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|archivedate=15 July 2011
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}}</ref> and is the grandson of the 20th-century composer [[Sergei Prokofiev]]. He studied composition at both Birmingham and York universities, but eschewed classical music for [[electronica]],<ref>{{cite web|url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article4121930.ece |title=Gabriel Prokofiev's Nonclassical club night breaks with tradition |publisher=The Times Online |date=2008-06-13 |accessdate=2013-09-01 |last=Colborne |first=Femke |deadurl=yes |archiveurl=https://web.archive.org/web/20080907143058/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article4121930.ece |archivedate=7 September 2008 }}</ref> and became a composer of [[UK garage|garage music]].<ref>{{cite web
}}</ref> and is the grandson of the 20th-century composer [[Sergei Prokofiev]]. He studied composition at both Birmingham and York universities, but eschewed classical music for [[electronica]],<ref>{{cite web|url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article4121930.ece |title=Gabriel Prokofiev's Nonclassical club night breaks with tradition |publisher=The Times Online |date=2008-06-13 |accessdate=2013-09-01 |last=Colborne |first=Femke |deadurl=yes |archiveurl=https://web.archive.org/web/20080907143058/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article4121930.ece |archivedate=7 September 2008 }}</ref> and became a producer of Dance, Electro, Hip-hop & Grime music under a variety of guises, producing various artists & bands including, Spektrum, Lady Sovereign, Envy & Shystie His work in merging classical with electronica has been recognized by the Financial Times as being “in the guard's van of redefining classical music conventions.”<ref>{{Cite news|url=http://www.nonclassical.co.uk/news/2014/11/4/out-now-float-dance-ep2-by-gabriel-prokofiev-peter-gregson|title=OUT NOW! - Float Dance EP2 by Gabriel Prokofiev + Peter Gregson|newspaper=NONCLASSICAL|access-date=2016-12-14}}</ref> He was one of the producers of [[Lady Sovereign]]'s album [[Public Warning]],<ref>{{cite web
⚫
|url=http://www.telegraph.co.uk/culture/music/3613183/Prokofiev-goes-clubbing.html
⚫
|title=Prokofiev goes clubbing
⚫
|publisher=The Telegraph
⚫
|date=2004-03-02
⚫
|accessdate=2011-08-13
|last=Coffey|first=Russ}}</ref> and producer of Dance, Electro & Hip-hop music under a variety of guises. His work in merging classical with electronica has been recognized by the Financial Times as being “in the guard's van of redefining classical music conventions.”<ref>{{Cite news|url=http://www.nonclassical.co.uk/news/2014/11/4/out-now-float-dance-ep2-by-gabriel-prokofiev-peter-gregson|title=OUT NOW! - Float Dance EP2 by Gabriel Prokofiev + Peter Gregson|newspaper=NONCLASSICAL|access-date=2016-12-14}}</ref> He was one of the producers of [[Lady Sovereign]]'s album [[Public Warning]],<ref>{{cite web
|url=https://www.theguardian.com/music/2012/jan/14/clubs-picks-of-the-week
|url=https://www.theguardian.com/music/2012/jan/14/clubs-picks-of-the-week
|title=Clubs picks of the week
|title=Clubs picks of the week
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|last=Richards|first=Sam}}</ref>
|last=Richards|first=Sam}}</ref>


