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{{Short description|Japanese artist}}
[[File:Ogata Gekko - Ryu sho ten edit.jpg|thumb|alt=|''Ryū Shō Ten'' ({{lang|ja|龍昇天}}, ''"Dragon Rising up to Heaven"'')<br />A dragon ascends towards the heavens with Mount Fuji in the background in this print from Gekko's ''Views of Mount Fuji''.]]
{{japanese name|Ogata}}
{{family name hatnote|Ogata|lang=Japanese}}
{{nihongo|'''Ogata Gekkō'''|尾形月耕||1859 – 1 October 1920}} was a Japanese artist best known as a painter and a designer of [[ukiyo-e]] woodblock prints. He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience.
{{nihongo|'''Ogata Gekkō'''|尾形月耕||1859 – 1 October 1920}} was a Japanese artist best known as a painter and a designer of [[ukiyo-e]] [[Japanese woodblock printing|woodblock prints]]. He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience.

==Life and career==


== Biography==
[[File:Ogata Gekko - Ryu sho ten edit.jpg|thumb|alt=|''Ryūshōten'' ({{lang|ja|龍昇天}}, ''"Dragon Rising up to Heaven"'')<br />A dragon ascends towards the heavens with Mount Fuji in the background in this print from Gekko's ''Views of Mount Fuji''.]]
[[File:Ogata Gekko General Major Odera Yasuzumi in the Battle of Weihaiwei.jpg|thumb|left|An incident in the [[Battle of Weihaiwei]] during the [[First Sino-Japanese War]]. [[Ōdera Yasuzumi|Major General Ōdera]] at the cliff, 1895 &mdash; Woodblock print by Ogata Gekkō, ink and color on paper triptych; 37.9 x 72.8 cm (14 15/16 x 28 11/16 in.) in the collection of the [[Museum of Fine Arts, Boston]].]]
[[File:Ogata Gekko General Major Odera Yasuzumi in the Battle of Weihaiwei.jpg|thumb|left|An incident in the [[Battle of Weihaiwei]] during the [[First Sino-Japanese War]]. [[Ōdera Yasuzumi|Major General Ōdera]] at the cliff, 1895 &mdash; Woodblock print by Ogata Gekkō, ink and color on paper triptych; 37.9 x 72.8 cm (14 15/16 x 28 11/16 in.) in the collection of the [[Museum of Fine Arts, Boston]].]]


Gekkō was born as Nakagami Shōnosuke (名鏡 正之助) in Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took to work in a lantern shop in Kyōbashi Yumi-chō.{{sfn|Marks|2012|p=172}}
He was born as Nakagami Masanosuke (名鏡 正之助) in Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took to work in a lantern shop in Kyōbashi Yumi-chō.{{sfn|Marks|2012|p=172}}


