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OCESA Teatro is a division of Grupo CIE. It is dedicated to produce and promote theater, especially in Mexico City, being the largest producer in Mexico and Latin America.

History

The theater division of OCESA, part of Grupo CIE (Corporación Interamericana de Entretenimiento), was created in 1997 for the production of stage plays and musicals. The first play produced was Confesiones de Mujeres de 30 and later Disney's Beauty and the Beast. Both plays became a great success and so did OCESA's Theater division. Moving from the Orfeon Theater where Beauty and the Beast was playing, the company was seeking to build or buy their own theaters for large format musicals. In 1999 RENT and The Phantom Of The Opera were simultaneously played at the newly rebuilt Alameda Theaters. In 2000, Telmex bought both theaters to become part of the Centro Cultural Telmex (Telmex Cultural Center) which consists of two theaters, with capacity of 2,254 for Theatre 1 and 1,200 seats for Theatre 2, an art gallery and a small shopping center. An agreement was signed between Telmex and OCESA to let OCESA operate the theaters and present exclusively OCESA productions. OCESA Teatro is nowadays, the biggest producer of dramatic and musical theater in Latin America; producing each year at least two Broadway-style shows and two or three plays. It is associated with companies in Buenos Aires, Sao Paulo, Madrid, Barcelona and Portugal to help them reduce costs and risks linked with big budget productions and to share them copyrights, music, adaptations, sets or even cast members among the associates.^[1] Most productions include well known actors from other media but specially those popularized by television. Their shows are characterized for having very high standards of quality and competition is almost nonexistent.

Productions

Musicals

Musical	Opening Date	Closing Date	Performances	Spectators	Theater	Notes
Beauty and the Beast	May 1997	June 1998	420	650,000	Orfeon
RENT	June 1999	January 2000	220	120,000	Alameda Theater 2
The Phantom of the Opera	December 1999	January 2001	400	550,000	Alameda Theater 1	The most expensive of all productions to date.
Man of la Mancha	April 2000	August 2001	443	220,000	Centro Cultural Telmex Theater 2	The scenery was completely different from that on Broadway.
Jesus Christ Superstar	March 2001	December 2001	230	130,000	Centro Cultural Telmex Theater 1
Chicago	October 2001	September 2002	329	250,000	Centro Cultural Telmex Theater 2	Bianca Marroquin (Roxie) was invited to do her crossover from Mexico to Broadway in the same leading role for three different seasons, last one with Rap-singer Usher and toured USA and Canada for about three years with Chicago in the same leading role, Roxie Hart.
The Full Monty	March 2002	June 2002	130	70,000	Centro Cultural Telmex Theater 1
Les Miserables	November 2002	August 2004	711	850,000	Centro Cultural Telmex Theater 1	Longest running musical in the past decade in Mexico.
Joseph and the Amazing Technicolor Dreamcoat	April 2004	May 2005	440	300,000	Centro Cultural Telmex Theater 2	The translation and scenery were completely different from a previous Mexican production due to a struggle to get the rights from the play. The only production in which Joseph flies.
Fiddler on the Roof	November 2004	March 2006	503	600,000	Centro Cultural Telmex Theater 1
Bésame Mucho	July 2005	October 2006	512	350,000	Centro Cultural Telmex Theater 2	OCESA's First Original Production.
Selena el Musical	May 2006	August 2006	100	80,000	Blanquita Theatre	OCESA's Second Original Production.
Hoy No Me Puedo Levantar	May 2006	July 2007	425	500,000	Centro Cultural Telmex Theatre 1
The Producers	December 2006	October 2007	300		Centro Cultural Telmex Theatre 2	Produced in association with Music Theatre International (MTI).
Beauty and the Beast (revival)	September 2007	Currently playing, closing September 2008			Centro Cultural Telmex Theatre 1	This musical revival is the celebration of OCESA Teatro's 10th Anniversary.
Dirty Rotten Scoundrels	March 2008	July 2008			Teatro de los Insurgentes	Co-production with Tina Galindo and Claudio Carrera.
Mentiras	Opening late 2008 or early 2009					OCESA's Third Original Production. Based on popular 70's and 80's Mexican pop songs. Its opening was delayed from May 2008 to late 2008 or early 2009 due to the production of Sweet Charity.
Sweet Charity	Opening November 2008				Centro Cultural Telmex Theatre 1	The translation and scenery are complete different from other productions to be more fittable to Mexican adudience.
Mamma Mia!	Opening 2009				Centro Cultural Telmex Theatre 2	Currently on castings.
Mary Poppins	Opening 2009				It was announced as one of OCESA Teatro's projects to replace Sweet Charity

Plays

Confesiones de Mujeres de 30.
Master Class.
Nosotras Que Nos Queremos Tanto.
The Vagina Monologues.
Las Obras Completas de William Shakespeare Abreviadas.
Defending the Caveman.
Las Viejas Vienen Marchando.
Todos Tenemos Problemas (Sexuales).
Proof.
No Más Sexo.
Three Tall Women.
La Obra del Bebe.
Black Comedy
Generacion Atari.
El Método Grönholm.
Orgasmos, la Comedia.
Des-Madres.
Doubt.
Visitando al Sr. Green.
Emociones Encontradas.
Chicas Católicas.
Adorables Enemigas.

Criticism

OCESA Teatro has received complains for not offering an equal opportunity casting selection process in many of their productions. Several shows were criticized for casting famous figures in main roles, mostly actors made popular by television, only for their attraction power, even if their appearance notably miscast those roles. Also they have been criticized for creating a pool of main actors that continuously reappear in their shows, closing the doors to upcoming actors and becoming a tightly closed group. OCESA Teatro however considers itself the biggest promoter of new talent in Latin America.