He founded the independent record label and club night
⚫
He founded the independent record label [[Nonclassical]] in 2003 and returned to his classical roots, composing ''String Quartet No. 1'' for the Elysian Quartet [http://elysianquartet.com/], which he released on Nonclassical, complete with remixes of the original quartet. His other compositions include 2nd and 3rd String Quartets, a collection of piano pieces, ''Piano Book'', for Russian virtuoso [[GéNIA]], and ''Concerto for Turntables & Orchestra'' (2006) which was premiered by [[Switch (hip-hop DJ)|Mr Switch]] at the 2011 [[BBC Proms]], with the [[National Youth Orchestra of Great Britain]] under [[Vladimir Jurowski]] and toured by the [[BBC Concert Orchestra]] as part of its educational programme. His ''Concerto for Trumpet, Percussion, Turntables and Orchestra'' (2014), was premiered by Marie Bédat (trumpet), Chantal Aguer (percussion), [[Switch (hip-hop DJ)|DJ Mr Switch]] (turntables) and the [[:fr:Orchestre de Pau Pays de Béarn:]] under [[Faycal Karoui]] at the [[:fr:Palais Beaumont]] Centre de Congrès, [[Pau, Pyrénées-Atlantiques|Pau]], France. Prokofiev’s work as a composer, producer and founder of the Nonclassical label has capitalized on a growing interest to develop a fresh approach to the presentation, dissemination and consumption of classical music.<ref>{{Cite web|url=https://www.ft.com/content/4655daa0-384d-11df-8420-00144feabdc0|title=Redefining classical music conventions|website=Financial Times|access-date=2016-12-14}}</ref>
<ref>{{cite web
⚫
|url=http://www.telegraph.co.uk/culture/music/3613183/Prokofiev-goes-clubbing.html
⚫
|title=Prokofiev goes clubbing
⚫
|publisher=The Telegraph
⚫
|date=2004-03-02
⚫
|accessdate=2011-08-13
⚫
|last=Coffey|first=Russ}}</ref> [[Nonclassical]] in 2003 and returned to his classical roots, composing ''String Quartet No. 1'' for the Elysian Quartet [http://elysianquartet.com/], which he released on Nonclassical, complete with remixes of the original quartet. His other compositions include 2nd and 3rd String Quartets, a collection of piano pieces, ''Piano Book'', for Russian virtuoso [[GéNIA]], and ''Concerto for Turntables & Orchestra'' (2006) which was premiered by [[Switch (hip-hop DJ)|Mr Switch]] at the 2011 [[BBC Proms]], with the [[National Youth Orchestra of Great Britain]] under [[Vladimir Jurowski]] and toured by the [[BBC Concert Orchestra]] as part of its educational programme. His ''Concerto for Trumpet, Percussion, Turntables and Orchestra'' (2014), was premiered by Marie Bédat (trumpet), Chantal Aguer (percussion), [[Switch (hip-hop DJ)|DJ Mr Switch]] (turntables) and the [[:fr:Orchestre de Pau Pays de Béarn:]] under [[Faycal Karoui]] at the [[:fr:Palais Beaumont]] Centre de Congrès, [[Pau, Pyrénées-Atlantiques|Pau]], France. Prokofiev’s work as a composer, producer and founder of the Nonclassical label has capitalized on a growing interest to develop a fresh approach to the presentation, dissemination and consumption of classical music.<ref>{{Cite web|url=https://www.ft.com/content/4655daa0-384d-11df-8420-00144feabdc0|title=Redefining classical music conventions|website=Financial Times|access-date=2016-12-14}}</ref>