Gekkō was self-taught in art, and began decorating porcelain and rickshaws, and designing flyers for the pleasure quarters. His early style shows the influence of the painter [[Kikuchi Yōsai]].{{sfn|Marks|2012|p=172}} About 1881{{citation needed|date=March 2015}} he took the surname Ogata at the insistence of a descendant of the painter [[Ogata Kōrin]]. He soon was designing prints and illustrating books and newspapers. In 1885 Gekkō exhibited in the Painting Appreciation Society, and he became acquainted with the art scholars [[Ernest Fenellosa]] and [[Okakura Kakuzō]].{{sfn|Marks|2012|p=172}}
Gekkō was self-taught in art, and began decorating porcelain and rickshaws, and designing flyers for the pleasure quarters. His early style shows the influence of the painter [[Kikuchi Yōsai]].{{sfn|Marks|2012|p=172}} About 1881{{citation needed|date=March 2015}} he took the surname Ogata at the insistence of a descendant of the painter [[Ogata Kōrin]]. He soon was designing prints and illustrating books and newspapers. In 1885 Gekkō exhibited in the Painting Appreciation Society, and he became acquainted with the art scholars [[Ernest Fenellosa]] and [[Okakura Kakuzō]].{{sfn|Marks|2012|p=172}}
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From the 1890s Gekkō won a number of art prizes, both national and international. He was one of the earliest Japanese artists to win international attention. At the [[World's Columbian Exposition]] in Chicago in 1893 he won a prize for ''{{transl|ja|Edo Sannō matsuri}}'' ({{lang|ja|江戸山王祭}}, ''"Edo’s Sannō Festival"''), and in 1904 he won the Gold Prize for the series ''{{transl|ja|Fuji hyakkei}}'' ({{lang|ja|富士百景}}, ''"One Hundred Views of Mount Fuji"'') at the [[Louisiana Purchase Exposition]].{{sfn|Marks|2012|p=172}} His work was exhibited at the [[Exposition Universelle (1900)|Exposition Universelle]] in Paris in 1900 and at the [[Japan-British Exhibition (1910)|Japan-British Exhibition]] in London in 1910.<ref name="nussbaum737"/>{{sfn|Marks|2012|p=172}} In 1898 at the [[Japan Art Association]], [[Emperor Meiji]] bought his painting ''{{transl|ja|Soga yo-uchi}}'' ({{lang|ja|曽我夜討}}, ''"Night Attack of the Soga"''). He won third prize at the sixth {{Interlanguage link multi|Ministry of Education Art Exhibition|ja|3=日本美術展覧会}} in 1912.{{sfn|Marks|2012|p=172}}
From the 1890s Gekkō won a number of art prizes, both national and international. He was one of the earliest Japanese artists to win international attention. At the [[World's Columbian Exposition]] in Chicago in 1893 he won a prize for ''{{transl|ja|Edo Sannō matsuri}}'' ({{lang|ja|江戸山王祭}}, ''"Edo’s Sannō Festival"''), and in 1904 he won the Gold Prize for the series ''{{transl|ja|Fuji hyakkei}}'' ({{lang|ja|富士百景}}, ''"One Hundred Views of Mount Fuji"'') at the [[Louisiana Purchase Exposition]].{{sfn|Marks|2012|p=172}} His work was exhibited at the [[Exposition Universelle (1900)|Exposition Universelle]] in Paris in 1900 and at the [[Japan-British Exhibition (1910)|Japan-British Exhibition]] in London in 1910.<ref name="nussbaum737"/>{{sfn|Marks|2012|p=172}} In 1898 at the [[Japan Art Association]], [[Emperor Meiji]] bought his painting ''{{transl|ja|Soga yo-uchi}}'' ({{lang|ja|曽我夜討}}, ''"Night Attack of the Soga"''). He won third prize at the sixth {{Interlanguage link multi|Ministry of Education Art Exhibition|ja|3=日本美術展覧会}} in 1912.{{sfn|Marks|2012|p=172}}


Gekkō died on 1 October 1920 in Shin-Ogawamachi in [[Ushigome]] Ward of Tokyo at age 61. HIs art names include Kagyōrō, Meikyōsai, Kiyū, and Rōsai. He had few students, the best-known of whom was [[Kōgyo Tsukioka]], the adopted son of [[Yoshitoshi]].{{sfn|Marks|2012|p=172}}
Gekkō died on 1 October 1920 in Shin-Ogawamachi in [[Ushigome]] Ward of Tokyo at age 61. His art names include Kagyōrō, Meikyōsai, Kiyū, and Rōsai. He had few students, the best-known of whom was [[Kōgyo Tsukioka]], the adopted son of [[Tsukioka Yoshitoshi|Yoshitoshi]].{{sfn|Marks|2012|p=172}}


==Style==
==Style==
[[File:Blacksmith Munechika, helped by a fox spirit, forging the blade Ko-Gitsune Maru, by Ogata Gekkō.jpg|thumb|right|The swordsmith [[Munechika]] being aided by a ''[[kitsune]]'' fox spirit, in a print by Gekkō.]]
[[File:Blacksmith Munechika, helped by a fox spirit, forging the blade Ko-Gitsune Maru, by Ogata Gekkō.jpg|thumb|right|The swordsmith [[Munechika]] being aided by a ''[[kitsune]]'' fox spirit, in a print by Gekkō.]]
Gekkō's work was originally closely based upon that of [[Kikuchi Yōsai]]; and he was inspired by [[Hokusai]], creating a series of one hundred prints of [[Mount Fuji]].<ref name="nussbaum737">Nussbaum, Louis Frédéric ''et al.'' (2005). "Ogata Gekkō" in ''Japan Encyclopedia,'' p. 737.</ref> However, he did develop his own style, with significant stylistic elements from ''[[nihonga]]''.
His work was originally closely based upon that of [[Kikuchi Yōsai]]; and he was inspired by [[Hokusai]], creating a series of one hundred prints of [[Mount Fuji]].<ref name="nussbaum737">Nussbaum, Louis Frédéric ''et al.'' (2005). "Ogata Gekkō" in ''Japan Encyclopedia,'' p. 737.</ref> However, he did develop his own style, with significant stylistic elements from ''[[nihonga]]''.