Also OCESA Teatro has received complains about how the company strives to recreate exactly the Broadway experience in most of their shows, leaving little freedom of expression to local directors. OCESA Teatro has responded that this is due to copyright restrictions established in the contracts of the original plays; however, despite those directors' complains, the company's most successful shows are those who have been kept faithful to their original Broadway counterparts.

Links

^ http://www.mejorteatro.com.mx/v3/curriculum.asp OCESA TEATRO History (In spanish)

[1] ttp://www.mejorteatro.com.mx/v3/curriculum.asp OCESA TEATRO History (In spanish)

[1]

@@ Line 2: / Line 2: @@
 == History ==
-The theater division of OCESA, part of Grupo CIE (Corporación Interamericana de Entretenimiento), was created in 1997 for the production of stage plays and musicals. The first play produced was ''Confesiones de Mujeres de 30'' and later Disney's ''[[Beauty and the Beast (musical)|Beauty and the Beast]]''. Both plays became a great success and so did OCESA's Theater division. Moving from the Orfeon Theater where ''Beauty and the Beast'' was playing, the company was seeking to build or buy their own theaters for large format musicals. In 1999 ''[[RENT]]'' and ''[[The Phantom of the Opera (1986 musical)|The Phantom Of The Opera]]'' were simultaneously playing at the newly rebuilt Alameda Theaters.  In 2000 [[Telmex]] bought both theaters and they became part of the ''Centro Cultural Telmex'' (Telmex Cultural Center) which consisted of two theaters, with capacity of 2,254 for Theatre 1 and 1,200 seats for Theatre 2, an art gallery and a small shopping center. An agreement was signed between Telmex and OCESA to let OCESA operate the theaters and present mostly exclusively OCESA productions. OCESA Teatro is nowadays, the biggest producer of dramatic and musical theater in Latin America; producing each year at least two Broadway-style shows and two or three plays. It has associations with companies in Buenos Aires, Sao Paulo, Madrid, Barcelona and Portugal, that lets them reduce the costs and risks associated with big budget productions and share copyrights, music, adaptations, sets, or even cast members among the associates in the different countries. <ref>http://www.mejorteatro.com.mx/v3/curriculum.asp OCESA TEATRO History (In spanish)</ref>
+The theater division of OCESA, part of Grupo CIE (Corporación Interamericana de Entretenimiento), was created in 1997 for the production of stage plays and musicals. The first play produced was ''Confesiones de Mujeres de 30'' and later Disney's ''[[Beauty and the Beast (musical)|Beauty and the Beast]]''. Both plays became a great success and so did OCESA's Theater division. Moving from the Orfeon Theater where ''Beauty and the Beast'' was playing, the company was seeking to build or buy their own theaters for large format musicals. In 1999 ''[[RENT]]'' and ''[[The Phantom of the Opera (1986 musical)|The Phantom Of The Opera]]'' were simultaneously played at the newly rebuilt Alameda Theaters.  In 2000, [[Telmex]] bought both theaters to become part of the ''Centro Cultural Telmex'' (Telmex Cultural Center) which consists of two theaters, with capacity of 2,254 for Theatre 1 and 1,200 seats for Theatre 2, an art gallery and a small shopping center. An agreement was signed between Telmex and OCESA to let OCESA operate the theaters and present exclusively OCESA productions. OCESA Teatro is nowadays, the biggest producer of dramatic and musical theater in Latin America; producing each year at least two Broadway-style shows and two or three plays. It is associated with companies in [[Buenos Aires]], [[Sao Paulo]], [[Madrid]], [[Barcelona]] and [[Portugal]] to help them reduce costs and risks linked with big budget productions and to share them copyrights, music, adaptations, sets or even cast members among the associates.<ref>http://www.mejorteatro.com.mx/v3/curriculum.asp OCESA TEATRO History (In spanish)</ref> Most productions include well known actors from other media but specially those popularized by television. Their shows are characterized for having very high standards of quality and competition is almost nonexistent.
-Most productions include well known actors from other media but specially those popularized by television. Their shows are characterized for having very high standards of quality and competition is almost nonexistent.
 == Productions ==
@@ Line 198: / Line 197: @@
 == Criticism ==
-OCESA Teatro has been criticized for not offering an equal opportunity casting selection process in many of their productions. Several shows have been criticized for casting famous figures in main roles, mostly actors made popular by television, only for their attraction power, even if their appearance notably miscast those roles. Also they have been criticized for creating a pool of main actors that continuously reappear in their shows, closing the doors to upcoming actors and becoming a tightly closed group. OCESA Teatro however considers itself the biggest promoter of new talent in Latin America.
+OCESA Teatro has received complains for not offering an equal opportunity casting selection process in many of their productions. Several shows were criticized for casting famous figures in main roles, mostly actors made popular by television, only for their attraction power, even if their appearance notably miscast those roles. Also they have been criticized for creating a pool of main actors that continuously reappear in their shows, closing the doors to upcoming actors and becoming a tightly closed group. OCESA Teatro however considers itself the biggest promoter of new talent in Latin America.
-There is also criticism that the company strives to recreate the Broadway experience in most of their Broadway originated shows, leaving little freedom of expression to local directors. OCESA Teatro has responded that this is due to restrictions established in the copyright contracts of the original plays; however, despite those directors' complains, the company's most successful shows are those that have been kept faithful to their original Broadway counterparts.
+Also OCESA Teatro has received complains about how the company strives to recreate exactly the Broadway experience in most of their shows, leaving little freedom of expression to local directors. OCESA Teatro has responded that this is due to copyright restrictions established in the contracts of the original plays; however, despite those directors' complains, the company's most successful shows are those who have been kept faithful to their original Broadway counterparts.
 ==Links==