Other recent works include a saxophone concerto for [[Branford Marsalis]], commissioned by Naples Philharmonic under [[Andrey Boreyko]] and [[Detroit Symphony Orchestra|Detroit Symphony]]<ref>{{Cite news|url=http://archive.naplesnews.com/entertainment/music/marsalis-prokofiev-philharmonic-offer-world-premiere-2e426b6f-9e9c-5152-e053-0100007f14b3-372598291.html|title=Marsalis and Prokofiev on a first performance — learning others’ instruments, working against time|access-date=2016-12-14}}</ref> as well as ''Concerto for Turntables No. 2'', which premiered at [[Orquestra Sinfônica de Porto Alegre|Orquestra Sinfónica do Porto]] at [[Casa da Música]] with his longtime friend and collaborator [[Switch (hip-hop DJ)|DJ Mr Switch]],<ref>{{Cite web|url=http://www.setlist.fm/setlists/orquestra-sinfonica-do-porto-casa-da-musica-2bdc5456.html|title=Orquestra Sinfónica do Porto Casa da Música Concert Setlists|website=setlist.fm|access-date=2016-12-14}}</ref> both of which premiered in 2016. ''Concerto for Cello No. 1'' (2013), commissioned by [[Alexander Ivashkin]] and premiered in [[St. Petersburg]] by Ivashkin and the [[St. Petersburg Philharmonic]] under Sabrie Bekirova [http://sabrie-bekirova.com/], ''Concerto for Bass Drum and Orchestra'' (2012), premiered in the US by percussionist, Joby Burgess [http://jobyburgess.com/] and the [[Princeton Symphony Orchestra]] under [[Rossen Milanov]], ''(IMPORT/EXPORT)'' (2008), for Joby Burgess's group PowerPlant, using Global Junk objects, and ''Sleeveless Scherzo'' (2007), a piece for solo violin and solo dancer for [[Rambert Dance Company]] (choreographer Patricia Okenwa [http://www.patriciaokenwa.com/]). Prokofiev made his conducting debut with his concerto for 'dancing' viola, string orchestra, trombones & percussion, in the Paradiso, Amsterdam in 2008. In March 2009, his Nonclassical club made its debut in New York at the cutting-edge Wordless Music series [http://wordlessmusic.org/] in New York, and at the Rock festival [[SXSW]] to favourable critical response.
Other recent works include a saxophone concerto for [[Branford Marsalis]], commissioned by Naples Philharmonic under [[Andrey Boreyko]] and [[Detroit Symphony Orchestra|Detroit Symphony]]<ref>{{Cite news|url=http://archive.naplesnews.com/entertainment/music/marsalis-prokofiev-philharmonic-offer-world-premiere-2e426b6f-9e9c-5152-e053-0100007f14b3-372598291.html|title=Marsalis and Prokofiev on a first performance — learning others’ instruments, working against time|access-date=2016-12-14}}</ref> as well as ''Concerto for Turntables No. 2'', which premiered at [[Orquestra Sinfônica de Porto Alegre|Orquestra Sinfónica do Porto]] at [[Casa da Música]] with his longtime friend and collaborator [[Switch (hip-hop DJ)|DJ Mr Switch]],<ref>{{Cite web|url=http://www.setlist.fm/setlists/orquestra-sinfonica-do-porto-casa-da-musica-2bdc5456.html|title=Orquestra Sinfónica do Porto Casa da Música Concert Setlists|website=setlist.fm|access-date=2016-12-14}}</ref> both of which premiered in 2016. ''Concerto for Cello No. 1'' (2013), commissioned by [[Alexander Ivashkin]] and premiered in [[St. Petersburg]] by Ivashkin and the [[St. Petersburg Philharmonic]] under Sabrie Bekirova [http://sabrie-bekirova.com/], ''Concerto for Bass Drum and Orchestra'' (2012), premiered in the US by percussionist, Joby Burgess [http://jobyburgess.com/] and the [[Princeton Symphony Orchestra]] under [[Rossen Milanov]], ''(IMPORT/EXPORT)'' (2008), for Joby Burgess's group PowerPlant, using Global Junk objects, and ''Sleeveless Scherzo'' (2007), a piece for solo violin and solo dancer for [[Rambert Dance Company]] (choreographer Patricia Okenwa [http://www.patriciaokenwa.com/]). Prokofiev made his conducting debut with his concerto for 'dancing' viola, string orchestra, trombones & percussion, in the Paradiso, Amsterdam in 2008. In March 2009, his Nonclassical club made its debut in New York at the cutting-edge Wordless Music series [http://wordlessmusic.org/] in New York, and at the Rock festival [[SXSW]] to favourable critical response.

Revision as of 16:35, 4 August 2017

File:Gabriel Prokofiev.jpg
Composer, Producer, and DJ Gabriel Prokofiev in St Petersburg, Russia

Gabriel Prokofiev (born 1975 in London, UK) is a British composer, producer, DJ, and Artistic Director of the Nonclassical record label and club night who creates music that both embraces and challenges western classical traditions.[1]

Gabriel Prokofiev was born in 1975 to an English mother and Russian father Oleg Prokofiev,[2] and is the grandson of the 20th-century composer Sergei Prokofiev. He studied composition at both Birmingham and York universities, but eschewed classical music for electronica,[3] and became a producer of Dance, Electro, Hip-hop & Grime music under a variety of guises, producing various artists & bands including, Spektrum, Lady Sovereign, Envy & Shystie His work in merging classical with electronica has been recognized by the Financial Times as being “in the guard's van of redefining classical music conventions.”[4] He was one of the producers of Lady Sovereign's album Public Warning,[5] under the name Medasyn.[6]