Gekkō was among the artists whose artwork informed the Japanese populace about the progress of naval and land war known today as the [[First Sino-Japanese War]] of 1894-1895.<ref>Keene, Donald ''et al.'' (2001). ''Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868-1912,'' p. 100.</ref> A number of Gekko's war images were published in ''Seishin Bidan'' by Yokoyama Ryohachi.
Gekkō was among the artists whose artwork informed the Japanese populace about the progress of naval and land war known today as the [[First Sino-Japanese War]] of 1894-1895.<ref>Keene, Donald ''et al.'' (2001). ''Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868-1912,'' p. 100.</ref> A number of Gekko's war images were published in ''Seishin Bidan'' by Yokoyama Ryohachi.
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An impression of the Haiyang Island (Kaiyoto) Naval Battle in 1894 was prepared in a large-scale quadruptich format.
An impression of the Haiyang Island (Kaiyoto) Naval Battle in 1894 was prepared in a large-scale quadruptich format.


Among the widely circulated Sino-Japanese tryptich images of the war which were created by Gekkō include:
Among the widely circulated Sino-Japanese triptych images of the war which were created by Gekkō include:
* ''Japanese Officers and Soldiers Fight Bravely at Fenghuangcheng''<ref name="philadelphia">[http://www.corbis.co.in/searchresults.php?s=Sino-Japanese+War,+1894-1895&rm=&rf=&mr=&loc=&col=&listRF=&orient=&view=&people=&pht=&max=&p=1 Philadelphia Museum of Art/Corbis]</ref>
* ''Japanese Officers and Soldiers Fight Bravely at Fenghuangcheng''<ref name="philadelphia">[http://www.corbis.co.in/searchresults.php?s=Sino-Japanese+War,+1894-1895&rm=&rf=&mr=&loc=&col=&listRF=&orient=&view=&people=&pht=&max=&p=1 Philadelphia Museum of Art/Corbis]</ref>
* ''The Japanese First Army Advances Toward Mukden''<ref name="philadelphia"/>
* ''The Japanese First Army Advances Toward Mukden''<ref name="philadelphia"/>
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==Selected works==
==Selected works==
Ogata Gekkō's published work encompasses 46 works in 48 publications in 2 languages and 68 library holdings.<ref>[http://www.oclc.org/research/activities/identities/default.htm WorldCat Identities]: [http://www.worldcat.org/identities/lccn-nr91-27948 尾形月耕 1859–1920;] [http://www.worldcat.org/identities/np-gekko,%20ogata$1859%201920 Gekko, Ogata 1859-1920.]</ref>
Ogata Gekkō's published work encompasses 46 works in 48 publications in 2 languages and 68 library holdings.<ref>[http://www.oclc.org/research/activities/identities/default.htm WorldCat Identities]: [http://www.worldcat.org/identities/lccn-nr91-27948 尾形月耕 1859–1920]; [http://www.worldcat.org/identities/np-gekko,%20ogata$1859%201920 Gekko, Ogata 1859-1920.]</ref>
{{dynamic list}}
{{dynamic list}}
* 1905 – 夢の三郎 (''Yume no Saburō'') [http://www.worldcat.org/title/yume-no-saburo/oclc/229891974 OCLC 229891974]
* 1905 – 夢の三郎 (''Yume no Saburō'') [https://www.worldcat.org/oclc/229891974 OCLC 229891974]
* 1898 – 月耕画圃 (''Gekkō gaho'') [http://kindai.ndl.go.jp/info:ndljp/pid/850433]
* 1898 – 月耕画圃 (''Gekkō gaho'') [http://kindai.ndl.go.jp/info:ndljp/pid/850433]
* 1895 – 以呂波引月耕漫画 (''Irohabiki Gekkō manga'') [http://www.worldcat.org/title/irohabiki-gekko-manga/oclc/046354614 OCLC 046354614]
* 1895 – 以呂波引月耕漫画 (''Irohabiki Gekkō manga'') [https://www.worldcat.org/oclc/046354614 OCLC 046354614]
* 1885 – 新說小簾の月 (''Shinsetsu osu no tsuki'') [http://www.worldcat.org/title/shinsetsu-osu-no-tsuki/oclc/033798610 OCLC 033798610]
* 1885 – 新說小簾の月 (''Shinsetsu osu no tsuki'') [https://www.worldcat.org/oclc/033798610 OCLC 033798610]

