini [it], and his wife, the Irish-born poet, Louisa Grace Bartolini.

He was elected a member of the Accademia ligustica di belle arti in 1859. The following year, he became a member of the advisory commission for fine arts for the provinces of Arezzo and Florence. Hia greatest success came in 1861, at the Esposizione nazionale italiana [it], with "The Exiles of Siena", a painting he worked on from 1842 to 1856. It depicts the fall of the fall of the Republic of Siena in 1555, when many of its inhabitants fled after its occupation by Emperor Charles V. It was lost during World War II.

He became Director of the Accademia in 1867, succeeding Tommaso Gazzarrini, and served until 1875. He died the following year, after a long illness.

Sources

  • Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 305.{{cite book}}: CS1 maint: location (link)