He founded the independent record label and club night [7] Nonclassical in 2003 and returned to his classical roots, composing String Quartet No. 1 for the Elysian Quartet [1], which he released on Nonclassical, complete with remixes of the original quartet. His other compositions include 2nd and 3rd String Quartets, a collection of piano pieces, Piano Book, for Russian virtuoso GéNIA, and Concerto for Turntables & Orchestra (2006) which was premiered by Mr Switch at the 2011 BBC Proms, with the National Youth Orchestra of Great Britain under Vladimir Jurowski and toured by the BBC Concert Orchestra as part of its educational programme. His Concerto for Trumpet, Percussion, Turntables and Orchestra (2014), was premiered by Marie Bédat (trumpet), Chantal Aguer (percussion), DJ Mr Switch (turntables) and the fr:Orchestre de Pau Pays de Béarn: under Faycal Karoui at the fr:Palais Beaumont Centre de Congrès, Pau, France. Prokofiev’s work as a composer, producer and founder of the Nonclassical label has capitalized on a growing interest to develop a fresh approach to the presentation, dissemination and consumption of classical music.[8]

Other recent works include a saxophone concerto for Branford Marsalis, commissioned by Naples Philharmonic under Andrey Boreyko and Detroit Symphony[9] as well as Concerto for Turntables No. 2, which premiered at Orquestra Sinfónica do Porto at Casa da Música with his longtime friend and collaborator DJ Mr Switch,[10] both of which premiered in 2016. Concerto for Cello No. 1 (2013), commissioned by Alexander Ivashkin and premiered in St. Petersburg by Ivashkin and the St. Petersburg Philharmonic under Sabrie Bekirova [2], Concerto for Bass Drum and Orchestra (2012), premiered in the US by percussionist, Joby Burgess [3] and the Princeton Symphony Orchestra under Rossen Milanov, (IMPORT/EXPORT) (2008), for Joby Burgess's group PowerPlant, using Global Junk objects, and Sleeveless Scherzo (2007), a piece for solo violin and solo dancer for Rambert Dance Company (choreographer Patricia Okenwa [4]). Prokofiev made his conducting debut with his concerto for 'dancing' viola, string orchestra, trombones & percussion, in the Paradiso, Amsterdam in 2008. In March 2009, his Nonclassical club made its debut in New York at the cutting-edge Wordless Music series [5] in New York, and at the Rock festival SXSW to favourable critical response.

Prokofiev has also composed for ballet. His first full-length ballet work, Ein Winternachtstraum, was written in 2011 and is in 2 acts, including Concerto for Turntables & Orchestra, and extracts from Mendelssohn's A Midsummer Night's Dream. The ballet was commissioned by Bern Ballett and was premiered in Stadttheater, Bern, Switzerland by Bern Ballett with choreography by Cathy Marston [6]. In 2013 Karole Armitage choreographed extracts and remixes from his Concerto for Turntables and Orchestra, in her production 'Mechanics of the Dance Machine'[7]. More recent works for dance include two ballets for electronics; Howl (2013), which premiered in Lucerne, Switzerland by Tanz Luzerner Theater [8] and choreographer Maurice Causey [9], Strange Blooms (2013), which premiered at the Northcott Theatre, Exeter, UK by Shobana Jeyasingh Dance with choreography by Shobana Jeyasingh, and received its capital premiere at the Queen Elizabeth Hall, Southbank, London; and "Swipe" (2011), choreographed by Val Caniparoli, premiered by Richmond Ballet, and also performed by Smuin Ballet and Singapore Dance Theatre.

Selected works

Ballet

  • Ein Winternachtstraum, 2011
  • The Ghost of Gunby Hall, [Commissioned by Lincoln Arts], 2012
  • Howl, 2013
  • Strange Blooms, 2013
  • Terra Incognita, for string ensemble of 10 players + electronics, [Commissioned by Rambert Dance Company], 2014
  • Bayadere – The Ninth Life, Electronics with Piano & Percussion, [Commissioned by Shobana Jeyasingh Dance Company for the Royal Opera House, London 2015
  • Dark Glow, [Commission by Stuttgarter Ballet], 2016