==Gallery==
<gallery perrow=6>
File:Ogata Gekko - Ryu sho ten edit.jpg |A dragon ascends towards the heavens with Mount Fuji in the background in this 1897 ukiyo-e print from Ogata Gekkō's Views of Mount Fuji.
File:Blacksmith_Munechika,_helped_by_a_fox_spirit,_forging_the_blade_Ko-Gitsune_Maru,_by_Ogata_Gekkō.jpg | The swordsmith Munechika being aided by a kitsune fox spirit, in a print by Gekkō.
File:Yamato-Takeru-with-Sword-Kusanagi-no-Tsurugi-by-Ogata-Gekko.png|Prince [[Yamato Takeru]] and his sword [[Kusanagi no Tsurugi]].
File:Emperor-Go-Daigo-by-Ogata-Gekko-1904.png| [[Emperor Go-Daigo]], dreams of ghosts at his palace in Kasagiyama.
File:Ogata Gekko General Major Odera Yasuzumi in the Battle of Weihaiwei.jpg | Japanese troops and General [[Ōdera Yasuzumi]] Attacking the Hundred Foot Cliff with All His Might during the 1895 [[Battle of Weihaiwei]]
File:Brooklyn Museum - Woman's Customes and Manners - Ogata Gekko.jpg | Woman's Customes and Manners
File:Brooklyn Museum - Odori Dancer - Ogata Gekko.jpg | Odori Dancer
File:Brooklyn Museum - Print from Series "Women's Customs and Manners" - Ogata Gekko.jpg | From the series Women's Customs and Manners
File:Gekko Wrestlers 1899.jpg | Sumo wrestlers, 1899
File:Horibe Yahei Kanamaru.jpg | Horibe Yahei Kanamura, ukiyo-e about the [[Forty-seven rōnin]]
File:Senba Saburobē Mitsutada.jpg |Senba Saburobe Mitsutada, ukiyo-e about the [[Forty-seven rōnin]]
File:Nogaku-In-the Noh-Theatre-by-Ogata-Gekko-1891.png|Nogaku, in the Noh theatre, 1891
</gallery>


==See also==
==See also==
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|publisher = Tuttle Publishing
|publisher = Tuttle Publishing
|isbn = 978-1-4629-0599-7
|isbn = 978-1-4629-0599-7
}}
|ref = harv}}
* [[Donald Keene|Keene, Donald]]; Anne Nishimura Morse; Frederic A Sharf and Louise E Virgin. (2001). ''Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868-1912.'' Boston: Museum of Fine Arts. ISBN 9780878466191; ISBN 9780878466207; [http://www.worldcat.org/title/japan-at-the-dawn-of-the-modern-age-woodblock-prints-from-the-meiji-era-1868-1912-selections-from-the-jean-s-and-frederic-a-sharf-collection-at-the-museum-of-fine-arts-boston-published-to-accompany-the-exhibition-japan-at-the-dawn-of-the-modern-age-meiji-prints-from-the-jean-s-and-frederic-a-sharf-collection-from-april-25-to-july-15-2001/oclc/249920897 OCLC 249920897]
* [[Donald Keene|Keene, Donald]]; Anne Nishimura Morse; Frederic A Sharf and Louise E Virgin. (2001). ''Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868–1912''. Boston: Museum of Fine Arts. {{ISBN|9780878466191}}; {{ISBN|9780878466207}}; [https://www.worldcat.org/oclc/249920897 OCLC 249920897]
* [[Richard Douglas Lane|Lane, Richard]]. (1978). ''Images from the Floating World, The Japanese Print.'' Oxford: Oxford University Press. ISBN 9780192114471; [http://www.worldcat.org/title/images-from-the-floating-world-the-japanese-print-including-an-illustrated-dictionary-of-ukiyo-e/oclc/5246796?referer=di&ht=edition OCLC 5246796]
* [[Richard Douglas Lane|Lane, Richard]]. (1978). ''Images from the Floating World, The Japanese Print''. Oxford: Oxford University Press. {{ISBN|9780192114471}}; [https://www.worldcat.org/oclc/5246796 OCLC 5246796]
* Nussbaum, Louis Frédéric and Käthe Roth. (2005). "Ogata Gekkō" in ''Japan Encyclopedia.'' Cambridge: [[Harvard University Press]]. ISBN 978-0-674-01753-5; [http://www.worldcat.org/oclc/48943301/editions?editionsView=true&referer=br OCLC 48943301]
* Nussbaum, Louis Frédéric and Käthe Roth. (2005). "Ogata Gekkō" in ''Japan Encyclopedia''. Cambridge: [[Harvard University Press]]. {{ISBN|978-0-674-01753-5}}; [http://www.worldcat.org/oclc/48943301/editions?editionsView=true&referer=br OCLC 48943301]