Orchestral

  • Concerto for Turntables & Orchestra, 2007
  • Dance Suite for Viola, String Orchestra, Trombones & Percussion, 2008
  • Beethoven 9 Remix, 2011
  • Concerto for Bass Drum & Orchestra, 2012
  • Spheres for Violin and String Orchestra, 2013
  • Cello Concerto No 1 for cello and orchestra, 2013
  • Ruthven's Last Dance two dances for orchestra, 2013
  • Concerto for Trumpet, Percussion, Turntables and Orchestra, 2014
  • Concerto for Violin and Orchestra (1914), 2014
  • Saxophone Concerto, 2016
  • Concerto for Turntables & Orchestra II, 2016
  • Two Caprices for Violin and Orchestra, 2016
  • Olga's Miniatures, 2017


Symphonic Works / Overtures


Chamber

  • String Quartet No. 1, 2003
  • Three Dances for String Trio, Bass Clarinet, Piano & Scratch DJ, 2004
  • String Quartet No. 2, 2006
  • Stolen Guitars suite for electric guitar and 2 laptops, commisioned by POW ensemble for GUADAEMUS, Holland, 2008
  • Bogle Move for string quartet, 2009
  • Cello Multitracks suite for solo cello and multitracked cellos, or cello nonet, 2010
  • String Quartet No. 3, 2010
  • The Ghost of Gunby Hall, a golden fable for 2 actors, chamber ensemble, laptop & optional SATB choir, 2012
  • Triangles, for 9 custom-made Triangles, [Commissioned by Fari Shams for Raimund Abraham Musikerhaus,Museum Insel Hombroich], Dusseldorf 2012
  • Violin Duo No.1, 2014
  • The River Conquerer, 2015
  • Pieces for Erhu & Piano, 2015
  • Concerto for Turntables & Orchestra, 2016
  • Broken Screen, [Commissioned by Alison Balsom], 2017
  • Six Observations for Flute Trio, [Commissioned by Nonclassical for Tempest Flute Trio], 2013
  • Two Dances [Commissioned by the Arts Council for Tate Ensemble @ Bath Festival], 2004


Instrumental

  • Three Dances for String Trio, Bass Clarinet, Piano & Scratch DJ, 2004
  • Pianobook No. 1 for solo piano, 2006
  • Sleeveless Scherzo for solo violin and solo dancer, 2008
  • IMPORT/EXPORT large-scale percussion piece for global objects, 2008
  • Journeys of a Cattleherd, 1997


Vocal

  • Simple Songs for Modern Life, 6 songs for female a capella vocal trio, 2009
  • The Lonely Giant mini opera for baritone and bass clarinet, 2009

Film

  • White Rooms, soundscape production, composition and design for collaboration with filmmakers Giada Dobrzenska and Laura Jennings, [Commissioned by The Sonic Arts Network], premiered at The Institute of Contemporary Art, London 1998
  • Pig Alley, soundtrack to US silent film, for bass clarinet, trumpet, percussion and cello, 2008

Electronic Works

  • Strange Blooms (suite), 2013
  • Café Perdu, 1999
  • Punch Me! Bite Me!, 1998
  • Zhiva, 1998


References

  1. ^ "Gabriel Prokofiev | Sozo Artists". www.sozoartists.com. Retrieved 14 December 2016.
  2. ^ "PRS for Music Foundation - Gabriel Prokofiev". PRS for Music Foundation. Archived from the original on 15 July 2011. Retrieved 2011-08-13. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ Colborne, Femke (13 June 2008). "Gabriel Prokofiev's Nonclassical club night breaks with tradition". The Times Online. Archived from the original on 7 September 2008. Retrieved 1 September 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  4. ^ "OUT NOW! - Float Dance EP2 by Gabriel Prokofiev + Peter Gregson". NONCLASSICAL. Retrieved 14 December 2016.
  5. ^ Richards, Sam (13 January 2012). "Clubs picks of the week". The Guardian. Retrieved 13 May 2012.
  6. ^ Richards, Sam (15 December 2006). "Odd one out is now in". The Age. Retrieved 13 May 2012.
  7. ^ Coffey, Russ (2 March 2004). "Prokofiev goes clubbing". The Telegraph. Retrieved 13 August 2011.
  8. ^ "Redefining classical music conventions". Financial Times. Retrieved 14 December 2016.
  9. ^ "Marsalis and Prokofiev on a first performance — learning others' instruments, working against time". Retrieved 14 December 2016.
  10. ^ "Orquestra Sinfónica do Porto Casa da Música Concert Setlists". setlist.fm. Retrieved 14 December 2016.
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