== External links ==
== External links ==
{{Commons category | Ogata Gekko}}
{{Commons category | Ogata Gekko}}
*[http://shogungallery.com/index.php?cPath=21_24_153&osCsid=cb4685669ca2b66f286603ee0a195ef3 Works at Shogun Gallery]
*[http://www.ogatagekko.net Ogata Gekkō Meiji Master]
*[http://www.ogatagekko.net Ogata Gekkō Meiji Master]
* https://ukiyo-e.org/artist/ogata-gekko
*[http://shogungallery.com/index.php?cPath=21_24_153&osCsid=cb4685669ca2b66f286603ee0a195ef3 Works at Shogun Gallery]
*[http://hwpbc.spaaqs.ne.jp/honoji/keizu.html YosaiSchool Ryozanpaku]
*[http://hwpbc.spaaqs.ne.jp/honoji/keizu.html YosaiSchool Ryozanpaku]


{{Ukiyo-e artists}}
{{Authority control}}
{{Authority control}}


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[[Category:1859 births]]
[[Category:1859 births]]
[[Category:1920 deaths]]
[[Category:1920 deaths]]
[[Category:19th-century painters]]
[[Category:19th-century Japanese painters]]
[[Category:20th-century Japanese painters]]
[[Category:20th-century Japanese painters]]
[[Category:20th-century printmakers]]
[[Category:20th-century printmakers]]

Latest revision as of 06:15, 11 September 2023

Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) was a Japanese artist best known as a painter and a designer of ukiyo-e woodblock prints. He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience.

Biography[edit]

Ryūshōten (龍昇天, "Dragon Rising up to Heaven")
A dragon ascends towards the heavens with Mount Fuji in the background in this print from Gekko's Views of Mount Fuji.
An incident in the Battle of Weihaiwei during the First Sino-Japanese War. Major General Ōdera at the cliff, 1895 — Woodblock print by Ogata Gekkō, ink and color on paper triptych; 37.9 x 72.8 cm (14 15/16 x 28 11/16 in.) in the collection of the Museum of Fine Arts, Boston.

He was born as Nakagami Masanosuke (名鏡 正之助) in Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took to work in a lantern shop in Kyōbashi Yumi-chō.[1]

Gekkō was self-taught in art, and began decorating porcelain and rickshaws, and designing flyers for the pleasure quarters. His early style shows the influence of the painter Kikuchi Yōsai.[1] About 1881[citation needed] he took the surname Ogata at the insistence of a descendant of the painter Ogata Kōrin. He soon was designing prints and illustrating books and newspapers. In 1885 Gekkō exhibited in the Painting Appreciation Society, and he became acquainted with the art scholars Ernest Fenellosa and Okakura Kakuzō.[1]

In 1886 Gekkō produced the print series Gekkō Zuihitsu (月耕随筆, "Gekkō’s Random Sketches"). In 1888, he married an art student of his, Tai Kiku—his second marriage—and changed his family name to Tai. He was a judge in the Japan Youth Painting Association [ja], which he helped found in 1891. The First Sino-Japanese War was the subject of a number of triptychs he designed in 1894–95.[1]

From the 1890s Gekkō won a number of art prizes, both national and international. He was one of the earliest Japanese artists to win international attention. At the World's Columbian Exposition in Chicago in 1893 he won a prize for Edo Sannō matsuri (江戸山王祭, "Edo’s Sannō Festival"), and in 1904 he won the Gold Prize for the series Fuji hyakkei (富士百景, "One Hundred Views of Mount Fuji") at the Louisiana Purchase Exposition.[1] His work was exhibited at the Exposition Universelle in Paris in 1900 and at the Japan-British Exhibition in London in 1910.[2][1] In 1898 at the Japan Art Association, Emperor Meiji bought his painting Soga yo-uchi (曽我夜討, "Night Attack of the Soga"). He won third prize at the sixth Ministry of Education Art Exhibition [ja] in 1912.[1]

Gekkō died on 1 October 1920 in Shin-Ogawamachi in Ushigome Ward of Tokyo at age 61. His art names include Kagyōrō, Meikyōsai, Kiyū, and Rōsai. He had few students, the best-known of whom was Kōgyo Tsukioka, the adopted son of Yoshitoshi.[1]

Style[edit]

The swordsmith Munechika being aided by a kitsune fox spirit, in a print by Gekkō.

His work was originally closely based upon that of Kikuchi Yōsai; and he was inspired by Hokusai, creating a series of one hundred prints of Mount Fuji.[2] However, he did develop his own style, with significant stylistic elements from nihonga.

Gekkō was among the artists whose artwork informed the Japanese populace about the progress of naval and land war known today as the First Sino-Japanese War of 1894-1895.[3] A number of Gekko's war images were published in Seishin Bidan by Yokoyama Ryohachi.

An impression of the Haiyang Island (Kaiyoto) Naval Battle in 1894 was prepared in a large-scale quadruptich format.

Among the widely circulated Sino-Japanese triptych images of the war which were created by Gekkō include:

  • Japanese Officers and Soldiers Fight Bravely at Fenghuangcheng[4]
  • The Japanese First Army Advances Toward Mukden[4]
  • The Japanese Navy Victorious Off Takushan[4]
  • Captain Osawa and Six Others From the Warship Yaeyama Close in on Yungcheng Bay[4]
  • Presenting a Portentous Eagle to the Emperor[4]
  • Popular Viewing of the Captured Chinese Warship Chenyuen[4]
  • Japanese and Chinese Dignitaries Accomplish Their Missions in Successfully Concluding a Peace Treaty[4]

Selected works[edit]

Ogata Gekkō's published work encompasses 46 works in 48 publications in 2 languages and 68 library holdings.[5]

  • 1905 – 夢の三郎 (Yume no Saburō) OCLC 229891974
  • 1898 – 月耕画圃 (Gekkō gaho) [1]
  • 1895 – 以呂波引月耕漫画 (Irohabiki Gekkō manga) OCLC 046354614
  • 1885 – 新說小簾の月 (Shinsetsu osu no tsuki) OCLC 033798610

Gallery[edit]

See also[edit]

References[edit]

  1. ^ a b c d e f g h Marks 2012, p. 172.
  2. ^ a b Nussbaum, Louis Frédéric et al. (2005). "Ogata Gekkō" in Japan Encyclopedia, p. 737.
  3. ^ Keene, Donald et al. (2001). Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868-1912, p. 100.
  4. ^ a b c d e f g Philadelphia Museum of Art/Corbis
  5. ^ WorldCat Identities: 尾形月耕 1859–1920; Gekko, Ogata 1859-1920.

Works cited[edit]

  • Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. Tuttle Publishing. ISBN 978-1-4629-0599-7.
  • Keene, Donald; Anne Nishimura Morse; Frederic A Sharf and Louise E Virgin. (2001). Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 1868–1912. Boston: Museum of Fine Arts. ISBN 9780878466191; ISBN 9780878466207; OCLC 249920897
  • Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471; OCLC 5246796
  • Nussbaum, Louis Frédéric and Käthe Roth. (2005). "Ogata Gekkō" in Japan Encyclopedia. Cambridge: Harvard University Press. ISBN 978-0-674-01753-5; OCLC 48943301

External links[edit]